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Darkness Hardcover – March 29, 2016
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"Rebound" by Kwame Alexander
Don't miss best-selling author Kwame Alexander's "Rebound," a new companion novel to his Newbery Award-winner, "The Crossover,"" illustrated with striking graphic novel panels. Pre-order today
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About the Author
Karen Robards is the author of more than forty novels and one novella. A regular on the New York Times, USA TODAY, and Publishers Weekly bestseller lists, among others. She is the mother of three boys and lives in Louisville, Kentucky.
Excerpt. © Reprinted by permission. All rights reserved.
It was an ordinary flight, on an ordinary day, full of ordinary people.
Until it wasn’t.
“Eww, gross.” Nine-year-old Elijah Samuels jabbed an elbow into the ribs of his thirteen-year-old sister, Abigail, and pointed at the couple kissing in front of them. Blue-eyed, blond-haired Lije, as he was called, was sturdy and tan from three weeks spent hitting the beach with his accountant father, who’d moved to Burbank after his divorce from the children’s mother the previous summer. Abby was sturdy and tan, too, with sunny streaks in her long, brown braid and a pair of gold studs in her newly pierced ears, a dad-authorized act that she was afraid her mom was going to freak out over. The siblings were near the end of what had been a long line of passengers waiting to hand over their boarding passes and walk down the ramp to take their seats on the Airbus A320. Flight 155 was scheduled to carry them from LAX to Washington Dulles, where their mother would meet them. It was a Saturday, and a new school year would begin on Monday.
“Don’t point,” Abby hissed under her breath, smacking her brother on the shoulder.
“Don’t hit,” Lije retorted, jerking away and making a face at her.
The kissing couple, Mia and Nate Smolski, broke apart as they reached the turnstile. Nate handed over his boarding pass as Mia looked around to smile at Abby and Lije, having clearly overheard their exchange. A radiant smile lit up her thin face and made the slim brunette briefly beautiful. A long-distance runner who had attended UCLA on a scholarship, she was twenty-three years old and a newly minted nurse. Nate was twenty-six, a salesman for his uncle’s car dealership. They’d gotten married the previous afternoon, and this flight was the first leg of their honeymoon. Mia followed her new husband on board, and Lije and Abby, still exchanging evil looks, followed them.
In line behind Lije and Abby were two businessmen, Don Miller and Gary Henderson. Both worked in the marketing department of a research and development company. They’d spent the week in Southern California pitching their company’s services to various clients, and were glad to be going home. Both were in their forties, both married with children.
The Garcia family of Alexandria, Virginia, boarded next: grandmother Rita, mom Haylie, dad Jason, and their two-year-old twin daughters, Gracie and Helen. Grandmother and Mom were each lugging a child, and Dad was carrying two car seats and what looked like four or five backpacks. All looked tired and harassed, except the children, who were asleep on the women’s respective shoulders.
Edward Thomas Jorgensen was behind the Garcias. A tall, fit man of thirty-nine, he was neatly dressed in a polo shirt and khakis and carried a briefcase. He was unmarried, childless, currently unemployed.
Nine more people boarded after Jorgensen, for a total of 243 passengers on board. The plane also carried twelve crew members.
Flight 155 took off twenty-eight minutes late at 12:58 p.m. Blue skies, perfect flying weather.
One hour and fifty minutes later, still enjoying perfect flying weather, the Airbus A320 slammed into the side of a mountain just outside of Denver.
There were no survivors.
No cause for the crash could be determined.
NOVEMBER, ONE YEAR LATER, KAZAKHSTAN
The private jet bumped over a narrow strip of pavement as it touched down. At the end of the little-used runway in a cleared area of forest a few miles outside of Aktau, Kazakhstan, a trio of covered military-style trucks pointing their headlights toward the taxiing plane provided the only illumination. It was dark, it was snowing furiously, and those trucks held one wayward American citizen and a whole bunch of rifle-toting members of the Kazakh Armed Forces.
None of those things were designed to make James “Cal” Callahan feel all warm and fuzzy inside. The plane executed a neat one-eighty as it reached the end of the runway, turning its nose back the way they’d come so that takeoff could happen quickly.
“Keep the engines running,” Cal directed the pilot, Tim Hendricks. Easing the jet to a halt, Hendricks nodded. A wiry six-two, Hendricks was, like Cal and Ezra Brown, the third member of their party, former Air Force Special Operations Command, also known as AFSOCs or, more commonly, Air Commandos.
