Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the author
OK
Dangerous Curves Atop Hollywood Heels: The Lives, Careers, and Misfortunes of 14 Hard-Luck Girls of the Silent Screen Paperback – April 25, 2015
Purchase options and add-ons
- Print length408 pages
- LanguageEnglish
- Publication dateApril 25, 2015
- Dimensions6 x 0.92 x 9 inches
- ISBN-101593936052
- ISBN-13978-1593936051
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Frequently bought together

Customers who viewed this item also viewed
Product details
- Publisher : BearManor Media (April 25, 2015)
- Language : English
- Paperback : 408 pages
- ISBN-10 : 1593936052
- ISBN-13 : 978-1593936051
- Item Weight : 1.2 pounds
- Dimensions : 6 x 0.92 x 9 inches
- Best Sellers Rank: #1,954,734 in Books (See Top 100 in Books)
- #156 in Comedy Movies
- #1,723 in Acting & Auditioning
- #15,122 in Actor & Entertainer Biographies
- Customer Reviews:
Important information
To report an issue with this product or seller, click here.
About the author

Latest updates:
* Mae Murray: The Girl with the Bee-Stung Lips, Ankerich's biography of the famed silent film actress, is scheduled to be released in the fall of 2012.
* Ankerich is currently researching Hairpins and Dead Ends: The Perilous Journeys of 15 Actresses Through Early Hollywood, a companion volume to Dangerous Curves atop Hollywood Heels.
*************************************************************************
Biography:
Michael G. Ankerich admits there have always been stars going around in his head. While still in college, he began interviewing country music stars as a way to meet his favorites. He considers his best conversations to have been with Loretta Lynn, Dolly Parton, and Tammy Wynette, whom he calls the "holy trinity" of country music queens.
He later became interested in silent films and interviewed many of the remaining actors and actresses from that era. His efforts were published in two books: Broken Silence: Conversations With 23 Silent Film Stars and The Sound of Silence: Conversations with 16 Film and Stage Personalities Who Bridged the Gap Between Silents and Talkies.
Broken Silence included interviews with Lew Ayres, William Bakewell, Lina Basquette, Madge Bellamy, Eleanor Boardman, Ethlyne Clair, Junior Coghlan, Joyce Compton, Douglas Fairbanks Jr., Dorothy Gulliver, Maxine Elliott Hicks, Dorothy Janis, George Lewis, Marion Mack, Patsy Ruth Miller, Lois Moran, Baby Marie Osborne, Muriel Ostriche, Eddie Quillan, Esther Ralston, Dorothy Revier, David Rollins, and Gladys Walton.
The Sound of Silence included interviews with Hugh Allan, Barbara Barondess, Thomas Beck, Mary Brian, Pauline Curley, Billie Dove, Edith Fellows, Rose Hobart, William Janney, Marcia Mae Jones, Barbara Kent, Esther Muir, Anita Page, Marion Shilling, Lupita Tovar, and Barbara Weeks.
His most recent book, Dangerous Curves Atop Hollywood Heels: The Lives, Careers, and Misfortunes of 14 Hardluck Girls of the Silent Screen, was named one of the top 10 silent film books of 2010.
The Real Joyce Compton: Behind the Dumb Blonde Movie Image, written with the late actress Joyce Compton, was released in July 2009.
Mae Murray: The Girl with the Bee-Stung Lips, is scheduled to be released in the fall of 2012.
A former newspaper reporter, Ankerich has written extensively for Classic Images, Films of the Golden Age, and Hollywood Studio Magazine, which featured his interview with Butterfly McQueen (Prissy) on the 50th anniversary of the release of Gone With The Wind.
An art history buff, he is determined to see every Vermeer at least once, whereever they are in the world. He's seen quite a number so far, but there's always one more to track down.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
detailing "misfortunes of hard luck girls" but I'm glad I did as
the book is so meticulously researched and written with a lot of
sympathy given. The only quibble I have is a better proof reader
should have been employed (there were so many typing errors) and
the inclusion of Natalie Joyce - I can understand her not really
wanting to get involved - she definately wasn't a hard luck dame by
my standards, she had the good sense to get out and make a wonderful
life for herself.
I initially bought the book because I was fascinated by Agnes Ayres
and Wanda Hawley. I too had read the article in FIR and wanted to
know more about Agnes - I questioned the birth date - in photos she
just didn't look that old, but Ankerich states she was working in 1910
and different reviews in the 20s often commented that she just seemed
too matronly to be playing young heroines. An incident Ankerich relates
in the book involving Dorothy Reiver proved what a vindictive piece of
work Agnes must have been.
