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Digital Wedding Photography Photo Workshop Paperback – May 24, 2011
| Kenny Kim (Author) Find all the books, read about the author, and more. See search results for this author |
You only get one chance to photograph a couple?s dream wedding, and this complete resource is an essential addition to any aspiring or current wedding photographer?s shelf. From brightly lit outdoor weddings to poorly lit evening ceremonies, internationally renowned wedding photographer Kenny Kim offers unparalleled advice for working with clients, choosing the right equipment, composing beautiful images, helping your subjects with posing, and much more. Assignments at the end of every chapter encourage you to practice your skills and upload your photos to Photoworkshop.com to share your images and benefit from constructive critiques.
- Offers a strong understanding of photography?s fundamentals and explains how they are crucial to capturing memorable wedding images
- Escorts you through techniques for handling challenges with contrast, lighting, action, posing, etc.
- Shares insider advice on business basics, post-production editing, composition, and much more
- Covers lighting and exposure techniques for bright, normal, and low-light situations, which are common in the world of wedding photography
Digital Wedding Photography Photo Workshop presents stunning photography and inspiration for all levels of wedding photographers.
From the Author: Capturing Stunning Wedding Photos
Image 1
Turn off the flash!
Often times we are focused on creating that perfectly exposed photo. But next time you are in a location where there is high contrast of light between the foreground (your subject) and the background, try silhouetting your subject for a change. Instead of reading the light meter off the bride and groom, point your camera to the background and record the light meter in the sky (This is best achieved when shooting in manual mode on your camera). Then compose your image the way you want and make sure that the subject is in focus. The end result is a beautiful subject silhouetted by the radiant sky in the background.
Shot specification: Canon Mark 1d III / 2.8 1/60sec. ISO 1600 /WB: Auto / Canon L 16-35mm f2.8 lens zoomed to 18mm.
(Image 1)
Lights First. Shoot Second.
Image 2 As photographers, we are visually stimulated by pretty landscapes. When we go on a photo shoot with a couple, we often make the mistake of seeking out attractive or beautiful backgrounds to place our subjects in. While that is important, it is far more essential that we look for good source of light. No matter how great the location is, if there is not a good quality of light, even the most expensive camera will not capture a beautiful photo. In this photo, we are inside of a beautiful mansion in England. However, the house was not evenly lit. But I found a good source of natural light coming in to the house through a lightly tinted stained glass window. So I placed my subject there and posed them in an intimate way to capture this image. You may not always find a good source of natural light – but if you do, use it!
Shot specification: Canon Mark 1d IV / 3.5 1/60sec. ISO 1600 /WB: 4000K / Canon L 24-70mm f2.8 lens zoomed to 62mm.
(Image 2)
Go For Emotion.
Image 3 We as human are drawn to emotion. When we look at this photo, we are immediately attracted to this image by the natural smiles coming from this couple. It is such a strong visual element that you might even forget that there is a dumpster behind them. We as photographers are not only commissioned to take pictures. We have a big role in making our clients feeling comfortable in front of the camera so that they can be themselves. Only then can we get them to show their inner beauty outwardly.
Shot specification: Canon Mark 1d IV / 2.8 1/60sec. ISO 400 /WB: 5200K / Canon L 70-200mm f2.8 lens zoomed to 130mm.
(Image 3)
Wedding versus Sports Photography
Before I got into photographing weddings, I learned a great deal about the subject of wedding photography by shooting sports. It was never my intention in the beginning to be a wedding photographer. I got into photography because I loved sports and photography gave me the opportunity to be close to the action. But during my brief stint of trying to become a sports photographer, I was subconsciously teaching myself to be a better wedding photographer. While the subjects are completely different, there are many similarities between the two professions that parallel to each other.
In sports, everything happens in a blink of an eye. Athletes are trained to make split second decisions during competition. There is no time for thinking – only reacting. If you do not understand the fundamentals and the basics of the sports you are photographing, there is a good chance that you will miss out on all the important moments. To be a better tennis photographer, I had to learn how the game was played. I did this by observing the players during practice – the routines that they went through to perfecting their craft. These professional athletes will go through rigorous training and repetitive motion to train their body to react a certain way during game time. When that tennis ball is coming at you at 100+ mph, you have less than 1/100 second to make a decision whether to hit it with your backhand or forehand, slice the ball or swing through it. You do not have the time to decide whether or not your tennis grip is in the right position or if you are standing with a proper stance to hit the ideal forehand shot. Your body automatically has to be in that position so that the only thing you have to worry about is making sure that you place the ball in the opponent’s side of the court in a way that will favor you to win that point.
It is the same thing with wedding photography. During the ceremony, everything happens only once. Whether it is the ring exchange, the first kiss, or even the tears that are shed by the bride or the groom. It is once in a lifetime opportunity and it has to be captured as it happens. Everything happens so quickly that if you are not prepared, it can be overwhelming. You do not have time to think about what white balance, ISO or shutter speed your camera has to be at to take that perfect photo. But you can remember/practice them before the ceremony starts so that no matter where you are during that ceremony, you will know exactly what settings to be at. Just like sports, you don’t have time to think – only to react.
