Doctor Who: The Mind Robber (Story 45)
Frequently bought together
Customers who bought this item also bought
A quick escape from the path of molten lava sends the Tardis to "nowhere" where anything that springs to mind may become reality.
The 1968 Doctor Who serial The Mind Robber is a two-fold blessing, because it's not only one of the more engaging story arcs from the program's second season, but also because it's one of the few shows featuring Patrick Troughton as the Doctor that has remained intact since its original BBC broadcast. The five-part story strands the Doctor and companions Jamie (Frazier Hines) and Zoe (Wendy Padbury) in a strange world populated by characters from fiction, including Rapunzel, Blackbeard the Pirate, and Lemuel Gulliver. Controlling this riot of literary personages is a being called The Master (though not the evil Time Lord from subsequent Who seasons), with whom the Doctor must match wits in order to rescue his friends and save the Earth from a sinister plan. A longtime fan favorite brimming with imagination, visual style (despite its limited budget), and an energetic performance by Troughton, The Mind Robber is a welcome inclusion to the growing collection of Doctor Who on DVD. --Paul GaitaSee all Editorial Reviews
- The Fact of Fiction: a 35-minute retrospective of the story's production
- Highlander: a 22-minute look at Frazer Hines's career
- Basil Brush: a 10-minute sketch featuring the Yeti
- Photo gallery
- Production note option
Would you like to tell us about a lower price?
If you are a seller for this product, would you like to suggest updates through seller support?
Top customer reviews
And I don't feel at all alone now either after my first experience with the apparently "famous cat suit" rear shot of Wend Padbury's character, Zoe. I, too, was all distracted (and extremely impressed!), and when I later watched the "Making Of" documentary, I found out I was merely one out of millions of men that too didn't pay attention to anything else going on except that wonderful figure slowly coming around on top of the Tardis console. Hah!
Alas, as currently the other Patrick Troughton serials that I have interest in are exorbitantly priced, this is my last one of this tenure (until at least, and hopefully, they get another production run and thus more affordable). So onward to John Pertwee's SPEARHEAD FROM SPACE!
Doctor Who: The Mind Robber is yet another fantastic entry in the Patrick Troughton era, with a compelling story that focus' on fairy tale characters coming to life, to great acting (especially from Patrick Troughton), and even some decent action sequences that keep the story moving forward when it starts to loose steam, The Mind Robber is a great addition to any ones Doctor Who Collection!
While episode one tries it's best to keep you glued to the screen, it can get a little tedious at times, which is understandable due to it being the cheapest of the four parts. Most of episode one it is set in the Tardis, with the exception being where the previous story ended, and a huge white stage, so there isn't much to look at in the background, unlike later one in the next three parts, so unless you just love the color white, you won't find much in the set. The special effects aren't anything to talk about, until the end of the episode, which I'll talk about in a second, so like the set, there isn't much to really talk about. The acting is at it's weakest in episode on, but that's only because the first episode was just kinda written so it would have a "first" episode, so it wasn't as thought out as the other parts were. Also, it turns out that Fraizer and Wendy had a hard time acting with each other on the set, so that only added to the standard script. But don't get me wrong here, the acting is still great, especially from Patrick (which is of no surprise), so overall, the acting is standard. Like I stated above, episode one is mainly there because it had to be, it tries it's best to set up the story. It does a decent job, but you can only do so much when you throw a episode together just like that, so for the most part, the story is alright. The only exception would be the end of part one, which was an excellent cliffhanger that made you want to see more, awesome job for being able to pull that off. So as you can probably guess, the overall story for episode one was ok, minus the awesome cliffhanger.
