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The Devil's Pleasure Palace: The Cult of Critical Theory and the Subversion of the West Kindle Edition

4.4 4.4 out of 5 stars 563 ratings

In the aftermath of World War II, America stood alone as the world’s premier military power. Yet its martial confidence contrasted vividly with its sense of cultural inferiority. Still looking to a defeated and dispirited Europe for intellectual and artistic guidance, the burgeoning transnational elite in New York and Washington embraced not only the war’s refugees, but many of their ideas as well, and nothing has proven more pernicious than those of the Frankfurt School and its reactionary philosophy of “critical theory.”

In
The Devil's Pleasure Palace, Michael Walsh describes how Critical Theory released a horde of demons into the American psyche. When everything could be questioned, nothing could be real, and the muscular, confident empiricism that had just won the war gave way, in less than a generation, to a central-European nihilism celebrated on college campuses across the United States. Seizing the high ground of academe and the arts, the New Nihilists set about dissolving the bedrock of the country, from patriotism to marriage to the family to military service. They have sown, as Cardinal Bergoglio—now Pope Francis—once wrote of the Devil, “destruction, division, hatred, and calumny,” and all disguised as the search for truth.

The Devil's Pleasure Palace exposes the overlooked movement that is Critical Theory and explains how it took root in America and, once established and gestated, how it has affected nearly every aspect of American life and society.

Editorial Reviews

About the Author

Don Jordan and Michael Walsh have each won awards for investigative journalism. Don Jordan has twice won a Blue Ribbon Award at the New York Film and Television Festival, and Michael Walsh has won a Royal Television Society Award. Together they have written four books, including White Cargo, acclaimed by Nobel Laureate Toni Morrison as an extraordinary book.

Product details

  • ASIN ‏ : ‎ B00PSSEIXE
  • Publisher ‏ : ‎ Encounter Books (August 11, 2015)
  • Publication date ‏ : ‎ August 11, 2015
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 2936 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 238 pages
  • Customer Reviews:
    4.4 4.4 out of 5 stars 563 ratings

About the author

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Michael Walsh
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With six critically acclaimed novels, as well as a hit TV movie, journalist, author and screenwriter Michael Walsh has achieved the writer's trifecta: two New York Times best-sellers, a major literary award and, as co-writer, the Disney Channel's then-highest-rated show.

The 1998 publication of As Time Goes By -- his long-awaited and controversial prequel/sequel to everybody's favorite movie, Casablanca -- created a literary sensation; translated into more than twenty languages, including Portuguese, Chinese and Hebrew, the story of Rick and Ilsa landed on best-seller lists around the world.

His first novel, the dark thriller Exchange Alley, was published by Warner Books in July 1997. Hailed by critics for its moody depiction of a crumbling Soviet Union - which Walsh covered first-hand as a correspondent for Time Magazine - and a violent, dangerous New York City during the darkest days of the early 1990s, the novel was picked by the Book-of-the-Month Club as an alternate selection.

Walsh's third novel, the gripping gangster saga, And All the Saints, was named a winner at the 2004 American Book Awards; even before publication, the movie rights to this fictionalized "autobiography" of the legendary Prohibition-era gangster Owney Madden was bought by MGM.

His 2009 novel, Hostile Intent, the first in a series of five thrillers about the National Security Agency to be published by Kensington Books, was an Amazon Kindle #1 bestseller, as well as a New York Times bestseller. The eagerly awaited sequel, Early Warning, will be published in Sept.

In the spring of 2002, the Disney Channel premiered Walsh's original movie (co-written with Gail Parent), Cadet Kelly, starring teen idol Hilary Duff of "Lizzie McGuire" fame. Until High School Music, the two-hour film reigned as the highest-rated original movie in Disney Channel history, as well as the Disney Channel's highest-rated single program ever.

Walsh is also the author of Who's Afraid of Classical Music (1989) and Who's Afraid of Opera (1994) for Fireside Books, and Andrew Lloyd Webber: His Life and Works, a critical biography of the composer for Harry M. Abrams (U.S.) and Viking Penguin (U.K.), published in the fall of 1989; an updated and expanded edition appeared in 1997. With fellow TIME Contributor Richard Schickel, he is the co-author of Carnegie Hall: The First One Hundred Years, a cultural history of the great American concert hall published by Abrams in November 1987. His most recent book about music is So When Does the Fat Lady Sing?, published by Amadeus Press.

Customer reviews

4.4 out of 5 stars
563 global ratings

Customers say

Customers find the book's content important, insightful, and devastating. They also describe it as entertaining and a convincing assault on cultural Marxism. However, some find the content boring and convoluted, while others say it's well-written and difficult to read. Opinions are mixed on the writing style, with some finding it well-done and others finding it difficult.

AI-generated from the text of customer reviews

77 customers mention "Content"65 positive12 negative

Customers find the book insightful, engaging, and thought-provoking. They say it puts forth an interesting theory that God speaks to man not just in sacred texts. Readers also say the insights are new and very useful.

