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on February 22, 2014
This light is extremely bright! Using my Nikon D600 camera with 6 NiMH AA's installed in the light with no diffuser, in a dark room, an exposure of a white wall from 1 meter is:
ISO 100, f/2.8, 1/160 with center being brightest and severe falloff at the edges of a 24mm frame. This equates to around 2600 Lux @ 1 meter.

I used an Extech multimeter to measure at the battery terminals:
On 6 AA's at 7.76 V (no load), at full light power, current consumption is 1.4 Ah; at half brightness (one stop darker) 560 mAh; and at minimum power (5.67 stops less than full) 26 mAh (the light turns off after this level).

It's impossible to look at the light at full power and for video work, I can't imagine ever using it for fill, but it certainly can light up a large room if you need to. You could save money and buy the CN-160 if you need it just for fill light.

In a real world example, at full power with diffuser, in an 8x12 room facing the long way @24mm, the D600 metered ISO 200, f/2.8, 1/30. You would have to shoot at least at 50mm to minimize vignetting though.

If you would use this at full power, you would need a change of batteries every hour. However for typical video fill light use, it might last 4-10 hours depending on brightness.

White balance according to Lightroom custom WB picker with a D600 RAW file on a calibrated neutral target is:
Orange Diffuser: 3350K, -4
White Diffuser: 5100K, +11
Pink Diffuser: 4950K, -12
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on April 15, 2014
The price is best among similar offerings. Feature set is good. The problem is the color difference between same product. It is useful as a single light source, but its use as part multiple lighting setup is hampered by inconsistent light colors. Latest version with clean white light is preferable to older version with green cast.

Neewer should be commended for the price. At this price, there are no better alternatives. This is good for videographers and photographers alike.

It is bright. It is portable; it takes 6 AA batteries. There is also adapter on the bay, which I have yet to test.

The only problem is in color of the light. There is one product in name, but two distinct versions in terms of color. One is clean white like one expects from a white light. The other has green cast; this is the older version.

Slight color cast itself is not a difficult problem. Modern cameras have white-balance. The real problem is when the two gets mixed in the lighting set. Side-by-side, the color difference is noticeable. The newer clean white is preferable.

Source of the problem is they are sold mixed when you order from Amazon. Sometimes you will get the former, sometimes you will get the latter. I ordered three lights on three different occasions. I received one clean white version and two green cast versions.

To ascertain which was the right one, I ordered direct from Neewer via the bay. My suspicion was right, they had fixed the green cast problem in newer ones. They also got rid of the magenta filter, which is no longer needed to counteract the green spike. Although not always the case, telltale sign of newer version is "Neewer" branding on the box and on the light. Older version will say "Nanguang."

This LED light is still an excellent value. If you are planning to use just one light, then buy it and set white-balance. However, if you are planning to use more than one, be sure to get the newer version with the clean white light.
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on April 26, 2016
If you happen to be deciding between the 216 and the 160 version of this light ......... go with this 216 . I have both , they both work really well , but the 216 is brighter and has whiter look . The version with the lesser bulbs has a green tint and pink filter that comes with it to balance it out . I didn't notice it at first , but it was very apparent when you put them both side by side .
Not only are these lights great for filming , but you should keep one these in your car for emergency. When you put this light on full blast , it's enough to light up Yankee Stadium.
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on May 28, 2012
 I take a stab at the LED panel, and show off how this blindingly bright item is used and abused.

EDIT with an update on what you can expect regarding the light's output:

I wanted to see how long the light could output its maximum brightness on a fresh set of batteries.

Conditions for the test:
- The light turned up to max brightness.
- Fully charged rechargeable Panasonic Eneloop 1.2v 1900mAh batteries
- Nikon D700 spot metered @ 5ft from the light, with the spot located in the center of the light panel. 1/1000 second f/16 ISO 200 with proper exposure at 0+/-.

For around two hours, the output was 100%.
At around the 2:00 hour mark, the output dropped by 1 stop.
After 2:15, the output was down by 2 stops.
After 2:30, output was down by 3 stops.
At 2:35, output dropped by 4 stops.
At 2:50, output was down by 6 stops.

