Review
One gets the feeling that this colossal story means a lot to King, that he's telling it because he has to....he's giving The Dark Tower everything he's got. (San Francisco Chronicle)
Wolves of the Calla is one of the strongest entries yet in what will surely be a master storyteller's magnum opus. (Locus)
[A] hypnotic blend of suspense and sentimentality...a sprawling, eventful tale of demons, monsters, narrow escapes, and magic portals. (The New York Times Book Review)
The man can spin a yarn, and a great one at that. (The Philadelphia Inquirer)
The master of the macabre....[King] is still quite the entertainer. (People)
An impressive work of mythic magnitude. May turn out to be Stephen King's greatest literary achievement. (The Atlanta Journal-Constitution)
It works because King, despite his long resume, keeps insisting on surprising himself and, in so doing, surprising us. (The Kansas City Star)
Brilliant in technique and ability...Feed your head! Now dig in, 'cause King's latest in this seven-course banquet...is a lip-smacking, brain-filling repast. (The Denver Post)
"The Dark Tower" is King's masterpiece....Wolves of the Calla succeeds as a standalone work. (Bangor Daily News)
The high suspense and extensive character development here...plus the enormity of King's ever-expanding universe, will surely keep his "Constant Readers" in awe. (Publishers Weekly)
About the Author
Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes Fairy Tale, Billy Summers, If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, Doctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
Bernie Wrightson (1948–2017) was a comics illustrator and horror artist best known for cocreating Swamp Thing and his adaptation of the novel Frankenstein, both featuring his trademark intricate inking. He worked on Spider-Man, Batman, and The Punisher, among many others, as well as works including Frankenstein Alive, Alive; Dead, She Said; The Ghoul; and Doc Macabre, all cocreated with esteemed horror author Steve Niles. His bestselling collaborations with Stephen King on The Stand, The Dark Tower V: Wolves of the Calla, Creepshow, and Cycle of the Werewolf are considered fan favorites. As a conceptual artist, Bernie worked on many movies, particularly in the horror genre, including Ghostbusters, The Faculty, Galaxy Quest, Spider-Man, George Romero’s Land of the Dead, and Frank Darabont’s Stephen King film The Mist.
From Publishers Weekly
"Time is a face on the water," stretching and contorting reality as gunslingers Roland, Eddie, Susannah, Jake and their talking pet "billy-bumbler" Oy continue their quest to prevent the destruction of the Dark Tower and, consequently, save all worlds from Chaos and the Crimson King's evil, red-eyed glare. Roland-the primary hero of King's epic tale, the first volume of which appeared in 1982-and company momentarily fall off the "Path of The Beam" to help the residents of Calla Bryn Sturgis, a farm town. But as Dark Tower fans know, everything follows The Beam, so what looks like a detour may really serve the will of "ka" (destiny). Roland and his posse learn that every 20-odd years the "Wolves" kidnap one child from each set of the Calla's twins, bring them to the Tower and, weeks later, send them back mentally and physically impaired. Meanwhile, back in 1977 New York City (the alternate world of Roland's surrogate son, Jake), bookstore owner Calvin Tower is being threatened by a group of thugs (readers will recognize them from The Drawing of the Three, 1987) to sell them a vacant lot in midtown Manhattan. In the lot stands a rose, or rather the Rose, which is our world's manifestation of the Dark Tower. With the help of the Old Fella (also known to `Salem's Lot readers as Father Callahan), the gunslingers must devise a plan against evil in both worlds. The task, however, is further complicated as Roland and his gang start noticing behavioral changes in wheelchair-bound, recovered schizophrenic Susannah.As the players near the Tower, readers will keep finding exciting ties between the Dark Tower universe and King's other books, with links to Black House, Insomnia, The Eyes of the Dragon, The Stand, `Salem's Lot and Hearts in Atlantis. The high suspense and extensive character development here (especially concerning Jake's coming-of-age), plus the enormity of King's ever-expanding universe, will surely keep his "Constant Readers" in awe.
Copyright 2003 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition. In their continuing journey toward the Dark Tower, Roland and his KA-TET--three twentieth-century New Yorkers, now gunslingers--encounter a peaceful village, Calla Bryn Sturgis, which is suffering attacks on its children by violent robotic wolves. Through sinister understatement, George Guidall conveys the horror of the wolves and the growing tension of the group's arrival at their destination. Guidall shows startling ineptitude for the protagonist's Maine accent but invests the Calla people with a language all their own, identifiable and consistent throughout the production. His characterization of series character Susannah Dean somewhat reprises Frank Muller's excellent portrayal, but, for the most part, Guidall underplays vocal distinctions among the characters. R.P.L. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to an alternate kindle_edition edition. Wizard and Glass (1997), volume 4 of King's massive, postapocalyptic, chivalrized western, The Dark Tower, was rather a snooze, not for lack of action but because it was primarily a flashback that drew unmercifully on King's stash of horse-opera cliches. "'S'all very nice," one thought, "but let's move it, Steve!" Volume 5--this book--moves it, despite not getting Roland the Gunslinger much nearer the Dark Tower, taking another big backward glance, and continuing to mine an open pit of oater conceits. Roland's ka-tet--himself and three twentieth-century New Yorkers, all of them now fellow gunslingers--approach a ranching and farming community anticipating a recurrent pestilence. After 23 years, the Wolves are coming from the evil-darkened East to abduct one of every pair of prepubescent twins older than three. The children will be returned, but nearly witless and sterile, doomed to grow immensely and enormously painfully in their middle teens, serve (if not too stupid) as workhorses, and suddenly, painfully wither and die in their early thirties. An erstwhile priest in the community knows what Roland and company are, and he persuades a community to send a committee to ask for their help. Of course, once asked, the code of the gunslinger compels acceptance. Gonna be a humdinger of a fight! Fore and aft of the showdown, King stuffs the book with juice, like the big flashback, in which Pere Callahan reveals his past in . . . 'Salem's Lot. One of the greatest cavalcades in popular fiction is back on track. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to an alternate kindle_edition edition. 
![The Dark Tower V: Wolves of the Calla by [Stephen King, Bernie Wrightson]](https://m.media-amazon.com/images/I/41VtUEyk5jL._SY346_.jpg)
