Even though Christmas is over, the title still stands, this is the ultimate movie for Christmastime, but it can be watched year-round for full enjoyment. Aside from being the ultimate Christmas movie, this is one of the absolute best action movies ever, certainly a fine reason why the 80's was THE decade for action movies.

STORY

It's Christmas Eve, and a New York Cop named John McClane (Bruce Willis) flies into Los Angeles to visit his estranged wife, but things go awry when a group of German terrorists/thieves led by Hans Gruber (Alan Rickman) invade the office building and cut off any possible contact to keep hostages from calling the cops. The only one out of Gruber's control is McClane, who desperately and quickly has to come up with ways to stop the terrorists.

TENSION/CHARACTERS

What separates most action movies from Die Hard is that the hero, McClane, is very vulnerable. This creates a lot of tension while watching the movie, and I'd even say that compared to even the best action movies, Die Hard probably has the largest amount of tension because even after the initial viewings, I was still riddled with tension in the scenes where McClane gets really hurt.

This is where the characters come in. Because of the fact that John McClane is such a vulnerable protagonist, he's more believable as a person and this vulnerability makes him creative with his plans to weed out the terrorists infesting the Nakatomi building. While it's natural to root for the action hero for an action movie, you're rooting for McClane even harder to win because he faces steeper obstacles than most other action heroes. Rickman, despite being an Englishman, manages to pull off a rather convincing German accent. He also does a great job playing a slimy terrorist leader, since he has no problem personally killing his hostages and has a smooth charisma that keeps him from going into over-the-top territory.

The supporting cast is solid as well. Reginald Vel Johnson does a great job as Al Powell, a police officer whose the first to uncover the clandestine terror heist Gruber and his cronies are conducting by McClane throwing a dead terrorist's body on his car just as he's about to leave the Nakatomi plaza (with humorous effects). I must say, as a kid of the 90's, it was weird seeing Vel Johnson spew profanity and even be in this type of movie because of the fact that I grew up watching Family Matters (where he played Carl Winslow). Bonnie Bedelia is solid as Holly Gennaro-McCane, John McClane's estranged wife. The actors playing Gruber's cronies all do a good job, particular Alexander Godunov as Karl, Hans's right-hand man, since they're all good at being loathsome and menacing.

ACTION SCENES

The action scenes in Die Hard are top notch and highly memorable. The action scenes, going along with the premise of a highly-vulnerable protagonist, exercise a great deal of creativity with the methods of combat McClane adapts to make it out alive. For example, after the LAPD arrive in droves in response to claims of terrorists in the building, they deploy an armored car, but Gruber's cronies start attacking it with a tripod-mounted anti-tank guided missile launcher. Because McClane is several stories above the attackers, he drops a block of C4 strapped to a broken computer monitor and computer chair down to the floor the anti-tank personnel are to wipe them out. McClane eventually gets confronted by one of the terrorists and engage in a brutal gun and hand-to-hand fight. This ends with McClane beating one of the terrorists and hanging him with a bunch of chains. When the top floor of the Nakatomi building is blown up, McClane escapes by swinging from a firehose he tied to himself and breaks through a glass window to get somewhere safe, but the spool holding the hose breaks loose and falls, dragging McClane towards the edge of the floor, and has to quickly untie himself so he doesn't plummet to his grave. That scene was really, really tense.

MATURE CONTENT

This is R-rated for good reason. Being a top-tier action movie, there's a good deal of bloody violence and death infesting this masterpiece. Towards the beginning of the ordeal, Gruber executes Takagi, the executive of the Nakatomi corporation, since he won't cooperate with Gruber, and you see a bunch of blood gush against the glass wall during the execution (which looks realistic and really daunting). One of the hardest scenes to watch is when McClane (whose barefoot throughout the whole ordeal against Gruber), has to flee a group of terrorists through a floor covered in broken glass. This leads to a scene where McClane hides in one of the bathrooms to pull out the glass shards out of his bloody feet. There's even some nudity towards the beginning when one of the terrorists grabs one of the female hostages and pulls down her party dress to reveal her breasts, and McClane bumps into a calendar depicting a nude female model a few times in one of the rooms under construction in the building.

