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A Deceptive Clarity (The Chris Norgren Mysteries Book 1) Kindle Edition
| Aaron Elkins (Author) Find all the books, read about the author, and more. See search results for this author |
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Chris Norgren, museum curator and Renaissance art expert, heads to Berlin to assist in mounting a sensational exhibit: The Plundered Past—twenty priceless Old Masters looted by the Nazis, thought for decades to be lost forever, and only recently rediscovered.
But things quickly get out of hand when Chris’s patrician, fastidious boss, after sensing a forgery in the lot, turns up dead the very next day—on the steps of a dismal Frankfurt brothel, of all places. Now, Chris faces a daunting task: finding a counterfeit artwork among the masterpieces—and an all-too-real killer whose sights are now set on him.
A Deceptive Clarity is the first in the Chris Norgren Mysteries by the multiple award–winning creator of the Gideon Oliver “Skeleton Detective” novels—a celebrated master who “thoroughly understands the art of the murder mystery” (The Philadelphia Inquirer).
- LanguageEnglish
- PublisherOpen Road Media Mystery & Thriller
- Publication dateApril 1, 2014
- File size3612 KB
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Editorial Reviews
About the Author
--This text refers to an alternate kindle_edition edition.
From the Inside Flap
"Elkins thoroughly understands the art of the murder mystery."
THE PHILADELPHIA INQUIRER --This text refers to an out of print or unavailable edition of this title.
Product details
- ASIN : B00J84L382
- Publisher : Open Road Media Mystery & Thriller (April 1, 2014)
- Publication date : April 1, 2014
- Language : English
- File size : 3612 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 220 pages
- Lending : Enabled
- Best Sellers Rank: #200,276 in Kindle Store (See Top 100 in Kindle Store)
- #324 in Renaissance Literary Criticism (Books)
- #1,082 in Historical Thrillers (Kindle Store)
- #1,091 in Political Thrillers & Suspense
- Customer Reviews:
About the author

I'm a former anthropologist who has been writing mysteries and thrillers since 1982, having won an Edgar for Old Bones, as well as a subsequent Agatha (with my wife Charlotte), and a Nero Wolfe Award. My major continuing series features forensic anthropologist-detective Gideon Oliver, "the Skeleton Detective."
Lately, I've seen myself referred to as "the father of the modern forensic mystery," and, by gosh, I think I am! Before "Fellowship of Fear," the first Gideon Oliver, published in 1982, you'd have to go back 70 years and more to Austin Freeman and his Dr. Thorndyke series. Between the two good doctors (Thorndyke and Oliver), there was only Jack Klugman's "Quincy," so far as I know, and he was a TV character.
The Gideon Oliver books have been (roughly) translated into a major ABC-TV series and have been selections of the Book-of-the-Month Club, the Literary Guild, and the Readers Digest Condensed Mystery Series. My work has been published in a dozen languages. Charlotte and I live on Washington's Olympic Peninsula, our marriage having survived (more or less intact) our collaboration on novels and short stories.
Although I've been a full-time writer for some time now, I also remain active in real-life forensics by serving as the forensic anthropologist on the Olympic Peninsula Cold Case Task Force.
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And now, to the book.
This is the second Elkins mystery I've read, the first being the much more recently written "A Dangerous Talent" (an Alix London mystery). "A Deceptive Clarity" suffers in comparison to Mr. Elkins maturation as a writer and I'll confess that if I had read it first I probably wouldn't read any more of his novels. However, now that I've seen how his writing has developed, I think that I'll keep going with the C. Norgren series.
Chris Norgren is sort of a classic, accidental sleuth and he's likeable enough, but doesn't always seem very bright. The characters around him are interesting in a one dimensional, TV sit-com kind of way and more than once I found myself drifting into a re-run of M*A*S*H or Columbo, with quirky military personnel and shuffling detectives. In an apparent effort to create a vivid and comprehensive world, quickly, the reader is introduced to many, many people who may or may not play a part in the final solution to the mystery.
The story itself centers around the world of fine art and museums, scholarship and curation. Clearly, Mr. Elkins knows a lot about this area, and he puts tons of information into his first book. Too much for my taste, even though I've got a real interest in this subject and know something more than average about it myself. There are times when he gets involved in minutiae which, while technically relevant, does nothing to advance the story. If I had to choose, I would have preferred to get to know some of the characters better and skip over a little of the fine detail about obscure artworks.
The mystery itself is an interesting tangle, and believable once you get your head into the world of people who own very expensive artwork, or curate it. But for all of the detail in the book, I never found myself 'in' this story. However, because I felt differently about his more recent writing, 30 years on, I kept going.
There are murders, explosions, lies and deception, blind alleys, red herrings, and all of the other makings of a good mystery. Yet I still felt myself standing outside of the story, and ready for it to just finish. I'll read the next two, but if they're like this one I suspect that my conclusion will be that Mr. Elkins should come in and do a "Reader's Digest" editing job and turn them into a three novella trilogy with the C. Norgren character, and chalk it up to a youthful learning experience.
A good airplane or beach read, but not a great one.
I've got to tell you, he's an adicting author.
The pace of the story moves quickly, so you keep reading because you don't want to miss a thing. Once I pick up his books, I keep reading until I finish. There went another night's sleep.
When Elkins describes cities and areas, you feel as if you are present in the moment. The details about the places always make you wish you could be there and wander those streets and places.
The characters become familiar to you, like friends - so it's really nice to know there are more stories about them, so you can follow their progress. (Or, at the time I was reading them, I'd hoped there would be more. )
Since this is a murder mystery, naturally, you are pulled into the process of solving the murder (murders?) as Chris Norgren gets helplessly pulled into circumstances that he feels compelled to investigate.
I love the historical detail, learning about the recoveries of art the Nazis had plundered. Learning how the Nazis had stored and cataloged paintings. Minute details about how to identify an art work. The people who were victimized become more real. The efforts of the American military to identify owners and restore the treasures to people - I had no idea. And the problems a museum and a curator face in trying to move delicate, fragile paintings long distances, the security, the logistics, etc. Never gave it a thought before. Now it matters.
Each story is an education, on so many levels, as well a captivating mystery.
I love writers who make me think.
But writers that teach me, too?
Very unusual.
That's why I am in the process of reading every book Aaron and Charlotte Elkins have written.
(Don't you love doing that when you find a good author?)
The only problem is - it takes them a good long while to research and write their books.
What's going to happen when I finish reading their entire life output this year?
Do you think they can keep writing as fast as I can read?








