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Devil Rides Out (Duke de Richleau) Paperback – August 26, 2014
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When his good friend Simon Aron's naive curiosity is tested, the Duke, along with his ever-patient friends Rex Van Ryn and Richard Eaton, must intricately plot a means of both physical and spiritual rescue. But with Van Ryn's affection for a beautiful woman caught in the web of Satanists, and Eaton's ongoing skepticism, they all risk being brought to the verge of madness by dabbling with the powers of evil.
From London to the West Country, the slums of Paris toa Christian monastery, the action of this powerful occult thriller moves with fantastic, compelling force.
- Print length304 pages
- LanguageEnglish
- PublisherBloomsbury Reader
- Publication dateAugust 26, 2014
- Dimensions5.06 x 0.64 x 7.81 inches
- ISBN-101448213002
- ISBN-13978-1448213009
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“The word thriller has never been more aptly bestowed.” ―Lionel Hale, The News Chronicle
“He forcibly abducts the imagination.” ―Howard Spring, Evening Standard
“There is a thrill for you in every chapter of this book.” ―Richard King, Tatler
“One of the most popular storytellers of the century.” ―The Daily Telegraph
“The greatest adventure writer of his time.” ―The Daily Mail
“The word thriller has never been more aptly bestowed” ―The News Chronicle
“He forcibly abducts the imagination” ―Evening Standard
“There is a thrill for you in every chapter of this book” ―Tatler
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Product details
- Publisher : Bloomsbury Reader; Reprint edition (August 26, 2014)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 1448213002
- ISBN-13 : 978-1448213009
- Item Weight : 8.6 ounces
- Dimensions : 5.06 x 0.64 x 7.81 inches
- Best Sellers Rank: #591,194 in Books (See Top 100 in Books)
- #2,055 in Ghost Fiction
- #4,010 in Occult Fiction
- #14,965 in Classic Literature & Fiction
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The novel begins with the Duke de Richleau and Rex Van meeting again and then wondering what has kept their friend Simon from meeting with them. Together they decide to pay a visit to Simon's house, where they find him to have a series of bizarre guests and to have purchased an observatory. Simon's guests include Tanith, a woman whom Rex has seen around the world on numerous occasions, the old crone Madame d'Urfe, and Mocata, the black magician who will play a major part in this novel, along with several other mysterious individuals. At this point, the Duke and Rex conclude that Simon has been dabbling in black magic and decide to rescue him along with Tanith from the evils of the black magic cult they are involved in. In the meantime, the Duke explains the "esoteric doctrine" underlying the world's religious systems to Rex and they encounter a demon in the observatory. The Duke and Rex manage to get Simon out of the house by knocking him out and thus the satanic coven will not have thirteen, the magical number needed to perform the ritual. They realize that in order to stop the satanic cult they will have to rescue Simon and Tanith before the night of Saint Walpurga's Eve. Rex manages to find Tanith after meeting up with Madame d'Urfe and takes her with him to Cardinal's Folly where Richard and Marie Lou reside. However, first he learns that Tanith is doomed to die within the year. In the meantime however, Tanith manages to escape and travels to the Sabbat. Together with the Duke, Rex kidnaps Simon and Tanith and take them back to Cardinal's Folly. There they must fight off Mocata, who proves to be a skilled hypnotist and uses his powers against Marie Lou. Eventually they must create a magic circle where they can fend off the forces of darkness and prevent Mocata and his minions from retrieving the Talisman of Set and unleashing a terror upon the world worse than the First World War. The angel of death appears and must carry off one of them, and initially it appears that Tanith will be that person as she is found dead. However, things are not as they seem and the group must travel to Paris and Greece to fight Mocata and his evils there, after learning from Tanith's spirit that Mocata has kidnapped Fleur and intends to use her in his diabolical ceremonies. There is also an appearance made by the dread Goat of Mendes, who appears after Mocata's satanic rites have summoned him.
This novel is a highly enjoyable read and is recommended to all those who would take an interest in the novels of Dennis Wheatley. The atmosphere is extremely mysterious and the interplay of black and white magic is found throughout. The novel offers an important warning to those who would dabble in the occult and black magic which nevertheless remains a fascinating and enjoyable book to read.
This is the second book to use his familiar cast of aristocratic do-gooders: the Duc De Richleau, Rex van Ryn, Simon Aaron and Richard Eaton. The author does a good job of balancing the characters with different strengths and weaknesses, while still providing strong moral centers for each. One of my favorite aspects of this book was the fact that the very wise and learned Duc De Richleau was not infallible and that he got things wrong at times—despite his almost superhuman knowledge of the supernatural forces the protagonists were up against.