"...trove of original analysis and insight; not only for its richness of content, but in the manner of presentation as well: It is positively brilliant,..." Read more

"...Walsh is a wordsmith. His prose is crisp, clear and engaging. He can be profound and elegant in one paragraph and playful and witty in the next...." Read more

"...More analytical, less strident, deeper insight.Recommended." Read more

"This is a fascinating book, not just for its substance but also for its mode of reasoning...." Read more

9 customers mention "Enjoyment"9 positive0 negative

Customers find the book entertaining, witty, and floridly written. They also appreciate the many quotes.

"...He can be profound and elegant in one paragraph and playful and witty in the next...." Read more

"...Don't let that stop the reader. This book will enlighten,entertain and inspire you to get out of your chair and get to work." Read more

"...of Islamic terror, it is beautifully and floridly written and contains so many quotes that I will be referring to for years to come...." Read more

"...writes in a straightforward, thoughtful manner and makes his points with wit and grace." Read more

21 customers mention "Writing style"14 positive7 negative

Customers are mixed about the writing style. Some find the book very well written, succinct, and clear. They also say it's logical, interesting, and devastating. However, some readers find the writing difficult to read and think coherently.

"...Walsh is a wordsmith. His prose is crisp, clear and engaging. He can be profound and elegant in one paragraph and playful and witty in the next...." Read more

"...And then there's the overwriting. A representative example: "True, 'deception' is a loaded word...." Read more

"...The writing is clear enough to follow, but even if you share the author's politics (and much of this book reads like a sermon to the converted) the..." Read more

"This is an excellent book. It is well written. It combines political science, religion and philosophy and literature...." Read more

13 customers mention "Book enjoyment"0 positive13 negative

Customers find the book boring, with too many wanderings into composers, opera, art, and Shakespeare. They also feel demotivated and say the author's argument is failed.

"...This book is subjective, poorly structured, and ultimately disappointing...." Read more

"...portion of actual information on these subjects, but a whole lot of ramblings about operas, film, plays and and an attempt to analyze German..." Read more

"...I was not impressed with the book." Read more

"...Unfortunately there are too many wanderings into composers, opera, art, and Shakespeare...." Read more

Top reviews from the United States

Reviewed in the United States on September 6, 2015
Required Reading for Inquiring Minds
By Sandy Stringfellow

What in the world has been happening to our America; how – and why – did we become a crippled republic? As usual, the answers may be found in verifiable history. Surprisingly, the most important slice of history necessary to grasp America's state of diminished affairs has been largely unreported.

Until now. The Devil's Pleasure Palace fills the aforementioned historical void. For those of us whom study history with passion, it is a treasure trove of original analysis and insight; not only for its richness of content, but in the manner of presentation as well: It is positively brilliant, and a compelling read.

Michael Walsh is – perhaps, quite uniquely – qualified to explore the origins of a “culture war” being waged against America; a pernicious, insidious, even childish attempt to overthrow our existing civil society from within by assailing the institutions providing our traditional cultural fabric necessary for the continuance of a Constitutional Republic as set forth by the Founders and Framers.

The digital age is a communications boon, but not without drawbacks; even the intellectually flaccid have often become “legends in their own mind,” as publishing platforms grew to pervasiveness.

By contrast, Michael Walsh has lived his life in a scholarly fashion. He was schooled in the classics (both music and literature), is an accomplished musician, fluent in several languages, along with being an award-winning Time Magazine classical music critic and award-winning author. Walsh immersed himself in the creative disciplines from an early age; he is – thankfully – not just a johnny-come-lately writer on the instrumentally important topics of culture, religion, politics, art, and history: precisely why the Devil's Pleasure Palace is not mundane. It is, rather, exceptional in every imaginable respect.

It's sad to find such a seminal work as The Devil's Pleasure Place disparaged by even a single one-star Amazon review, or misrepresented by those without the patience or persistence to contemplate what it has to offer; just as it is sad to see any work of art defiled by those with blinders firmly attached.

Walsh frequently offers more cogent analysis in a single paragraph than other writers of the cultural genre muster in an entire chapter: at times, one must pause from reading and ponder the implications and revelations of Walsh's erudite perceptions. As with most things in life, what we truly find worth having is what we also consider worth working and waiting for: So it is with honest knowledge.

Rather than being a pro-Christian screed, Walsh leaves open theological doors by establishing early on that most religions have plenty in common with the Western ur-Narrative reflected in art and culture. As America is – and always was, from its founding – a Judeo-Christian nation, naturally Walsh would explore that theological aspect in considerable depth. His focus, however, is on ethereal possibilities.

To correct the mistakes of history, we must understand them. That Walsh has tackled a formidable yet critically important task of explaining not only how and why America arrived at our tenuous station upon the post-modern cultural cliff (and how to handle it) with succinctness and an uncanny wit is a testimony to the depth of his scholarly capabilities. It also signals respect for reader's time and effort. The Devil's Pleasure Palace is one of the most important books you'll read. It is, no doubt, a classic.

© Sandy Stringfellow/2015. Used with permission.
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Reviewed in the United States on October 20, 2015
The author’s inside jacket intro on the main page says what prospective buyers need to know about the content of the book. Read it.

