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![Deathwings: Dragon Wine Part Three by [Donna Maree Hanson]](https://m.media-amazon.com/images/I/519hmoVuR9L._SY346_.jpg)
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Deathwings: Dragon Wine Part Three Kindle Edition
by
Donna Maree Hanson
(Author)
Format: Kindle Edition
Donna Maree Hanson
(Author)
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LanguageEnglish
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Publication dateJune 18, 2017
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File size1752 KB
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Customers who bought this item also bought
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Editorial Reviews
Review
"Shatterwing has all the fantasy ingredients I love: tormented heroes, a truly twisted villain - and a brand new take on dragons!" Glenda Larke, (award winning author of The Stormlord Trilogy)
"Dark and compelling, with strong characters and a sense of grim inevitability that pulls you along with the story." Craig Cormick, (award-winning author of the Shadow Master Series.)
--This text refers to the paperback edition.Product details
- ASIN : B072V6J6XL
- Publication date : June 18, 2017
- Language : English
- File size : 1752 KB
- Simultaneous device usage : Unlimited
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 246 pages
- Lending : Enabled
-
Best Sellers Rank:
#1,601,301 in Kindle Store (See Top 100 in Kindle Store)
- #11,044 in Dark Fantasy Horror
- #13,303 in Post-Apocalyptic Science Fiction (Kindle Store)
- #16,294 in Dark Fantasy
- Customer Reviews:
Customer reviews
4.4 out of 5 stars
4.4 out of 5
7 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.
Top reviews
Top reviews from the United States
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Reviewed in the United States on January 28, 2018
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Verified Purchase
The story continues with the inspector trying to come to terms with being in dragon form. Salinda takes Garran and Laidan to the underground city with Nils to protect and work with the Cadre. While Brill and Danton go after the dragon wine and a group of young girls who are destined to become sex slaves.
Dragon wine continues to be dark and it is difficult to see any light on the horizon. The characters are forever in peril and there seems to be no one they can trust. As the story is character driven it is heavy in emotion but light on for action. Whilst I am held captive by the suspense and promise of things to come, I am frustrated at the pace the plot is moving. Still, I will be reading on. I need to know how this ends.
Dragon wine continues to be dark and it is difficult to see any light on the horizon. The characters are forever in peril and there seems to be no one they can trust. As the story is character driven it is heavy in emotion but light on for action. Whilst I am held captive by the suspense and promise of things to come, I am frustrated at the pace the plot is moving. Still, I will be reading on. I need to know how this ends.
Helpful
Reviewed in the United States on December 31, 2018
Verified Purchase
This is the fourth book in the Deathwings saga that I have read and I am enjoying each sequel more than the last one. I have found Ms. Hansons writing style and storytelling supberb.
Reviewed in the United States on December 11, 2017
Verified Purchase
it eas great story
Reviewed in the United States on July 12, 2017
It's hard to believe it's been more than two and a half years since I first reviewed Shatterwing and Skywatcher, the first two novels in the Dragon Wine series by Donna Maree Hanson. The pair of dark and fantastic tales drove the plot of the first right into the second and have been dressed up into a single volume (in addition to stand alone titles) with gorgeous new covers that brilliantly reflect their grim and gritty nature. While the ending contained a satisfying amount of flame and fighting, enough remained to leave me wondering where the tale might go so I was excited when I heard she had four more novels planned.
I recently read Deathwings, book three, and am very pleased it holds up well both in its continuity of the plot of the first two and in the way in which it remains true to the original world building and treasures the nature of the characters we continue to follow.
Deathwings picks up in the rubble and carnage following the ending of Skywatcher. Hanson winds the characters up with a heavy mix of personal failures and desperate goals then sends them off on their interconnected trials. Even though it has been so long since I read Shatterwing and Skywatcher, I reconnected quickly with the characters and fell into the story and setting.
My favourite character thus far is Nils, a time-traveller of sorts who woke after a thousand year sleep to find himself the only living person in his vast underground city. He is always portrayed as isolated and alone, pale, invisible and even hiding in the shadows. Even his name, Nils, (I associate it with nil, or nothing) enhances the idea of him being on the outside. Ironically and in spite of Nils and his lost society existing on the outskirts of the surface dwelling Margran society, he may be keeper of the only clues that may save the surface dwellers from their falling moon.
It's also hard to describe these books without using words like grim and dark over and over. Deathwings is written with an incredible economy of words in that people, places and even thoughts have been described in a way that maximizes the impact of Hanson's words. She shares the ugly and the beautiful with a deft hand for quickly creating memorable imagery.
Having read much of Hanson's work, Deathwings is the most powerfully written tale I've experienced from her yet. Her words build tension and power the action. Not once did I find a distracting choice of word or 'dropped in' patch of back story to bump me from my engagement.
As a middle book in a series of six, Deathwings secures its place as the plot anchor both wrapping up the first half and setting up the volumes yet to come. It's such a great feeling to be in the middle of a series you love and know you still have three full stories to read for the first time. I look forward to more adventure and recommend you fill out your fantasy collection with this sextet.
I recently read Deathwings, book three, and am very pleased it holds up well both in its continuity of the plot of the first two and in the way in which it remains true to the original world building and treasures the nature of the characters we continue to follow.
Deathwings picks up in the rubble and carnage following the ending of Skywatcher. Hanson winds the characters up with a heavy mix of personal failures and desperate goals then sends them off on their interconnected trials. Even though it has been so long since I read Shatterwing and Skywatcher, I reconnected quickly with the characters and fell into the story and setting.
