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Demonlover (Unrated Director's Cut)

3.1 out of 5 stars 44 customer reviews

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(Sep 14, 2004)
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Unrated Director's Cut
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Special Features

  • Making-of featurette
  • Interviews with the cast
  • Q&A with director Olivier Assayas
  • Making of the soundtrack with Sonic Youth
  • "Hellfire Club" bonus footage
  • Hidden Portal easter egg
  • Trailers

Product Details

  • Actors: Connie Nielsen, Gina Gershon, Chloë Sevigny, Charles Berling, Dominique Reymond
  • Directors: Olivier Assayas
  • Writers: Olivier Assayas
  • Producers: Andres Martin, Claude Davy, Edouard Weil, Jean Coulon, Robin O'Hara
  • Format: Anamorphic, Color, Director's Cut, Dolby, DTS Surround Sound, Special Edition, Subtitled, Widescreen, NTSC
  • Language: English (Dolby Digital 5.1 EX), English (DTS ES 6.1), French (Dolby Digital 5.1 EX), French (DTS 5.1)
  • Subtitles: English, Spanish
  • Dubbed: French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 2
  • Rated:
    Unrated
    Not Rated
  • Studio: Lions Gate
  • DVD Release Date: September 14, 2004
  • Run Time: 116 minutes
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (44 customer reviews)
  • ASIN: B00019079Y
  • Amazon Best Sellers Rank: #96,295 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Demonlover (Unrated Director's Cut)" on IMDb

Customer Reviews

Top Customer Reviews

Format: DVD
Olivier Assayas creates a visually stunning film in a dark world where multinational corporations invest in anime porn with further interest to invest in 3-dimensional animated pornography. The investments in 3-D pornography attract large amounts of money as several clients seek investment opportunities. This also creates an atmosphere where corporate espionage becomes a tool to maneuver competitors as it could lead to a monopoly on the market of animated pornography. The only thing that drives the people in the business of animated pornography is the trail of money, which becomes a path of greed, violence, and murder.

The story begins on a plane flying from Japan to France where Diane de Monx (Connie Nielsen) poisons one of the executives in her company in order for a rivaling company to gain access to information in a briefcase. This leads Diane into a spiraling exploit as she is put in charge of the Japanese account that manages the business of animated pornography. When she enters the business transaction she is aware that she is being followed by an unknown source. Nonetheless, Diane takes charge of her position and advances through the world of pornography while balancing it carefully with the company and the laws of France. However, she displays no concern for people as she ruthlessly proceeds in order to further her self-interest.

In the environment of Diane's own self-interest there are other people that are also looking out for their own interests by counter-espionage. This leads Diane into a world of internet pornography and sadistic elements of interactive torture over the internet. These people are, however, much more ruthless than Diane as they have no limits to how far they are willing to go in regards to making money.
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By A Customer on April 24, 2004
Format: DVD
Admittedly, DEMONLOVER makes a sharp left narrative turn at the halfway point that's going to confound viewers who are intrigued by the straightforward (and extremely absorbing) high-stakes opening. But that's no reason to dismiss the many, many things that writer/director Olivier Assayas gets absolutely right. In the end, DEMONLOVER is a fascinating mirror-world reflection (as William Gibson would call it) of where our global society might be just five minutes from now: the fittest who survive will be multilingual, career-consumed and ridiculously chic, but also soulless, as if missing the gene that supplies a sense of loyalty and ethics. The movie is a cautionary, though entirely plausible, tale of humans debased by their own lust for ungoverned capitalism. Every line of dialogue is about the business merger at hand; in the rare instances where feelings are discussed, they're usually about how *work* affects those emotions. The big wink here is that the characters don't even discuss business honestly, because each has duplicitous motives.
Technically, DEMONLOVER is a feast. Denis Lenoir's widescreen photography constantly dazzles -- many of the tracking shots are sustained in close-up (creating paranoia), and the color spectrum appears as if filtered through corporate fluorescence. (The neon-drenched Tokyo sequence is particularly hypnotic.) Jump cuts keep the narrative one step ahead of the audience. Sonic Youth's atonal guitar score creates the same mutant environment that Howard Shore pulled off in CRASH. Most significantly, Connie Nielsen's face (and hair and wardrobe) mesmerizes more than any CGI I've ever seen.
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Format: Amazon Video Verified Purchase
Before I go into any level of detail about this movie (which honestly won't be much), I should say upfront that I expected more from this since it's supposed to be part of this New French Extremity. What I ended up getting was rather tame and, worst of all, just plain boring at times.

The plot, if one can call it that, revolves around several people who work for a few different companies. One is TokyoAnime, who specialize in animation and manga; the second is the titular Demonlover, a website where people can watch hentai; and the third is Mangatronics, Demonlover's primary competitor. There's also a torture site called Hellfire Club which may or may not be run on the sly by Demonlover. I suppose that last site could have made for a more graphic and explicit film if they'd chose to focus on that, but no, all you get is a dull slog about corporate spying among companies who just happen to deal with some rather sleazy stuff. However, there's only really one scene where you get to see exactly what this content is and a lot of it is blurred out.

Moving on, the acting in this movie was passable although it's not what I would consider great by any means. Connie Nielsen and Gina Gershon, in her limited screen time, come off the best but mostly because their characters were the least annoying. Another major fault of this movie is writing. Aside from a lack of coherence in the general storyline, the characters are all varying degrees of unsympathetic and, at times, grating to the ears. Chloe Sevigny is probably the worst offender, as there are scenes where she'll lurch from calm and sedate to bitchy and screechy without much motivation or reason. On the whole, there is not a likeable character to be found and the confusing plot didn't do them any favors at all.
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