Image 4 This is one of the reasons why I enjoy attending wedding rehearsals. It allows me to sit back and observe how the ceremony is going to conduct on the wedding day. This eliminates and surprises that might happen. For example, at this particular wedding, I noticed that the father of the bride had that cheerful contagious smile. Every time he walked his daughter to the altar, he glanced at her and smiled. So I made a mental note to be in the same spot during the ceremony next day. (Image 4)
I also learned at the rehearsal that the church was very strict on where photographers are allowed during the ceremony. So I introduced myself politely to the church coordinator and let her know that I was on her side and that I respect all the rules of their church. I also showed her the image I captured on the display of my camera and mentioned to her that it would be great to capture the same image during the ceremony. She informed me that normally I was not allowed to be in that spot to capture an image like this. Then she leaned and whispered to me that if I do it discretely, that I can go up during that part of the ceremony and capture this moment.
As a result, on the day of the ceremony, I winked at the coordinator and quietly positioned myself in that spot to capture the moment of the father giving the bride away. I had my camera settings memorized from the rehearsal. I was a bit disappointed when he did not smile at his daughter as big as he did during the rehearsal. But he did something different that I was able to capture because I positioned myself to be there. He kissed his daughter’s hand before giving her away. (Image 5)
I also captured a moment, which I did not anticipate. The groom leaned over to the side and gazed at his stunningly beautiful wife-to-be and gave her a big smile. (Image 6)
All of these simultaneous moments happened in about three to five seconds. If you were not positioned in the right spot, you probably would have missed everything. These are emotions that you cannot duplicate and the clients are very appreciative that you captured them. By studying your subjects ahead of time, you are positing yourself to win. Whether its that next point or the “Kodak” moment, we can increase our chances of winning by practicing ahead of time.
Image 5
Image 6
- Print length288 pages
- LanguageEnglish
- PublisherWiley
- Publication dateMay 24, 2011
- Dimensions7.4 x 0.7 x 9.2 inches
- ISBN-101118014111
- ISBN-13978-1118014110
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From the Back Cover
Make it perfect
So you want to be a wedding photographer? It's a demanding, exhilarating world, focused on capturing moments that can never be recreated. If you're plunging into the adventure that is wedding photography, let Kenny Kim help you master the skills that not only improve your images, but also help you find the right clients, market your work, and keep your business on a solid footing.
Learn to manage your time and plan each detail
Brush up on photography basics as they apply to wedding photography
Develop your own unique style
Find the essential balance between creativity and business acumen
Prepare for the unexpected
About the Author
Product details
- Publisher : Wiley; 1st edition (May 24, 2011)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1118014111
- ISBN-13 : 978-1118014110
- Item Weight : 1.71 pounds
- Dimensions : 7.4 x 0.7 x 9.2 inches
- Best Sellers Rank: #4,106,750 in Books (See Top 100 in Books)
- #293 in Wedding Photography
- #597 in Celebration & Event Photography
- #3,536 in Digital Photography (Books)
- Customer Reviews:
About the author

Kenny Kim has always been fascinated by the visual arts, especially the connection between art and photography. Combined with his love of travel and culture, he has become one of the most respected and sought after destination and wedding photographers of his industry.
Since 2006, Kenny Kim Photography has quickly grown into a nationally recognized studio and Kenny’s work, which spans the globe in over 200 weddings and destination events, has been featured in the most respected photography periodicals.
HIS WORK IS FREQUENTLY FEATURED IN:
Destination Weddings & Honeymoon, The Knot, Chicago Social Bride, Shutterbug, The RangeFinder Magazine and various online publications including Grace Ormonde Wedding Style, Junebug Weddings, Style Me Pretty & more.
HE IS PROUD TO BE A PART OF:
• Kodak’s Approved Speakers and Mentors for 2011 - 2013
• Top 20 A-List Destination Photographer by Destinations Weddings &
Honeymoon Magazine in 2011
• Platinum list member in highly acclaimed Grace Ormonde Wedding Style Magazine 2008-2010
• Voted by the Knot as the Chicago’s Best of Wedding Photography in 2010-13
• He is also an active speaker & member of the WPPI, and was the recipient of the 2010 WPPI Award of Excellence -16x20 International Print Competition.
Kenny is the author of two books: “Wedding Photographer’s Planner” & “Digital Wedding Photography Photo Workshop” – both of which are comprehensive must-reads for any photographer looking to successfully execute a memorable wedding day shoot (Published by Wiley Press and available online & in all bookstores.) http://www.kennykim.com/books.
Kenny currently resides in Chicago with his lovely bride, Meena, an accomplished cellist herself who loves to accompany him on his photo adventures around the world.
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This is a great book to use to start learning about wedding photography but it should definitely NOT be your last as real world lighting situations and other issues are not addressed adequately IMO. Still, I did learn a few useful things and I am glad that I read this book.