The chief antagonist is a portly fellow named “Mocata” (a perfect name for a villain by the way). He is deliciously developed with an almost comical revulsion, and yet with sufficient charisma to corrupt as befitting his reputation. The secondary evil-doers compliment Mocata and add to the mystique and world-building of this occult-centric story. Wheatley does an okay job of keeping the female characters part of the action, but he could have done better. Princess Marie Lou serves to add to the world building with her exotic backstory, but Tanith Carlisle and Fleur feel a bit more like plot devices. Tanith does provide a sort of fatalistic, romantic subplot—but this gets a little shortchanged at the finish when it comes to a convenient end.
Some criticisms I have for this book have to do with the stakes and ending. Much of the book centers around chasing after the evil practitioners of black-magic whom are hell-bent on kidnapping and corrupting (or worse) the loved ones of our fearless group. The motivations behind this are explained satisfactorily enough. However, when the underlying goal of the ring leader is revealed and then the fate of the entire world hangs in the balance—I felt that it lacked some of the weight which it presupposed.
Here the story seemed to have a bit of the episodic feel to which it was written. The real peril which was professed did not feel quite real enough. Even though the story expands beyond the proximity of English countryside and the cast of characters grows, it’s not quite enough to give that full believability that turmoil would be felt beyond the circle of characters we’d already been introduced to.
The ending too falters a tad (as other reviewers have noted). It’s fitting enough for the story which has been woven and Wheatley introduces enough elements to set things up for the ultimate conclusion. However, the bow is tied a little too neatly and all the plotlines are wrapped up a little too conveniently. Again, here, we feel that pressing episodic feel in which the author needs to hit the “reset” button to bring things to a resolution so that all will be ready for the next installment. Like a modern-day sitcom.
Despite my criticisms, the story is fun and contains all the veracity of a Jules Verne novel, but without feeling the weight of the labor involved. A great adventure story with horror elements based thoroughly and effortlessly in a scholarly bed of research. Enjoyable and informative.
I would like to add that I have read the 2013 reprint by Bloomsbury Reader, which I suspect to contain some editing to make this work more appealing to the sensibilities of modern readers without entirely sacrificing the original prose.
Podcast: If you enjoy my review (or this topic) this book and the movie based on it were further discussed/debated in a lively discussion on my podcast: "No Deodorant In Outer Space". The podcast is available on iTunes, Tune-In Radio, Stitcher, Google Play Music, YouTube or our website.
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I enjoy his books just much 50 years later. He is an excellent writer who pens a good yarn!
Some of his terms are now considered politically incorrect, but consider the times in which he wrote and enjoy an entertaining author!
It may seem quite dated and holky now to hardened modern thriller readers, but it's not fair to judge the writing style by today's standards. Written in the early 30s and feeling every bit of it, you have to give it its period context and not expect it to be hard and streetwise like a modern thriller, and I think some of the critical comments about its old fashionedness are crazy and unjust. That's how they wrote then, before the likes of DHL helped change all that.
That's not to say it doesn't falter a little at crucial periods though, mainly with Wheatley wanting to embelish the story with more second hand tales of weirdness when he'd have been far better off, imo, in just letting the narrative flow. If he'd wanted to flesh out what would have naturally been a shorter, 39 Steps length, then I think he should have just added a new chapter or two instead of holding up crucial chapters with artificial looking dialogue designed to add more occult knowledge to bolster its black magic authenticity. You feel Wheatley knows a lot about this subject but wonder if he shouldn't just get on with the story instead. That said, it's a captivating thriller about the dark side, spells and witchcraft, all of which still fascinates us today, as a browse through the internet proves.
The Duc de Richeleu, experienced, sombre and ultimately trustworthy, Rex Van Ryn passionate and practical, Simon Arron curious and Richard Eaton and his wife Mary Lou, stolid and defiant standing against Diabolists and Magicians (black of course) in order to save the souls of two people dear to them.
Sir Christopher Lee when talking about his performance in the movie "The Devil Rides Out" (as the Duc, rather a surprise given how he's described in the book hardly a good match to Lee, but that's entirely another thing) says it shows the sheer peril of dabbling in the Dark Arts, and he's right. There is a very good sense of how endangered everyone is, even the virtuous and somewhat knowledgable about White Magic Duc, because of Simon Arron and Tanith's dabbling in the Dark side of world. For all their courage and skill, they are at every turn out matched by the loathesome forces arranged against them, even a nominal victory like surviving an encounter with the Angel of Death doesn't result in a true victory as it leaves them mentally drained and emotionally devastated.
Everyone’s rich and he’s a terrible snob, but he holds our interest and is a master storyteller.







