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Divinity of Purpose Import, Limited Edition

4.5 out of 5 stars 60 customer reviews

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Audio CD, Import, Limited Edition, February 5, 2013
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Product Details

  • Audio CD (February 5, 2013)
  • Ltd ed. edition
  • Number of Discs: 1
  • Format: Import, Limited Edition
  • Label: Nuclear Blast Int'l
  • ASIN: B009ZCRJTE
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (60 customer reviews)
  • Amazon Best Sellers Rank: #1,138,752 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

Format: Audio CD
After releasing two albums in 2009, their self-titled album and For The Lions, Hatebreed is back with their sixth studio album The Divinity of Purpose. From start to finish Divinity is heavy, it's in your face, and it's just a joy to listen to. If you've ever heard a Hatebreed album in the past then you can expect to hear more of the same on Divinity. However, you do see the band dip their toes in a few new elements which was nice.

For example track six, "Indivisible", has a some nice skate-punk riffs thrown in the mix (think Pennywise). Then track eleven, "Boundless (Time To Murder It)", is home to some of the first breakdowns we've heard from Hatebreed. I might be mistaken, but this is the first instance where I've heard breakdowns like this on a Hatebreed album. Feel free to correct me if I'm wrong. Either way, both of these things flow smoothly with the rest of the album and don't come off as forced.

What I enjoyed more than these technical advances, however, was Jamey Jasta's vocal experimentation. On track seven, "Dead Man Breathing", Jasta's delivery on certain parts of the chorus is very reminiscent of Wayne Static's work with Static-X. Certain areas of track eight, the title-track, sound like they were influenced by Milo Aukerman of Descendents. And the chorus on track nine, "Nothing Scars Me", sounds very similar to Robb Flynn's vocal work for Machine Head.

Lyrically Divinity is your average Hatebreed. There's a lot of self-empowerment. A lot of standing up for what you think is right. Being an individual, standing out from the crowd, etc. The beautiful thing about it is that no one can do this like Hatebreed. Even though they've been basically making the same music for over 15 years, it still sounds good. Why fix what isn't broken, right?
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This album is all intensity! It seems like so many bands are so concerned with making their albums attractive to more than just their usual fan base. While thats not always a bad thing,these bands end up alienating many fans by becoming something else entirely. It's not enough that the fan base is mostly guys so bands like Killswitch Engage, All That Remains, etc. lighten up at least half their album, if not all of it, to appeal to the girlfriends of the guy fans. Hatebreed doesn't give a damn about all of that and continues to deliver their trademark sound of relentless and unapologetic hardcore brutality. This is refreshing amongst so many sissy bands. I liken their continuity and consistency to that of Lamb Of God. This is a killer album! Anyone rating this album at anything less than 5 stars is nothing but a metalcore fanboy that wants the growling and yelling interrupted with unnecessary clean vocal harmonies like so many other bands have opted to do. Any true Hatebreed fan will love this album. Don't be cheap and pirate the album! BUY IT! You won't be disappointed.
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I have been a Hatebreed fan for a long time (since Satisfaction Is The Death of Desire). While I think they have evolved some throughtout the years, they still have that unique hardcore sound that I love from them. From Jamey's in your face vocals to the crunchy guitar riffs and the kick butt drumming, this album does not dissapoint. Another album that I can put on and let play though all the way.
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Format: Audio CD
Hatebreed's 2013 album The Divinity Of Purpose is their sixth full-length studio album of original material. It follows up their 2009 Self Titled album which expanded the band's sound a little and it is the first Hatebreed album to come out after Jasta's self-titled 2011 solo album, which took the core Hatebreed sound and made it a lot more commercial and melodic sounding.

The Divinity Of Purpose at first appearances seems like something of a reaction against both of those records. If you look at the beginning and end of the record it is arguably their fasted, heaviest and most direct album to date. There is a lot less deviation from the established Hatebreed sound, and songs are all pretty brief and straight-forward. There are still chanting backing vocals, crunchy guitars, grooves and breakdowns of course, it is a Hatebreed album after all, but the band seem to be in the mood for the fast, loud and angry side of music this time around. It wouldn't be unreasonable to say that they've taken more of a Slayer influence this time around.

With that being said; the record isn't devoid of absolutely all variety whatsoever, and from about the halfway point the band start changing things up a little. `Dead Man Breathing' for example, sounds like something from their Self Titled album, and is one of the slowest moments here. The title-track is a little reminiscent of `I Will Be Heard' after a fashion and `Indivisible' has a punky feel to it.

Highlights include `The Language' which has some fun lead guitar briefly, as well as the aforementioned `Indivisible' and the very catchy `Nothing Scars Me Anymore' which is sure to become a live favourite.

The album was produced by Zeuss again, and as such sounds fantastic.
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Hatebreed has returned to their roots with this album. It's hard hitting, heavy, and has some of the most brutal tunes you'll ever hear. I was blown away when I started listening to it. One of the best music purchases I've ever made. Buy the album and support these guys, you won't regret it!
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