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Daily Painting: Paint Small and Often To Become a More Creative, Productive, and Successful Artist Paperback – November 4, 2014
| Carol Marine (Author) Find all the books, read about the author, and more. See search results for this author |
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Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible!
With her encouraging tone and useful exercises, Marine teaches you to:
-Master composition and value
-Become confident in any medium including oil painting, acrylic painting, watercolors, and other media
-Choose subjects wisely
-Stay fresh and loose
-Photograph, post, and sell your art online
-Become connected to the growing movement of daily painters around the world
- Print length192 pages
- LanguageEnglish
- PublisherWatson-Guptill
- Publication dateNovember 4, 2014
- Dimensions7.88 x 0.6 x 8.5 inches
- ISBN-100770435335
- ISBN-13978-0770435332
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Editorial Reviews
Review
“A short treatise on behalf of the medium. Paint small and often, [Marine] encourages in her 182-page tome, part how-to, part history lesson. She outlines the power of daily painting, the materials to get your started, the tips to keep you going and the best solutions for creative block.” –Huffington Post
“Artist Carol Marine wisely proposes that art can be made in tiny increments and become a daily practice, much akin to ritual or prayer. Her new guide, Daily Painting, will open up a plot of fertile ground in your artistic imagination... Previous experience is unnecessary: Her book gives you all the tools you’ll need to become a daily painter, with well-organized and encouraging advice.”—Book Page
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Introduction
Early in my painting career, a professional artist I admired advised me to paint every day. He said it was the only way to get any better. I promptly ignored his advice and continued to coast as a starving artist for years.
But in 2006 all that changed. That was when I discovered daily painting—a movement that encourages artists to create one small painting nearly every day, and sell that work online. Before daily painting, I was in a frustrated rut. But after that epiphany in 2006, I not only improved my skills rapidly, I launched a successful art career and a website, dailypaintworks.com, that is quite popular. And now I am proud to say I am no longer starving!
While the idea of painting every day may sound overwhelming, let me assure you, there are no specific rules or requirements. Really when I say you should paint “daily,” I mean you should paint “often”—but “Artists Who Paint Often” wasn’t catchy enough to jump-start a whole movement! Sure, the ideal might be that you paint every day, but not many of us can commit that much time to art, so we must settle for as often as we can. The daily-painting movement encompasses artists who paint daily, weekly, monthly, or intermittently. What ties these artists together, and qualifies them as “daily painters”? The simple fact that they strive to paint frequently, without getting bogged down by perfectionism, procrastination, or any of the myriad things that keep us out of the studio.
The benefits of painting often are huge, as are the advantages of making small art (though not necessarily only small). We learn just as much about composition, color, paint application, value, and so on in one hour with a small painting as we do toiling for weeks on a larger one. And because it only takes an hour or so, we can fit it into our busy schedules and we aren’t heartbroken (and/or broke) if it doesn’t work out. We can then apply the knowledge—and, if our painting is a success, the confidence—we’ve gained to larger work.
“Small” art means different things to different artists. A lot of daily painters (including me) are in the habit of doing a lot of 6 by 6-inch paintings, but this is absolutely not a requirement. Some artists feel more comfortable turning out tiny paintings, some like larger surfaces, and still others do a wide variety of sizes, depending on the subject, day, and so on.
There are also no requirements in terms of media or subject matter. Daily “painters” use anything from oil to pastel to collage to charcoal and more. They paint a huge variety of subjects from still lifes to portraits to cityscapes to cats to completely abstract and beyond. The great thing about doing lots of little paintings is that you can try everything! You can do three little oil paintings of apples today, a portrait of your dog tomorrow in pastel, two versions of the tree in your front yard in watercolor the next day, and on and on. The fun never stops!
Most daily painters use a blog to document their progress and showcase their work. A blog is easy to set up, free, and a cinch to update. Even if you blog just for yourself, with no intention to sell, the connections you can make with other artists are amazing! Too often, we artists work all day alone in the studio, with only our spouse, kids, or animals to give us feedback. And while they mean well, they don’t always have the most encouraging things to say. My (least) favorite from my husband is, “Is it done?” But I get comments on my blog every day from people (mostly artists) who give me positive feedback that keeps my spirits high.
