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The Decameron Paperback – December 8, 2014
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“Rebhorn deserves our gratitude for an eminently persuasive translation. . . . I celebrate his accomplishment.”―Edith Grossman
The year is 1348. The Black Death has begun to ravage Europe. Ten young Florentines―seven women and three men―escape the plague-infested city and retreat to the countryside around Fiesole. At their leisure in this isolated and bucolic setting, they spend ten days telling each other stories―tales of romance, tragedy, comedy, and farce―one hundred in all. The result, called by one critic "the greatest short story collection of all time" (Leonard Barkan, Princeton University) is a rich and entertaining celebration of the medley of medieval life.Witty, earthy, and filled with bawdy irreverence, the one hundred stories of The Decameron offer more than simple escapism; they are also a life-affirming balm for trying times. The Decameron is a joyously comic book that has earned its place in world literature not just because it makes us laugh, but more importantly because it shows us how essential laughter is to the human condition.
Published on the 700th anniversary of Boccaccio’s birth, Wayne A. Rebhorn's new translation of The Decameron introduces a generation of readers to this "rich late-medieval feast" in a "lively, contemporary, American-inflected English" (Stephen Greenblatt, Harvard University) even as it retains the distinctly medieval flavor of Boccaccio's rhetorically expressive prose.
An extensive introduction provides useful details about Boccaccio's historical and cultural milieu, the themes and particularities of the text, and the lines of influence flowing into and out of this towering monument of world literature.
- Print length1024 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateDecember 8, 2014
- Dimensions5.5 x 1.8 x 8.3 inches
- ISBN-100393350266
- ISBN-13978-0393350265
- Lexile measure1500L
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Editorial Reviews
Review
― Stephen Greenblatt, Harvard University, author of The Swerve
"Wayne A. Rebhorn deserves our gratitude for an eminently persuasive translation of Boccaccio’s collection of tales…I celebrate his accomplishment."
― Edith Grossman, translator of Don Quixote
"A lively, readable translation of the greatest short story collection of all time. The laugh-out-loud quality of Boccaccio’s delicious vernacular is admirably preserved."
― Leonard Barkan, Princeton University
"This superb, powerful, beautifully crafted, and indeed definitive translation of The Decameron introduces readers anew to the sparkling and colorful writing of a pre-Renaissance Italian master."
― Valeria Finucci, Duke University
"Ser Cepparello, Andreuccio, and Calandrino have never come across so well in English―Wayne Rebhorn’s vibrant new translation makes Boccaccio’s scoundrels and victims alike come back to life."
― Jane Tylus, New York University
"Fluent and elegant . . . the achievement genuinely honours its original."
― Telegraph
"A thoughtful piece of work… . This is the version [of The Decameron] I would recommend."
― Joan Acocella, The New Yorker
About the Author
Product details
- Publisher : W. W. Norton & Company; Reprint edition (December 8, 2014)
- Language : English
- Paperback : 1024 pages
- ISBN-10 : 0393350266
- ISBN-13 : 978-0393350265
- Lexile measure : 1500L
- Item Weight : 1.7 pounds
- Dimensions : 5.5 x 1.8 x 8.3 inches
- Best Sellers Rank: #30,952 in Books (See Top 100 in Books)
- #125 in Classic American Literature
- #1,125 in Classic Literature & Fiction
- #2,642 in Literary Fiction (Books)
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Because the stories are said to be recounted by three gentlemen and seven young ladies during the time of the black plague, The Decameron begins with a blissfully brief description of its horrific consequences. With that established, the settings are reminiscent of those of the Eloi in Welles' Time Machine.
Some tales are quite brief, but a few, Boccacchio admits, are tedious. Most, however, are entertaining. Moreover, most offer extended treatment of the social mores of Italy in the mid-1300s. I was most surprised by a pervasive suggestion that men's pursuit of married women was then more acceptable, if not by their huusbands, than it might be now.
I cannot assess the accuracy of the translation, but that it took Rebhorn nearly seven years should count for something. In some spots he was truly inspired. My favorite example involves a buffoon who garbles the name of the Archangel Gabriel. A literal translation would have been nonsensical, but Rebhorn translates it to "Archranger Bagriel," a name immediately recognizable in English as a corruption of the intended name. In a few places, I was jarred when he translated Italian terms into "buddy" or "guy;" they might have been better left untranslated.
I have little interest in medieval Italy, but I'm glad I bought the book and suspect that others would also enjoy it.
The Decameron has a great setup: Florence has been hit by the Black Death (as it really was in 1348), so 10 young adults (7 women and 3 men) leave the city for the countryside, to escape the disease and the chaos it has caused.
Over ten days, each of them tells a story (100 stories in all), following, more or less, a theme chosen by the designated King or Queen of the day.
Once they get outside the city, where things are grim and order has collapsed, everything is free and light. The group moves from beautiful villa to beautiful villa, with servants in tow, plentiful food and drink, and even daily naps. These 10, it becomes clear, are the spoiled and idle rich.
The stories they tell are shallow, featuring shallow people. The great majority are about how lust must be fulfilled, regardless of consequences. Husbands casually cheat on their wives with the latest young beauty. Insufficiently virile husbands are cuckolded and easily duped. Clergy are lecherous and stupid. Merchants are stupid and fall into trouble, which they apparently deserve.
Almost none of the 100 stories is clever or memorable. This is a classic only due to its age. Not recommended.
I read this book as a history undergrad (the Mark Musa and Peter Bonadella translation which I thought was good and which is still in print as a crappy mass market paperback). I really enjoyed it back then and wrote an A paper about it. I’m looking forward to reading this again. Really too bad this translation is not available at any price on acid-free paper.
Otherwise, job well done Mr. Rebhorn!








