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D'Aulaires' Book of Norse Myths Hardcover – July 10, 2005
Purchase options and add-ons
- Print length160 pages
- LanguageEnglish
- Grade levelKindergarten - 4
- Dimensions8.79 x 0.75 x 12 inches
- PublisherNYR Children's Collection
- Publication dateJuly 10, 2005
- ISBN-10159017125X
- ISBN-13978-1590171257
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| D'Aulaires' Book of Animals | D'Aulaires' Book of Norse Myths | D'Aulaires' Book of Trolls | The Terrible Troll-Bird | |
| Customer Reviews |
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4.8 out of 5 stars
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| Price | $13.99$13.99 | $16.99$16.99 | $12.99$12.99 | $14.76$14.76 |
| About this book | This beautiful volume introduces young children to the creatures of every continent. | Illustrations throughout this introduction to the legends of Norse folklore depict a wondrous other world and fantastical Northern landscape. | The d’Aulaires explore an enchanted night-world populated by trolls of all kinds who work their wiles and carry on in the most bizarre and entertaining fashions. | Filled with vibrant illustrations and telling a story of childhood ingenuity and bravery, this is a delightful book from the Caldecott Award-winning d’Aulaires. |
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| Foxie, The Singing Dog | The Two Cars | Too Big | |
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4.9 out of 5 stars
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| Price | $14.05$14.05 | $12.02$12.02 | $14.43$14.43 |
| About this book | The d’Aulaires and their vibrant illustrations bring Chekhov’s story of a lost dog to life in this adventure book, which follows the sassy, talented Foxie on her journeys to the circus and beyond. | A playful modern twist on the ancient fable of the tortoise and the hare, illustrated with a masterly use of mechanical detail. | In glowing primary colors, the d’Aulaires paint a charming portrait of a typical toddler feeling his way into the world. |
Editorial Reviews
Review
— The New York Times
"Out of print for many years, Norse Gods and Giants has been very handsomely reissued by the The New York Review Children’s Collection and retitled D’Aulaire’s Book of Norse Myths. Featuring a sturdy sewn binding, the book arguably represents the pinnacle of the d’Aulaires’ achievement as storytellers and artists….the prose seems livelier and more robust in the Norse myths than in the Greek…Their retelling of the Greek myths for children had to pull its punches somewhat….but since sex doesn't feature as prominently in Norse mythology, this book is able to stay scrupulously faithful to the Edda and still maintain its PG rating. But not to worry: there’s still a lot of drinking, fighting and bad behavior, particularly on the part of fiery Thor, who is forever whacking frost giants on the head with his hammer, and the highly entertaining Loki, who is one of the most complicated and devious characters in anybody’s mythology, anywhere. Loki is the Bart Simpson of Norse mythology, forever pulling pranks, forever getting caught and forever talking his way out of the consequences…"
— The New York Times Book Review
"[These] works, especially the books of Norse and Greek myths, were and remain crucial to me, and now to my own children. The interest in mythology that was kindled by those two books has endured throughout my life, and has directly influenced my own writing in countless ways…The Norse book was always my favorite, though. I must have read it a dozen times at least by the time I was nine or ten."
— Michael Chabon
About the Author
The couple married in Norway, then moved to Paris. As Bohemian artists, they often talked about emigrating to America. “The enormous continent with all its possibilities and grandeur caught our imagination,” Edgar later recalled.
A small payment from a bus accident provided the means. Edgar sailed alone to New York where he earned enough by illustrating books to buy passage for his wife. Once there, Ingri painted portraits and hosted modest dinner parties. The head librarian of the New York Public Library’s juvenile department attended one of those. Why, she asked, didn’t they create picture books for children?
The d’Aulaires published their first children’s book in 1931. Next came three books steeped in the Scandinavian folklore of Ingri’s childhood. Then the couple turned their talents to the history of their new country. The result was a series of beautifully illustrated books about American heroes, one of which, Abraham Lincoln, won the d’Aulaires the American Library Association’s Caldecott Medal. Finally they turned to the realm of myths.
The d’Aulaires worked as a team on both art and text throughout their joint career. Originally, they used stone lithography for their illustrations. A single four-color illustration required four slabs of Bavarian limestone that weighed up to two hundred pounds apiece. The technique gave their illustrations an uncanny hand-drawn vibrancy. When, in the early 1960s, this process became too expensive, the d’Aulaires switched to acetate sheets which closely approximated the texture of lithographic stone.