These connections have also brought about huge opportunities for my career. I got my first invitation to teach six months after I started blogging and now get so many, I have to turn most of them down.
In a time when galleries are closing all around us, the Internet offers a new, exciting venue for artists. Our potential market is the whole world, while galleries rely mostly on foot traffic. We are more in touch with our buyers, which gives us a better understanding of our market. Best of all, we skip the high gallery commissions and so do our buyers!
This book is a chance for me to share with you all the valuable lessons I’ve learned from painting daily: from materials to color mixing to ignoring your brain to photographing your art to marketing yourself online. I’ve also included lots of examples of other artists’ daily paintings to inspire you as to what’s possible in terms of medium and subject matter.
I have been happily painting daily since 2006 and don’t intend to stop. If you are serious about improving your skills, increasing your sales, and expanding your network of artists, I recommend you do the same!
Product details
- Publisher : Watson-Guptill; Illustrated edition (November 4, 2014)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0770435335
- ISBN-13 : 978-0770435332
- Item Weight : 1.23 pounds
- Dimensions : 7.88 x 0.6 x 8.5 inches
- Best Sellers Rank: #30,452 in Books (See Top 100 in Books)
- #62 in Painting (Books)
- #113 in Creativity (Books)
- Customer Reviews:
About the author

Carol Marine was born in Montana and grew up in Texas. She attended the University of Texas in Austin and received a BA in art. Carol met and married her husband in 2000, gaining two stepdaughters (Maddie and Sophie) in the process.
In 2005, Carol and her husband (David) adopted Jacob (then 2 days old). In 2006, after struggling in galleries for several years, Carol began the practice of creating one small painting a day (during Jacob's naps) and selling them online. Soon after that she started teaching what have become very popular workshops about "daily painting."
In 2009, Carol and her husband's ex-wife (Jennifer) wrote "No One's the Bitch: a 10-step Plan for the Mother and Stepmother Relationship."
In 2011, Carol started writing what would become her book, "Daily Painting: Paint Small and Often To Become a More Creative, Productive, and Successful Artist" published in 2014.
Carol spends her time painting, teaching workshops, exploring her new home in Eugene, Oregon, and spending quality time with her family (which now includes her first grandchild!).
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Well I wasn’t lazy! And in those days I was a very poor, student, artist & buying more paint meant more money I didn’t have which led me to making my own paint, like all the famous artists did from Day 1 until paint was in tubes?! YES, I learned the hard way and it taught me self discipline also..but as a 59 year old, am still an artist..I NEVER knew how to paint small?! It just wanted considered art..those were my teachers, I’m sure there were a few around..but when Andy Warhol decided to make one of my best friends in our freshman year, Keith Herring, famous, and Keith’s canvasses were the symbols of the ‘80’s all around HUGE blank empty subway ‘canvasses’, painting small was taboo!
Writing this I probably sound like a fool! But we didn’t have an ability to photoshop, to make tiny figures, unless we were in film school, but I was a fine artist/illustrator, and didn’t get praised for my paintings of the “Masters”! “It’s not BIG ENOUGH..Jackson Pollacks canvass was on the ground, or in his empty room! Picasso threw his paint with his brushes to create ‘Masterpieces’!!
So do you see why I never knew how to paint..small? This book, I so wish I had purchased the Hardcover, but I still make it work..has taught me that I did absolutely NOTHING WRONG as an 18 yr old out of HS to a world of “whatever you knew before..threw it out the window!” I knew I was good yet intimidated by others perfection and not my own!!
I owe my journal painting and actually, Bible painting over scriptures & verses due to this book! I owe many things & challenges I never did, whether writing or my painting to things I learned in later life.
