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![A Desolation Called Peace (Teixcalaan Book 2) by [Arkady Martine]](https://m.media-amazon.com/images/W/IMAGERENDERING_521856-T1/images/I/51RBhDWPTlL._SY346_.jpg)
A Desolation Called Peace (Teixcalaan Book 2) Kindle Edition
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WINNER OF THE 2022 HUGO AWARD FOR BEST NOVEL
Now a USA Today bestseller!
Publishers Weekly's Best Books of 2021
Amazon's Best Science Fiction & Fantasy of 2021
Bookpage's Best Science Fiction & Fantasy of 2021
Goodreads Choice Awards Nominee for Best Science Fiction Book of 2021
"[An] all around brilliant space opera, I absolutely love it."—Ann Leckie, on A Memory Called Empire
A Desolation Called Peace is the spectacular space opera sequel to Arkady Martine's genre-reinventing, Hugo Award-winning debut, A Memory Called Empire.
An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options.
In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass—still reeling from the recent upheaval in the Empire—face the impossible task of trying to communicate with a hostile entity.
Their failure will guarantee millions of deaths in an endless war. Their success might prevent Teixcalaan’s destruction—and allow the empire to continue its rapacious expansion.
Or it might create something far stranger . . .
Also by Arkady Martine:
A Memory Called Empire
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Books
- Publication dateMarch 2, 2021
- File size4673 KB
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Editorial Reviews
About the Author
Review
“A dizzying, exhilarating story of diplomacy, conspiracy, and first contact in the powerhouse sequel to [Martine's] Hugo Award–winning debut . . . This complex, stunning space opera promises to reshape the genre”―Publishers Weekly, starred review
“Martine weaves a dramatic and suspenseful story of political intrigue and alien first contact . . . each character is rendered in exquisite detail.”―Booklist, starred review
Praise for A Memory Called Empire
“A mesmerizing debut . . . it left me utterly dazzled.”―The New York Times Book Review
"[A] gorgeously crafted diplomatic space opera . . . Readers will eagerly away the planned sequels to this impressive debut."―Publishers Weekly, starred review
"Politics and personalities blend with an immersive setting and beautiful prose in a debut that weaves threads of identity, assimilation, technology, and culture to offer an exceedingly well-done sf political thriller."―Library Journal, starred review
"This is both an epic and a human story, successful in the mode of Ann Leckie and Yoon Ha Lee. A confident beginning with the promise of future installments that can't come quickly enough."―Kirkus, starred review
“Exquisite . . . a compelling journey with a rich world and fascinating characters”―The Los Angeles Times
"Interesting, detailed, lavish."―The Wall Street Journal
"A Memory Called Empire perfectly balances action and intrigue with matters of empire and identity. All around brilliant space opera, I absolutely love it."―Ann Leckie, author of Ancillary Justice
"In A Memory Called Empire, Arkady Martine smuggles you into her interstellar diplomatic pouch, and takes you on the most thrilling ride ever. This book has everything I love: identity crises, unlikely romance, complicated politics, and cunning adventurers. Super-fun, and ultra-fascinating."―Charlie Jane Anders, author of All the Birds in the Sky
“Stunning sci-fi debut. An ambassador from a small space station has to survive in the capital of a galactic empire where everyone seems to want her dead. Add in a great will-they-won’t-they wlw romantic interest. Awesome.”―Rick Riordan, author of the Percy Jackson series
“An elegant and accomplished example of the subgenre of subtle scheming with a background of stars. A delightful read. I couldn’t put it down.”―Jo Walton, Hugo and Nebula award-winning author of Among Others
“A taut murder mystery entwined with questions of technological ethics, A Memory Called Empire is also an evocative depiction of foreignness. Martine creates an elaborate and appealing culture against which to play out this story of political intrigue, assimilation, and resistance. Daring, beautiful, immersive, and often profound.”―Malka Older, author of Infomocracy
“A Memory Called Empire is a murder mystery wrapped up in a political space opera, and deeply immerses the reader in a unique culture and society. I very much enjoyed it and look forward to what Martine does next.”―Martha Wells, author of The Murderbot Diaries
