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Dark City: The Lost World of Film Noir (Revised and Expanded Edition) (Turner Classic Movies) Hardcover – July 20, 2021
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Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.
- Print length272 pages
- LanguageEnglish
- PublisherRunning Press Adult
- Publication dateJuly 20, 2021
- Dimensions9.05 x 1.4 x 10.4 inches
- ISBN-100762498978
- ISBN-13978-0762498970
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Editorial Reviews
Review
"The book is general enough to appeal to people just beginning to learn about what the French dubbed 'dark movies” but detailed enough to teach even the most ardent film fans things they didn’t know."―The Virginian-Pilot
“Fans will recognize his signature style here, heavy on the self-conscious, tough-guy slang. But the illustrations, from rare posters to vintage stills, are thrilling. And his portrait of noir itself can’t be topped.”―NY Daily News
“I can safely place my hand on my heart and say there is no writer/expert on the subject of film noir that I’d rather read than Eddie Muller…And here – once again — is his magnum opus: the best book written on the subject of film noir and, what’s more, re-appearing in a very handsome, lavishly illustrated revised edition… anyone with the slightest interest in the film noir idiom needs this volume on their the bookshelves – it is as simple as that.”―Barry Forshaw, Crime Time
"This revised and expanded edition is a thoroughly entertaining journey of the genre, with more twists than Mulholland Drive. Leave it to Muller — author, film historian, and TCM host — to be your five-star guide. His writing style is fedora-fine, perfectly nuanced and factual to the utmost degree."―EDGE Media
“The author is not only an incisive historian, but also a highly effective entertainer...With its smartly written text and abundance of fabulous photos and poster art, you'll want to keep the handsome "Dark City" on your coffee table, so you can continually thumb through its informative content.”―Pop Culture Classics
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Product details
- Publisher : Running Press Adult; Revised edition (July 20, 2021)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 0762498978
- ISBN-13 : 978-0762498970
- Item Weight : 2.82 pounds
- Dimensions : 9.05 x 1.4 x 10.4 inches
- Best Sellers Rank: #20,083 in Books (See Top 100 in Books)
- #3 in Movie Guides & Reviews
- #14 in Movie History & Criticism
- #139 in Actor & Entertainer Biographies
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Muller brings his Noir Alley combination of expertise and comedy to the book, as in an obiter dicta about “711 Ocean Drive,” which “gave Edmond O’Brien a rare chance to play the lead – and have enough wardrobe changes to make Claire Trevor jealous.” “Dark City” offers as comprehensive look at noir films that you’ll find outside of an encyclopedic listing of the hundreds of pictures in the genre.
Although there are exceptions (“Leave Her to Heaven”, “Desert Fury”) noir was a black and white genre, so the book is stuffed with well-chosen stills. Color is served by the posters, which even for B&W pictures were in color. As were the lurid paperbacks the movie scripts were adapted from. Even the endpapers of Dark City feature posters from such usual suspects as “Sunset Boulevard” and “Laura” to titles the obscure like “The Story of Molly X” and “The Sniper.”
The discussion is arranged thematically so chapters are dedicated to newspaper noir, in which reporters, editors, photographers and bartenders in press bars, are“fast-talking newshound[s] who’ll do anything for a scoop.” This trope was introduced in the pre-noir era, in a 1928 stage play named “The Front Page,” by Ben Hecht and Charles MacArthur that has itself been filmed multiple times. And, because it’s noir, the reporters aren’t always heroes battling municipal corruption, as with Kirk Douglas in “Ace in the Hole.”
“In noir, crooks are shaved, shined, and high-toned. They’ve folded their rackets into the capitalist economy.” The pictures follow their rise to the “Sinister Heights” and, because it’s noir, their fall. John Garfield’s “Force of Evil” posh office in lower Manhattan skyscraper is merely a place to betray and be betrayed.
In noir, the men are bad and the women are worse, which is why actresses like these parts. In “Vixenville” women had agency and as often as not instigated the homicides and double crosses. Sometimes, as with Fred MacMurray in “Double Indemnity,” the men know they walking down a road where the last stop is gallows, but the pull of Barbara Stanwyck is too strong. As is that of “Gilda” (Rita Hayworth” for Glenn Ford. Bogart hopes that Lizabeth Scott is the real thing in “Dead Reckoning,” but…..
The main chapters are interrupted with brief profiles of key noir players like “Dark City’s Beatnik Cowpoke” Robert Mitchum or “Gloria Grahame The Fallen Queen” or “A Good Man in a Bad Time” Robert Ryan.
So if you choose to go down these mean streets, and you should, let “Dark City” and Eddie Muller be your guide.