Wanda Hawley - I didn't know anything about her except that I thought
she was so beautiful and was also very memorable in the movie "Smoldering
Fires" where she played a flirtatious factory girl. I had always been
fascinated by her, it was just a pity Mr. Ankerich couldn't have found a
more sympathetic relative (I know it's nitpicking) than the bitter niece
whose "whenever she stayed with us I had to give up my room" says a lot.
I think the picture of Ms Hawley during her last years shows she was still
an attractive woman and I know if I had an aunt like Wanda Hawley I would
have been hanging on her every word!!
Juanita Hansen was a true survivor - I had heard about her generally but not
only did she publically admit her drug use but she went on tour to tell her
story as a warning - surely the first star to do that!!! There was a telling
comment during an interview she gave in 1916 listing the positives of living
with your mother - obviously if a person is drawn to that type of lifestyle
not even a mother can help you!!
Mary Nolan is very addictive - once you see her beauty in the movies, you have
just got to see more. I found her story very compelling, Mr. Ankerich wrote about
her with a lot of sympathy. I have secretly always felt she had a mental illness.
I don't think there is any doubt that were it not for her "problems" which were
major, she could have become a major actress - she was that good!!!
As for Eve Southern - I think she should have had the title of the "Too Beautiful
Girl" - the two pictures at the start of her chapter are breath taking. Whatever
her merits as an actress her beauty was spellbinding.
Marie Prevost - I definately agree with the author, whenever she appeared in support
in those early talkie films she always stole the show. I just adored her in "Paid".
But in just about every talking film I have seen her in there is usually a very
demeaning gag about food, particularly in "The Good Bad Girl" - I always feel very
sad when I see that.
I also have a few names for the next book - there is going to be a next book isn't
there??? Mary Philbin had a particularly sad life, Virginia Lee Corbin, Mary MacLaren,
June Caprice and Florence La Badie.
Like the title says, Dangerous Curves profiles fourteen different silent film actresses who had some pretty unfortunate lives. However, Michael G. Ankerich added a twist and profiled fourteen fairly obscure women who either didn't make the transition to talkies, flamed out (both personally and professionally) before talkies ever came along or simply faded away. I think this is a brilliant idea because so many silent film books focus on the same handful of silent stars - male or female. So many amazing and fairly prolific performers from that era are simply forgotten today because their work is lost or they weren't considered major stars. I'm not a silent film history buff by any means, but I do know a few of the more obscure stars. I was surprised that I knew only four of the ones featured in this book (Marie Prevost, Olive Borden, Agnes Ayers and Barbara La Marr).
Ankerich devotes a lengthy chapter to each woman and no stone goes unturned. He doesn't describe things in vague terms like some other authors and, thankfully, he didn't try to pad the book out with unneeded analysis and his personal opinion of the actress' films. I'm not sure why some authors do that in biographies but it seems to be a somewhat annoying trend. The author also did his homework. From the looks of it, he didn't just go online to find out information and call it a day. He used and cites numerous newspaper articles along with interviews and personal records. One profile of note is that of Lucille Ricksen, a popular child actress who appeared in over thirty silent films in the teens and early 20s and died at the age of 14. There seems to be conflicting reports about her real cause of death, but Ankerich explains it all in the book and attempts to put the rumors about her life and death to rest. He also included interviews with her siblings who gave him access to her scrapbooks. I found this attention to detail and proper sourcing refreshing and, best of all, informative. I wish more biographers would go the extra mile because it makes the subject that much more interesting and I believe everyone should have their story told properly.
Another high point for this book is that the author didn't resort to reprinting unfounded rumors. For example, Marie Prevost's story is sad mainly because her decline was so quick. While the author doesn't hold back on writing about any of the less than desirable details of her life, he didn't even bother addressing the claim that Prevost's remains were eaten by her dog after her death. I think that was a wise decision because that Angerism (see Hollywood Babylon and you'll know what I mean by that phrase) should not be part of her legacy.
Overall, this book is a sound investment for me. I was (and remain) eager to learn about lesser known silent film stars and this book gave me oodles and oodles of information. Now if only we could get a proper release of some of these ladies' films!
Top reviews from other countries
An unusual but very touching book that delves into details and slices of the lives of these actresses in a way that is so poetic precisely because it is so human.
The pattern of the writing is a bit messy: the chronology is a bit loose and one or two dates are wrong. Nonetheless, it's worth a read especially since many of these ladies were the lesser known (especially today) stars of the silent screen. I learned a few more things about the ones I'd heard of (several of whom I didn't know had hard-luck stories) and discovered some new actresses as well. It's a shame that in most cases I can't just go and watch some of their work.