"A cunningly plotted, richly imagined tale of interstellar intrigue that does something new with space opera."―Ken MacLeod
“A Memory Called Empire elevates space opera to poetry―clever, deep, sometimes tragic, sometimes violent, always transcendent poetry that shines like the edge of a knife.”―Delilah Dawson
“An intricate, layered tale of empire, personal ambition, political obligations and interstellar intrigue. Vivid and delightfully inventive.”―Aliette de Bodard, Nebula Award-winning author of the Xuya Universe stories and The House of Binding Thorns
“A cutting, beautiful, human adventure about cultural exchange, identity, and intrigue. The best SF novel I’ve read in the last five years.”―Yoon Ha Lee, author of the Machineries of Empire trilogy
“An exceptional first novel recommended for fans of Cherryh, Leckie, Banks, and Asimov.”―Elizabeth Bear, author of Hammered
"A Memory Called Empire . . . is so frigging good. It's like a space opera murder mystery combined with all the political parts of Dune."―Dan Wells, author of I Am Not a Serial Killer
Amazon.com Review
Editors' pick: Readers of meaty sci-fi will love book two of this Hugo-winning series that finds a terrifying alien fleet on the empire’s doorstep."—Adrian Liang, Amazon Editor --This text refers to the paperback edition.
Product details
- ASIN : B07QPJHNSM
- Publisher : Tor Books; 1st edition (March 2, 2021)
- Publication date : March 2, 2021
- Language : English
- File size : 4673 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 493 pages
- Best Sellers Rank: #17,134 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Arkady Martine is a speculative fiction writer and, as Dr. AnnaLinden Weller, a historian of the Byzantine Empire and a city planner. Under both names she writes about border politics, rhetoric, propaganda, and the edges of the world. Arkady grew up in New York City and, after some time in Turkey, Canada, and Sweden, lives in Baltimore with her wife, Vivian Shaw. Find her online at arkadymartine.net or on Twitter as @ArkadyMartine.
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First, the language. Think of a moment in your life when you could use the word “countenance” and not sound like a pretentious pedant. In a letter? Nope. A formal email at work? Not a chance. In chat? Definitely not. Social media? Ha! But Arkady Martine uses it twice (that I can recall) in this book and in perfect context to describe what a fleet captain or emperor can tolerate. Other words, too, for example, the language to describe an autopsy — one gets the sense the author interviewed a forensic pathologist to get the language just right. And that kind of attention to language is throughout the book, be it describing poetry, the mendacities of diplomacy or the workings of a starship.
Intimations of Vernor Vinge. If you’ve read Vinge’s pioneering nonfiction work on artificial intelligence or his phenomenal science fiction book A Deepness in the Sky, you’ll recall the concept of being able to tap into a network via a contact lens. The “cloudhook” device in Martine’s work takes it to the next level. And we all know it. We are all artificially intelligent when we Google an obscure fact or channel a GPS voice into our earbuds for navigating a foreign city. The author uses our familiarity with cloud technology to help us visualize alien worlds where AI is a sometimes horrifying fact of life.
Reading A Desolation Called Peace is like watching a professional musician, athlete or actor perform and thinking: that doesn’t look too hard. Except it is. And it takes thousands and thousand of hours to perfect. That’s what’s going on in this book when Martin delves into her characters’ thoughts. She does it deftly and it comes across as easy to read and enjoyable. And the worlds she creates — a planet, a starship, a space station, a garden in a starship — all crystal clear and easy to visualize.
Character relationships. I don’t recall reading science fiction that does so well describing different kinds of love, the passionate, confusing, enraging incomprehensible love we feel for romantic partners who seem like they come from a different planet, the love we feel for our professional friends because they are good at their jobs and we trust and rely on them implicitly. It’s all there in A Desolation Called Peace.
