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The Dark Tower (The Dark Tower, Book 7) Paperback – Bargain Price, November 1, 2005

4.1 out of 5 stars 1,534 customer reviews
Book 7 of 8 in the Dark Tower Series

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Paperback, Bargain Price, November 1, 2005
$11.90 $2.31

This is a bargain book and quantities are limited. Bargain books are new but could include a small mark from the publisher and an Amazon.com price sticker identifying them as such. Details
--This text refers to the Library Binding edition.

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Editorial Reviews

Amazon.com Review

At one point in this final book of the Dark Tower series, the character Stephen King (added to the plot in Song of Susannah) looks back at the preceding pages and says "when this last book is published, the readers are going to be just wild." And he's not kidding.

After a journey through seven books and over 20 years, King's Constant Readers finally have the conclusion they've been both eagerly awaiting and silently dreading. The tension in the Dark Tower series has built steadily from the beginning and, like in the best of King's novels, explodes into a violent, heart-tugging climax as Roland and his ka-tet finally near their goal. The body count in The Dark Tower is high. The gunslingers come out shooting and face a host of enemies, including low men, mutants, vampires, Roland's hideous quasi-offspring Mordred, and the fearsome Crimson King himself. King pushes the gross-out factor at times--Roland's lesson on tanning (no, not sun tanning) is brutal--but the magic of the series remains strong and readers will feel the pull of the Tower as strongly as ever as the story draws to a close. During this sentimental journey, King ties up loose ends left hanging from the 15 non-series novels and stories that are deeply entwined in the fabric of Mid-World through characters like Randall Flagg (The Stand and others) or Father Callahan ('Salem's Lot). When it finally arrives, the long awaited conclusion will leave King's myriad fans satisfied but wishing there were still more to come.

In King's memoir On Writing, he tells of an old woman who wrote him after reading the early books in the Dark Tower series. She was dying, she said, and didn't expect to see the end of Roland's quest. Could King tell her? Does he reach the Tower? Does he save it? Sadly, King said he did not know himself, that the story was creating itself as it went along. Wherever that woman is now (the clearing at the end of the path, perhaps?), let's hope she has a copy of The Dark Tower. Surely she would agree it's been worth the wait. --Benjamin Reese --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

A pilgrimage that began with one lone man's quest to save multiple worlds from chaos and destruction unfolds into a tale of epic proportions. While King saw some criticism for the slow pace of 1982's The Gunslinger, the book that launched this series, The Drawing of the Three (Book II, 1987), reeled in readers with its fantastical allure. And those who have faithfully journeyed alongside Roland, Eddie, Susannah, Jake and Oy ever since will find their loyalty toward the series' creator richly rewarded.The tangled web of the tower's multiple worlds has manifested itself in many of King's other works— The Stand (1978), Insomnia (1994) and Hearts in Atlantis (1999), to name a few. As one character explains here, "From the spring of 1970, when he typed the line The man in black fled across the desert, and the gunslinger followed... very few of the things Stephen King wrote were 'just stories.' He may not believe that; we do." King, in fact, intertwines his own life story deeper and deeper into the tale of Roland and his surrogate family of gunslingers, and, in this final installment, playfully and seductively suggests that it might not be the author who drives the story, but rather the fictional characters that control the author.This philosophical exploration of free will and destiny may surprise those who have viewed King as a prolific pop-fiction dispenser. But a closer look at the brilliant complexity of his Dark Tower world should explain why this bestselling author has finally been recognized for his contribution to the contemporary literary canon. With the conclusion of this tale, ostensibly the last published work of his career, King has certainly reached the top of his game. And as for who or what resides at the top of the tower... The many readers dying to know will have to start at the beginning and work their way up. 12 color illus. by Michael Whelan.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Paperback: 864 pages
  • Publisher: Scribner (November 1, 2005)
  • Language: English
  • ISBN-10: 0743254562
  • ASIN: B0016HIOWW
  • Product Dimensions: 6.2 x 2 x 8.9 inches
  • Shipping Weight: 2.2 pounds
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (1,534 customer reviews)
  • Amazon Best Sellers Rank: #2,725,154 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Hardcover
As a huge Dark Tower fan I was ecstatic when I first heard news of this comic series and, even though the story itself is mostly a re-telling of Roland's flashback story from WIZARD AND GLASS, it was still very enjoyable. I wish that I had just stuck with buying the individual issues instead of the hardcover in addition.
What I loved most about the individual issues were the stories that Robin Furth wrote at the end of each issue which were really interesting and really helped flesh out some of the mythology previously established in the book series (Arthur Eld's backstory, the forging of Roland's guns, the creation of Maerlyn's Rainbow, Rhea's backstory, Jonas's backstory, , Roland's TRUE relationship to the Crimson King, etc.). I enjoyed the story enough that I felt warranted in buying the hardcover so I could read it in one convenient collection.
HOWEVER, Marvel, for some reason I cannot imagine (other than to save money by cutting down on the number of pages) DID NOT include these stories in the hardcover. There is a nice collection of sketches and alternate covers but not a single one of the stories from the issues. GODDAMN is that annoying. I pretty much had no reason to buy this hardcover, since, if I want to read any of those nifty back stories I now have to dig up the individual issues, so I might as well read those instead.
Way to drop the ball, Marvel.
From now on, before buying any Marvel comic collection I'll have to wait until somebody else I know gets it first to find out if I'm being gypped on material that should have been in there in the first place.
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Format: Hardcover
Well, this is a difficult review to write. Like many reviewers here, I've been reading this series from its inception, since I was a young man (about Jakes age). It has remained one of my favorite series, and each new volume was awaited with a barely containable anticipation.

