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// / Y Explicit Lyrics
Parental Advisory ed., Deluxe Edition
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Audio CD, July 13, 2010
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Track Listings
| 1 | The Message |
| 2 | Steppin Up |
| 3 | XXXO |
| 4 | Teqkilla |
| 5 | Lovalot |
| 6 | Story To be Told |
| 7 | It Takes a Muscle |
| 8 | It Iz What it Iz |
| 9 | Born Free |
| 10 | Meds and Feds |
| 11 | Tell Me Why |
| 12 | Space |
| 13 | Internet Connection |
| 14 | Illygirl |
| 15 | Believer |
| 16 | Caps Lock |
Editorial Reviews
Product Description
DELUXE EDITION - FEATURING 4 BONUS TRACKS + LENTICULAR COVER ART.
Maya Arulpragasam was born in Hounslow, London England. When she was 6 months old, her family moved back to their homeland, Sri Lanka. At 8 years old, Maya moved back to London, where she and her family were housed as refugees from the civil unrest in their native region. Maya learned proper English at school and slang at home by listening to NWA and Public Enemy on the radio.
In 2000, Maya was encouraged by electro-clash icon Peaches to make music on a Roland MC-505 Groovebox and she pulled lyrics from journals she had written during a 4 month trip to the Caribbean island of St. Vincent to craft her first songs. In 2005, she released Arular, and reached the mainstream charts in Europe and the U.K. It was considered as much a political statement as a musical one, as it referenced the Tamil Tigers.
In 2007, Kala was released. Like Arular, it received unanimous international critical praise. It topped multiple "Best of the Year" lists in publications around the world with its deft mixture of politics, social consciousness, and inimitable genre-blending.
On /\/\ /\ Y /\, M.I.A. continues her musical exploration into new territory including rock, dubstep and more. She is not a typical artist and /\/\ /\ Y /\ pushes the envelope with controversial sounds, lyrics, and imagery. M.I.A is many things -- a visual-artist, musician, revolutionary, and style-icon--and just when you think you have /\/\ /\ Y /\ pegged, it will surprise you.
/\/\ /\ Y /\, features production by Rusko, Blaqstarr, Switch, Diplo, Sugu, John Hill, Derek Miller and M.I.A.
Review
4 STARS! "Her third album is her most aggressive, confrontational and passionate yet . . . She's capable of anything . . . except being dull" -- Rolling Stone, July 8 - 22, 2010
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.66 x 0.34 x 4.98 inches; 3.84 ounces
- Manufacturer : N.E.E.T./XL/Interscope Records
- Date First Available : May 13, 2010
- Label : N.E.E.T./XL/Interscope Records
- ASIN : B003M0H4Q8
- Number of discs : 1
- Best Sellers Rank: #273,710 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #3,484 in Electronica (CDs & Vinyl)
- #8,390 in Dance Pop (CDs & Vinyl)
- Customer Reviews:
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find this album amazing, with one review noting how it mixes Indian and British elements into rap and hiphop. The album features a distinct sound, and customers appreciate its style and creativity. They consider it good value for money.
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Customers find the album amazing and exciting, with one describing it as great ear candy.
"...it a failure in regards to creating a still great, homogenous, and exciting album? Absolutely not...." Read more
"Love this album. Arrived fast and in pristine condition. Thank you very much." Read more
"...She actually has a mixed variety of tracks; some wild and crazy tracks, some mellow, and some slow and soothing...." Read more
"...side of her, kinda harder, yet has slower songs too that are well worth listening to. Love this" Read more
Customers appreciate the music genre of the album, with one customer highlighting its unique fusion of Indian and British elements in rap and hip-hop, while another praises its electronic beats.
"...The beats are out of this world, and her style and creativeness just comes out!..." Read more
"...around-the-edges than her past two efforts, and is much more concerned with electronic music, the internet and America, in contrast to the world..." Read more
"M.I.A. has an original and distinct sound, mixing Indian and British into rap and hiphop...." Read more
Customers appreciate the distinct sound of the album.
