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Daughter of the Shining Isles (The Magdalen Trilogy, Vol. 1) Hardcover – June 1, 2000
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Elizabeth Cunningham
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Elizabeth Cunningham
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Print length416 pages
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LanguageEnglish
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PublisherStation Hill Press
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Publication dateJune 1, 2000
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Dimensions6.33 x 1.36 x 9.24 inches
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ISBN-10158177060X
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ISBN-13978-1581770605
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Editorial Reviews
From Publishers Weekly
According to the publicity material accompanying her new book, novelist Cunningham (The Return of the Goddess) is descended from nine generations of Episcopal priests. She resisted the temptation to become a Christian priest herself, but proudly calls herself a priestess, and has written reams of feminist, neo-pagan fiction. In this novel, the first in a projected trilogy, Cunningham introduces us to Mary Magdalen, Celtic-style. Here, Mary, called Maeve, is born in the Land of Women in 4 B.C.E. As a young woman, she moves to Mona to study at a druidic university. There she meets EsusAaka JesusAwho is also studying there during his so-called lost years. In Maeve, Cunningham has blended the perky insouciance of Sabrina the teenage witch with the penetrating common sense of Jane Austen's Elizabeth Bennett. She speaks in a refreshingly modern voiceA"Yes, I know. Girl hero is awkward, like woman doctor.... But I balk at the word heroine. A personal quirk." But awkward locutions creep into this historical fantasy ("It was the blood, my woman's blood!"), and much of the novel reads like a poor imitation of Ursula Le Guin. At times, Cunningham tries too hard to prove her bona fides; her references to the Talmud, for example, hardly blend in seamlessly. ("You'll find this very discussion in a volume called Taharoth, in the tractate Niddah, chapter 9, Mishnah 5.") The endearing protagonist almost makes plowing through the tendentious, turgid prose worthwhile. Almost, but not quite. (June)
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
From Booklist
Cunningham outdoes herself. Always an imaginative writer, as The Return of the Goddess (1992) and The Wild Mother (1993) attest, Cunningham now mixes Celtic mythology with the emergent feminist tradition of the Magdalen to create a powerful, spiritually charged visionary novel. Red-haired Maeve was born on the legendary Isle of Women, where her weather-witching mothers (the plural is intentional) raise her to be utterly self-assured as well as almost overwhelmingly self-willed. But her confidence and skills are put to the test when, accepted as one of the first female candidates for initiation at Mona, she meets her soulmate and beloved, Esus (aka Jesus) of Nazareth, whose lengthy, invisible apprenticeship wasn't among the Essenes, as some would have it, but among the Druids, where he learned his destiny in a shamanic vision. In less-skilled hands, this wild combination of cultures and spiritual traditions might strain all suspension of disbelief, but Cunningham makes Maeve a force of nature that sweeps the reader along in her train. Indeed, Cunningham's artistry encourages the belief that, if there had been a lover fated for the fated savior, she certainly would have been this brilliant, soulful, sensual Celtic lass, Maeve. And this is just the first volume of a projected trilogy. Patricia Monaghan
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
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Product details
- Publisher : Station Hill Press; 0 edition (June 1, 2000)
- Language : English
- Hardcover : 416 pages
- ISBN-10 : 158177060X
- ISBN-13 : 978-1581770605
- Item Weight : 2.1 pounds
- Dimensions : 6.33 x 1.36 x 9.24 inches
-
Best Sellers Rank:
#3,023,225 in Books (See Top 100 in Books)
- #13,926 in Historical Fantasy (Books)
- #633,588 in Religion & Spirituality (Books)
- Customer Reviews:
Customer reviews
3.7 out of 5 stars
3.7 out of 5
20 global ratings
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Top reviews from the United States
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Reviewed in the United States on November 23, 2019
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Fantastic book!
Reviewed in the United States on May 3, 2015
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Love her novels!