“Think there’ll be trouble?” Ezra asked, following him to the door. Ezra was Cal’s backup, his second gun, and a friend. About Cal’s own height at six-four, Ezra was meatier, bald as an egg, and heavily tattooed, including a Celtic cross on his left cheek. Cal himself was more conventional looking, with neatly cut black hair, even features, and no tattoos. Despite the dark business suits that proclaimed their civilian status, they made a formidable-looking pair.
“Shouldn’t be, but you never know,” Cal said as the door opened and the stairs descended. “Let’s make this fast.”
The small leather satchel he carried as he stepped out into the biting cold held five million dollars’ worth of diamonds. They weren’t his diamonds, and it wasn’t his money that had bought them: it belonged to the CIA, or, more properly, the US government. But the US government didn’t pay ransom.
Unless it decided it wanted to. Then it employed private contractors like Cal to do the dirty work, thus keeping its official nose clean.
Ezra strode past him, taking up a position far enough to his right that even a spray of bullets couldn’t get them both at the same time. The missile launcher on his shoulder was aimed squarely at the trucks. The AK-47 slung on its strap over his shoulder was for stragglers if the missile launcher should prove less than one hundred percent effective.
Eyes narrowed against the blowing snow, Cal started walking toward the trucks.
He’d done a lot of things he didn’t want to do in his thirty-four years of life. One way or another, most of them had been for money.
Getting Rudy Delgado out of Kazakhstan was about to be one of them.
Rudy was a computer hacker. One of the best. Ten years before, under the cover of his legitimate day job as an IT specialist for the CIA, he’d gone into the system, found and publicly exposed dozens of clandestine operations that at that time had been under way in the Middle East, with the justification that he opposed the United States’ presence there. The public uproar had been enormous. The private backlash had cost serving officers their lives.
Having thus royally screwed the pooch, Rudy had fled the country, eventually winding up in Russia. In the years since, he’d continued working in IT, only for that country’s security services. It had been a sweet deal: Rudy did what the Russian government wanted, and they protected him from the Americans and let him live.
Only Rudy being Rudy, he’d gotten ambitious. He’d hacked his way into their classified files and started poking around.
The Russians being the Russians, they hadn’t liked that.
Nor had they liked what he’d found.
Rudy had fled again.
This time everybody and his mother was after him.
He’d wound up in Kazakhstan, where, via his specialty, the Internet, he dropped a bombshell on his former bosses at the CIA: he knew what had caused the crash of Flight 155 outside of Denver last year. He was prepared to trade the information, plus provide irrefutable proof of what he claimed, for a ride back to the States and a guarantee of immunity from prosecution once he got there.
His former bosses took the deal, but a complication arose. Rudy was arrested for some minor offense in Chapaev and wound up in the custody of the Kazakhstani government.
Which decided, clandestinely, to auction him off to the highest bidder.
The CIA won, and thus here Cal and company were.
Just another day at the office.
Three men emerged from the cab of the center truck and walked toward Cal. Two were tall and straight in their military uniforms. The third, the one in the middle, was short, round, bespectacled Rudy.
It was, in Cal’s opinion, a poor trade for five million dollars’ worth of diamonds, but what the US government did with its money wasn’t his call to make.
“Salaam.” Cal greeted the soldiers in their language, bowing his head in accordance with the custom. They nodded curtly. Not great believers in small talk, apparently, he observed to himself, which made them his kind of guys.
The soldier on the left held out his hand for the satchel. Cal handed it over. The soldier opened it up, thrust a gloved hand inside, rooted around. Apparently satisfied, he grunted, “Zhaksa,” which meant “good,” and closed the satchel back up again.
The soldier on the right, who’d had a hand wrapped around Rudy’s arm, thrust Rudy toward Cal. As Rudy stumbled forward, the soldiers turned around and left, striding swiftly back toward the trucks.
Cal grabbed Rudy’s arm in turn and started hustling him back toward the plane, which waited with steps down and engine running just ahead of them. The fuselage gleamed silver where the headlights struck it; the logo—a circle with two wavy lines under it—painted on the sides and tail gave it the look of a sleek corporate jet, which Cal supposed was the point.
The truth was he didn’t really give a damn about the plane’s aesthetics, especially not now—these crucial few seconds, where the Kazakhs had the diamonds and he, Ezra, and Rudy were still outside the jet, were the most likely time for an attack.
