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The Diary Of Anais Nin Volume 7 1966-1974: Vol. 7 (1966-1974) Paperback – Illustrated, October 14, 1981
Purchase options and add-ons
- Print length384 pages
- LanguageEnglish
- PublisherMariner Books Classics
- Publication dateOctober 14, 1981
- Dimensions5.5 x 0.96 x 8.5 inches
- ISBN-100156260352
- ISBN-13978-0156260350
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About the Author
Product details
- Publisher : Mariner Books Classics; First Edition (October 14, 1981)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 0156260352
- ISBN-13 : 978-0156260350
- Item Weight : 1 pounds
- Dimensions : 5.5 x 0.96 x 8.5 inches
- Best Sellers Rank: #1,885,520 in Books (See Top 100 in Books)
- #8,615 in Literary Diaries & Journals
- #9,099 in Author Biographies
- #18,178 in Women's Biographies
- Customer Reviews:
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About the author

Anaïs Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she wrote primarily fiction until 1964, when her last novel, Collages, was published. She wrote The House of Incest, a prose-poem (1936), three novellas collected in The Winter of Artifice (1939), short stories collected in Under a Glass Bell (1944), and a five-volume continuous novel consisting of Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Seduction of the Minotaur (1961). These novels were collected as Cities of the Interior (1974). She gained commercial and critical success with the publication of the first volume of her diary (1966); to date, fifteen diary volumes have been published. Her most commercially successful books were her erotica published as Delta of Venus (1977) and Little Birds (1979). Today, her books are appearing digitally, most notably with the anthology The Portable Anais Nin (2011).
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大人たちの傲慢や形相が忘れられないのは近親憎悪なのか
自分らしさはスケールが大きく緻密にありたいと思っても
一流をめざすほど あら探しは厳しくなること
時代の転換期は例外を生きやすそうに思えるけれど
深呼吸できそうな甘さ 激しさ わかりやすさ 過去は
誰を敵に回し 誰が味方になるか察しがつかねばならない
純粋だと思おうとしても不純
真剣だと思おうとしても迷妄
生き様や癖が愛をとらえる
純愛を叫ぶ前に 本当の自分を確かめたい
アナイスは野心家たちの開花を歌い上げ
男に対する正解が 女のための女の秘伝が
芸術家の露骨でなく活性化する本性 言葉と化身のたゆたい 最上級 半死半生から身を守る自覚
トラウマにかける釉薬になることを教えてくれる
複雑骨折した人格の愛着や絶唱を情緒の極上ととらえ 現況という結果も書いておく
傷心に共感をあたたかく注いだり アイデンティティがなしうることを
美と女心で補強し 愛着や嘆きを同じくする思慮深い人々のまとめ役である
男も女も高貴も得意技も 大人の観察力や作法や想像力や
デリカシーと生活という故郷を枠組みに培われる
幻滅 矛盾 深傷の記憶や実感を失格や悲惨という蔑視に追い込もうとせず
女のための女が音楽的 絵画的 再帰的になるために男にも女にも
深く鋭く浸透し 努力 達成感 欲求と実現の乖離を聴きとり
人間が人間でなくなる手段をいつも懸念しつつ
運命的基盤 夢 自己実現 自己喪失 他者 期待 暗黙の炎上という
遠心力として熟考している