The original paperback edition (published way back in '98) was a thing of beauty but I eventually had to have it rebound in hard covers because it was falling apart from so much use! It was that good. Well, partner, this new, revised edition is BETTER in pretty much every conceivable way. Not only is it a lovely sewn-binding hardcover right out of the gate but it's printed on fine glossy paper that really makes those beautiful black-and-white stills POP. In addition, it's almost 60 pages longer and has color poster pics and print interspersed throughout (the original was all B&W with a small color section at the rear). The text has been completely overhauled and updated to take into account nearly 25 intervening years of new discoveries and and knowledge about the genre.
Eddie Muller is the reigning King of Noir. He knows whereof he speaks and broadcasts his genre chops and enthusiasm with grit and gusto. His book isn't merely educational, it's a true pleasure to read -- written by a guy who loves his subject and can't help but radiate that joy on every page. It's a busted fire-hydrant of information and deep knowledge but make no mistake -- this is no dry academic treatise but rather a mash note to the greatest of all film genres, written by a poor sap so deeply in love that it's become an obsession.
If you're already a Noirhead then you obviously know Muller and don't need my encouragement to buy this. If you're not, then get with it, ya pathetic lunk, and take a trip to Dark City, where the men are mean, the dames are to die for and every street could be a one-way detour to The Big Sleep.
Reviewed in the United States on July 21, 2021
The original paperback edition (published way back in '98) was a thing of beauty but I eventually had to have it rebound in hard covers because it was falling apart from so much use! It was that good. Well, partner, this new, revised edition is BETTER in pretty much every conceivable way. Not only is it a lovely sewn-binding hardcover right out of the gate but it's printed on fine glossy paper that really makes those beautiful black-and-white stills POP. In addition, it's almost 60 pages longer and has color poster pics and print interspersed throughout (the original was all B&W with a small color section at the rear). The text has been completely overhauled and updated to take into account nearly 25 intervening years of new discoveries and and knowledge about the genre.
Eddie Muller is the reigning King of Noir. He knows whereof he speaks and broadcasts his genre chops and enthusiasm with grit and gusto. His book isn't merely educational, it's a true pleasure to read -- written by a guy who loves his subject and can't help but radiate that joy on every page. It's a busted fire-hydrant of information and deep knowledge but make no mistake -- this is no dry academic treatise but rather a mash note to the greatest of all film genres, written by a poor sap so deeply in love that it's become an obsession.
If you're already a Noirhead then you obviously know Muller and don't need my encouragement to buy this. If you're not, then get with it, ya pathetic lunk, and take a trip to Dark City, where the men are mean, the dames are to die for and every street could be a one-way detour to The Big Sleep.
Top reviews from other countries
Recieved in crisp,new hardcover book. The pages and the images of the actors and movie scenes just leap out of the pages, giving a transient,awe inducing and a gasping vicarious feeling the viewer gets out first few pages of the book,and i am not mentioning the posters,scenes, profiles. The feel of the page between index and thumb is precious.
About Eddie Muller(czar of noir, apporved by james ellroy!) Well he has created the best noir encyclopedia for the customer and is sharing his love,knowledge and behind the scene stories for movies and authors(chandler,hammett,woolrich,hecht) giving a well rounded literature and moving images perspective.
Not only this book serves as a gateway , this is a feast for a noir fan. introducing fan to trivia, B noir pieces, films besides the major landmarks, and the mini bio eddie gives and sprinkling little anecdotes about the actors he covers. This gives them perfect place in the ritzy,double crossing dark city where they belong.
Eddie Muller has given the definitve, formidable and well approved book on noir.
Place no qualms on the price of Rs 1899(IMO the book transcends the price),'cause i wouldnt be writing this if i had one.
Reviewed in India on September 16, 2022
Recieved in crisp,new hardcover book. The pages and the images of the actors and movie scenes just leap out of the pages, giving a transient,awe inducing and a gasping vicarious feeling the viewer gets out first few pages of the book,and i am not mentioning the posters,scenes, profiles. The feel of the page between index and thumb is precious.
About Eddie Muller(czar of noir, apporved by james ellroy!) Well he has created the best noir encyclopedia for the customer and is sharing his love,knowledge and behind the scene stories for movies and authors(chandler,hammett,woolrich,hecht) giving a well rounded literature and moving images perspective.
Not only this book serves as a gateway , this is a feast for a noir fan. introducing fan to trivia, B noir pieces, films besides the major landmarks, and the mini bio eddie gives and sprinkling little anecdotes about the actors he covers. This gives them perfect place in the ritzy,double crossing dark city where they belong.
Eddie Muller has given the definitve, formidable and well approved book on noir.
Place no qualms on the price of Rs 1899(IMO the book transcends the price),'cause i wouldnt be writing this if i had one.
Un valor añadido para mi biblioteca de cine.
Well, in the intervening 20-odd years Mr Muller has not only polished his style, learned even more than I would have thought possible about film noir and its inhabitants, but added several new sections to the original work. Highly recommended for anyone interested in noir and the dark aspects of Hollywood in those years between The Maltese Falcon and Psycho, more or less. Excellently formatted and with copious images too.

















