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The Diary Of Anais Nin Volume 3 1939-1944: Vol. 3 (1939-1944) Paperback – Illustrated, March 24, 1971
Purchase options and add-ons
- Print length348 pages
- LanguageEnglish
- Publication dateMarch 24, 1971
- Dimensions5.5 x 0.87 x 8.5 inches
- ISBN-100156260271
- ISBN-13978-0156260275
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About the Author
Product details
- Publisher : Mariner Books Classics (March 24, 1971)
- Language : English
- Paperback : 348 pages
- ISBN-10 : 0156260271
- ISBN-13 : 978-0156260275
- Item Weight : 12 ounces
- Dimensions : 5.5 x 0.87 x 8.5 inches
- Best Sellers Rank: #527,536 in Books (See Top 100 in Books)
- #1,129 in Literary Diaries & Journals
- #2,480 in Author Biographies
- #5,545 in Women's Biographies
- Customer Reviews:
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About the author

Anaïs Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she wrote primarily fiction until 1964, when her last novel, Collages, was published. She wrote The House of Incest, a prose-poem (1936), three novellas collected in The Winter of Artifice (1939), short stories collected in Under a Glass Bell (1944), and a five-volume continuous novel consisting of Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Seduction of the Minotaur (1961). These novels were collected as Cities of the Interior (1974). She gained commercial and critical success with the publication of the first volume of her diary (1966); to date, fifteen diary volumes have been published. Her most commercially successful books were her erotica published as Delta of Venus (1977) and Little Birds (1979). Today, her books are appearing digitally, most notably with the anthology The Portable Anais Nin (2011).
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I encourage you to read all the volumes, as well as Nin's other work, to get a fuller understanding - but don't stop there! You MUST also then read Henry Miller's works, and then one of the books that includes their correspondence. Simply amazing.
Henry Miller is in California (several of his letters appear here). Gonzalo and Helba accompany Nin to New York. Many portraits of friends appear here. Nin evinces significant growth by facing her masochism, her immolation. Sadly even by the end of the book she is trying to rescue those who can’t be rescued, like Gonzalo (for whom she buys a commercial printing press). Her development is painful; she is terrified of isolation. A bright spark in this volume comes when Nin befriends a group of Haitians who she notes are more vital than her White friends.
Nin writes erotica for $1 per page for an old man, The Collector. She resents having to crank up the sensuality and reduce the poetic flights. But such is her desperation for money during this period that she accepts the terms. Ironically she has a rare gift for erotica; her stylised writing lends well to ‘adult fairytales’.
Overall I found Vol 3 to be good, although not truly great as I will admit to some boredom. The letters and abstract flights became a bit much. However it still captures Nin during a significant growth period. Some of her insights are so exact that they floor you, and her writing is as sensitive and beautiful as ever.