SOUNDTRACK

The music in Die Hard is top notch. Overall, it's rather daunting and exciting, and the music is a perfect fit for the type of movie being played here. Michael Kamen did a great job with the music here, and he'd do really well with the soundtrack for Event Horizon nine years after this. There's even a Christmas song done by Run-DMC played towards the beginning of the movie, and some other Christmas tunes being played to bring about the "Christmas feeling" to this movie.

NOSTALGIC ELEMENTS

While this thankfully isn't a dated movie by any stretch, there's some bits of dialogue and character details that make it a perfect snapshot of the 80's. For example, when Argyle (McClane's limo driver) brags about all the gadgets in the limousine, he brags about it having VHS. Also, when the terrorist heist catches wind of the media, the reporter states that Gruber is the head of a West German terrorist organization. I guess it's because the Berlin Wall collapsed when I was only two years-old, this particular element certainly shows its age, but like I said earlier, it doesn't deter any enjoyment to be had in this film.

FINAL WORD

This is an action movie masterpiece, and probably John McTiernan's best film. If you love action movies and this isn't in your collection, get this in your collection right now.

It seems clear now that the 1988 film "Die Hard" is one of the most important cinematic touchstones of our lifetime, simply because every action film since then can be reduced to being a variation on the theme (e.g., "Speed" is "Die Hard" on a bus). I am not going to claim that "Die Hard" is more than mindless entertainment, but rather that it is the standard by which all mindless entertainment is to be judged.
One Christmas New York City cop John McClane (Bruce Willis) flies out to Los Angeles to enjoy a nice, quiet Christmas with his estranged wife Holly (Bonnie Bedelia), who is climbing up the corporate ladder of the Nakatomi Corporation. However John arrives at the company office party a few minutes before a group of terrorists, led by the urbane Hans Gruber (Alan Rickman), takes over and holds everybody hostage. While the bad guys begin the long process of breaking into the building' vault, McClane becomes the proverbial "fly in the ointment," on the loose in the building and causing problems. The only person on McClane's side is Sgt. Al Powell (Reginald VelJohnson), a cop on the outside who learns about what is really happening inside Nakatomi tower when McClane drops a dead body on his squad car. Also working against McClane are top cop and complete idiot Dwayne T. Robinson (Paul Gleason) and sleazy reporter Thronburg (William Atherton).
What makes "Die Hard" work? First, the film had the virtue of making Bruce Willis a movie star. Prior to this point he had failed to make his success with television's "Moonlighting" translate to movies. Leading roles in "Blind Date" and "Sunset" were disappointing enough that the best part of Willis's cinematic resume was being a courtroom spectator in "The Verdict." But in John McClane he had a character that allowed him to get off his one-liners but was also involved in some big action sequences and still found time to use his brains on several occasions. I also like the adding insult to injury twist of fate that finds McClane barefoot when things start happening. The result was that suddenly Willis was promoted to the A list, which almost always makes a bigger splash than when the star is there to begin with.
Second, there were the action sequences, the best of which remains McClane's jump off the exploding top of the building with a fire hose wrapped around his waist. Everything else pales next to that one, but the common theme you have with all of the key sequences is that McClane is an ordinary guy facing long odds in a series of extraordinary circumstances. Another common denominator is that for what McClane comes up with usually involves some thinking as well, such as using an office chair and a computer to create a detonator for plastique explosives. McClane might be unlucky, but he is not stupid. Add to this the fact that the action is pretty much non-stop once it gets started, and this is by no means a boring film.
Third, there are actually some emotional elements to the story, with McClane obviously worried about his wife being held by terrorists being at the top of the list. But there is also the relationship between McClane and Sgt. Powell, even though it exists almost entirely over the radio (but has a nice double payoff in the film's denouement). The scene where McClane asks Powell to pass along a message to Holly provides a sense of despair that usually does not enter into one of these films.
Ultimately, John McTiernan's film achieves a solid balance between characters and actions. If an action film succeeds on the basis of the villain, then Rickman certainly provides that (I like the way his character is introduced), and I have always thought that VelJohnson's show "Family Matters" was an obvious and intelligent effort to capitalize on how great of a character he created in this movie. Then there is Bedelia's Holly Gennaro McClane, who has it all, including a good right hook. You might not understand how those two ended up together in the first place, but can sure appreciate why he wants to stay married to her.
Even the fact that "Die Hard 4: Die Hardest" is currently in pre-production can distract from the reputation of the original. Actually the two sequels are better than most of the imitators that have come down the road ("Speed" is definitely the best of that bunch). Besides making Willis a big time movie star it certainly set the bar higher for all the action films that have been made since 1988 and showed that you needed to have some heart and a sense of style to go with all the witty one-liners and explosive pyrotechnics. "Die Hard" is still a lot of fun to watch.