Reviewed in the United States on June 16, 2014
Verified Purchase
The water damage on the book was not limited to just the back book cover. Water damage and signs of mold were also evident 8 pages from the back cover. Even tho the pages are wrinkled from being wet at some time, the main pages of the text are readable. At least I am able to read the book and content is what I was wanting. It would have been nice to keep the collection, but I will not keep this one after I have read it.
5.0 out of 5 stars
and seeing these two become "the lovers of the World" is a wonderful thing. I have read the Bible
Reviewed in the United States on April 17, 2018
As a Pagan, I simply adored the Maeve Chronicles. It became 4 books in the end, and I have read them all twice now! The idea of Maeve and Esus, attending Druid School, (Esus being Jesus of Nazareth in his "lost years") is both hilarious and romantic. We know Christianity found it's way to Ireland, and I can actually believe this is the truth when I read this again (which I will). You are in for a treat! Jesus has all the human traits as any male, and seeing these two become "the lovers of the World" is a wonderful thing. I have read the Bible, but loved this a lot more!
I don't know why people are upset about a little menstrual blood. Like any young guy, Jesus doesn't know a whole lot about how a women's body works, but becomes interested. Maeve's ability to speak Aramaic is helpful to him--as it was meant to be. Have fun with this one.
I don't know why people are upset about a little menstrual blood. Like any young guy, Jesus doesn't know a whole lot about how a women's body works, but becomes interested. Maeve's ability to speak Aramaic is helpful to him--as it was meant to be. Have fun with this one.
Reviewed in the United States on July 15, 2001
I liked this book most of the time I was reading it. I still go back and reread parts of it. There are other parts I never reread.
Why I liked this book: First, it's hilarious at times. Unlike another reviewer, I loved the Q-Celtic rap; it was a very funny modernization of the very real insult wars Celtic women had with one another. In another writer's hands, the scene might have been too archaic in tone to really express the humor and sarcasm the women used. I loved Bran's self-introduction. I loved the scene where Esus takes the Druid "entrance exam." The beginning of the book is a laugh riot, for the most part. Toward the middle and end, it took on a more serious tone, and it is a testament to the author's skill that the two "moods" did not clash; the book flowed naturally from comedy to drama. I don't want to spoil the plot for anyone, but the heroic plot cooked up by Maeve and Dwynwyn is worth the price of the book all by itself. The courage and cleverness the women show is my _other_ favorite aspect of _Daughter of the Shining Isles_. This is the story of a young girl growing into a powerful and strong woman, and what a fascinating story it is!
What I didn't like: I thought the urination and menstruation jokes were excessive. Not that there's anything wrong with bodily functions--we all have them--but we're talking overkill here.
Why I liked this book: First, it's hilarious at times. Unlike another reviewer, I loved the Q-Celtic rap; it was a very funny modernization of the very real insult wars Celtic women had with one another. In another writer's hands, the scene might have been too archaic in tone to really express the humor and sarcasm the women used. I loved Bran's self-introduction. I loved the scene where Esus takes the Druid "entrance exam." The beginning of the book is a laugh riot, for the most part. Toward the middle and end, it took on a more serious tone, and it is a testament to the author's skill that the two "moods" did not clash; the book flowed naturally from comedy to drama. I don't want to spoil the plot for anyone, but the heroic plot cooked up by Maeve and Dwynwyn is worth the price of the book all by itself. The courage and cleverness the women show is my _other_ favorite aspect of _Daughter of the Shining Isles_. This is the story of a young girl growing into a powerful and strong woman, and what a fascinating story it is!
What I didn't like: I thought the urination and menstruation jokes were excessive. Not that there's anything wrong with bodily functions--we all have them--but we're talking overkill here.
8 people found this helpful
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Reviewed in the United States on August 8, 2003
This is the Magdalene.org review: "Daughter of the Shining Isles" is the first part of an ambitious trilogy by Elizabeth Cunningham. She takes us to the Celtic-speaking world of 9 C.E. where the main character, Maeve Rhaud, is born and raised by eight weather-warrior witches on the island of Tir na mBam. There, she has a startling vision of her cosmic twin, Esus, in a back alley of Jerusalem: he is relieving his bladder.