Here's what I'd like to see: get the booking, have them sign a contract, shoot the wedding, and then post the shots on line or in a proof book. Kim does mention where on line to post images. And which labs to use. That's really useful.
Top reviews from other countries
Overall, if you have never shot a wedding, this is a book which will let you know the main things you need to think about. That said, the author is _relatively_ inexperienced as a photographer, having only been shooting for five years, so you don't get the wealth of insider tips that you would get from, say, assisting someone who had been doing it all his or her life. Likewise, the author only talks about Canon equipment and about Adobe and Apple post-processing software, and sometimes makes assumptions on this basis that may not hold true if you are shooting with, say, Nikon and post-processing with dXo or Capture One.
It's always hard to know what someone else will get from a book, but I'm going to come down on the side of saying that as far as the technical aspects are concerned, you will get more out of Langford's Advanced Photography , and for mastering the wedding specific aspects you might want something that goes into a little more depth. On the other hand, if you are very conversant with your camera and intend to shoot a first wedding, possibly for family or friends unpaid, then this is probably all you need to get you started. The only real downside is that the non-UK origin means that it does not give you any insights on shooting in Britain, where wedding customs are quite different from the USA.
By the way, the photographs are lovely, and you may well learn more from studying them than from the text.
Unfortunately, this valuable information is interspersed with much more basic facts about the craft and technicalities of photography as a whole. The author spends more of the book talking about correct exposure and the reciprocal relationship between aperture and shutter speed than I feel is necessary. My - probably old-fashioned - view is that anyone seriously considering a career taking wedding pictures should have long ago mastered the basics. Given the pressure of capturing the most memorable day of most peoples' lives, knowing how your kit works and that a touch of overexposure will keep a white wedding dress from looking grey, should be second nature and require little or no concious thought.
This basic information is also at odds with the advice to buy pro-standard kit and plenty of it, to ensure you're covered against disasters and prepared for any photo opportunities. We've all seen people with 'all the gear but no idea', and it would take a brave novice to invest the amount of money the author suggests before identifying if they have the necessary talent to pursue a career as a wedding snapper.
The book is well illustrated, though the quality of the printing doesn't do justice to some of the images, which themselves vary in appeal from stunning and original to pretty good but clichéd. As you'd expect from a wedding photographer-turned-author, Kenny Kim has used his own pictures throughout the book, so the same brides and grooms appear several times, which helps to tell the story of their wedding days.
In fact, one addition I'd suggest for future editions would be the inclusion - perhaps as an appendix - of a single set of wedding pictures, displayed in chronological order, as they would be presented to the bride and groom. I'd also appreciate a greater understanding of the business side: how to price your services, more marketing tips and the nature of the contracts with second shooters that Kenny mentions only in passing.
The layout of the book is clear, with information set out into well-defined chapters, but there's too much requirement for the reader to flip pages to find the pictures to which the text refers. And, while the exposure details of each shot are given in the caption, there is no indication of lens type or focal length used.
So I felt this might be a journey a little out of my comfort zone since all I had was an ageing 40D.
Still, taking pictures is taking pictures.
I have to admit I was pleasantly surprised. This is an excellent book with loads of useable advice whatever your equipment levels. Kenny Kim writes in an engaging and interesting fashion. His knowledge and skill at producing first class wedding images left me feeling confident that, armed with this information, I could happily tackle any wedding. In fact not long after finishing the book I photographed my first wedding. Bride & Groom were highly impressed with the results.
This is a book about photography. If you enjoy reading about photography you will enjoy this. This is not a book for beginners. It's a book for competent photographers who can produce the goods. Wedding photography is not for the faint-hearted, but that said, this book covers every aspect of the subject in detail. I especially like the `assignments' at the end of each chapter that give you a practical exercise to complete that allows you to test out what you have learned in the preceding chapter. And if you are particularly proud of your work there is even a website where you can post your results.
If you want to do weddings as a serious business, then you need this on your bookshelf.
While it can start of very basic, certain basics are key factors to producing quality products.
The chapter titles them selves offer a wide range of topics that are all covered within, while I would say not all of them have gone into specific detail I would say they are required areas that one should know about if taking photography seriously.
It is one thing to buy a camera and take photos at your leisure and completely different to buy a professional kit and be told you have 1-2hours to get the shots you are after.
Kenny Kim walks you through the process and explains the key elements and the shots not to miss. I found reading the book to be very inspiring even though on some topics I have my own opinions.
Nothing mentioned in this book is strictly wrong.
My biggest gripe about books like is when they insist on having images to "show" you a certain thing and the quality of the books paper lets it down.
As someone who is a photographer I can "understand" what the images are supposed to be demonstrating but the paper quality really should be better to clearly demonstrate what is happening on each example picture.
While the guide is not overly advanced it does point you in the right direction and a good follow on would probably be a Photoshop book, but you can use adobe TV for free.
I give this book 4 out of 5 purely because the paper quality is not good enough for such an image heavy approach and certainly areas could use more information. None the less it is a worthwhile read. Specially for people new to photography or just wanting to make sure they do actually cover all the bases.