The plot. This book’s plot really grabbed me because it is meticulously done and carried along by the sometimes duplicitous relationships between military officers and politicians, compelling me to read for hours on end just to find out what happens next.
Child genius. Who doesn’t like a child genius in a book? This character is extremely well done. At once likable and a marvel, as expected. Other characters, too, such as the emperor, are fleshed out and believable, not simply a caricature of what we think a typical emperor might be like, but a well thought out character, who is cold and calculating when necessary and warm and compassionate when it make sense. All good.
During the first chapters, I stopped reading for a week or so and definitely had to resort to the glossary upon return to remember who did what, even cracking open A Memory Called Empire to recall who the saboteur was in the first book. But the author does lend a hand here, throwing in an extra clause here and there to help the memory challenged reader recall who does what.
All in all, quite deserving of the Hugo Award. Brilliant. Simply brilliant.
Diplomat Mahit Dzmare is back on Lsel Station along with her two imago lines of Yskander Aghavn planted firmly in her head. At the end of MEMORY, Dzmare had alerted both Lsel and the Teixcalaan Empire of an impending alien invasion on the outside of Teixcalaani Space. Nine Hibiscus, and her second in command, Twenty Cicada, are out at the forefront of the impending war with the aliens. Things are complicated, though. She and a small fleet - small because it just
isn't big enough to deal with the impending invasion - have been sent out by a faction that may not want her to survive. Political forces on Lsel Station want the impending war to drag on forever, depleting the Empire forces so it doesn't have enough resources to eventually absorb Lsel. To make matters worse, there apparently is no way of communicating with the enemy.
When Nine Hibiscus calls back home to get a diplomat trained in first contact communication, Three Seagrass, by virtue of her position in the government, assigns herself to the mission and eventually finds and drags along Mahit with her; after all, she's been wanting to see Mahit again and Dzmare may have just the right kind of training to help her with this mission.
Back at the end of MEMORY, the Empire was in a state of upheaval. There's a new emperor on the throne, and a new heir - an eleven year old boy, a clone who is genetically 90% of the previous emperor - who gets involved in the political fray back home. He assigned to be the "little spy" of the emperor, Nineteen Adze, as she tries to figure out what is going on within her own government and the various ministries that run it. That curious and intelligent eleven year old, Eight Antidote, takes a lot of initiative and goes off exploring avenues that he probably wasn't supposed to, and he learns the ins and outs of how the ministries work and how they're manipulating the conflict out at the edge of the empire.
There's a lot going on here. Political intrigue both in the Empire and at Lsel station; a conflict with an overpowering and uncommunicative enemy; a potential plant withing the fleet that may be there to ruin the effort to resolve the conflict with the enemy; a diplomat with two extra sets of memories running around in her head; a pair of lovers whose conflict may derail the effort of dealing with the enemy; and a young boy who is growing up faster than most his age and who may just hold the key to the entire situation.
A DESOLATION CALLED PEACE is the Space Opera that was promised at the end of A MEMORY CALLED EMPIRE. But it's more than just that. Its got weight and heft. Sure, it's got frightening aliens that the protagonists are struggling to understand. It's got space ships shooting at each other. It's got believable characters with real problems. It's got puzzles to solve. It's got Empires - because after all, Space Operas have Empires. But mostly what it has is a terrifically written story that, when combined with its predecessor, is a good a science fiction tale as we've seen in a very very long time.
Top reviews from other countries

I reflected reading this that it is really difficult ro do something completely new in SF these days. All the old cultures of Earth have been mined for models, and innumerable novels and TV shows have explored the possible forms of space warfare and space soldiery. This novel doesn't contain anything wildly new. Hive minds? Check. Vast bureaucratic empires? Check. Loyal soldiers, impressive generals? Check. Wily politicians? Check. Subversive foreigners? Check. But what brings it together for me is the author's wonderful command of character and of language. Each of her characters is real, differentiated by everything from backstory to vocabulary, varied and interesting even if you hate them. The relationships between them are subtle and carefully explored. And her language is splendid, taking no prisoners. Personally, I enjoy a glossary at the back, and recognise that you can't always translate a word exactly - sometimes you need to use the original, even if it is in Aztec.
