Buy new:
$10.17$10.17
FREE delivery: Friday, Dec 30 on orders over $25.00 shipped by Amazon.
Ships from: Amazon Sold by: PutnamProducts
Buy used: $4.95
Other Sellers on Amazon
+ $3.99 shipping
97% positive over last 12 months
+ $4.41 shipping
98% positive over last 12 months
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle Cloud Reader.
Using your mobile phone camera - scan the code below and download the Kindle app.
Day for Night: A Novel Hardcover – April 26, 2010
| Frederick Reiken (Author) Find all the books, read about the author, and more. See search results for this author |
| Price | New from | Used from |
|
Audible Audiobook, Unabridged
"Please retry" |
$0.00
| Free with your Audible trial | |
|
MP3 CD, Audiobook, MP3 Audio, Unabridged
"Please retry" | $24.99 | — |
Enhance your purchase
In DAY FOR NIGHT, critically acclaimed writer Frederick Reiken spins an unlikely and yet utterly convincing story about people lost and found. They are all refugees from their own lives or history's cruelties, and yet they wind up linked to each other in compelling and unpredictable ways that will keep you guessing until the very end.
- Print length336 pages
- LanguageEnglish
- PublisherReagan Arthur Books
- Publication dateApril 26, 2010
- Dimensions6.25 x 1.25 x 9.5 inches
- ISBN-100316077569
- ISBN-13978-0316077569
Customers who bought this item also bought
Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Review
"Reiken strikes a delicate balance between mysteries and matters of fact...By the conclusion of this complex, engrossing novel, the title no longer seems the least bit funny." - Time
"A haunting first novel that takes a horrifying family calamity and turns it into a form of magic...leaves you spellbound until the very last page." - Christopher Lehmann-Haupt, The New York Times
"Skillful and much more than promising...Mr. Reiken's novel can be considered a coming-of-age story, but it is unusually interesting, because his adolescent narrator is much less self-absorbed than most of his kind." - The Atlantic Monthly
"Reiken has the gift of creating characters whose lives seem to go on even after we have read the last page of the novel." - The Christian Science Monitor
PRAISE FOR THE LOST LEGENDS OF NEW JERSEY:
"By turns funny, poignant, clever and sad, Lost Legends is almost unerringly original...Reiken is an inspired storyteller, shifting gracefully from the ethereal to the earthly, and then meshing the two...You find yourself wishing that Reiken's beautiful, affecting writing and his haunting characters and their stories could go on and on." -The Philadelphia Inquirer (Sunday front page)
"In scene after scene, Reiken gets the amiable melancholy of suburbia exactly right. ... Reiken knows how to charge the quietest domestic scenes with consequence and emotion." - The New York Times Book Review
"A wise book filled with people a reader cannot help but care for." - The Boston Sunday Globe (front page)
About the Author
Product details
- Publisher : Reagan Arthur Books; 1st edition (April 26, 2010)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 0316077569
- ISBN-13 : 978-0316077569
- Item Weight : 1.3 pounds
- Dimensions : 6.25 x 1.25 x 9.5 inches
- Best Sellers Rank: #4,319,558 in Books (See Top 100 in Books)
- #24,953 in Psychological Fiction (Books)
- #159,282 in Literary Fiction (Books)
- #168,711 in American Literature (Books)
- Customer Reviews:
About the author

Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Top reviews from other countries
Frederick Reiken's novel DAY FOR NIGHT reminds me of that kaleidoscope. Ten first-person voices narrate events, in the present or past, in ten independent stories. Personal relationships between lovers, friends or relatives are being described, others only subtly hinted at. From one story to the next, at least one such connection crosses over, playing now a bigger or smaller role. Still others, apparently abandoned, turn up again later in more or less obvious combinations. Some also just disappear completely and regrettably. Gradually, some patterns are forming in the reader's mind, possibly disappearing again and, just as likely, re-forming in different, maybe even surprising, ways. At some point in the novel, the upcoming connection points can be anticipated: a web structure emerges. The centre of the web is held by a particular series of harrowing events in the past that have haunted survivors and escapees and they continue to have a deep psychological hold also on the next generation.
The historically factual events and their aftermath are so traumatic and of such magnitude that it is difficult to write about Reiken's novel without recognizing the strong emotions that his story-telling provokes in any reader. Yet, by addressing the reader through several of his protagonists, the author has a message beyond that of the characters and circumstances presented: on the role of stories, of unlikely coincidences, and of the meaning of human connectedness in an ever shifting and changing world. "If you look hard enough into the history of anything, you will discover things that seem connected but are not..." explains one narrator while, by contrast, another sings about: "... we're much closer than we think to the random people we see in any given day...".
And the story in the story continues as it moves from generation to generation. Much is told by second-hand witnesses (friends, spouses, sons and daughters) of those directly affected by the past traumas. While these accounts add more colour to the kaleidoscope and create intriguing patterns, they also soften to some degree the haunting memories of the survivors and those who had escaped the atrocities at a young age.
And, summing up the multitude of issues contained in this novel, another protagonist contends: "It is a story that is much bigger than we know. Do not confuse the life you live with the story [...] Do not be afraid to leave the story, You may get scared sometimes because you fail to understand that what is scared is not you. It's the story. The story looks for a way to travel. The story is afraid that you will let it go." [p.144]
Returning to the literary aspect of DAY FOR NIGHT: does its structure of autonomous stories with a wide range of narrators hold together as a novel? Not completely, in my view. I did not find the voices as distinct as one could have expected. In a generalized sense, despite the author's clear and concise writing, the chosen structur implies a loss of depth of character and relating of context. At the same time, while some interpersonal relationships can be easily anticipated, some events live off coincidences that fall beyond the range of probability even within a novel's reality. Others, especially in the later chapters, appear artificially convenient, and also somewhat too drawn out, thus reducing the power of the messages and of the story's impact. However, that may have been a deliberate approach.
Regrettably, Reiken uses a considerable amount of stereotyping (prevalence of blond and always beautiful women, of blue eyes, and the simplistic representation of non-fluent English speaking foreigners, to just name a few). Finally, the representation of male characters in the novel is surprisingly reticent: they form only a minority among the protagonists (three) and, more importantly, except for one, they all seem to lack depth and three-dimensionality. Most of them remain like shadows either in the past or in the present. [Friederike Knabe]


