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Cryptonomicon Kindle Edition
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With this extraordinary first volume in what promises to be an epoch-making masterpiece, Neal Stephenson hacks into the secret histories of nations and the private obsessions of men, decrypting with dazzling virtuosity the forces that shaped this century. As an added bonus, the e-book edition of this New York Times bestseller includes an excerpt from Stephenson's new novel, Seveneves.
In 1942, Lawrence Pritchard Waterhouse—mathematical genius and young Captain in the U.S. Navy—is assigned to detachment 2702. It is an outfit so secret that only a handful of people know it exists, and some of those people have names like Churchill and Roosevelt. The mission of Waterhouse and Detachment 2702—commanded by Marine Raider Bobby Shaftoe-is to keep the Nazis ignorant of the fact that Allied Intelligence has cracked the enemy's fabled Enigma code. It is a game, a cryptographic chess match between Waterhouse and his German counterpart, translated into action by the gung-ho Shaftoe and his forces.
Fast-forward to the present, where Waterhouse's crypto-hacker grandson, Randy, is attempting to create a "data haven" in Southeast Asia—a place where encrypted data can be stored and exchanged free of repression and scrutiny. As governments and multinationals attack the endeavor, Randy joins forces with Shaftoe's tough-as-nails granddaughter, Amy, to secretly salvage a sunken Nazi submarine that holds the key to keeping the dream of a data haven afloat. But soon their scheme brings to light a massive conspiracy with its roots in Detachment 2702 linked to an unbreakable Nazi code called Arethusa. And it will represent the path to unimaginable riches and a future of personal and digital liberty...or to universal totalitarianism reborn.
A breathtaking tour de force, and Neal Stephenson's most accomplished and affecting work to date, Cryptonomicon is profound and prophetic, hypnotic and hyper-driven, as it leaps forward and back between World War II and the World Wide Web, hinting all the while at a dark day-after-tomorrow. It is a work of great art, thought and creative daring; the product of a truly iconoclastic imagination working with white-hot intensity.
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateMarch 17, 2009
- File size2676 KB
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Editorial Reviews
About the Author
Neal Stephenson is the bestselling author of the novels Reamde, Anathem, The System of the World, The Confusion, Quicksilver, Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac, and the groundbreaking nonfiction work In the Beginning . . . Was the Command Line. He lives in Seattle, Washington.
--This text refers to an out of print or unavailable edition of this title.From the Back Cover
In 1942, Lawrence Pritchard Waterhouse - mathematical genius and young Captain in the U.S. Navy - is assigned to detachment 2702. It is an outfit so secret that only a handful of people know it exists, and some of those people have names like Churchill and Roosevelt. The mission of Watrehouse and Detatchment 2702-commanded by Marine Raider Bobby Shaftoe-is to keep the Nazis ignorant of the fact that Allied Intelligence has cracked the enemy's fabled Enigma code. It is a game, a cryptographic chess match between Waterhouse and his German counterpart, translated into action by the gung-ho Shaftoe and his forces.
Fast-forward to the present, where Waterhouse's crypto-hacker grandson, Randy, is attempting to create a "data haven" in Southeast Asia - a place where encrypted data can be stored and exchanged free of repression and scrutiny. As governments and multinationals attack the endeavor, Randy joins forces with Shaftoe's tough-as-nails grandaughter, Amy, to secretly salvage a sunken Nazi sumarine that holds the key to keeping the dream of a data haven afloat. But soon their scheme brings to light a massive conspiracy with its roots in Detachment 2702 linked to an unbreakable Nazi code called Arethusa. And it will represent the path to unimaginable riches and a future of personal and digital liberty...or to universal totalitarianism reborn.
