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From Dawn to Decadence: 1500 to the Present: 500 Years of Western Cultural Life Hardcover – May 1, 2000
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"A stunning five-century study of civilization's cultural retreat." — William Safire, New York Times
Highly regarded here and abroad for some thirty works of cultural history and criticism, master historian Jacques Barzun has set down in one continuous narrative the sum of his discoveries and conclusions about the whole of Western culture since 1500.
Barzun describes what Western Man wrought from the Renaissance and Reformation down to the present in the double light of its own time and our pressing concerns. He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have been forgotten or obscured. His compelling chapters—such as "Puritans as Democrats," "The Monarchs' Revolution," and "The Artist Prophet and Jester"—show the recurrent role of great themes throughout the era.
The triumphs and defeats of five hundred years form an inspiring saga that modifies the current impression of one long tale of oppression by white European males. Women and their deeds are prominent, and freedom (even in sexual matters) is not an invention of the last decades. And when Barzun rates the present not as a culmination but a decline, he is in no way a prophet of doom. Instead, he shows decadence as the normal close of great periods and a necessary condition of the creative novelty that will burst forth—tomorrow or the next day.
Only after a lifetime of separate studies covering a broad territory could a writer create with such ease the synthesis displayed in this magnificent volume.
- Print length877 pages
- LanguageEnglish
- PublisherHarper
- Publication dateMay 1, 2000
- Dimensions6.12 x 1.9 x 9.25 inches
- ISBN-100060175869
- ISBN-13978-0060175863
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To leaf through Barzun's sweeping, densely detailed but lightly written survey of the last 500 years is to ride a whirlwind of world-changing events. Barzun ponders, for instance, the tumultuous political climate of Renaissance Italy, which yielded mayhem and chaos, but also the work of Michelangelo and Leonardo--and, he adds, the scientific foundations for today's consumer culture of boom boxes and rollerblades. He considers the 16th-century varieties of religious experimentation that arose in the wake of Martin Luther's 95 theses, some of which led to the repression of individual personality, others of which might easily have come from the "Me Decade." Along the way, he offers a miniature history of the detective novel, defends Surrealism from its detractors, and derides the rise of professional sports, packing in a wealth of learned and often barbed asides.
Never shy of controversy, Barzun writes from a generally conservative position; he insists on the importance of moral values, celebrates the historical contributions of Christopher Columbus, and twits the academic practitioners of political correctness. Whether accepting of those views or not, even the most casual reader will find much that is new or little-explored in this attractive venture into cultural history. --Gregory McNamee
From Publishers Weekly
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Copyright 1999 Reed Business Information, Inc.
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Review
"[Barzun] restores color to faded memories of history and paints in the mural here bits were missing." — Sebastian Mallaby, Washington Post Book World
“A stunning five-century study of civilization’s cultural retreat.” — William Safire, New York Times
“Barzun writes with unfailing, stylish lucidity and enlivens his vast tale with ingenious devices.” — The New Yorker
“From Dawn to Decadence, in short, is peerless.” — New York Times Book Review
“How many times in one’s life does one get to welcome a masterpiece, which, without a doubt, this amazing work certainly is?” — National Review
"Likely -- I am tempted to say certain -- to become a classic." — William H. McNeill, Los Angeles Times
“[From Dawn to Decadence] is arguably the best thinking man’s bedside book ever written.” — Peter Green, Times Literary Supplement
“Jacques Barzun’s summa is the work of a very great historian and of a seer. The phrase from the Bible is apposite: ‘The hearing ear, and the seeing eye’ is his great gift--and a gift to his readers.” — John Lukacs, author of Five Days in London
From the Back Cover
Highly regarded here and abroad for some thirty works of cultural history and criticism, master historian Jacques Barzun has now set down in one continuous narrative the sum of his discoveries and conclusions about the whole of Western culture since 1500.
In this account, Barzun describes what Western Man wrought from the Renaisance and Reformation down to the present in the double light of its own time and our pressing concerns. He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have "Puritans as Democrats," "The Monarch's Revolution," "The Artist Prophet and Jester"--show the recurrent role of great themes throughout the eras.
The triumphs and defeats of five hundred years form an inspiring saga that modifies the current impression of one long tale of oppression by white European males. Women and their deeds are prominent, and freedom (even in sexual matters) is not an invention of the last decades. And when Barzun rates the present not as a culmination but a decline, he is in no way a prophet of doom. Instead, he shows decadence as the creative novelty that will burst forth--tomorrow or the next day.
Only after a lifetime of separate studies covering a broad territory could a writer create with such ease the synthesis displayed in this magnificent volume.
About the Author
Born in France in 1907, Jacques Barzun came to the United States in 1920. After graduating from Columbia College, he joined the faculty of the university, becoming Seth Low Professor of History and, for a decade, Dean of Faculties and Provost. The author of some thirty books, including the New York Times bestseller From Dawn to Decadence, he received the Gold Medal for Criticism from the American Academy of Arts and Letters, of which he was twice president. He lived in San Antonio, Texas, before passing away at age 104.
Product details
- Publisher : Harper; First Edition (May 1, 2000)
- Language : English
- Hardcover : 877 pages
- ISBN-10 : 0060175869
- ISBN-13 : 978-0060175863
- Item Weight : 3.04 pounds
- Dimensions : 6.12 x 1.9 x 9.25 inches
- Best Sellers Rank: #385,101 in Books (See Top 100 in Books)
- #663 in History of Civilization & Culture
- #4,603 in European History (Books)
- #11,664 in United States History (Books)
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Barzun's masterful narrative skills and prodigous knowledge make "Dawn to Decadence" wonderful reading. For this alone I give it 4 stars. And I certainly agree with him that today's academy is in a sorry state, in thrall as it is with structuralist and linguistic cusuistry, serving no purpose outside pedagogical exercises yet infecting the minds of undergraduates, our future social leaders, with a nihilistic and enervated outlook, resulting in a fatuous, aimless, hedonistic - decadent - body cultural and politic, ill-equipped and unwilling to provide the life support necessary for a civilization with a vital future.
