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The Cut: A BBC Radio 2 Book Club pick Kindle Edition
Preorder Chris Brookmy're stunning, unique new novel THE CRACKED MIRROR now
A BBC Radio 2 Book Club pick
'Strikingly original and definitively Brookmyre - there's nothing he can't do'
Mick Herron
'I recommend The Cut SO HIGHLY! A fast-paced thriller, lovely characters, [and] it kept me guessing'
Marian Keyes
The supremely entertaining, moving, and unpredictable new thriller from multi-award-winning bestseller Chris Brookmyre is a wholly original masterpiece and the best crime novel of 2021.
Millie Spark can kill anyone.
A special effects make-up artist, her talent is to create realistic scenes of bloody violence.
Then, one day, she wakes to find her lover dead in her bed.
Twenty-five years later, her sentence for murder served, Millicent is ready to give up on her broken life - until she meets troubled film student and reluctant petty thief Jerry.
Together, they begin to discover that all was not what it seemed on that fateful night . . . and someone doesn't want them to find out why.
'A twisty spiralling rabbit hole of a book that draws you deeper with every chapter. Brilliantly original, compulsively readable, right to the final page'
Ruth Ware
'Dark, heartfelt, stylish and thrilling, The Cut is the kind of wonderfully original tale I just adore. Chris Brookmyre is a storytelling mastermind'
Chris Whitaker
'This is a special novel. A brilliant, original, up-to-the-minute tale with all of the dark, edgy, humorous brilliance we've come to expect from one of the finest crime fiction writers in the world. The Cut is simply superb'
Abir Mukherjee
- LanguageEnglish
- PublisherLittle, Brown Book Group
- Publication dateMarch 4, 2021
- File size2451 KB
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What's it about?
A special effects artist is accused of murdering her lover, but years later, she and a student uncover shocking truths.
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‘The reason people don’t value facts is because they belong to everyone,’ she replied. ‘Myths and rumours feel like secret knowledge, and so people prize them more.’82 Kindle readers highlighted this
Editorial Reviews
Review
I recommend The Cut SO HIGHLY! A fast-paced thriller set in the glamorous/seedy movie world, it's DIFFERENT. Lovely characters with the sweetest relationship, it kept me guessing―Marian Keyes
A twisty spiralling rabbit hole of a book that draws you deeper with every chapter. Brilliantly original, compulsively readable, right to the final page―Ruth Ware
The Cut is both strikingly original and definitively Brookmyre - proving, yet again, that there's nothing he can't do in the genre―Mick Herron
It works a treat, with jokes never far away even when the odd duo are in peril, sharply drawn supporting characters and evocative 1990s flashbacks―Sunday Times
This is a special novel. A brilliant, original, up-to-the-minute tale with all of the dark, edgy, humorous brilliance we've come to expect from one of the finest crime fiction writers in the world. The Cut is simply superb―Abir Mukherjee
Another twisting, turning thriller that displays Brookmyre's original touch―Scotsman
Dark, heartfelt, stylish and thrilling, The Cut is the kind of wonderfully original tale I just adore. Chris Brookmyre is a storytelling mastermind―Chris Whitaker
A smart, sassy and surprisingly tender crime novel―Irish Times
I could not put this stomach lurching, zig-zagging triumph of a thriller down―Scottish Field
Multi-award-winning Brookmyre once again serve up a delightful cocktail of murder and mayhem with totally engaging central characters―Irish Independent
A riveting, original thriller that also tackles preconceptions about age, class and ability―Sunday Post
About the Author
Product details
- ASIN : B08CV64Q5P
- Publisher : Little, Brown Book Group (March 4, 2021)
- Publication date : March 4, 2021
- Language : English
- File size : 2451 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 449 pages
- Best Sellers Rank: #499,274 in Kindle Store (See Top 100 in Kindle Store)
- #1,449 in Noir Crime
- #5,927 in Psychological Thrillers (Kindle Store)
- #6,076 in Murder
- Customer Reviews:
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Customers find the book very enjoyable and say the story moves forward at a good pace. They also appreciate the plot and resolution. Readers also say the writing style is good.
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Customers find the book very enjoyable and highly recommended.
"...All in all, I highly recommend this book. A very enjoyable and satisfying read. Good luck with the Harrogate Crime Novel of the Year 2022 nomination!" Read more
"Not just fun reading, which it is, but interesting in that it talks about/explains things about the film industry that I, at least, did not know...." Read more
"...And an homage to films and filmmaking. Highly recommended." Read more
"Such a great read!..." Read more
Customers find the pacing of the book good. They also say the plot and resolution were well thought out.
"...Just the right amount of humor and sarcasm. The story moved forward at a good pace. The plot and its resolution was well thought out. Well written...." Read more
"...Great story line, awesome characters, and I definitely didn’t guess the end!" Read more
"Definitely one for Chris Brookmyre fans. Fast paced, humor, taut logic. And an homage to films and filmmaking. Highly recommended." Read more
Customers find the writing style of the book good.
