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Decline and Fall Paperback – September 1, 1999
Evelyn Waugh (Author) Find all the books, read about the author, and more. See search results for this author |
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- Print length304 pages
- LanguageEnglish
- PublisherBack Bay Books
- Publication dateSeptember 1, 1999
- Dimensions5 x 0.75 x 7.75 inches
- ISBN-100316926078
- ISBN-13978-0316926072
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About the Author
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Product details
- Publisher : Back Bay Books; Later Printing edition (September 1, 1999)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 0316926078
- ISBN-13 : 978-0316926072
- Item Weight : 8.5 ounces
- Dimensions : 5 x 0.75 x 7.75 inches
- Best Sellers Rank: #2,243,599 in Books (See Top 100 in Books)
- #1,689 in British & Irish Humor & Satire
- #16,350 in Fiction Satire
- #49,648 in Classic Literature & Fiction
- Customer Reviews:
About the author

Arthur Evelyn St. John Waugh (/ˈɑːrθər ˈiːvlɪn ˈsɪndʒən wɔː/; 28 October 1903 – 10 April 1966), known by his pen name Evelyn Waugh, was an English writer of novels, biographies and travel books; he was also a prolific journalist and reviewer of books. His most famous works include the early satires Decline and Fall (1928) and A Handful of Dust (1934), the novel Brideshead Revisited (1945) and the Second World War trilogy Sword of Honour (1952–61).
Bio from Wikipedia, the free encyclopedia.
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This book, "Decline and Fall", recounts the blossoming of a rather nebbishy young divinity student, Paul Pennyfeather, after he is expelled from Oxford for an "indecency" that he did not commit. Paul slowly winds his way through British society until he is engaged to a very beautiful, very duplicious divorced woman. On his wedding day he is charged with aiding white slavery and delivered into a harsh life in prison. Eventually rescued by his criminal fiancee, he acts on his discovery that he is happier away from the luxury and shallowness of British Society. The plot may not sound of great interest but Waugh's writing and characters had me laughing and shaking my head in wonder at his humor.
I urge anyone that enjoys P.G. Wodehouse to try Evelyn Waugh.
What develops as a hilarious farce ends up being a sad story. Waugh aims his mockery at every person and system included in the novel. Education, prostitution, jail, politics and business are all the target of this first novel which promises much about the future work of Waugh. Recommended.
However, to have lived with the cynicism and derisive view of life exhibited by Waugh in this his first novel, would have been hell. I don't envy anyone in his orbit.
Paul Pennyfeather is an Oxford divinity student who comes to grief when some upper-class twits steal his trousers and get him expelled. With nowhere else to go, he accepts a teaching post at a Welsh boarding school, Llanabba, which caters to the problem children of the rich. It's not what you teach the children that's important, insists Llanabba's master, Dr. Fagan, but having what he calls "tone."
"Decline And Fall" has tone, too, a bloody whole lot of it. Waugh's depiction of the boarding school and its Welsh surroundings are presented in a series of deft one-liners offset only by delightfully meandering physical descriptions and a tortured tale worthy of Michael Palin's "Ripping Yarns" which raises the bar of comedic misery with every page.
At one point, the school decides to put on an impromptu field day to impress some VIP parents. Having not bothered to acquire hurdles or other track gear to speak of, the boys are lined up and told to run at the sound of the starting gun. This is done with a real gun, by an inebriated teacher who manages to shoot one of the titled youngsters in the foot.
"I knew that was going to happen," sighs the stricken boy's noble father.
"A most unfortunate beginning," comments Dr. Fagan.
"First blood to me!" cries the drunken teacher.
Waugh is very much in his element already here. You have here the foibles of airhead aristocrats, socially-correct men whose standards of civility make them easy prey for the fairer sex, and quasi-religious concerns expressed by those of little faith for whom Waugh had the clearest contempt.
"Once granted the first step, I can see that everything else follows - Tower of Babel, Babylonian captivity, Incarnation, Church, bishops, incense, everything - but what I couldn't see, and what I can't see now, is WHY did it all begin?" a would-be Anglican cleric tells Pennyfeather. Asking his bishop was no help, "he didn't think the point really arose as far as my practical duties as a parish priest were concerned."
Pennyfeather himself is very much in league with other Waugh protagonists, like Tony Last in "Handful Of Dust" and William Boot in "Scoop." He initiates nothing; instead things keep happening to him. He's accurately described at one point as a person "meant to stay in the seats" rather than risk a hard fall by getting too close to life's spinning axle.
Waugh's treatment of a black character in the book is off-putting, as other reviewers here note, though it should be added that the Welsh, "the only nation in the world that has produced no graphic or plastic art...they just sing...," come in for harsher scorn. The real weakness of the book as I see it comes when Pennyfeather leaves the school and takes up with a flighty noblewoman with a suspicious sideline. It's not a bad detour, in many ways the subplot is quite good, but Llanabba is the heart and soul of this book, and the farther away the novel moves from that, the weaker it becomes.
Yes, Waugh did mature and write deeper works in time. But his touch was never as sure, or his comic eye as sharp, as it is here.
Top reviews from other countries