Like Walsh, I grew up in the fifties, when our flag was revered and love of country was a given. That America is no more. I’ve wondered for years how we fell so fast and so far. "The Devil’s Pleasure Palace" offers a riveting, authoritative answer to the question. I believe this book will come to be regarded as the seminal work on America’s ugly transformation in the decades following Eisenhower’s presidency. It is Walsh’s masterwork.

Here we learn about the Frankfurt School Marxist philosophers (Herbert Marcuse, Max Horkheimer, Theodor Adorno, others) who arrived on our shores after fleeing Nazi Germany, burrowed into our culture (especially academe), and began their "unremitting assault on Western values and institutions.” Which their acolytes continue to this day, aided by allies in the media and Democrats, whose affiliation Walsh has famously labeled “a criminal organization masquerading as a political party.”

Walsh is a wordsmith. His prose is crisp, clear and engaging. He can be profound and elegant in one paragraph and playful and witty in the next. You don’t dare let your mind wander when you read for fear you’ll miss some some choice expression or thought, and these populate every page. There is no filler in "Pleasure Palace."

Some reviewers found distracting Walsh’s extensive and pitch perfect tie-ins to Genesis and such monumental works as Milton’s "Paradise Lost,” Goethe’s “Faust,” and Wagner’s operas, to name a few. I believe they miss the point: to enrich his thesis concerning the West’s “cultural suicide” by seamlessly weaving into its fabric strands from the arts, from history, religion, politics, and pop culture. "The Devil’s Pleasure Palace" is brilliantly referential.

I finished this book in amazement that anyone could write something so complex and demanding, yet still be accessible to ordinary people. Walsh’s erudition—the “depth, polish, and breadth” of his knowledge—is off the charts. He dumbs down nothing, trusting the intelligence of his readers.

Journalist, music critic, novelist, political commentator, screenwriter—Walsh has done so much and seen so much, and he brings it all to bear in his unmasking of what he terms the “Unholy Left.” (Though they’ll trash it, leftists won’t read this book because they can’t abide the truth about their philosophy. Sort of like the Devil and Holy Water.)

"The Devil’s Pleasure Palace" is Gibbon’s "Decline and Fall of the Roman Empire" and JFK’s "While England Slept" in real time. It is our generation’s wake-up call. Too late?
135 people found this helpful
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Top reviews from other countries

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T. S.
5.0 out of 5 stars A Must Read
Reviewed in Canada on December 29, 2017
Brilliant. Timely. Necessary. The problem the West faces has now been fully exposed/identified. This is the first step in solving it. A deep analysis that smartly brings spiritualism into full play here too. Each chapter is a jewel. Amazing.
3 people found this helpful
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Ricky
5.0 out of 5 stars Germany's revenge
Reviewed in the United Kingdom on February 2, 2019
America used its military might to help the allies defeat Germany in WW2. However, whilst militarily strong, the USA felt culturally inferior, and ended up giving refuge to a group of Marxist Jews from the Frankfurt school in Germany. Instead of being grateful to their host, this group set about undermining and then destroying American culture. They propagated Critical Theory, infecting American culture like a virus, spreading amongst its universities, Hollywood, sports and politics. It led to the PC movement which attacks American pride and confidence by promoting a belief that America was racist in its inception and bad and corrupt, especially the ‘white’ majority.
Michael Walsh uses his considerable intellect and depth of understanding to tell the story of how the socialist wars in Europe transferred over to America. As a journalist in the old cold war, Walsh visited East Berlin and saw the communist regime at work, prior to the falling of the wall in 1989. He shows just how insidious and devastating the old failed socialist philosophies were and how they found fertile ground in the states. They have led to the new cold war between individualism and collectivism, capitalism and socialism…good and evil.
Using his finely tuned literary skills, his background as a music critic and his expertise in East German and Soviet culture, he delivers a powerful, allegorical analysis of the battle between good and evil. In the end, will Germany finally prevail and get its revenge on the USA…or will the new world rediscover its confidence in 'freedom', and banish the German foe once and for all?
4 people found this helpful
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Amazon Kunde
5.0 out of 5 stars "Konservatisvismus" gegen "Frankfurter Schule" und "political correctness"
Reviewed in Germany on August 7, 2017
Das Buch über Konservativismus und seine Feinde alias Frankfurter Schule läßt ahnen, warum Trump gewählt wurde und greift die grassierende "Political Correctness" an. Für "Rechte" und "Linke" in den USA und Europa gleichermaßen äußerst lesenswert.
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book worm
5.0 out of 5 stars Very recommended.
Reviewed in Australia on July 30, 2016
A challenging read but persevere it is very enlightening. Very recommended.
Jobie
5.0 out of 5 stars The Devil's Pleasure Palace book
Reviewed in the United Kingdom on February 8, 2021
The Devil's Pleasure Palace book. Arrived quickly in good condition. Book is well manufactured on good quality paper. Not going to do a book review - you'll have to read it yourself!

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