Copyright © 2004 Phillips & Nelson Media, Inc.

“Majestic... Atkinson's achievement is to marry prodigious research with a superbly organized narrative and then to overlay the whole with writing as powerful and elegant as any great narrative of war.” ―The Wall Street Journal

“A triumph of narrative history, elegantly written, thick with unforgettable description and rooted in the sights and sounds of battle.” ―The New York Times

“In The Day of Battle, Rick Atkinson picks up where he left off in An Army at Dawn, his history of the North African campaign, which won the Pulitzer Prize in 2003. A planned third volume, on the Normandy invasion and the war in Europe, will complete The Liberation Trilogy, which is shaping up as a triumph of narrative history, elegantly written, thick with unforgettable description and rooted in the sights and sounds of battle . . . He excels at describing the furor of battle, and the Italian campaign provides him with abundant raw material. . . Mr. Atkinson, a longtime correspondent and editor for The Washington Post, conveys all of this with sharp-edged immediacy and a keen eye for the monstrous and the absurd.” ―William Grimes, The New York Times

“Monumental ... With this book, Rick Atkinson cements his place among America's great popular historians, in the tradition of Bruce Catton and Stephen Ambrose.” ―The Washington Post

“A very fine book .... Anyone who devoured An Army at Dawn with relish will be delighted with Atkinson's account of the Sicilian and Italian campaign.

” ―The New York Times Book Review

“[A] fascinating account of the war in Sicily and Italy.

” ―USA Today

“Gripping .... [Atkinson] combines an impressive depth of research with a knack for taut, compelling narrative.” ―Star Tribune (Minneapolis-St. Paul)

“Splendid ... the infantrymen who did the fighting will grab at readers' hearts.

” ―St. Louis Post-Dispatch

“With The Day of Battle, Atkinson again proves himself to stand among the ranks of our most talented popular historians ... Required reading for anyone with an interest in the battles of World War II.

” ―Austin American-Statesman

“A seamless, stunning narrative that is the equal of An Army at Dawn .... Atkinson's success lies in his ability to render bare war's wretched realities in astounding prose.

” ―Contra Costa Times

Chapter 1

The sun beat down on the stained white city, the July sun that hurt the eyes and turned the sea from wine-dark to silver. Soldiers crowded the shade beneath the vendors’ awnings and hugged the lee of the alabaster buildings spilling down to the port. Sweat darkened their collars and cuffs, particularly those of the combat troops wearing heavy herringbone twill. Some had stripped off their neckties, but kept them folded and tucked in their belts for quick retrieval. The commanding general had been spotted along the wharves, and every man knew that George S. Patton, Jr., would levy a $25 fine on any GI not wearing his helmet or tie.

Algiers seethed with soldiers after eight months of Allied occupation: Yanks and Brits, Kiwis and Gurkhas, swabs and tars and merchant mariners who at night walked with their pistols drawn against the bandits infesting the port. Troops swaggered down the boulevards and through the souks, whistling at girls on the balconies or pawing through shop displays in search of a few final souvenirs. Sailors in denim shirts and white caps mingled with French Senegalese in red fezzes, and bearded goums with their braided pigtails and striped burnooses. German prisoners sang “Erika” as they marched in column under guard to the Liberty ships that would haul them to camps in the New World. British veterans in battle dress answered with a ribald ditty called “El Alamein”—“Tally-ho, tally-ho, and that was as far as the bastards did go”—while the Americans belted out “Dirty Gertie from Bizerte,” which was said to have grown to two hundred verses, all of them salacious. “Sand in your shoes,” they called to one another—the North African equivalent of “Good luck”—and with knowing looks they flashed their index fingers to signal “I,” for “invasion.”

Electric streetcars clattered past horsedrawn wine wagons, to be passed in turn by whizzing jeeps. Speeding by Army drivers had become so widespread that military policemen now impounded offenders’ vehicles—although General Eisenhower had issued a blanket amnesty for staff cars “bearing the insignia of a general officer.” Most Algerians walked or resorted to bicycles, pushcarts, and, one witness recorded, “every conceivable variety of buggy, phaeton, carryall, cart, sulky, and landau.” Young Frenchmen strolled the avenues in their narrow-brimmed hats and frayed jackets. Arab boys scampered through the alleys in pantaloons made from stolen barracks bags, with two holes cut for their legs and the stenciled name and serial number of the former owner across the rump. Tatterdemalion beggars in veils wore robes tailored from old Army mattress covers, which also served as winding-sheets for the dead. The only women in Algiers wearing stockings were the hookers at the Hotel Aletti bar, reputed to be the richest wage-earners in the city despite the ban on prostitution issued by military authorities in May.

Above it all, at high noon on July 4, 1943, on the Rue Michelet in the city’s most fashionable neighborhood, a French military band tooted its way through the unfamiliar strains of “The Star-Spangled Banner.” Behind the woodwinds and the tubas rose the lime-washed Moorish arches and crenellated tile roof of the Hôtel St. Georges, headquarters for Allied forces in North Africa. Palm fronds stirred in the courtyard, and the scent of bougainvillea carried on the light breeze.

