- Amazon Business : For business-only pricing, quantity discounts and FREE Shipping. Register a free business account
Image Unavailable
Color:
-
-
-
- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
Cure
Customers who viewed this item also viewed
The WitchAnya Taylor-JoyDVD
Audition [Blu-ray]Ryo IshibashiBlu-ray
The WailingKwak Do WonDVD
PulseHaruhiko KatôDVD
InfectionMichiko HadaDVD
CharismaKôji YakushoDVD
Customers who bought this item also bought
RetributionKôji YakushoDVD
PulseHaruhiko KatôDVD
CharismaKôji YakushoDVD
Ju-on (2005)Takashi ShimizuDVD
Pulse (2-Disc Special Edition) [Blu-ray + DVD]Haruhiko KatoBlu-ray
Solid Metal Nightmares: The Films of Shinya Tsukamoto [Blu-ray][Shinya TsukamotoBlu-ray
Special offers and product promotions
Editorial Reviews
Product Description
In the tradition of Seven and Silence of the Lambs comes this genuinely spine-tingling horror/thriller from one of Japans most talked about filmmakers, Kiyoshi Kurosawa. Set in and around a bleak, decaying Tokyo, a series of murders have been committed by average, ordinary people who claim to have had no control over their horrifying actions. Following the only linka mysterious stranger who had brief contact with each perpetrator/victimdetective Kenichi Takabe (Koji Yakusho, Shall We Dance, Warm Water Under A Red Bridge) places his own sanity on the line as he tries to end the wave of inexplicable terror.
Amazon.com
In the hands of director Kiyoshi Kurosawa, a serial-killer movie is not merely a serial-killer movie. Cure doesn't so much scream and shout as drive the audience slowly crazy--much like Kurosawa's subsequent creepfests, Seance and Pulse (a.k.a. Kairo). Koji Yakusho, the happy-foot husband in Shall We Dance, plays a weary detective on a baffling murder case, which paradoxically becomes even more puzzling as the solution begins to emerge. Kurosawa's use of empty spaces, and his uncanny command of the soundtrack (the eerie collection of hums and drones would win David Lynch's approval) makes for a shivery experience... though not one interested in resolving itself in a conventional manner. And why should it? At some terrible point in this movie you realize that catching the bad guy isn't going to make Kurosawa's poisoned world any cleaner or safer. Stick with the director's elliptical style, and Cure will leave dread in its tainted wake. --Robert Horton
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : s_medNotRated Unrated (Not Rated)
- Product Dimensions : 7.5 x 4.25 x 0.5 inches; 4 Ounces
- Item model number : CUR020DVD
- Director : Kiyoshi Kurosawa
- Media Format : Multiple Formats, Anamorphic, Color, NTSC, Subtitled, Widescreen
- Run time : 1 hour and 51 minutes
- Release date : January 6, 2004
- Actors : Masato Hagiwara, Kôji Yakusho, Tsuyoshi Ujiki, Anna Nakagawa, Yoriko Dôguchi
- Subtitles: : English
- Producers : Atsuyuki Shimoda, Hiroyuki Kato, Satoshi Kanno, Shigeo Minakami, Tetsuya Ikeda
- Language : Japanese (Dolby Digital 2.0 Stereo), Unqualified (DTS ES 6.1)
- Studio : Homevision
- ASIN : B0000YAEHK
- Writers : Kiyoshi Kurosawa
- Number of discs : 1
-
Best Sellers Rank:
#149,047 in Movies & TV (See Top 100 in Movies & TV)
- #4,263 in Foreign Films (Movies & TV)
- #7,043 in Horror (Movies & TV)
- #13,398 in Mystery & Thrillers (Movies & TV)
- Customer Reviews:
Customer reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
In `Cure' Detective Takabe is investigating a series of gruesome murders, where the victims each have an `X' slashed into their throat. Naturally, these crimes would seem to be connected, except that in each case the killer is different, and is found not far away from the crime scene, in a disoriented state. They generally seem to be regular people, and none of them can explain precisely why they committed the crime. (One says, simply, `It seemed the natural thing to do, at the time) Beyond his professional concerns, Takabe is an angry, volatile individual with an uncomfortable home life, partially due to his wife, who suffers from some mental illness effecting her memory. Scenes involving the detection are intertwined with scenes following the man apparently responsible for killings, an amnesiac named Mamiya. How Mamiya insights the killings is somewhat uncertain, as he simply converses with the would be killer, constantly repeating questions and probing at them. It's hard to say why, but these scenes are fascinating and disturbing. We see three of them, in short order, learning more of his method each time, and though they are slow and a bit repetitive, they're powerful, necessary scenes, and definitely some of the best in the movie. (The first one is probably the standout scene for the whole film)
Koji Yakusho and Masato Hagiwara and both excellent as the cop and the killer, respectively. Hagiwara is quite creepy, with his slow, deliberate actions and his vaguely disconnected mannerism. Yakusho could have been you're typical angry, tough cop, but he gives his character genuine pathos by underlining his violence with real frustration and desperation. We can't fully understand why Takabe is so close to the edge, but we definitely believe it.