A breathtaking tour de force, and Neal Stephenson's most accomplished and affecting work to date, CRYPTONOMICON is profound and prophetic, hypnotic and hyper-driven, as it leaps forward and back between World War II and the World Wide Web, hinting all the while at a dark day-after-tomorrow. It is a work of great art, thought, and creative daring; the product of a truly icon
--This text refers to an out of print or unavailable edition of this title.Review
"Neal Stephenson is the Quentin Tarantino of postcyberpunk science fiction. . .Having figured out how to entertain the hell out of a mass audience, Stephenson has likewise upped the form's ante with rambunctious glee." -- The Village Voice
"Stephenson [is] a literary visionary of the technological future." -- Seattle Weekly
"Stephenson has not stepped, he has vaulted onto the literary stage." -- Los Angeles Reader
"Stephenson's world-building skills are extraordinary. . .The Diamond Age . . .should cement Stephenson's reputation as one of the brightest and wittiest young authors of American science fiction." -- The San Diego Union-Tribune
"This is a story to bury your nose in." -- John R. Alden, The Plain Dealer
"[Stephenson] is the hottest science fiction writer in America. . .Snow Crashis without question the biggest SF novel of the 1990s. Neal's new SF novel, The Diamond Age, promises more of the same. Together they represent a new era in science fiction." -- Bruce Sterling, Details
Cryptonomicon ... wants to blow your mind while keeping you well fed and happy. For the most part, it succeeds. It's brain candy for bitheads. -- The New York Times Book Review, Dwight Garner
Stephenson ... lives up to his reputation as a steely-eyed word hacker, driving the story along with prose thick with cultural references and a plot that needs a substantial wood pulp infrastructure to support it. -- Wired, Craig E. Engler --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
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Amazon.com Review
Cryptonomicon zooms all over the world, careening conspiratorially back and forth between two time periods--World War II and the present. Our 1940s heroes are the brilliant mathematician Lawrence Waterhouse, cryptanalyst extraordinaire, and gung ho, morphine-addicted marine Bobby Shaftoe. They're part of Detachment 2702, an Allied group trying to break Axis communication codes while simultaneously preventing the enemy from figuring out that their codes have been broken. Their job boils down to layer upon layer of deception. Dr. Alan Turing is also a member of 2702, and he explains the unit's strange workings to Waterhouse. "When we want to sink a convoy, we send out an observation plane first.... Of course, to observe is not its real duty--we already know exactly where the convoy is. Its real duty is to be observed.... Then, when we come round and sink them, the Germans will not find it suspicious."
All of this secrecy resonates in the present-day story line, in which the grandchildren of the WWII heroes--inimitable programming geek Randy Waterhouse and the lovely and powerful Amy Shaftoe--team up to help create an offshore data haven in Southeast Asia and maybe uncover some gold once destined for Nazi coffers. To top off the paranoiac tone of the book, the mysterious Enoch Root, key member of Detachment 2702 and the Societas Eruditorum, pops up with an unbreakable encryption scheme left over from WWII to befuddle the 1990s protagonists with conspiratorial ties.
Cryptonomicon is vintage Stephenson from start to finish: short on plot, but long on detail so precise it's exhausting. Every page has a math problem, a quotable in-joke, an amazing idea, or a bit of sharp prose. Cryptonomicon is also packed with truly weird characters, funky tech, and crypto--all the crypto you'll ever need, in fact, not to mention all the computer jargon of the moment. A word to the wise: if you read this book in one sitting, you may die of information overload (and starvation). --Therese Littleton
--This text refers to an out of print or unavailable edition of this title.From Library Journal
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Product details
- ASIN : B000FC11A6
- Publisher : William Morrow (March 17, 2009)
- Publication date : March 17, 2009
- Language : English
- File size : 2676 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 1168 pages
- Page numbers source ISBN : 0380788624
- Best Sellers Rank: #23,552 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Neal Town Stephenson (born October 31, 1959) is an American writer, known for his speculative fiction works, which have been variously categorized science fiction, historical fiction, maximalism, cyberpunk, and postcyberpunk. Stephenson explores areas such as mathematics, cryptography, philosophy, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired Magazine, and has worked part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned sub-orbital launch system.
Born in Fort Meade, Maryland (home of the NSA and the National Cryptologic Museum) Stephenson came from a family comprising engineers and hard scientists he dubs "propeller heads". His father is a professor of electrical engineering whose father was a physics professor; his mother worked in a biochemistry laboratory, while her father was a biochemistry professor. Stephenson's family moved to Champaign-Urbana, Illinois in 1960 and then to Ames, Iowa in 1966 where he graduated from Ames High School in 1977. Stephenson furthered his studies at Boston University. He first specialized in physics, then switched to geography after he found that it would allow him to spend more time on the university mainframe. He graduated in 1981 with a B.A. in Geography and a minor in physics. Since 1984, Stephenson has lived mostly in the Pacific Northwest and currently resides in Seattle with his family.
Neal Stephenson is the author of the three-volume historical epic "The Baroque Cycle" (Quicksilver, The Confusion, and The System of the World) and the novels Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac. He lives in Seattle, Washington.