"...It's hard to imagine the thrashing duo of angry, loud, gritty, anarchic, and slightly hard to digest rock-inspired "Born Free" and "Meds And Feds"..." Read more
"M.I.A. has an original and distinct sound, mixing Indian and British into rap and hiphop...." Read more
"Beautiful vocals, production, beats, and sounds. Highlights include XXXO, Lovalot, and Internet Connection...." Read more
Customers appreciate the artist's unique style and creativity.
"...The beats are out of this world, and her style and creativeness just comes out!..." Read more
"Seller had hard to find album of a Unique Artist for good price. Shipped quickly and with care. Love this would buy again xxxo" Read more
"M.I.A. has an original and distinct sound, mixing Indian and British into rap and hiphop...." Read more
Customers find the album offers good value for money.
"Seller had hard to find album of a Unique Artist for good price. Shipped quickly and with care. Love this would buy again xxxo" Read more
"...not sure about buying this album, I will tell you right now its worth your money =]..." Read more
"Excellent product, good price and delivered on time." Read more
Top reviews from the United States
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- Reviewed in the United States on April 8, 2025Love this album. Arrived fast and in pristine condition. Thank you very much.
- Reviewed in the United States on July 16, 2010Lol I don't think I need a long complicated review, I'm just saying out of all 3 albums this one is my favorite. The beats are out of this world, and her style and creativeness just comes out! She actually has a mixed variety of tracks; some wild and crazy tracks, some mellow, and some slow and soothing. Just the right amount of everything.
If you are not sure about buying this album, I will tell you right now its worth your money =]
My only Con about this album: Trouble updating album information, including the track names, album art, etc. It wont show in Windows Media Player, or Zune Player. It should update soon it might just be because its a brand new album barely released. But other than that go get this album ^_^.
Love ya <33
- Reviewed in the United States on August 13, 2021Seller had hard to find album of a Unique Artist for good price. Shipped quickly and with care. Love this would buy again xxxo
- Reviewed in the United States on July 17, 2010In the past, M.I.A. had the luxury of releasing her albums quietly. Her feisty debut, Arular, was quickly devoured by fans of her prior mixtape with Diplo, Piracy Funds Terrorism, and immediately garnered overwhelming critical success... but not much else. Word of mouth caused her sophomore album, Kala, to debut at an impressive number 18 on the Billboard 200, but she still remained a relatively well-kept secret in the music world until one of the album's tracks, "Paper Planes," crept up and became the surprise mega-hit of 2008, while also almost single-handedly winning the album a gold certification from the RIAA.
Suddenly, Maya had gained commercial success to match the critical praise, which I'm sure she found incredibly hard to grapple with; all of a sudden, this outspoken, opinionated, passionate, but ultimately misunderstood artist--who was accustomed to small venues and notoriety strictly limited to the Pitchfork crowd--was being heard and watched by millions. Millions who, quite frankly, don't "get it." Millions who, although they now have a newfound desire to listen to her, don't necessarily want or have the intelligence to truly hear her. During the months leading up to the release of her third effort, her words have been twisted, her jokes have been misconstrued, her political statements have been dismissed as empty threats (or, even worse: publicity stunts), and her lyrics have been robbed of their meaning by the mainstream audiences and media. To quote a track from Arular, it seems this crowd of new fans would rather see her as "fun for the people" than "armed and equal." Even more detrimental, though, was the now infamous profile of the artist for a May issue of the New York Times Magazine, in which the author, Lynn Hirschberg, reduced Maya to a walking contradiction: a silly, hypocritical, and paranoid little Tamil girl who rambles on and on about the injustice of the recently defunct Sri Lankan Civil War that she knows nothing about (even though she lived through part of it and her father abandoned her family in order to become one of the most notable figures of the Tamil struggle, mind you), all while idly munching on truffle French fries, anxiously waiting to return to her son and wealthy fiancé at her million-dollar-plus abode.