“You’re American?” Rudy gasped, breathless from the pace, as he looked up at Cal. Way up, because Rudy was maybe five-five. Beneath a red knit cap with a tassel at the crown, Rudy had scared-looking hazel eyes framed by wire-rimmed glasses, a big nose, a small mouth, and a round, pale face. Besides the cap, he was wearing a black fleece jacket zipped up to the neck, jeans, and sneakers. No backpack, no gear.
“You got proof of what you say happened to that plane? Because I want to see it,” was Cal’s reply. Cal had been offered a nice bonus on top of his fee if he made sure Rudy brought the promised “proof” with him. Of course, if Rudy couldn’t produce the proof, he’d still take Rudy back with him to the States. Rudy just might not like his reception at the other end.
“Yeah, sure. See?” Digging in his jeans pocket, Rudy came up with a small object that Cal had to squint at for a second before he recognized it: a flash drive.
Cal grunted and took the flash drive from Rudy, who looked like he wanted to protest but didn’t quite dare. Then they were at the plane steps. Shooing Rudy up the stairs, Cal glanced back at the trucks. They were still there at the end of the runway, still politely lighting up the pavement, waiting for their guests to leave.
“Easy enough,” Ezra said, coming up behind him.
“Seems like it,” Cal replied, and followed Rudy into the plane.
A few minutes later, they lifted off into what looked to be the start of a beautiful day.
Until it wasn’t.
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First and most inconsequential, the cover design. It's beautiful, I absolutely love it--hot pink is my favorite color!--but it 100% clashes with the content and the title. It looks whimsical and seductive and feminine and sexy--which is perfect, for a novel of pure, flowery, cheesy romance. But this is romantic suspense with a sense of harsh reality, and I just think it would have made more sense to do something that included elements of the Alaskan environment, or at the very least made the colors shades of gray, white, and blue. They should have done a foggy, mysterious picture of dark clouds to represent the weather, which played a huge role in the book. I realize the author doesn't have a whole lot of control over it, and the purpose of cover art is marketing and day-glo is trending, but still, they could have done something a little more relevant to the story.
Second, there were some really weird page breaks. I don't know if that's how Robards wrote it, or just how it was edited and sent to print. I don't remember her using breaks so liberally before, at least not so jarringly. Usually page breaks are used to mark a switch in point of view or scene, but sometimes they're used as a dramatic pause when the character has a startling revelation or is surprised by something. An in-story cliffhanger, if you will--Sandra Brown has it down to an art--but there's usually still a change in scene or voice afterward. However, most of these breaks were used as dramatic pauses, but then the text continued in the same scene, in the same voice, and I really think a lot of them weren't necessary at all. They should have just kept the paragraphs together; as it was, the breaks interrupted the flow, and every time I had to take a moment to mentally regroup and re-immerse myself in the scene that I was tricked into thinking was over.
Lastly, the end was anticlimactic. Their harrowing escape wasn't harrowing, and pinning the tail on the treasonous donkey was a matter of verifying his identity, then slapping the cuffs on him. I never doubted that they'd make it out alive and unscathed. Everything wrapped up neatly and quietly--and tediously. Nothing caught me off guard, no huge twist that had me going, "Holy crap, I did NOT see that coming!"
Regarding the main characters, Gina and Cal, I liked them and cared about them quite a bit...but I never connected with them on a real, personal level. They remained well-constructed characters in a story to me, and I'm not sure I felt like I'd gotten to know them very well by the end. They didn't overwhelm me with charisma and personality. It was like...they were the characters they needed to be for the purposes of the story. They said what they needed to say, thought what they needed to think, and did what they needed to do to be relevant to the plot and move it along. Looking back, they seemed like really personable plot devices. Which isn't fair, because of course the characters had to be relevant and move the plot along, or they wouldn't have been in the story. But it was almost mechanical, everything they said and did perfectly timed within the schedule of the story.
But aside from those minor issues, I really, REALLY enjoyed this book. The pace was steady, the tone consistent, and everything, from the weather to the wildlife to the landscape to the terrifying close encounters with death, was beautifully described. I believe Robards took a trip to Alaska and did some practical research for this book, and it shows. I had the sense that she knew what she was talking about. While its essential elements have been used before--the person you're supposed to trust is the one out to kill you, you're left to your own devices to survive in the wilderness, etc.--Robards put it all together in a fresh way I've never encountered before, and what made it so captivating was its sense of originality.
My favorite part was the parachute scene. That kiss was absolutely adorable ;)