This book not is just encouraging, but as everything I wrote above, I guarantee my ‘friends’ in the art world know EXACTLY what I was speaking of & the ‘BIGGER THE BETTER’..was always the motto, but if you think about it as much as I did..how the HELL are you productive or successful on a daily basis..painting LARGE?! Thank you Carol Marine! I love you for opening my eyes to ‘teaching older dogs newer tricks”! I can’t wait to finish my gallery show with smaller paintings too!! Thank you again ❤️ I promise for you young art students, painting large is NOT always the best. It has its great moments, but think of the great ideas you’d miss out on if you’re not being productive sooner than later? I highly recommend for new artists and us older artists who used to know the “you no know I knew”?! 😁😁😁💕💕
You don't have to buy this book to get the main point: Do small paintings every day. That in itself sounds like a good idea. It starts off with the author's personal story about how daily paintings changed her life, which is actually pretty inspirational. But you can read most of this part in the free preview without buying the book. It goes downhill from there, so consider yourself warned.
The next chapter is all about the supplies the author uses. Why should we care about this? I don't know about everyone else reading this, but I was interested in this book because I am an artist. So I already have supplies and I know what I like to use. Even if you are looking for recommendations, the author's will be irrelevant to you if you're not an oil painter. (The whole book is focused quite a bit on oil painting.) The chapter ends with a random section about how to take paint on a plane. Just... what?
Next, there's a chapter about different subjects to paint. There is a literal bullet list of subjects like "still lives and flowers," "animals," "people," "landscapes," etc, followed by a list of media like "oils," "acrylics," and so on. We obviously all know that flowers are a thing you can paint and acrylics are a medium you can use to paint them. Who on earth needs this information?? The chapter then gives examples of artists who paint these various subjects and some general tips on how to paint them. This is somewhat interesting, and I guess the idea is to encourage people to try painting different subjects. But if I wanted to learn more about painting landscapes, for instance, I could buy a book about painting landscapes. I don't see why this chapter is necessary here.
The book then goes into a series of chapters with basic lessons on things like value, color theory, drawing, and composition. Experienced artists won't need this information, and anyone who does need it can find better resources to learn it elsewhere.
Then there's a chapter all about oil painting, specifically how to paint loosely in oils. But not everyone is an oil painter, and not everyone wants to paint loosely.
The chapter about artist block was the only part that actually had some value to me. It will probably be relatable to anyone trying to make a living as an artist. Because of this I am giving two stars instead of one. But still, I don't think this one chapter was worth the price of a whole book.
The last two chapters about photographing your artwork and selling it online might be useful to some people, but a lot of the information is outdated. Blogs aren't as big of a thing now as they used to be, and no one who wants to look professional should follow the author's suggestion of using Blogger as their main platform. Again, you can find better information elsewhere.
Maybe I'm just not the target audience for this book. If you're someone who's never picked up a paintbrush in your life but has suddenly decided you might like to learn to paint and launch an art career, maybe this book would actually help you. But if you're already an experienced artist, you may be better off skipping this one.
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And that was about it- after that point I was disappointed. The informal style became borderline childish.
It got repetitive. I found the author just waffled on quite a bit.
The suggestion and advice on composition is not too helpful either. The author uses language in a way which can be discouraging to an amateur artist. For example they may think if you don't follow the 'rules' the author has written and emphasised, they will never be able to get their art/painting right, which is not true.
The reader needs to make that decision themselves and not forced to believe it. They may never try to develop their own style if they are following her every step and 'rule'. There are no rules in art.
Secondly, this book was written about 10 years ago, hence for 2020+ it is an outdated book- from social media perspective. For someone who is planning to sell online there is no mention of Instagram or Pinterest- that's not the authors fault obviously but I wanted to make this important point that it is not so relevant as far as social media is concerned if that's what the reader is hoping to do. Things have moved on a lot from when this was written.
Thirdly, this is about oil painting but again it may not be relevant to some as the tips you pick up can be used in Acrylics or other media.
Fourthly, there is alot of input from other artists which is fine but in my opinion, it doesn't really add any value to it.
Lastly the print is quite small for a book like this. There is so much empty space on one page- the font could have been bigger and more appealing. I did struggle with it and I do have perfect eyesight (for now!)
The good thing about the book is that there are some lovely paintings which I admired a lot.
All in all I would say reading this book is more like reading the authors own diary than a book to be inspired with. Quite disappointing.
