Well, on M.I.A.'s third effort, /\/\/\Y/\, the apparently self-contradictory facets of her personality work to her benefit, ultimately creating a widely varied and exciting, yet balanced, listen. It's hard to imagine the thrashing duo of angry, loud, gritty, anarchic, and slightly hard to digest rock-inspired "Born Free" and "Meds And Feds" could be coming from the same woman who on just the track before--the wandering, sing-songy "It Iz What It Iz"--frankly states, "they all got issues, but I got a bit more." The artist herself explains it best on one of the album's highlights, the smolderding and quietly rebellious "Lovalot:" "I really love a lot, but I fight the ones that fight me." This sort of dichotomy between her aggressive, playful, Arular-esque and her more vulnerable, introspective, Kala-esque self is spread throughout. " The reggae-infused "It Takes A Muscle," one of Diplo's only contributions here, is the closest thing to a love song she has ever crafted, while the first four song chunk will satisfy anyone craving the rambunctious, adventurous Maya from her first effort.
"Steppin' Up" is the most impressive track of the bunch, and it immediately stands out as such. How could a song that begins with percussive power tools not? "Teqkilla," with its cheeky, alcohol-referencing lyrics, is also a standout. The closest thing to "Paper Planes" here, in regards to effortless catchiness, is the endearingly naïve and earnest "Tell Me Why." (If any one song from this album becomes a bonafide smash hit single, it'll be this favorite. My other guess would be the ethereal "Space," whose spacey environment is rudely--and brilliantly--interrupted by cluttered rhythms as soon as the listener becomes a bit too comfortable. "XXXO," the first official single, also has some pop appeal.) And two of the bonus tracks, the scatterbrained "Internet Connection" and the soothing, R&B-like "Caps Lock, (along with the awesome lenticular album cover), prove to be highlights and reason enough to choose the deluxe edition over the slightly cheaper standard edition.
The production on this album, handled by M.I.A. and the likes of Rusko, Switch and Blaqstaar, is simpler and more rough-around-the-edges than her past two efforts, and is much more concerned with electronic music, the internet and America, in contrast to the world travels that inspired Maya's previous world music melting pot of an album. This may turn some people off, but it's not necessarily a bad thing. It's not as complex, layered, or textured as Arular or especially Kala, but there are still some extremely intrepid moments here, like the playground of sound Rusko builds at the end of--and throughout--"Teqkilla" and the many interest ways Maya uses auto-tune, not just to enhance her voice, but moreover, to add interesting distortion and nuance., among other aural experiments heard on this record.
To put it simply, /\/\/\Y/\ is not as polished or complex as her two previous classic, five-star albums. So is it a failure in regards to living up to the utter brilliance of her past efforts? I suppose, if you must look at it in this light. But is it a failure in regards to creating a still great, homogenous, and exciting album? Absolutely not.
This will end up being a polarizing album, for sure. Critics like Pitchfork, Entertainment Weekly, and Time Magazine have already indicated that they have no clue what to make of it. But part of me thinks Maya wants it this way. Maybe this will, in one fell swoop, alienate and eradicate all the Lynn Hirschbergs in her fanbase, who don't want to see her progress, challenge herself, or leave the box they've put her in. Let's just hope she doesn't post all of their cell phone numbers on Twitter!
- Reviewed in the United States on August 28, 2013This is hands down M.I.As best cd yet. I have the 2 cds before this too, which are great, but this is like a different side of her, kinda harder, yet has slower songs too that are well worth listening to. Love this
- Reviewed in the United States on November 5, 2012M.I.A. has an original and distinct sound, mixing Indian and British into rap and hiphop. I like her style and I haven't found a song I don't like on her albums.
- Reviewed in the United States on August 13, 2013Some of M.I.A.'s best work- though some of the more easy-going tracks, which are rather uncharacteristic of her usual style, may take some getting used to for certain listeners. Be sure, too, to get the deluxe edition; the bonus tracks shouldn't be missed!
- Reviewed in the United States on September 2, 2020I love this camel jockey!
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