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Devi (The Criterion Collection)
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Genre | Drama |
Format | Subtitled, NTSC |
Contributor | Ray, Satyajit, Biswas, Chhabi, Chatterjee, Soumitra, Tagore, Sharmila |
Language | Bengali |
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The great Satyajit Ray’s hauntingly tragic nineteenth century fable explores the conflict between faith and reason
Master filmmaker Satyajit Ray explores the conflict between fanaticism and free will in Devi (The Goddess), issuing a subversively modern challenge to religious orthodoxy and patriarchal power structures.
In the waning days of mid-nineteenth-century India’s feudal system, after his son (Soumitra Chatterjee) leaves for Kolkata to complete his studies, a wealthy rural landowner (Chhabi Biswas) is seized by the notion that his beloved daughter-in-law (a hauntingly sad-eyed Sharmila Tagore) is the reincarnation of the goddess Kali—a delusion that proves devastating to the young woman and those around her.
The opulently stylized compositions and the chiaroscuro lighting by cinematographer Subrata Mitra heighten the entrancing expressionistic intensity of this domestic tragedy, making for an experience that is both sublime and shattering.
Special Edition Features
- New 4K digital restoration
- Interviews with actors Sharmila Tagore and Soumitra Chatterjee
- New video essay by film scholar Meheli Sen
Product Description
Master filmmaker Satyajit Ray explores the conflict between fanaticism and free will in Devi (The Goddess), issuing a subversively modern challenge to religious orthodoxy and patriarchal power structures. In the waning days of mid-nineteenth-century India’s feudal system, after his son (Soumitra Chatterjee) leaves for Kolkata to complete his studies, a wealthy rural landowner (Chhabi Biswas) is seized by the notion that his beloved daughter-in-law (a hauntingly sad-eyed Sharmila Tagore) is the reincarnation of the goddess Kali—a delusion that proves devastating to the young woman and those around her. The opulently stylized compositions and the chiaroscuro lighting by cinematographer Subrata Mitra heighten the entrancing expressionistic intensity of this domestic tragedy, making for an experience that is both sublime and shattering.
DVD SPECIAL EDITION FEATURES
- • New 4K digital restoration
- • New program featuring interviews with actors Sharmila Tagore and Soumitra Chatterjee, recorded in 2013
- • New video essay by film scholar Meheli Sen
- • New English subtitle translation
- • PLUS: An essay by film critic Devika Girish
Product details
- MPAA rating : NR (Not Rated)
- Package Dimensions : 7.52 x 5.39 x 0.51 inches; 2.72 Ounces
- Director : Ray, Satyajit
- Media Format : Subtitled, NTSC
- Release date : October 26, 2021
- Actors : Chatterjee, Soumitra, Biswas, Chhabi, Tagore, Sharmila
- Subtitles: : English
- Studio : The Criterion Collection
- ASIN : B099L9KN85
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #56,286 in Movies & TV (See Top 100 in Movies & TV)
- #10,687 in Drama DVDs
- Customer Reviews:
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The second is that their story description is inappropriate to the actual film, and doesn’t reflect the director’s focus in the slightest. (Ray’s exploration of the human condition is far more telling and nuanced than the trite flag-waving they present it as here.)
Aside from that, Devi gets the impeccable Criterion treatment – which Satyajit Ray deserves more than most directors, since he was the closest thing to Chekhov world cinema had seen, until the flowering of Abbas Kiarostami decades later.
A well-told story about our frightening capacity for delusion, it’s one of Ray’s weaker films from this period, but still an enriching view.
(Hopefully, Criterion will make up for their offenses here by releasing Aranyer Din Ratri [Days and Nights in the Forest] in 2023!)
Doyamoyee (Sharmila Tagore) is the beautiful, seventeen year old bride of Umaprasad (Soumitra Chatterjee). When Umaprasad must go away for an extended period of time, Doyamoyee is left to stay with his family--that includes his father, Kalikinkar (Chhabi Biswas). A prophetic vision comes to Kalikinkar, while he is dreaming. He sees Doyamoyee as the healing goddess, Kali. Once that imagery lingers in his mind, he is convinced that she has been annointed as the second coming of the goddess, and has the power to heal the sick in their community. That said, she is made to sit on an alter, day in and day out, and perform healing rituals for the afflicted. Umaprasad arrives home, to discover, this, and is more than skeptical.
This is a cautionary tale at how far visions will drive people, to realize--quite literally, in this case--their dreams. Ray poses this important point, through beautiful storytelling (through his use of cinematography, direction and wonderful acting). They really need to re-release in the theaters. Satyajit Ray is one of the most important directors of all time, in my opinion. The newer generation needs to see his films, to fully appreciate his artistic genius, as a storyteller and filmmaker. This is a great introduction......Also reccomended: "Two Daughters" and "The Stranger."
I could feel the love and devotion between a young married couple as they separate for a month because the husband has to take exams in a distant city. He's modern and has become a Christian and rejects his father's old-fashioned religion and old-fashioned ways. The wife, Dona, who is only 17 years old, goes to stay with the father who absolutely adores her, much to the jealously of his other daughter-in-law who lives with him. One night the old man has a vision and declares that Dona is the incarnation of the Goddess Kali and falls at her feet to worship her. How this all plays out leads to a conclusion that is open to interpretation.
The actors are all wonderful, and when Dona opens her huge eyes, outlined in kohl, she has the ability to make one look speak volumes. A lot of the film is in shadows, but there is always light on the whites of the characters' eyes. This is a story about changing values and about faith and the whole production is wrapped in this kind of aura. There is always a background of sitar music, which adds to the atmosphere. One of the best things about the film, however, was that it transported me to India and into the hearts and minds of a culture that is not mine. I can now understand why Satyajit Ray has received so much international acclaim. Recommended.
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