So, just as enjoyable as the first one, slow to start but really picking up the pace as it goes along, satisfactorily resolved with the possibility of more to come... I LIIKE this book.


A minor moan, which applies to this and other current authors, is the use of contemporary swear-words in contexts supposed to be elsewhere and elsewhen. The willing suspension of disbelief becomes more difficult and nothing is added to narrative or character. I'm not 'offended', just irritated. Drop it. Invent new words, if you must, but leave the f-bomb at home.

A Desolation Called Peace is the second book in a loosely-connected duology, following up on A Memory Called Empire. That novel was as dramatically impressive as any space opera debut from the last couple of decades, a confidently-written novel about politics, identity and intrigue that won a Hugo Award. This book is the continuation, although the main story (about the first encounter with an unknown alien race in deep space) stands alone.
Desolation is not quite as striking a novel as Memory, maybe because it is trying to do a bit too much. The novel continues the political intrigue on the Teixcalaanli homeworld from the previous novel, albeit with some new players (most of the intriguers from the previous novel having been fired, killed, imprisoned or exiled), whilst also throwing in a widescreen, big-budget space war and an Arrival-style subplot with the protagonists trying to understand the aliens' language, which is difficult because it is rooted in concepts, ideas and fundamental biology that humans are completely unfamiliar with. Further subplots revolve around the new Emperor trying to assert their authority, the Emperor's heir learning important lessons about statecraft and Seagrass and Mahit's relationship, which was left on an awkward pause in the first book. There's also internal politicking within the Teixcalaanli fleet and a lot of business on Lsel Station as well.
It makes for a busy, breezy book with a lot going on, but the tight page count (480 pages in paperback) means a lot of these ideas are not explored in as much detail as maybe they could have been. Extending the duology to three books or making A Desolation Called Peace into a Peter F. Hamilton-class shelf-destroyer might have been a better way of expanding these stories more satisfyingly. Still, leaving readers wanting more and making novels as tight as possible is not a bad thing either.
Many of the themes from the first novel continue to be explored, such as the tension between the semi-decadent Teixcalaanli, whose overwhelming power makes them both arrogant and overconfident when faced with a potentially greater threat, and the much more pragmatic inhabitants of Lsel Station. The aliens are an added wild card here, with an interesting biology and impressive technical prowess, and a truly alien way of thinking that the author evokes well through the text. The aliens are also not over-used, deployed just enough so we get a sense of their strangeness but not so much that they lose their effectiveness.
If poetry was a theme of the first book, language is a theme here, and how language shapes ideas and ideology (and vice versa). Like some other plots, the Arrival-like storyline of talking to the aliens is a little curt, but what we do get is fascinating. There is also the way the Teixcalaanli use language themselves, and how they communicate and what methods of communication they use. This becomes a key point of the subplot involving the Emperor's heir, which initially feels detached from the main narrative but loops back in satisfyingly later on.
A Desolation Called Peace (****) is an accomplished, page-turning, idea-packed space opera which tells a lot of great stories, but the sheer number of stories it is telling in a constrained page count means that occasionally you find yourself wishing more greater elaboration of a storyline or character arc. But it also gives the novel a relentless, compelling pace.

While the previous novel had some pace and verve, this one by comparison is flat and lifeless and limps along apologetically, and I am wholly disappointed so far by its lack of bite. It's very retrospective, harking back frequently to events in the first novel, revisiting its former glory, but failing to recreate it.
I'm not yet finished but I'm not sure I will, not unless there is something to get enthusiastic enough about to make it worth while. I read in hope but hope is fading.