Atmospheric though this film is, the direction is fairly low-key. Kurosawa utilizes lots of long takes, letting the action slowly unfold before us, with lots of deliberate dialogue ad very little music. The camera angles are usually basic, straightforward and at about head or chest level, and usually not too close, creating a distance and coldness between the viewer and the action. Though this basic style works for atmospheric purposes, it isn't exactly all that interesting looking, which , combined with the relative lack of a plot, makes the second half of the film drag a bit at times. Still, their are some powerful images, such as a mysterious, electrocuted monkey and a gruesome scene where one of the killers attempts to remove a flap of flesh from the neck their victim, indifferent to her being observed by a horrified onlooker.
`Cure' is a socially concious film, though not in an excessively overt manner.Thematically, `Cure' seems concerned with the hollow, projected nature of the modern man. It appears that Mamiya is able to incite the killings by cutting through external defense of his victims, exposing how their external identity is not related to their true nature. (This is particularly appropriate, because as an amnesiac, Mamiya has no projected nature. Society cannot define him, because he doesn't know who society says he has to be.) Takabe is the perfect opponent for Mamiya, as he is hollow, but he realizes this, and hates it, rather then accepting it passively, like most do.
I don't want to give anything away, but I have to admit that I don't fully understand the final act of this film. I *think* I do, but I wouldn't wanna put money on it. Normally, I wouldn't wanna review something that I wasn't sure about, but I think the things I don't understand for sure are basically academic, stuff that just clears up the plot a bit. The basic ideas, the atmosphere and the themes all come through, and they are what really matter. And they work.
Years ago "Akira" drew me into Anime. And the American version of "Pulse" and finding it out it had a Japanese counterpart which was the original drew me into Asian Horror/Suspense.
I saw "Cure" on the suggestion list by the same director plenty of times.
But even from the reviews it did not seem like something I would like.
But after seeing "Retribution" after some gave it lousy reviews, I found it rather interesting and decided to obtain "Cure".
And I was very pleasantly surprised.
The film is alluring and ambiguous. Shadowy instead of really dark. And the gore factor was more so surgical than gratuitous.
It leads a merry chase that seems to promise a clear solution at the end, but still keeps one mystified.
Its somewhat Lovecraftian in that it merges possibility and reality and throws it together just enough to make one wonder.... would that be possible....
St. Germain would be proud.
'who are you?'
Where are you?
Top reviews from other countries
It's really dark and disturbing and also a mite depressing, so pop a few Xanax before popping it in your DVD player.
It concerns a strange young man of few words who ingratiates himself in people's lives and his mere presence and repeated questions of : "Who are you?" slowly and inexorably drives them to demented acts of murder.
His presence strips away their veneer of humanity and respectability which we all pose as masks to fit into public life and exposes the animal instincts inside ourselves. Or that's what I think the movie means, anyway.