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One comes to appreciate in the first story thread that takes place during WWII how much value should be placed on intelligence. Knowing what the Germans or Japanese were going to do was essential to being ready for their attacks. We woke up to this reality on December 7, 1941. The prime characters in this thread are the intellectuals that decrypt coded messages. Mixed in with the character set is one action hero that stands apart. Amazing how need to survive catapults technology. There is little moral message in this thread. Some of the characters are fictional, and some are genuine as in Alan Turing. Turning and Waterhouse, college buddies combine their efforts to give birth to what has grown up to be artificial intelligence. Yeap computer punch cards, with patterned punches decrypted enemy messages. At that time, and I believe it is still mostly true today that artificial intelligence still requires a human to input the original algorithm. I say this because the reader will find in this book the answer to that question through school: “why do I need to learn math”?
On the other time continuum the second generation comes in the form of hi-tech adventure capitalists stumbling into the opportunity to recoup enough war gold to realize the kernel of capital to eliminating the greed/power seeds of war. The reader becomes aware of the fundamentals of an economy and therefore appreciates that any economy must be underwritten with the ability to pay on a promissory note, no matter what technology, that being a coin, a piece of paper, or a digital bitcoin. Yeap the book gives legitimacy to the reality of a totally digital currency.
Moral Message: First you encounter these words that draw on the gods of the Greek that go back to origin, it speaks to patterns of thinking that transcends time: From the book: "“If you think of the Greek gods as real supernatural beings who lived on Mount Olympus, no. But if you think of them as being in the same class of entities as the Root Rep, which is to say, patterns of neurological activity that the mind uses to represent things that it sees, or thinks it sees, in the outside world, then yes. Suddenly, Greek gods can be just as interesting and relevant as real people. Why? Because, in the same way as you might one day encounter another person with his own Root Rep so, if you were to have a conversation with an ancient Greek person, and he started talking about Zeus, you might—once you got over your initial feelings of superiority—discover that you had some mental representations inside your own mind that, though you didn’t name them Zeus and didn’t think of them as a big hairy thunderbolt-hurling son of a Titan, nonetheless had been generated as a result of interactions with entities in the outside world that are the same as the ones that cause the Zeus Representation to appear in the Greek’s mind. And here we could talk about the Plato’s Cave thing for a while—the Veg-O-Matic of metaphors—it slices! it dices!”"
So past events are tied to a future of world peace at the grace of super heroes who use brain and brawn to get you there. But Stephenson gets you there with a moral message tied to Jesus Christ, the Son of God. In the end there is much dialogue that begins with a Catholic priest and Randy Waterhouse a crypto-geek in a prison cell that carries on to an executive of a very powerful Japanese firm who knows where the war gold is:
From the book: "“I came to the Church because of some words.”“Words?”“This is Jesus Christ who taketh away the sins of the world,” Goto Dengo says. “Enoch Root, no one knows the sins of the world better than me. I have swum in those sins, drowned in them, burned in them, dug in them. I was like a man swimming down a long cave filled with black cold water. Looking up, I saw a light above me, and swam towards it. I only wanted to find the surface, to breathe air again. Still immersed in the sins of the world, at least I could breathe. This is what I am now.”
My interpretation of this somewhat cryptic moral message enter keyword cigarroomofbooks, its in my Oct 2015 reviews
I can now say, though, that I understand why Stephenson fans took him to task for lack of verisimilitude in Snow Crash and the books which constitute The Baroque Cycle, both of which are a great deal of fun to read, but not terribly conducive to deep thinking. This book is so conducive, for a number of reasons, but the primary one, I should say, is that very few people realise just how WEIRD the branch of mathematics known as Statistics is. The simplest example I can think of is coin tossing: If you enter a (rather primitive) casino, toss a coin once and come up heads, your chance on the second toss of coming up heads again is 25%. It's not 50%. Furthermore, if you toss the coin and it comes up heads, then put the coin in your pocket and wait three days, three months, three years, however long, and take that same coin out of your pocket on the other side of the globe and flip it, your chances of coming up heads, after all this time, are still 25%, not 50%. I've gone out about the Math enough for this review, but the Math herein is very much concerned with probabilities like this one. It makes you start thinking, as the character Waterhouse does at one point, of the entire world as a giant probability wave. I can't tell you how many hours of sleep I lost tossing and turning with different numbers running through my head.
The characters in this book, as Stephenson puts it are "people too busy leading their lives to worry about extending their life expectancy." This makes for very intriguing, if involved, reading. But the writing can also approach the poetic at times. The sinking of the Arizona at Pearl Harbor is described thusly: "A military lyre of burnished steel that sings a thousand men to their resting places at the bottom of the harbor."