Episode two is, in my opinion, the strongest of the episodes, with all of the main cast at there best, including Patrick (shocker!), the set being simple but effective, and the special effects being what you've come to expect from 1960's Doctor Who. Starting with the set, the set is, like I stated above, simple but effective, so it's not anything special. So overall, the set is standard. Like the sets, the special effects are simple, but effective, so it's nothing special, but it serves it's purpose, so like the set, the special effects are standard. Now up to this point, everything has being standard to ok, but unlike episode one, this story was given a good amount of thought, and it really shows. Episode two's story begins with the fantastic cliffhanger from episode one, then continues to follow the three main actors as they try and reconnect with each other, while at the same time being hunted by the Land's Master. All three actors are at the height of there game, with Patrick being able to show off his acting chops amazingly. The story also includes Hamish Wilson, who played Jamie for an episode and a quarter, the reason being that Fraizer had gotten smallpox right before shooting began for episode two, so the team made him stay, and called Hamish in, and what fantastic decision it was! As soon as Hamish jumps on screen, he instantly jumps into the role with ease, capturing Fraizer's accent and personality practically perfectly, from his hand movements, to how he walks, and even how he acts around the other characters. But the most impressive thing about his performance would be that he only had a couple of hours to study the script, rehearse, and then film, so kudos to him for being able to pull that off! So overall, the episode and acting was at it's height here!
Episode three does a good job of keeping the story moving, while still bringing something new to the table so things don't get stale. Starting with the set, I think it would be safe to say that the sets are at it's best here, and it shows. Without revealing to much of the story, the sets offer a varity of things to look at, which keeps the story fresh and exciting. So overall, the sets are fantastic. Like the sets in episode three, the special effects are also at it's best, and it's clear from the start. While the story starts off with using some of the techniques the previous part used, it soons branches out into uncharted territory, and succeeds, with some of the effects being able to hold it's own even by todays standards. So as you most likely guessed, the effects are, like the sets, simply fantastic! But while the sets and effects are at there best, the acting and story dies down some, which makes things drag on a tad bit. After reaching the height of what was episode two, episode three tries to contuine bringing a fresh story that keeps you hooked, and while it does fufill that goal, it also creates the problem of there being slightly bland spots littered throughout episode thre. So overall, while the story does start to loose steam, it still manages to keep you watching(Also, like episode one, the cliffhanger here is great, and it keeps you wondering what will happen in episode four). Then there's the acting, which isn't anything major, but is still pretty good. After episode two, the cast continues their adventure to meet the mysterious Master of the Land of Fiction, while facing more of his traps and attempts to trap the trio in his world forever. This is also the episode that has Hamish Wilson stepping down from the role of Jamie, and letting Fraizer return. So basically, it's episode two, but with even more challenging traps and mazes. So while the acting isn't as awesome as episode two, it still manages to keep you ente
While episode four looses major steam, and has a disappointing fighting scene, the episode still manages to keep you watching till the credits roll. Starting with the sets, you can instantly tell that the production team tried there best here, with the sets being basic but interesting, with the exception of the Master's lair, which was executed brilliantly. So overall, while the sets are mostly simple, they still manage to spice things up, even if it's only a little. Since this is the last episode of The Mind Robber, the team tried to mesh all of their best effects into episode, and while they do a good job of showing it all off, it still makes you feel a tiny bit underwhelmed. So yeah, that's pretty much it for special effects. Up next is the acting, which by now is the standard stuff we're used to getting. The only new thing they bring was the Master's character, which was up until now, pretty boring. The actor who plays the Master plays him well, being able to act innocent and joyful one minute, and then cold and evil the next. So for the most part, the acting is standard, not counting the Master. Last but not least is the Story, which goes up and down the whole time. There's a lot of interesting elements that go along with this part, but when those episodes aren't in play, the story could get boring. But to spice things up, the team decided to add two different fighting scenes to keep the story going. While the first fight is semi-entertaining, it's also extremely rough around the edges, and it shows. But they do get a free pass due to them only being able to practice the fight for a couple days, and the fact that they could only film the scene once. But where the first scene fails to deliver, the second scene passes with flying colors. Without giving to much away, the fight contains five different fairy tale characters, and a lot of swords. So for the story, while it looses some major steam throughout, it still manages to keep you hooked...barely.
It's a truly original series, that doesn't involve the Daleks (as much as I love them) and instead goes down the road of fantasy. Which makes sense, as the writer didn't write science fiction. Gulliver plays a major role, and it even has a unicorn in it (which scares the bejesus out of Jamie).
There is also a very clever replacement for Jamie, as he has to be out for smallpox (of all things).
The special features are definitely worth your time, and really add to the value of this.
Add this to your DW collection. For the price, this item is a steal.