I contrast Barzun with Kenneth Clark, another student of Western Civilization, who reaches much the same conclusions. But while Barzun sees the over-refined and fatuous, Clark sees the youthful and dynamic. Thus, I doubt if the late Lord Clark would agree with Barzun's rather gloomy outlook.
Jacques Barzun is a product of the nineteenth century, which ended in 1945. What some would call the malaise of the fifty-odd years that followed, the truncated twentieth century, was actually a hangover from the nineteenth. Barzun is like many old men who believe that the world of "today" is going to hell in a teapot. I think that while Barzun diagnoses the state of contemporary Western Civilization correctly, his prognosis is less sound, because he doesn't understand "today" now as well as he understood "today" in his youth or in his prime. Frankly, I think our world has emerged from the mess which Barzun's world created in a much better state than anyone, knowing the sorry history of the world until then, had any right to expect.
Kierkegaard said life can only be understood backward - you can explain only the past - but can only be lived forward. I only wish Barzun - and I, for that matter - could be around fifty years from now to see that his despair of Western Civilization was unwarranted.
* First, and maybe best, you get to spend 802 pages worth of your reading time in the company of a man who has thought long and hard about who we are and has the grace and talent to share it. Jacques Barzun is very good company.
* You'll get to expand your knowledge of your ignorance. How wonderful to be prompted to look at the size of what you don't know! It's the first and in many ways, most luscious step in learning.
* You will lose your sense of what is `human nature' and begin to see a lot of what you thought was part of the human condition as really a piece of human construction. To take one example, the splendid essay on Montaigne reminds us that the very idea of an autonomous self had to be invented and that idea had to struggle against earlier, humoral theories of human nature.
* You will see (and perhaps never forget) a vision of the future in which the tedium of the technological, television era is rolled back by a return to earlier pasttimes and forms. Family poetry readings after dinner? Chamber music on the village green?
In spite of the title, this is a resoundingly optimistic work. It's not too much to say that it will leave you a changed person. I envy any one who gets to read it for the first time and I think I'll distract myself from that envy by reading it again now for the second time.
--Lynn Hoffman, author of THE NEW SHORT COURSE IN WINE and the forthcoming novel bang-BANG from Kunati Books. ISBN 9781601640005
Even though this book was slow going at times, I persevered until the end. Doing so changed the way I saw the rest of the book. It became clear to me that Barzun didn't really write this book as a history lesson; his aim is not to teach, but to decry. The first 679 pages are really a prologue to Part IV, which contains the chapters "The Great Illusion", "The Artist Prophet and Jester", "Embracing the Absurd", and "Demotic Life and Times". In this fourth part of the book, which deals with the 20th century, his writing becomes more passionate--it is an invective, a diatribe.
For Barzun, Yeats is the last great poet, and Cubism the last real art movement. Western civilization since the end of World War I is a welter of confusion. To be fair, he does offer a plausible explanation for this "decadence" that doesn't blame that favorite scapegoat of conservatives everywhere, the Sixties (in fact, he says that the social justice movements of the sixties were continuations of movements that began in the Twenties and Thirties and were interrupted by WWII). Instead, he traces the roots of our supposed current breakdown to the carnage of WWI and its aftermath. At the turn of the century, he says, people were proclaiming what a joy it was to be alive, and art, literature, and music were bursting with new ideas. All of that came to an abrupt halt when scores of young artists, writers and musicians were either killed in the war or kept away from their work. When the war was over, there was a schism between past and present; people were forced to start from scratch: "The reckless expenditure of lives was bound to make a postwar world deficient in talents as well as deprived of needful links to the prewar culture." According to Barzun, we have never recovered.
Throughout the book Barzun highlights ideas that are key to Western civilization. The forces of Abstraction and Emancipation, Self-Consciousness and Scientism, Analysis and Reductivism, coupled with the ravages of the world wars, culminate in the cultural anarchy he sees today. The last chapter is a peculiarity. Even though it takes current events as its subject, it is wholly written in the past tense, as in: "In the last years of the era of nations, violence returned....Assault in the home, the office, and on city streets was commonplace and particularly vicious." or "From their early teens, pupils carried guns, assaulted each other, and on occasion committed little massacres by shooting into a group at random with a rapid-fire weapon". Why does he write about present-day conditions in the past tense? Is it to give these final pages an authority he knows is lacking? Is it to make this book not seem dated to those who may read it ten, twenty, fifty years from now? Whatever the reason is, it's absurd. Imagine reading sentences in this vein on every topic from recent and still-unfolding scientific developments (cloning) to current entertainment, and you get the idea of how bombastic this chapter gets.
Barzun says, of our time, "No one is on record as exclaiming with Erasmus or Wordsworth 'Oh, what a joy to be alive!'" Maybe nobody he knows. But there certainly must be someone out there, today, whose life has a sense of coherence and purpose, who isn't the bewildered, sloppily-dressed, self-hating dependent of the welfare state that Barzun paints as the typical turn-of-this-century Westerner. Anyone?
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I would recommend it to everybody and anyone!