The actor who portays this killer creator is brilliant and unbelievably creepy. His calm demeanor and unruffled demeanor with the detective trying to solve the multiple murder cases is chilling to behold.
When the detective enters the sranger without a name's realm near the end of the movie, your jaw will drop.
It is a place which makes David Lynch's phantasmagorical lanscapes and other nightmarish otherworlds look like sunny playgrounds.
The ending is a bit ambigious though. What does it mean?
I think I know, but if someone can 100% explain it to me, I would be grateful.
Otherwise, a great film which relies on atmosphere and suggestion for its scares. (Although there is one unbelievably gory scene the likes of which I have never seen and will make films like Hostel and Saw blush.
Hauptfigur ist der desillusionierte Kriminalbeamte Keniche Takabe (Koji Yakusho). Er leidet vor allem wegen der schweren Depression seiner Frau (Anna Nakagawa), um die er sich kümmern muss. Und auch sein Job als Cop verlangt einiges an emotionaler Stärke von ihm. Sein neuer Fall ist bizarr und furcherregend und gibt der Mordkommission extreme Rätsel auf. Die Opfer werden auf gleiche Weise getötet, indem der unbekannte Killer ihnen ein großes "X" in die Brust schneidet. Im neuesten Fall gibt der Mörder auch zu, dass er seine Frau getötet hat. Doch es fehlt ein Motiv. Die Ehe war ohne Probleme, der Mann liebte seine Frau und sie ihn. Immer mehr kommt der Verdacht auf, dass die Mörder vielleicht von einem Unbekannten hypnotisiert worden sind und gar nicht nach ihrem eigenen Willen handeln konnten, sondern zu der Gewalttat manipuliert wurden. Takabe versucht mit dem befreundeten Psychologen Sakuma (Tsuyoshi Ujiki) Licht ins Dunkel zu bringen. Tatsächlich fokussieren sich die Ermittlungen sehr bald auf den Studenten Mamiya (Masato Hagiwara), der einige Monate verschwunden war und nun wieder - scheinbar mit dem Verlust des Kurzzeitgedächtnisses - auftauchte. Bei den Verhören kommt allerdings wenig heraus, denn der Student wirkt verwirrt oder tut zumindest so als wäre er ohne Gedächtnis.
Als Takabe entdeckt, dass Mamiya Psychologie studerte und sich mit dem Mesmerismus und mit Hypnose beschäftigte, ist der Polizist sich sicher, dass keine Gedächtnisprobleme vorliegen, sondern dass der junge Verdächtige ein Meister der Hypnose ist. Er scheint in der Lage zu sein fremden Menschen kriminelle Vorschläge zu machen, indem er sie wiederholten Geräuschen, der Bewegung von Wasser oder der Flamme eines Feuerzeugs aussetzt. Im Laufe der Ermittlungen kommen sich Cop und Hypnotiseur aber gefährlich näher...
Die ganze Geschichte ist extrem mysteriös und behandelt auf faszinierende Art die Themen von Hypnose und Identität. Am Ende bleiben allerdings Fragen, denn der Epilog soll vom Zuschauer gedeutet werden. Dabei belebt Regisseur Kiyoshi Kurosawa mit seinem Film das Serienkiller-Genre neu, nicht nur weil im Laufe der Handlung die Psyche des Ermittlers eine entscheidende Rolle spielt. Die Schauspielerleistung der beiden Kontrahenten Koji Yakusho und Masato Hagiwara sind ebenfalls überzeugend.
eine klare Empfehlung für Leute, die Suspense/Thriller und subtilen Horror à la "Sieben" mögen.
Hinzu kommen einige Elemente, die sehr stark an Takashi Miike und David Lynch erinnern...!
Unterm Strich:
Leute, die eher weniger Wert auf plakatives rumgemetzel legen und stattdessen einen intelligenten Thriller sehen wollen, sollten sich diesen Film unbedingt angucken!
There's a problem loading this menu right now.