My favourite character thus far is Nils, a time-traveller of sorts who woke after a thousand year sleep to find himself the only living person in his vast underground city. He is always portrayed as isolated and alone, pale, invisible and even hiding in the shadows. Even his name, Nils, (I associate it with nil, or nothing) enhances the idea of him being on the outside. Ironically and in spite of Nils and his lost society existing on the outskirts of the surface dwelling Margran society, he may be keeper of the only clues that may save the surface dwellers from their falling moon.
It's also hard to describe these books without using words like grim and dark over and over. Deathwings is written with an incredible economy of words in that people, places and even thoughts have been described in a way that maximizes the impact of Hanson's words. She shares the ugly and the beautiful with a deft hand for quickly creating memorable imagery.
Having read much of Hanson's work, Deathwings is the most powerfully written tale I've experienced from her yet. Her words build tension and power the action. Not once did I find a distracting choice of word or 'dropped in' patch of back story to bump me from my engagement.
As a middle book in a series of six, Deathwings secures its place as the plot anchor both wrapping up the first half and setting up the volumes yet to come. It's such a great feeling to be in the middle of a series you love and know you still have three full stories to read for the first time. I look forward to more adventure and recommend you fill out your fantasy collection with this sextet.
Top reviews from other countries

Cat
5.0 out of 5 stars
Book
Reviewed in the United Kingdom on April 19, 2019Verified Purchase
I loved this series of books so read most of them. What is not to love? Spunky heroine, evil but understandable vilain and DRAGONS!

Liz
5.0 out of 5 stars
Brilliant grim-dark fantasy
Reviewed in Canada on July 12, 2017Verified Purchase
It's hard to believe it's been more than two and a half years since I first reviewed Shatterwing and Skywatcher, the first two novels in the Dragon Wine series by Donna Maree Hanson. The pair of dark and fantastic tales drove the plot of the first right into the second and have been dressed up into a single volume (in addition to stand alone titles) with gorgeous new covers that brilliantly reflect their grim and gritty nature. While the ending contained a satisfying amount of flame and fighting, enough remained to leave me wondering where the tale might go so I was excited when I heard she had four more novels planned.
I recently read Deathwings, book three, and am very pleased it holds up well both in its continuity of the plot of the first two and in the way in which it remains true to the original world building and treasures the nature of the characters we continue to follow.
Deathwings picks up in the rubble and carnage following the ending of Skywatcher. Hanson winds the characters up with a heavy mix of personal failures and desperate goals then sends them off on their interconnected trials. Even though it has been so long since I read Shatterwing and Skywatcher, I reconnected quickly with the characters and fell into the story and setting.
My favourite character thus far is Nils, a time-traveller of sorts who woke after a thousand year sleep to find himself the only living person in his vast underground city. He is always portrayed as isolated and alone, pale, invisible and even hiding in the shadows. Even his name, Nils, (I associate it with nil, or nothing) enhances the idea of him being on the outside. Ironically and in spite of Nils and his lost society existing on the outskirts of the surface dwelling Margran society, he may be keeper of the only clues that may save the surface dwellers from their falling moon.
It's also hard to describe these books without using words like grim and dark over and over. Deathwings is written with an incredible economy of words in that people, places and even thoughts have been described in a way that maximizes the impact of Hanson's words. She shares the ugly and the beautiful with a deft hand for quickly creating memorable imagery.
Having read much of Hanson's work, Deathwings is the most powerfully written tale I've experienced from her yet. Her words build tension and power the action. Not once did I find a distracting choice of word or 'dropped in' patch of back story to bump me from my engagement.
As a middle book in a series of six, Deathwings secures its place as the plot anchor both wrapping up the first half and setting up the volumes yet to come. It's such a great feeling to be in the middle of a series you love and know you still have three full stories to read for the first time. I look forward to more adventure and recommend you fill out your fantasy collection with this sextet.
I recently read Deathwings, book three, and am very pleased it holds up well both in its continuity of the plot of the first two and in the way in which it remains true to the original world building and treasures the nature of the characters we continue to follow.
Deathwings picks up in the rubble and carnage following the ending of Skywatcher. Hanson winds the characters up with a heavy mix of personal failures and desperate goals then sends them off on their interconnected trials. Even though it has been so long since I read Shatterwing and Skywatcher, I reconnected quickly with the characters and fell into the story and setting.
My favourite character thus far is Nils, a time-traveller of sorts who woke after a thousand year sleep to find himself the only living person in his vast underground city. He is always portrayed as isolated and alone, pale, invisible and even hiding in the shadows. Even his name, Nils, (I associate it with nil, or nothing) enhances the idea of him being on the outside. Ironically and in spite of Nils and his lost society existing on the outskirts of the surface dwelling Margran society, he may be keeper of the only clues that may save the surface dwellers from their falling moon.
It's also hard to describe these books without using words like grim and dark over and over. Deathwings is written with an incredible economy of words in that people, places and even thoughts have been described in a way that maximizes the impact of Hanson's words. She shares the ugly and the beautiful with a deft hand for quickly creating memorable imagery.
Having read much of Hanson's work, Deathwings is the most powerfully written tale I've experienced from her yet. Her words build tension and power the action. Not once did I find a distracting choice of word or 'dropped in' patch of back story to bump me from my engagement.
As a middle book in a series of six, Deathwings secures its place as the plot anchor both wrapping up the first half and setting up the volumes yet to come. It's such a great feeling to be in the middle of a series you love and know you still have three full stories to read for the first time. I look forward to more adventure and recommend you fill out your fantasy collection with this sextet.
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