I will not try to give any sort of synopsis, in order to avoid spoilers, but it is like an, at times immature, cross between something from Tom Sharpe, with chaos, confusion and farce, and Joseph Heller's "Catch 22", with Pennyfeather, a wide eyed, accepting and uncomplaining, Yossarian like innocent being subjected to all sorts of indignities and with the same characters, but in different incarnations and circumstances, popping up repeatedly.
It is a very well written easy read but, contrary to some of the reviews, I did not find it side splitting, laugh out loud funny; it has a good level of sardonic humour throughout and rolls on well, becoming a page turner for me.
Well worth a read but, to read and enjoy it, one has to accept that it is of its time and accept the casual (and, in the 21st century, so offensive) racism and misogyny.




Therefore excuse me if I try just the same to get my impressions from the listenings to the CD Version of this book written down as good as it is possible for someone as described above.
Burning fireworks: Indeed there is so much of it in this book that you might easily get confused (Maybe even as an Englishman) at the beginning of this book and aks yourself what that furious flow of words is all about. Like in in music of Bach the strains of the (musical) thoughts mingle with each another and by being attentive, you get the joy of knowing which strain is connected with which other and develops into something new. The story is very much driven by dialogue and the delight for reader or listener is to keep the strains of these dialogues apart.
The main characters are Paul Pennyfeather and Lady Beastly-Cheating.
The Story starts quite "normal" so that everybody can catch up easily with the story's procedure. But the book makes clear that you have to stay close to the author's intentions. If you keep on trying to give the Story a Chance to develop itself you will be awarded by joy of having been lead by the author to the Point where he wanted you to be.
You will get a morale advise or lesson by an amoral story (and maybe even an amoral author).
The more you go into the book's story the more you walk in „impossible-land“. At least this was my impression where I started to ask the „is this possible“-question.
Evelyn Waugh is a moraliste who cannot help himself observing people and loosing time and nerves to make them better, what is a vain attempt. You will never succeed and you loose your time for People who loose their time voluntarily and without regret or thinking.
At the end of the book my Impression was, that Paul Pennyfeather awoke from a bad Dream. Everything what occured to him must have been just a bad dread, if not there were only one solution to human life -- despair.
So I had no other choice – not wanting to despair – then to declare the whole story as Peter Pennyfeather's dream, he awoke from – thank God – at the end.
Lady Beastly-Cheating is a medieval figure and stands as a Symbol of the Woman men Always like and want, but which turn out be cheating men who want to be cheated.
Paul Pennyfeather's last words suggests to me that it has been a Dream after all. "It's time for bed now".
We recollect dreams after having slept and being awoken. Peter's case is the opposite. He has dreamt before and goes to bed afterwards.
The more the book arrives to its end the more it is difficult to "explain" why something has happened just the way it did. So for me there is still obscurity within in the fact, why Peter Pennyfeather is put into jail. I did not find the answer until yet. Maybe someone else will.
For me definitively of advantage was the spoken version of the CD. I have had the opportunity to hear the words pronouned and to attribute words to the character who spoke them.
Burning fireworks means in this case the language of the "Roaring Twenties", when and whrere there is no time and everything is in haste and hurry. The language of each character is the escape from being only member and part of a machinery (civilisation but no culture) and the efford to maintain humain dignity in a play where there the actors are feathers and cheaters targets of whatever wind however. Driven or pushed. Taken or left behind.
Fireworks and language are shealds and arrows for those characters in this books who are condemned to be washed down, disappear without signs, or simply being shot or got out of the way. They prevent the characters of this book to be only peaces of a machinery. Used and thrown away.
Eventhough that's the fate of all the charachters except Peter Pennyfeather and Lady Beast-Cheating. .
Last words à propos religion in this book. Obviously it appears in the moral of this story: The (medieval) world is a woman who is beatiful in frontsite but an old woman at her backside. The beautiful young woman promises all and everything. The old woman cheats because she pretends to be young during the story and marries the old man the end. (Maltravers).