I agree with so many of the glowing reviews of this book.

And I agree with so many of the disappointed reviews of this book as well. I am completely conflicted.

However, what it boils down to is this: The story lost the breadth and scope that made it so epic for me in the early volumes. The Tower was the center of ALL WORLDS! An infinite number of universes hung in the balance. This wasn't your average quest story, this was a story about ALL quests, in ALL times. King Arthur, Lord of the Rings, The Chronicles of Narnia, The Tain, Ulysses, the Good the Bad and the Ugly...all of these epics found an echo here. Billions upon billions of existences were hanging in the balance between what we were lead to believe was an epic evil (one that found its way into many of Kings stories) and the Gunslinger and his Ka Tet. The wheels of fate worked to bring about the central struggle of all times and places to a boiling point that we could not even begin to conceive of. How could the stakes get any higher? In all honesty, how could any writer fill such a grand expectation? In the first book, Roland has a vision, given him by Flagg, of ascending through the universes to emerge in a single blade of grass at the foot of a rose. The scope of what was at stake was never more beautifully crafted than that section of the first book.

By the end of the tale, I can find no trace of that scope, that scale, those horrendous stakes. They are gone.
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Format: Mass Market Paperback
It looks like most reviewers have this pretty well covered, but I'd like to throw in my 2 cents, mostly because I've spent so much time reading these books and it just plain feels right.

I'll start by saying that this book is not perfect, and there were times when I was convinced that the story would end horribly. So why do I give it 5 stars? I feel that what was good or great about the book is enough for me to dismiss what annoyed me about it. As with most reviews, there will be many SPOILERS ahead, so go read the book first if you haven't.

I can cover what truly bothered me pretty quickly; King's importance in the plot and Flagg's death. Not that I need a 150 page battle between Roland and Flagg, but to be so easily dispatched by a child who would later prove to be absolutely no threat to Roland seems wrong. Was this really the best that Roland's lifelong enemy could do? I don't know, it just doesn't add up. As for King, I didn't like his part in the plot during Song of Susannah (narcissistic) and was hoping it would not dominate the final volume, which it doesn't. I will admit that it didn't turn out as bad as I feared (I half expected Stephen King to be in the top room of the Tower), and I do appreciate that it ties the story to reality through something other than the fictional Tet Corporation in NY. While this is nice, I could have done without King ever having been in the story.

Others were bothered by the quick deaths of Mordred and the Crimson King. I wasn't. Mordred may have been powerful, but he was still a child; and a sick, dying child at that. He had to make an ill-advised move out of desperation, and I think it was wonderful that Oy was able to die defending Roland.
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