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NEEWER 160 LED CN-160 Dimmable Ultra High Power Panel Digital Camera / Camcorder Video Light, LED Light for Canon, Nikon, Pentax, Panasonic,SONY, Samsung and Olympus Digital SLR Cameras
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- 160-LED lights for optimum illumination and diffuser.
- There are 2 filters included with this item, with Spotlight effect, Diffuse effect, and for reducing the color temperature to 3200K
- The light intensity can be changed to offer professional effects.
- Rotate switch for on/off and brightness adjustment.
- Compatible Battery (Not Included): AA Ni-MH or Alkaline battery; Panasonic SD Series Li-ion Batteries; Sony Li-ion Battery FH, FM and F models. NOTE: Sony FW series battery can not work with the LED panel.
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CHOKING HAZARD -- Small parts. Not for children under 3 yrs.
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|Item Dimensions||3.15 x 6.7 x 16.2 inches|
|Shipping Weight||0.94 pounds|
Compatible Battery (Not Included): AA Ni-MH or Alkaline battery; Panasonic SD Series Li-ion Batteries; Sony Li-ion Battery FH, FM and F models. NOTE: Sony FW series battery can not work with the LED panel.
The Neewer CN-160 can mount to any standard hot shoe on most DSLR or digital video cameras as well as tripods and light stands equipped with a hot shoe mount or 1/4" thread. It is also equipped with a pivoting head, allowing you to raise or lower the light's angle. The light is battery powered and requires 6x AA Lithium Ion batteries (not included). With the included battery adapter, you can substitute the AA batteries for Sony NP-FH NP-FM NP-F Series, or Panasonic CGR-D16S rechargeable batteries. Battery life can easily be monitored using the battery power indicator located under the battery compartment. The Neewer CN-160 LED Video Light is easy to install and use and will make a great addition to your photography or video studio.
The LED camcorder lamp light allows you to link lights together to make larger light. Features 160-LED lights for optimum illumination and diffuser. Helps to ensure your pictures's perfect settings. This super lightweight 160-piece-LED item can be used in video taking,either for lights setup or supplement. There are 2 filters included with this item, with Spotlight effect, Diffuse effect, and for reducing the color temperature to 3200K. The light intensity can be changed to offer professional effects. Designed with Standard hot shoe plug, so can be installed on the DV or DSLR, and DC with standard hot shoe. Rotate switch for on/off and brightness adjustment. Adopts concentration LED lights, irradiation distance can reach more than 5m, suitable for long distance shooting. the light can also be adjusted from concentrating light to diffusing light which is suitable for short distance shooting. Compatible batteries (not included): Sony NP-FH NP-FM NP-F Series Li-ion rechargeable battery Panasonic CGR-D16S rechargeable battery Alkaline/NiMH AA Battery Suitable for: Can be installed on many Cameras like Canon, Nikon, Sigma Olympus, Pentax, etc.
Maximum Power: 9.6 Watt
Material of the Lighting's Shell: ABS Plastic
Color Temperature: 5600K (3200k w/filter)
Luminous flux: 660 lm
Video light size: 141mm x 62mm x 150mm
Illumination: 900Lux (1m), 240Lux (2m), 120Lux (3m), 70Lux (4m), 40Lux (5m)
Effective distance: 6m/20ft
Size: 141x62x150 mm
Top customer reviews
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After using the light a little longer, I'm still a huge fan for the price. However, I should mention a couple of cons (all of which are minor imo).
1. The tungsten filter is too orange for my tastes. So, if you are relying on this light because of the tungsten filter, you may want to reconsider or make your own filter. There's a nice little slot where the filters slide into.
2. The construction is plastic, however, I wouldn't go so far as to say it's cheap plastic. I feel comfortable with the construction, but don't expect it to be indestructible.
All in all, this light still gets 5 stars.
The first still is from a night shoot that we had zero ambient light for. I setup a 300W softbox in the back, and lit mostly with about 4-5 of these LED lights. The dimmers are a must, because sometimes you just need to bring out a little texture in the background, but not the whole deal.
The second still shows how the light performs as an edge/back light, I also used a second light to bring out the ambulance, and that's where the dimmer comes in handy. His key was two 300w soft boxes. (I'm not saying this is an amazing lighting setup, but, just wanted to show how they can work in a professional environment - they are so quick and simple.)
The 3rd and 4th stills highlight a cool effect that I just recently started doing, which is pointing these lights right into the camera just off frame to give flares when you're just shooting fairly static and inactive B-roll. With a heavy tungsten light, this would be an arduous ordeal, but, because the lights are so light, portable, and dimmable, it takes a few minutes to get a really cool effect.
If I had to do it over again, I would have sprung for the F970 batts for just a little more peace of mind. I have about six of the F550s, which, are good for about an hour, but, if you're doing any sort of serious shooting and you're trying to move quickly, and then you have to hold up the interview because you need to change out a batt on your lights, that's pretty bad.
Excellent overall though, when used correctly. I have three in my light kit at all times.
I was only able to use this light once during the wedding shoot I had this past weekend, but it turned out perfectly! I was trying to capture a video of the bride's rings and the groom's ring next to each other. The sunlight would have been able to light the rings how I wanted, but I obviously could not control it. Instead I sat in a shaded area, turned on my light, and started recording. The shot turned out perfectly and I have this light to thank for that!
I would like to see the light attach to the camera a little better. I tried to tighten it the whole way to make it less wobbly, but I could never get it as tight as I wish I could have. This really did not cause much of a problem for me, as I was just more careful about how I held my camera with the light attached to it. I never found myself worrying about it staying on the camera and I certainly never stressed over it falling off. It was just a little loose, but everything turned out okay.
Overall, I think this light is great. As I said earlier, I have not used it as much as I would like to have used it. It has been almost a week since I have gotten it and there have been a few days where I have just played around with it. There may be problems that arise in the future, but I really think that this light is more than perfect for what you pay. I would recommend a case for the light to make sure it is protected. I'm not sure if the company sells one for it or not, but I just used an old camera bag for an old camcorder and it fit perfectly in that. That bag, of course, was padded and was the exact size to hold the light.
I have uploaded some photos I took with the light, hoping you can see how well it works. I took each picture with a t3i and will tell you the shutter speed for each individual one.I had my camera set to Automatic WB and I changed the shutter speed to whatever my camera said was perfect lighting. I know the lighting will look similar in most pictures, but hopefully the shutter speed will give you an idea of what your camera setting would need to be in order to achieve the look you want. I hope this gives you an idea of how the light will work!
With 3200k diffuser, lowest level- 1/6
With 3200k diffuser, highest level- 1/400
Without diffuser, lowest level- 1/30
Without diffuser, highest level- 1/1000
With diffuser, lowest level- 1/20
With diffuser, highest level- 1/640