"...The plot and its resolution was well thought out. Well written. All in all, I highly recommend this book. A very enjoyable and satisfying read...." Read more
"...The writing was good, as always." Read more
"Despite a complex timeframe, The Cut is beautifully written and all the intricacies are perfectly clear. A joy." Read more
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Then Jerry, a young student who is struggling with some issues of his own, answers an ad to move in with Millie and the two other older women she lives with. Vivian, the homeowner, wants to do one of those intergenerational shares, where he gets cheap rent in return for helping out with chores and engaging with his housemates. Jerry is studying Film and is obsessed with the last film Millie ever worked on, a film which is alleged to be cursed and which was never released.
A chance event gives Millie a new lead on the events that led to her conviction. When she begins to dig, she puts herself and Jerry in danger. They go on the run, on a journey that takes them across Europe, determined to protect themselves and to solve the mystery of what really happened.
The Cut bears a superficial resemblance to Denise Mina’s Conviction – a woman investigating her own past life among the super-rich, an odd couple on the road in glamorous foreign locations. Both books even have a yacht in them. The Cut, though, is less exuberant, given all that Millie has already lost. As the story unfolds, it becomes clear that she and Jerry are both damaged and their hesitant steps towards friendship and trust are beautifully observed.
The story about Millie’s past takes in a political element, recalling the ‘video nasties’ moral panic of the 80s and 90s and featuring a Murdoch-type family, whose story is interwoven with Millie’s both on a cultural and a personal level. It is also chastening to learn that for Jerry, the Leveson Inquiry is a historical event, something he has only learnt about at university, rather than a recent memory!
The novel is steeped in cinematic references. It illustrates the powerful shared experience of fandom, particularly for those who feel isolated in ‘real’ life, and the way niche interests are sustained and shared in the online space, in contrast with the era of video.
The flashbacks to the filming of the lost classic didn’t quite come to life so well for me. The characters and events on the film set felt quite generic (coke, arrogant men, underage girls). The present-day incarnations of those who survived felt more nuanced, offering an insight into what becomes of the people who don’t quite make it, and are on the fringes of a fiercely competitive and profit-driven industry.
In The Cut, nothing is quite as it seems. Even those who create illusions for a living aren’t immune to the power of myth and deception. Millie and Jerry’s journey challenges them to unravel lies and find redemption. And have a few adventures along the way.
*
I received a copy of The Cut from the publisher via Netgalley.
The Cut is one of his best.
Top reviews from other countries
The main character, Mildred is 72-years-old and recently released from prison after serving 25 years for killing her lover. Her one stalwart supporter during those 25 years, her brother, has recently died. She has decided to kill herself. Doesn’t sound amusing, but she is. Whether musing to herself about the behaviours of her latest social worker/parole officer or losing her temper at a pushy man behind her in a queue, she shows a facetiousness that belies her depression. Her background, as told in flashbacks just prior to that crucial period leading up to the murder, shows that she was both an alcoholic and a workaholic — key parts of her personality. Alcoholic because she was (and still is) shy and afraid of many things, a workaholic because her work as a cinema special make-up effects artist was the one place she was in her prime, sure of herself and her skills. She specialized in horror films.
The other main character, Jerome, is a young, mixed race first-year university student, raised by a grandmother who has also recently died. Jerome is also shy in his own way, frightened of not fitting into any world. As a consequence, he has sometimes made bad decisions like joining a small-time robbery gang. After his grandmother’s death, he vowed to change his ways and enrolled in a university program — Film & TV, and Politics.
After Mildred discovers some important information, all thoughts of suicide evaporate. Then, Mildred and Jerome bond in their mutual love of horror films (and the fact that he saves her life). Much of the humour in this story comes from the banter between Mildred and Jerome as they jostle for points re their knowledge of films/TV dialogue. I must admit that though I knew about two-thirds of these films, I didn’t remember hearing any of the dialogue “points” that Mildred and Jerome acquired during this banter, but I did appreciate the contest.
This is a character-driven thriller and some thriller lovers may find the initial parts of the story a bit boring. I didn’t because I love character-driven stories. At any rate, Brookmyre fans can be assured that he starts delivering the thrills at about the 30% mark, while still maintaining the whimsical humour.
I especially loved this book for its portrayal of the senior generation. The secondary characters are not cookie-cutter stereotypes. Even the bad guys are past their retirement age. In terms of secondary characters. I particularly loved Violenta Divine, who plays a small but crucial role in solving the mystery. It’s her survival instinct that’s so attractive to me.
THE CUT, released in 2021, is something like book twenty-three for Scotland's Chris Brookmyre (still Christopher to me). I genuinely think his last five or six books have been some of his best.
THE CUT does something really interesting: It successfully manages to combine Brookmyre's older, more humourous style, with his newer penchant for twisty, high-concept, character-driven mystery-thrillers. With our two lead characters—the elderly Millicent (former make-up effects artist in the horror biz), and young Jerome (uni student, horror and metal fanatic)—Brookmyre is given a playground to explore both styles. Millicent's chapters, while still having a bit of humour, are far more mature in tone. Jerome is where the Brookmyre of old comes out to play, bringing out the Scottish dialect and the biting satire.
THE CUT tackles horror movies like how DEAD GIRL WALKING tackled the music industry. Highly recommended!
⭐⭐⭐⭐/5