Vice Admiral Henry Kent Hewitt held his salute as the anthem dragged to a ragged finish. Eisenhower, also frozen in salute on Hewitt’s right, had discouraged all national celebrations as a distraction from the momentous work at hand, but the British had insisted on honoring their American cousins with a short ceremony. The last strains faded and the gunfire began. Across the flat roofs of the lower city and the magnificent crescent of Algiers Bay, Hewitt saw a gray puff rise from H.M.S. Maidstone, then heard the first report. Puff followed puff, boom followed boom, echoing against the hills, as the Maidstone fired seaward across the breakwater.

Nineteen, twenty, twenty-one. Hewitt lowered his salute, but the bombardment continued, and from the corner of his eye the admiral could see Eisenhower with his right hand still glued to his peaked khaki cap. Unlike the U.S. Navy, with its maximum twenty-one-gun tribute, the Army on Independence Day fired forty-eight guns, one for each state, a protocol now observed by Maidstone’s crew. Hewitt resumed his salute until the shooting stopped, and made note of yet another difference between the sister services.

With the ceremony at an end, Hewitt hurried through the courtyard and across the lobby’s mosaic floor to his office, down the corridor from Eisenhower’s corner suite. Every nook of the St. Georges was jammed with staff officers and communications equipment. Eight months earlier, on the eve of the invasion of North Africa, Allied plans had called for a maximum of seven hundred officers to man the Allied Forces Headquarters, or AFHQ, a number then decried by one commander as “two or three times too many.” Now the figure approached four thousand, including nearly two hundred colonels and generals; brigades of aides, clerks, cooks, and assorted horse-holders brought the AFHQ total to twelve thousand. The military messages pouring in and out of Algiers via seven undersea cables were equivalent to two-thirds of the total War Department communications traffic. No message was more momentous than the secret order issued this morning: “Carry out Operation husky.”

Hewitt had never been busier, not even before Operation torch, the assault on North Africa. Then he had commanded the naval task force ferrying Patton’s thirty thousand troops from Virginia to Morocco, a feat of such extraordinary success—not a man had been lost in the hazardous crossing—that Hewitt received his third star and command of the U.S. Navy’s Eighth Fleet in the Mediterranean. After four months at home, he had arrived in Algiers on March 15, and every waking moment since had been devoted to scheming how to again deposit Patton and his legions onto a hostile shore.

He was a fighting admiral who did not look the part, notwithstanding the Navy Cross on his summer whites, awarded for heroism as a destroyer captain in World War I. Sea duty made Hewitt plump, or plumper, and in Algiers he tried to stay fit by riding at dawn with native spahi cavalrymen, whose equestrian lineage dated to the fourteenth-century Ottomans. Despite these efforts, his frame remained, as one observer acknowledged, “well-upholstered.” At the age of fifty-six, the former altar boy and bell ringer from Hackensack, New Jersey, was still proud of his ability to ring out “Softly Now the Light of Day.” He loved double acrostic puzzles and his Keuffel & Esser Log Log Trig slide rule, a device that had been developed at the Naval Academy in the 1930s when he chaired the mathematics department there. His virtues, inconspicuous only to the inattentive, included a keen memory, a willingness to make decisions, and the ability to get along with George Patton. The Saturday Evening Post described Hewitt as “the kind of man who keeps a dog but does his barking himself”; in fact, he rarely even growled. He was measured and reserved, a good if inelegant conversationalist, and a bit pompous. He liked parties, and in Algiers he organized a Navy dance combo called the Scuttlebutt Five. He also had established a soup kitchen for the poor with leavings from Navy galleys; he ate the first bowl himself. Two other attributes served his country well: he was lucky, and he had an exceptional sense of direction, which on a ship’s bridge translated into a gift for navigation. Kent Hewitt always knew where he was.

He called for his staff car—among those privileged vehicles exempt from impoundment—and drove from the St. Georges through the twisting alleyways leading to the port. At every pier around the grand crescent of the bay, ships were moored two and three deep: freighters and frigates, tankers and transports, minesweepers and landing craft. Others rode at anchor beyond the harbor’s submarine nets, protected by patrol planes and destroyers tacking along the coastline. The U.S. Navy had thirty-three camouflage combinations, from “painted false bow wave” to “graded system with splotches,” and most seemed to be represented in the vivid Algiers anchorage. Stevedores swarmed across the decks; booms swung from dock to hold and back to dock again; gantry cranes hoisted pallet after pallet from the wharves onto the vessels. Precautions against fire were in force on every ship: wooden chairs, drapes, excess movie film, even bulkhead pictures had been removed; rags and blankets were ashore or well stowed; sailors—who upon departure would don long-sleeved undershirts as protection against flash burns—had chipped away all interior paint and stripped the linoleum from every mess deck.

Hewitt’s flagship, the attack transport U.S.S. Monrovia, lay moored on the port side of berth 39, on the Mole de Passageurs in the harbor’s Basin de Vieux. Scores of military policemen had boarded for added security, making her desperately overcrowded. Ten to twenty officers packed each cabin on many ships, with enlisted bunks stacked four high, and Monrovia was more jammed than most. With Hewitt’s staff, Patton’s staff, and her own crew, she now carried fourteen hundred men, more than double her normal company. She would also carry, in some of those cargo nets being manhandled into the hold, 200,000 rounds of high-explosive ammunition and 134 tons of gasoline.

The admiral climbed from his car and strode up the gangplank, greeted with a bosun’s piping and a flurry of salutes. Monrovia’s passageways seemed dim and cheerless after the brilliant African light. In the crowded operations room below, staff o...