I stopped measuring at this point, as the faint ambient light in the room would have started to affect the readings, and when the meter hit 3 stops underexposed at f/16 I had to open up to f/8 to continue to measure.
Bottom line is - the panel has considerably robust output for a full two hours. After the two hour mark, the output seems to drop off at an exponential rate.
Using regular alkaline batteries would probably extend the length of 100% ouput by a decent amount, but that's speculation on my part, although it would make sense since something like an Energizer EN91 has close to a 3000 mAh rating at 1.5v, as opposed to the 1900 mAh at 1.2v of the Eneloop.
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on July 13, 2016
It works well enough for what it does, but it seems to be prone to causing batteries to leak. The manual includes a warning against leaving batteries installed, because they might leak; I ignored that, because it sounded like standard boilerplate—but then they leaked after less than 3 months installed (with very little usage). No other device I've had has leaked that fast.

Based on what I've read, some devices are more prone to causing leaks than others; if there's still a trickle current when the device is turned off, that'll promote leakage. My guess is that this light's switch doesn't actually turn off all the way; rather than fix it, they put the warning in the manual.
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on March 11, 2017
When I received the light something was rattling inside after shaking it a small nut fell out. After testing the light it still worked so I took it out on it's initial use. Afterwards I took the light apart to see where the nut came from. It was part of the attachment screws for the hot shoe base. Using tweezers I was able to maneuver it back into place. It took additional maneuvering and tweezering (to get the screws back into place to tighten) to get the entire unit back together again. That does not give me confidence in quality control for this product. Though the inside and exterior build seemed solid, albeit plastic, otherwise.

One other issue I have is with the plastic hot shoe base. It will tilt up and down but cannot pan left or right. A ball head type of base would have a better option. I would have preferred a 1/4 - 20 insert in the light housing instead of the bottom of the hot shoe base. The base is all plastic. If/when it breaks there'll be no way to attach it to a camera again. You get what you pay for I guess. Which is a very amateur/consumer level product.
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on March 26, 2016
 Build quality is about what you would expect for a low-cost light. It's a cheap build and may not last, but it is priced right and you get what you pay for so I don't knock it for that. The Panasonic battery adapter broke almost immediately. That is a shame because I have a lot of Panasonic batteries from old camcorders. Light is very bright and overall, reasonably white with the defuser on. As you can see, it peaks strongly in the blues, but otherwise has a reasonable curve. Compared to a daylight 5000k fluorescent, it is a much more video friendly color balance. Be sure to properly white balance your camera, and it will work well.

The dimmer works well so you could use this at less than full power for an accent light. I am thinking about getting a second one for that purpose. Because it is so bright at full power, I think if I was lighting an interview or other static shot, I would probably use two offset about 45 degrees from each other running about 3/4 power.
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on March 11, 2015
This on camera light is great! I was afraid about the quality, but it's more than i expected.
I would recommend it with a pack of AA Batteries.
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on February 19, 2014
Update: Almost immediately after I made the very positive below review of this product (which I will leave intact), the dimmer switch came lose. Buy the CN 304, which has a separate power switch. There is a tiny screw that holds the dimmer wheel in place on the inside that came out. My boyfriend took it apart and fixed it in about 15 minutes but it has happened again. The problem is, the tighter you screw the screw the less likely it is to come off, but the less you will be able to move the dimmer wheel as well, leaving no real fix to this problem except to leave the brightness always up and just unplug the battery when not in use. My boyfriend will probably solder in a new switch or something. He also made an AC adapter with the included panasonic battery adapter and a universal AC adapter.

Original review:
I use this with wedding videography and it is surprisingly bright even with the orange panel on it (which is necessary when shooting in warm lighted environments). It can light up a scene 30-40 feet away well enough for my Sony HVR-Z1U to use at 60fps 1.6 aperture and high gain. Medium gain at 20 feet, low gain within 15 feet. I liked it so much I am also purchasing a 300 light one that will hopefully be bright enough to shine through an umbrella and use for photography. Also, the battery "np-F550" I purchased for it through seller "SF Planet" for nine dollars powered it for 2 hours and 10 minutes after a full charge. Haven't tried AAs.
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Wish I would have found this one when I purchased my original CN-160. The great thing is that this is built into the same case as the CN-160, and shares all of the same accessories, including the AC plugs, gels and battery adapters. Of course these are blindingly BRIGHT. These are so popular that purchasing these is a safe bet. Most hobbyist videographers and budget videographers have a few of these in their toolkit. Don't hesitate.
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