It seems clear now that the 1988 film "Die Hard" is one of the most important cinematic touchstones of our lifetime, simply because every action film since then can be reduced to being a variation on the theme (e.g., "Speed" is "Die Hard" on a bus). I am not going to claim that "Die Hard" is more than mindless entertainment, but rather that it is the standard by which all mindless entertainment is to be judged.

One Christmas New York City cop John McClane (Bruce Willis) flies out to Los Angeles to enjoy a nice, quiet Christmas with his estranged wife Holly (Bonnie Bedelia), who is climbing up the corporate ladder of the Nakatomi Corporation. However John arrives at the company office party a few minutes before a group of terrorists, led by the urbane Hans Gruber (Alan Rickman), takes over and holds everybody hostage. While the bad guys begin the long process of breaking into the building' vault, McClane becomes the proverbial "fly in the ointment," on the loose in the building and causing problems. The only person on McClane's side is Sgt. Al Powell (Reginald VelJohnson), a cop on the outside who learns about what is really happening inside Nakatomi tower when McClane drops a dead body on his squad car. Also working against McClane are top cop and complete idiot Dwayne T. Robinson (Paul Gleason) and sleazy reporter Thronburg (William Atherton).

What makes "Die Hard" work? First, the film had the virtue of making Bruce Willis a movie star. Prior to this point he had failed to make his success with television's "Moonlighting" translate to movies. Leading roles in "Blind Date" and "Sunset" were disappointing enough that the best part of Willis's cinematic resume was being a courtroom spectator in "The Verdict." But in John McClane he had a character that allowed him to get off his one-liners but was also involved in some big action sequences and still found time to use his brains on several occasions. I also like the adding insult to injury twist of fate that finds McClane barefoot when things start happening. The result was that suddenly Willis was promoted to the A list, which almost always makes a bigger splash than when the star is there to begin with.

Second, there were the action sequences, the best of which remains McClane's jump off the exploding top of the building with a fire hose wrapped around his waist. Everything else pales next to that one, but the common theme you have with all of the key sequences is that McClane is an ordinary guy facing long odds in a series of extraordinary circumstances. Another common denominator is that for what McClane comes up with usually involves some thinking as well, such as using an office chair and a computer to create a detonator for plastique explosives. McClane might be unlucky, but he is not stupid. Add to this the fact that the action is pretty much non-stop once it gets started, and this is by no means a boring film.

Third, there are actually some emotional elements to the story, with McClane obviously worried about his wife being held by terrorists being at the top of the list. But there is also the relationship between McClane and Sgt. Powell, even though it exists almost entirely over the radio (but has a nice double payoff in the film's denouement). The scene where McClane asks Powell to pass along a message to Holly provides a sense of despair that usually does not enter into one of these films.

Ultimately, John McTiernan's film achieves a solid balance between characters and actions. If an action film succeeds on the basis of the villain, then Rickman certainly provides that (I like the way his character is introduced), and I have always thought that VelJohnson's show "Family Matters" was an obvious and intelligent effort to capitalize on how great of a character he created in this movie. Then there is Bedelia's Holly Gennaro McClane, who has it all, including a good right hook. You might not understand how those two ended up together in the first place, but can sure appreciate why he wants to stay married to her.

Even the fact that "Die Hard 4: Die Hardest" is currently in pre-production can distract from the reputation of the original. Actually the two sequels are better than most of the imitators that have come down the road ("Speed" is definitely the best of that bunch). Besides making Willis a big time movie star it certainly set the bar higher for all the action films that have been made since 1988 and showed that you needed to have some heart and a sense of style to go with all the witty one-liners and explosive pyrotechnics. "Die Hard" is still a lot of fun to watch.