In their nearly five-decade career, the d’Aulaires received high critical acclaim for their distinguished contributions to children’s literature. They were working on a new book when Ingri died in 1980 at the age of seventy-five. Edgar continued working until he died in 1985 at the age of eighty-six.
Michael Chabon is the author of several books, including The Mysteries of Pittsburgh, Wonder Boys, The Amazing Adventures of Cavalier and Klay, The Yiddish Policeman’s Union, Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son and, most recently, Telegraph Avenue.
Product details
- Publisher : NYR Children's Collection (July 10, 2005)
- Language : English
- Hardcover : 160 pages
- ISBN-10 : 159017125X
- ISBN-13 : 978-1590171257
- Reading age : 6 - 10 years, from customers
- Grade level : Kindergarten - 4
- Item Weight : 1.57 pounds
- Dimensions : 8.79 x 0.75 x 12 inches
- Best Sellers Rank: #18,399 in Books (See Top 100 in Books)
- #12 in Children's Norse Literature
- #871 in Children's Action & Adventure Books (Books)
- #13,835 in Literature & Fiction (Books)
- Customer Reviews:
About the authors

Edgar Parin, originally of Swiss citizenship, was born in Munich, Germany to the noted Italian portrait painter Gino Parin (1867–1944) and Ella Auler, a talented artist and musician who had moved from St. Louis to Paris. Edgar Parin took his mother's maiden name when she changed it to from Auler to d'Aulaire. After studying architecture for a year in Munich, he began art studies at its School of Arts and Crafts (de:Kunstgewerbeschule, German). Edgar, a pupil of Hans Hofmann and Henri Matisse, studied fresco in Florence, painted murals in France and Norway, and exhibited in Paris, Berlin and Oslo. He illustrated many books in Germany from 1922 to 1926 and painted frescoes in Norway from 1926 to 1927.
Bio from Wikipedia, the free encyclopedia. Photo by unknown (OTRS submission by Per Ola d'Aulaire) [Public domain], via Wikimedia Commons.

The work of Ingri and Edgar D'Aulaire has needed no introduction - their beautiful picture books have delighted countless children ever since. Ingri Mortenson and Edgar Parin D'Aulaire met in Munich where both were studying art in the 1920's. Ingri had grown up in Norway; Edgar, the son of a noted portrait painter, was born in Switzerland and had lived in Paris and Florence. Shortly after their marriage, they moved to the United States and began to create the picture books that have established their reputation for unique craftsmanship. Their books were known for their vivid lasting color. a result of the pain-staking process of stone lithography used for all their American history biographies. This was an old world craft in which they were both expert, which involved actually tracing their images on large slabs of Bavarian limestone. Throughout their long careers, Ingri and Edgar worked as a team on both art and text. Their research took them to the actual places of their biographies, including the countries of Italy, Portugal and Spain when they were researching Columbus; to the hills of Virginia while they researched Washington; and to the wilds of Kentucky and Illinois for Abraham Lincoln, winner of the Caldecott Medal. The fact that they spoke 5 languages fluently served them well in their European travels and in their research of original documents. Since their deaths in the 1980's, Ingri and Edgar's books and works have been kept alive by their two sons Ola and Nils.
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Top reviews from the United States
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The Kindle edition, however, is a blurry, pirated PDF that somebody found online. (A library stamp is clearly visible on the image of the frontispiece.) I tried to report it to Amazon, but of course it's nearly impossible to do that nowadays. Avoid the Kindle; buy the physical book. You won't be mad at me for the recommendation.
Certainly not a replacement for scholarly sources, but excellent for both children and those more learned who appreciate seeing this material treated in an approachable and enjoyable way that conveys the alien and human nature of the Norse myths.
The D'Aulaires were a dear part of my childhood, both this book and the associated Greek myths, and it's looking like the same on my kids. The stories are very well done, telling the classic mythical tales in a way that is true to the tradition, but also not overly explicit. (Important in some of these stories. Woof, nordic people.) I'm amazed at how much content is in the book, covering the meaty parts of the Eddas. Think Niel Gaiman's book - not authoritative, but great storytelling.
The 8 year old loves it, he's been reading it to the 6 and 4 year old, and now I have to explain to my church why my 4 yo son is running around on Sleipnir hitting people with Mjolner. Fun times.
Top reviews from other countries
It’s a good quality book printed on nice paper and has a old age book feel to it. It’s the perfect addition to anyone’s library and I imagine always remembering it growing up.

