If this is a startling image for you, then you should avoid the book. Cunningham's Maeve Rhaud is a headstrong, earthy character with no qualms about speaking of bodily functions, and she does so with great frequency. They are, in fact, important plot points in the story. This was a great drawback for me when I first started the book, and it wasn't until I was halfway through it that I decided the story was entertaining enough to compensate for Cunningham's Celtic witches' apparent scatalogical fascination.
A majority of the story takes place at the legendary Druid college of Mona, where Maeve Rhaud undertakes bardic training. The author accounts for the "lost years" of Jesus (Esus) by placing him in the college with her. He has a difficult time believing that his cosmic twin is someone so "unclean," and they have frequent theological arguments about monotheism versus her polytheistic ways. Maeve is constantly in trouble with the faculty of the college, clashing with personalities and breaking taboos. It is in this setting that she falls in love with the 15 year old man from Jerusalem and pledges her life to him.
Cunningham's novel is narrated by Maeve, who uses modern metaphors to describe the events in her tale. In spite of this chronological inconsistency, the story is extremely entertaining and told with good humor. It moves along quickly, and the main characters are well developed. If you are familiar with biblical accounts of the life of Jesus, you will be amused by the references to how his legend was shaped by people after his death.
If you're able to laugh at bawdy humor and don't have an easily tweaked sense of the blasphemous, this book will leave you satisfied and waiting eagerly for the next novel in the series.
If this is a startling image for you, then you should avoid the book. Cunningham's Maeve Rhaud is a headstrong, earthy character with no qualms about speaking of bodily functions, and she does so with great frequency. They are, in fact, important plot points in the story. This was a great drawback for me when I first started the book, and it wasn't until I was halfway through it that I decided the story was entertaining enough to compensate for Cunningham's Celtic witches' apparent scatalogical fascination.
A majority of the story takes place at the legendary Druid college of Mona, where Maeve Rhaud undertakes bardic training. The author accounts for the "lost years" of Jesus (Esus) by placing him in the college with her. He has a difficult time believing that his cosmic twin is someone so "unclean," and they have frequent theological arguments about monotheism versus her polytheistic ways. Maeve is constantly in trouble with the faculty of the college, clashing with personalities and breaking taboos. It is in this setting that she falls in love with the 15 year old man from Jerusalem and pledges her life to him.
Cunningham's novel is narrated by Maeve, who uses modern metaphors to describe the events in her tale. In spite of this chronological inconsistency, the story is extremely entertaining and told with good humor. It moves along quickly, and the main characters are well developed. If you are familiar with biblical accounts of the life of Jesus, you will be amused by the references to how his legend was shaped by people after his death.
If you're able to laugh at bawdy humor and don't have an easily tweaked sense of the blasphemous, this book will leave you satisfied and waiting eagerly for the next novel in the series.
12 people found this helpful
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Reviewed in the United States on January 8, 2005
I thoroughly enjoyed reading this book. I don't usually enjoy first-person fictional accounts; however, this was an exception. There are a couple of reasons why I didn't give it five stars, however:
1. The protagonist occasionally wanders off on tangents in the middle of some of the premier events during the story. I do expect some tangents, especially when a book is written from a first-person POV; however, it seems like these could be a bit shorter to make the story more powerful.
2. The menstrual blood thing was kind of...strange. It didn't bother me the first time, and it at no point disgusted me, but I thought that the differences between the protagonist and the way other women were brought up were quite marked without the incident with the menstrual blood while she was at the druid college.
In all, I loved the story and am very much looking forward to reading the next one in the trilogy.
1. The protagonist occasionally wanders off on tangents in the middle of some of the premier events during the story. I do expect some tangents, especially when a book is written from a first-person POV; however, it seems like these could be a bit shorter to make the story more powerful.
2. The menstrual blood thing was kind of...strange. It didn't bother me the first time, and it at no point disgusted me, but I thought that the differences between the protagonist and the way other women were brought up were quite marked without the incident with the menstrual blood while she was at the druid college.
In all, I loved the story and am very much looking forward to reading the next one in the trilogy.