Loved this movie. Except whenever I hear Ode to Joy, I see Alan Rickman as Hans Gruber saying: “"And when Alexander saw the breadth of his domain, he wept, for there were no more worlds to conquer." Benefits of a classical education.”
It’s a little dated, but who can resist “yippee ky yay, m-f!” or Bruce Willis all sweaty in a tank top? We watch it at Christmas time when we go through the Wizard of Oz and the original Grinch.

Whether you side with it as a Christmas movie or just a normal time movie, it is just in general an all time great movie.

Released in 1988 DIE HARD is the movie that created an Action Movie Blueprint that has been imitated countless times (compare similarities with Under Siege, for example): Not only is the hero surprisingly tough (beyond some belief) but the amount of entertaining, bad guy characters are so well conceived you can't help but like, some, of the bad guys ... occasionally.
The bad guys in this movie are led by '"terrorist" leader Hanz Gruber played to instant celebrity by Alan Rickman. Gruber's menacing right-hand-man soldier is played by Russia's own ballerina(!?) Alexander Gudonov (and those scraggy long blonde locks) while the rest of the cast features eventual tv show co-star (Clarence Gilyard -- Walker Texas Ranger) to the eventual scene stealing coke head played to a pitch perfect, just over-the-top comic perfection by Hart Bochner: "Hanz...! Boobie! I'm your white knight!"
Even Hanz Gruber, himself, can't quite believe what he is seeing and hearing: "I must have missed 60 Minutes."
Paul Gleason (in the process of cornering the market on smug, impudent, kiss-asses (i.e Trading Places; Breakfast Club) plays one of L.A's finest who thinks he's in charge of negotiations; and Robert Davi is 'stone cold' FBI agent Johnson: "No the other one."
Bonnie Bedelia is lovely, cute, as well as button-up smart (as Holly Gennaro-McClane) all in the blink of an eye (ours or hers) as she reacts to the violent "takeover".
DIE HARD('s) fights, explosions, and stunts all hold up as well as any modern Bond movie and/or even Jason Bourne (fight scenes excepted....hard to top).
I didn't even mention pivotal role of flat foot "Welcome to the party pal!" cop played by Reginald VelJohnson. In another movie his dialogue with Bruce Willis would have made them partners in their own buddy-cop movie.
DIE HARD strives on at least 3 different levels. Which reminds me, I just watched DIE HARD during the Holidays for the first time. "Let It Snow, Let It Snow, Let It Snow."
I can't wait to see what they do for the New Year.
Yes, even the chauffeur in DIE HARD got some good lines.

Xtra feature has Director John McTiernan - on this groundbreaking action model - reminding us how innovative the camera angles and "movement" were while the lighting and, particularly, the "landscape" of the Nakatomi building was Frank Lloyd "falling water" Wright inspired.
There are 10 scene specific commentaries ( scene 1, scene 13, scene 34 rooftop scene etc...) with special effects supervisor Richard Edlund that can be accessed from Special Features easily.
You can also use subtitles OF Commentary (producers, writer, etc..) while watching DIE HARD that I thought informative and uniquely effective about how the book became a Bruce Willis project -- with a Frank Sinatra(!) connection!
I consider this DIE HARD DISC 2013 20th Century Fox for 8 bucks and good xtras an amazing deal.
No thrilling action movie has more class than this original for the Holidays (argue here if DIE HARD a Christmas movie or not) classic.

I watched this again recently . The Bruce Willis character, John McClane, is so over the top cool from beginning to end. It's laughable, but fun.

New York police officer John McClane (Bruce Willis) went to visit his estranged wife Holly (Bonnie Bedelia) in Los Angeles for Christmas. The party her company The Nakatomi Corporation throws is taken over by a group of terrorists led by Hans Gruber (Alan Rickman). McClane becomes a one man police force running through the building to stop the criminals. Thus began the Die Hard franchise.

McClane and Gruber drove most of the story. McClane for example taunts Gruber by killing members of his team and leaving messages on their bodies like “Now I have a machine gun Ho-Ho-Ho.” Gruber plays the suave terrorist leader. There are a couple of jerks thrown in as well for the audience to root against including the deputy police chief Robinson played by Paul Gleason who specialized in those types of roles. Yeah there’s also some bad writing thrown in there as well, but you’re watching this to see McClane take down the bad guys not what people say.
C