- Series: Oxford Time Travel
- Mass Market Paperback: 592 pages
- Publisher: Spectra (August 1, 1993)
- Language: English
- ISBN-10: 0553562738
- ISBN-13: 978-0553562736
- Product Dimensions: 4.2 x 1.3 x 6.9 inches
- Shipping Weight: 12.8 ounces (View shipping rates and policies)
- Average Customer Review: 891 customer reviews
- Amazon Best Sellers Rank: #39,632 in Books (See Top 100 in Books)
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Doomsday Book Mass Market Paperback – August 1, 1993
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Connie Willis labored five years on this story of a history student in 2048 who is transported to an English village in the 14th century. The student arrives mistakenly on the eve of the onset of the Black Plague. Her dealings with a family of "contemps" in 1348 and with her historian cohorts lead to complications as the book unfolds into a surprisingly dark, deep conclusion. The book, which won Hugo and Nebula Awards, draws upon Willis' understanding of the universalities of human nature to explore the ageless issues of evil, suffering and the indomitable will of the human spirit.
"A stunning novel that encompasses both suffering and hope.... The best work yet from one of science fiction's best writers."
-- The Denver Post
"Splendid work -- brutal, gripping and genuinely harrowing, the product of diligent research, fine writing and well-honed instincts, that should appeal far beyond the normal science-fiction constituency."
-- Kirkus Reviews (starred review)
"The world of 1348 burns in the mind's eye, and every character alive that year is a fully recognized being.... It becomes possible to feel...that Connie Willis did, in fact, over the five years Doomsday Book took her to write, open a window to another world, and that she saw something there."
-- The Washington Post Book World
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Maybe I’m just hearing what I need to hear right now, but this book was about having faith in our fellow human beings. And about the importance of living up to the faith others put in us. About caring and community and refusing to give up on one another.
I loved the details in this story, especially the bells that tie together the past and the present/future and communicate the rhythms, peaks, and valleys of human experience. I also related to the main characters. The middle portion of the story dragged quite a bit as Kivrin and Mr. Dunworthy both struggle to solve their respective problems and are repeatedly thwarted, but I felt thoroughly rewarded for my patience in the end.
Kivrin stays in the manor of Guillaume D’Iverie with his mother, wife, and daughters who have fled the plague. D’Iverie betrothed his eldest daughter, Rosemund, to a local knight, Sir Bloet. When Kivrin discovers the details of Rosemund’s engagement, she reflects on her research, “Girls in the 1300s had frequently been betrothed before they were of age, sometimes even at birth” and these betrothals “had been a business arrangement, a way to join lands and enhance social standing,” though “girls weren’t usually married till they were fourteen or fifteen, certainly not before they started exhibiting signs of maturation” (pg. 254). Rosemund’s betrothal to Sir Bloet benefits D’Iverie’s family due to Bloet’s extreme wealth, as evidenced by his bride gifts of a golden brooch inset with rubies and various brass and silver trinkets. In this system, “the carrying on of the line was the all-important concern” and “the younger the woman, the better her chance of producing enough heirs that one at least would survive to adulthood, even if its mother didn’t” (pg. 309). After the plague kills Bloet and his entourage, Kivrin remarks on Rosemund’s fate, “Rosemund would be sold off to some nobleman the king owed a debt to or whose alliegance he was trying to buy, one of the troublesome supporters of the Black Prince, perhaps, and taken God knew where to God knew what situation. There were worse things than a leering old man and a shrewish sister-in-law. Baron Garnier had kept his wife in chains for twenty years. The Count of Anjou had burned his alive” (pg. 500). Kivrin’s observations recall Boccaccio’s contemporary portrayal of marriage in “The Decameron” as a business transaction in which the wife became the property of the husband. Furthermore, Kivrin witnesses what happens when a wife fails to conform to the expectations of her when Kivrin discovers that D’Iverie’s servant Gawyn is “obviously in love with his lord’s wife,” Eliwys (pg. 204). D’Iverie’s mother knows of Eliwys and Gawyn’s feelings and, when plague strikes, she accuses them of bringing it, saying, “The Lord punishes adulterers and all their house…as he now punishes you. It is your sin that has brought the plague here” (pg. 426). While husbands philandered with impunity, wives were expected to remain chaste and faithful and, when they failed, they easily became scapegoats for social misfortunes.
These domestic elements are what make Willis’s writing particularly compelling. If one is willing to suspend disbelief about time travel, Willis recreates the day-to-day lives of people from the past in a manner that feels authentic without being too analytical or too vague. Further, Kivrin’s initial disorientation helps the reader as Willis reveals the world to us in pieces, allowing the reader to adapt just as Kivrin does. This is a fun, clever time-travel story that will encourage readers to do some research into the history after they finish the fiction.