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The Dolphin Letters, 1970-1979: Elizabeth Hardwick, Robert Lowell, and Their Circle Hardcover – Illustrated, December 10, 2019
| Saskia Hamilton (Editor) Find all the books, read about the author, and more. See search results for this author |
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The correspondence between one of the most famous couples of twentieth-century literature
The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell’s life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centered on the letters they exchanged with each other and with other members of their circle―writers, intellectuals, friends, and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy, and Adrienne Rich―the book has the narrative sweep of a novel, telling the story of the dramatic breakup of their twenty-one-year marriage and their extraordinary, but late, reconciliation.
Lowell’s controversial sonnet-sequence The Dolphin (for which he used Hardwick’s letters as a source) and his last book, Day by Day, were written during this period, as were Hardwick’s influential books Seduction and Betrayal: Essays on Women in Literature and Sleepless Nights: A Novel. Lowell and Hardwick are acutely intelligent observers of marriages, children, and friends, and of the feelings that their personal crises gave rise to.
The Dolphin Letters, masterfully edited by Saskia Hamilton, is a debate about the limits of art―what occasions a work of art, what moral and artistic license artists have to make use of their lives as material, what formal innovations such debates give rise to. The crisis of Lowell’s The Dolphin was profoundly affecting to everyone surrounding him, and Bishop’s warning to Lowell―“art just isn’t worth that much”―haunts.
- Print length560 pages
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateDecember 10, 2019
- Dimensions6.89 x 1.91 x 9.56 inches
- ISBN-100374141266
- ISBN-13978-0374141264
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Editorial Reviews
Review
"The Dolphin Letters, 1970-1979 . . . will be the essential volume for any understanding of what actually went on. A sort of casebook, it assembles material from all the participants in the turmoil, including Elizabeth Hardwick, whose letters from this period appear in full for the first time. With 'Lizzie' as its principal author, The Dolphin Letters turns out to be a better and a more important book than The Dolphin." ―Thomas Mallon, The New Yorker
"A peculiarly fascinating volume containing hundreds of letters between poet Robert Lowell (1917-1977) and his estranged wife, novelist and critic Elizabeth Hardwick (1915-2007). . . . The book includes not just Hardwick's shocked responses to the poems, but also the more outraged reactions of poets Adrienne Rich, who broke off her friendship with Lowell, and Elizabeth Bishop, who famously told Lowell that "art just isn't worth that much."A devastating examination of the limits of the written word." ―Kirkus Reviews (Starred Review)
"These letters, which draw from the last years of Lowell’s life, detail a profoundly creative time for the couple as well as the breakup of their marriage (and eventual reconciliation). Elizabeth Bishop, Adrienne Rich, Mary McCarthy and other friends make appearances; taken together, the correspondence offers a debate about the cultural role and legacy of art." ―Joumana Khatib, The New York Times
"The push and pull of love and anger course through this riveting collection of correspondence between onetime literary power couple Robert Lowell and Elizabeth Hardwick . . . compulsively readable . . . [The Dolphin Letters] illuminates a tumultuous time in two celebrated writers’ lives" ―Publishers Weekly (Starred review)
"The Hardwick-Lowell correspondence on its own would make a fat book, but a less absorbing and significant one than Hamilton has created by including letters to and from the writers who constituted “their circle.” The other voices Hamilton introduces . . . enlarge the picture." ―Langdon Hammer, New York Review of Books
"The Dolphin Letters, 1970-1979 brings to life one of literary history’s most famous scandals . . . What makes the letters so darkly compelling, and such uneasy, thrilling company . . . is the elemental question of motive. Why do people do what they do? How much do they understand their own impulses and responsibilities?" ―Parul Sehgal, The New York Times
"At first glance, the voyeuristic interest offered by the living drama of the messages between Lowell and Hardwick almost outweighs their nature as letters. But neither can put a foot wrong in writing a sentence; each has the instinctive cadence of a born writer, the sophistication of an adult who has seen and felt almost too much, the directness and candor of an intimate acquaintance, and the steady capacity for irony even in sadness. " ―Helen Vendler, Harper's
“Saskia Hamilton has performed the miraculous editorial task of putting together [The Dolphin Letters] . . . a gripping story . . . I was on the edge of my seat for the entire time I was reading it . . . It is as intense and as beautifully composed as a well-constructed epistolary novel, but with the added force of being . . . real.” ―Wendy Lesser, Threepenny Review
"Buoyed by the dialectical elegance of its form, The Dolphin Letters is an extraordinary philosophical inquiry into what is permissible in a work of art . . . Each of their letters was in some sense a private story that partook of life as a means of making sense of shared experience, confirming it or mourning it or holding it to the light. If their correspondence anticipated aspects of their art―a working through of opaque material―it was also the final coherence of a great and conflicted love." ―Dustin Illingworth, The Nation
"With graceful authority, poet and editor Saskia Hamilton defines the emotional and literary issues raised by this controversial Pulitzer Prize-winning book, reissued to reveal Lowell’s revisions as The Dolphin: Two Versions, 1972–1973 in conjunction with these ensnaring and affecting transatlantic letters between two poets who, in spite of epic hurt, never ceased loving each other." ―Booklist
About the Author
Robert Lowell (1917-1977) was the renowned and controversial author of many books of poetry, including Day by Day, The Dolphin, and History. FSG also published his Collected Prose in 1987.