And the book is so terribly funny. The Englishman, Chatan's, description to Detachment 2702 of the importance of knowing the right way to, er, blow your head off if in danger of being caught by the enemy is priceless, "You would be astonished at how many otherwise competent chaps botch this apparently simple procedure."
Also, as noted by other reviewers, there are numerous in-jokes, my personal favourite being the Latin motto for the Societas Eruditorum: "Ignoti et quasi occulti." Which Enoch Root translates for Bob Shaftoe as, "Hidden and unknown-more or less," which is EXACTLY what it means! Notice the quotation marks surrounding more or less. The word "quasi," in Latin means "more or less" or "as it were" or "so to speak".
Alright, I've gone on long enough, perhaps too long, for an Amazon review. For those few who might be interested, I'll try to include a simple program I came up with for solving the Turing bicycle problem, which Stephen uses to illustrate how the Enigma machine works in the Comment section once this review is posted.
A wonderful book!
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The style reminds me of those old H. Rider Haggard books like She: an adolescent wet dream with no real characters, but at least you know who the goodies and baddies are. You can see why male computer nerds like this sort of book, where all the beautiful girls end up going out with nerds.
Some other reviewers have compared Cryptonomicon to Thomas Pynchon's books such as Gravity's Rainbow, Against The Day, or V. These share with Cryptonomicon a love of Mathematics and sometimes far-fetched engineering. They also share graphic descriptions of sex.
However, Pynchon is a great novelist, and Stephenson is a competent one. What is the difference?
Partly it is down to the care taken over the authorship. Cryptonomicon has holes in its plot that undermine its credibility: why does Andrew Loeb act the way he does? what is the point of Wing? The name Ferdinand is spelt in Japanese differently every time it is written, and I do not think we can blame the Kindle version for that, though there are plenty of examples of Kindle'ese here, such as 'burnwad'.
Partly it is down to the two-dimensionality of the characters, especially the female ones. I cannot see this book appealing to feminists, or women at all really. It is very hard to see why any of the female characters are attracted to the male ones.
But the great thing about Pynchon is that his books are about something. Not just the plot, but the shape of the plot, the subplots, the nature of the characters, the descriptive passages, even the title -- all resound to the same theme. Cryptonomicon in contrast reads like a collection of different ideas, loosely stapled together.
To summarise, I enjoyed reading the book, kept turning the pages, and especially enjoyed the Appendix. Maybe I'd have been more generous with the stars had the book not been so eclipsed by Thomas Pynchon.
I'm a fan of the author and have read a few of his books and thoroughly enjoyed them.
this book is a dreadful read from start to finish, no story, nothing to keep it together, it jumps from timeline to timeline with nothing to hold the threads together,
Cardboard characters that are so artificial I couldnt get to liking or even empathizing with.
the fact that its even less historically less historically accurate than the film U571 doesnt help anything along, neither does the really bad explanations of how cryptography works.
with some random references to UNIX and Windows NT4.0 coupled with some really pointless sex scenes, and multiple descriptions of Masturbation and nocturnal emissions make this book a big fat Zero.
I should have sacked this off at the 50 page mark but i stayed with it till the bitter end.
Dont waste your time with this book, it is dire.
if you are tempted to buy it then avoid the Kindle version and go for either paperback or hard back editions. with 900+ pages you wont need to buy toilet roll for a good few months
He's not THAT much like Pynchon tbh, but this is good. The three main story threads are set in two different time zones, WWII and today (or at least, the time the novel was written), and both deal in codes - Bletchley Park-type spy codes and code-breaking in earlier threads and computer coding later. Except, as you go along everything becomes a code. Someone walks through London streets, up and down the high curbs, and he envisions it as a code. There's a business deal, one party pulling tricks, and the others have to read his actions as if they were a code. An intelligence officer twists a radio aerial in ways designed to fool German spies into thinking X, so he is in effect getting them to read it... like a code. It's clever and witty, with a lot of narrative and events. There is lots of information about maths, codes, etc, along the way, which you may not like. Personally, I found it interesting.
It's not without flaws. It is, finally, too long (should have ended about the 75% mark.) Parts are absurd, and I'm not sure it ultimately adds up to much: if this were Pynchon then codes would serve as metaphor for all of Western civilisation, with well-researched and insightful observations throughout, but this is just a lark. Still, it's intelligent, there is plenty in it, and it cracks along at a fair pace, not really developing rounded characters much but offering plenty of story that pulls you with it. I will definitely read more from this author.