Saskia Hamilton is the author of several books of poetry, including Corridor, named one of the best poetry books of 2014 by The New Yorker and The New York Times Book Review. She is the editor of The Letters of Robert Lowell and coeditor of Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell. She teaches at Barnard College.
Product details
- Publisher : Farrar, Straus and Giroux; Illustrated edition (December 10, 2019)
- Language : English
- Hardcover : 560 pages
- ISBN-10 : 0374141266
- ISBN-13 : 978-0374141264
- Item Weight : 2.2 pounds
- Dimensions : 6.89 x 1.91 x 9.56 inches
- Best Sellers Rank: #1,071,410 in Books (See Top 100 in Books)
- #663 in Literary Letters
- #3,764 in American Poetry (Books)
- #4,762 in Author Biographies
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Then I started reading — and was enthralled. This is simply the BEST writing — and you’re in the middle of it. Fantastic new photographs too — the letters and photographs combined make the Lowells’ daughter Harriet a true presence in her own right. I’ve already read it twice. If Hardwick and Lowell are your jam, then this book of letters is indispensable.
Essentially, this is the story of Robert Lowell—a pillar of modern American literature who left his wife, a writer named Elizabeth Hardwick, and their teenage daughter to marry a younger woman from England. Plagued by a lifelong case of severe bipolar disorder, Lowell, like many of the mentally ill, seemed unaware or uncaring about the consequences of his actions upon others. He made this all the worse by writing a sublime book of poetry about the breakup in which he selected parts of letters from his wife and daughter and used them to portray his wife as a bitter scorned woman.
The unfairness of this portrayal is indisputable. One proof of this is that, as the years went by, Hardwick, a literary figure of considerable status herself, took in Lowell as his new marriage disintegrated and he needed companionship and support in dealing with his own serious mental and physical health problems.
After reading some five hundred pages of this heavily annotated correspondence, there is no doubt this is a publication of importance in the world of fine literature. But besides seeing the incredible selfishness of one of America’s great poets, and exonerating Elizabeth Hardwick from Lowell’s own biased portrayal, there isn’t much for the general reader to gleam.
As a work of scholarship I would give the book five stars. However, as someone who spent a long weekend reading every single page, I can say that most satisfied readers will themselves be members of the literati. It does raise important questions such as the scope of privacy in art in a world permeated by the reality show. And if the above synopsis sounds like an interesting read, I by no means want to dissuade. But I believe most readers can safely read a review and skip the reading this tome.
the letters were selected to shed light on the time of the writing and publishing of lowell’s book, The Dolphin, a love letter to blackwood and a study of lowell’s wife and daughter during the break-up arranged as a confessional narrative in unrhymed sonnets. controversial among the couple’s circle of friends are several poems containing parts of personal, intimate letters, hardwick wrote lowell.
the editor of The Dolphin Letters, saskia hamilton, has produced good work with footnotes, an informative introduction to help the reader through the controversy, a time-line, letters by hardwick to writer friends a couple years after lowell’s death, and a coda of a couple of brief pieces by hardwick.








