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The Double Bind (Vintage Contemporaries) Paperback – February 12, 2008
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This month's Book With Buzz: "Little Fires Everywhere" by Celeste Ng
From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture - perfect Richardson family and the enigmatic mother and daughter who upend their lives. See more
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Best known for the provocative and powerful novel, Midwives (an Oprah Book Club® Selection), Chris Bohjalian writes beautiful and riveting fiction featuring what the San Francisco Chronicle dubbed "ordinary people in heartbreaking circumstances behaving with grace and dignity." In his new novel, The Double Bind, a literary thriller with references to (and including characters from) The Great Gatsby, Bohjalian takes readers on a haunting journey through one woman's obsession with uncovering a dark secret. We think Bohjalian fans will be thrilled with this compelling and unforgettable read, but just to be sure, we asked bestselling author Jodi Picoult to read The Double Bind and give us her take. Check out her review below. --Daphne Durham
Guest Reviewer: Jodi Picoult
From the provocative and gut-wrenching The Pact, to the brilliant genre-bending The Tenth Circle, to her latest novel about a high school shooting Nineteen Minutes, Jodi Picoult's riveting novels center on family and relationships, and bring to light questions and issues that remain with a reader long after the last page is turned.
I once heard a fellow novelist call writing "successful schizophrenia"--we invent people and worlds that don't exist; but instead of being medicated, we are paid for it. Although countless novels succeed in whisking the reader away on the heels of such fabrications, there are very few that pull the curtain away from the craft, allowing us inside the mind of a working novelist as he combines reality and fantasy. Chris Bohjalian's The Double Bind is not just one of these; it's the finest example I've ever read of a book that tips its hat to both the beauty of the literary creation, as well as the magical act of creating.
Fact and fiction become indistinguishable in The Double Bind: The story centers on Laurel Estabrook, a young social worker and survivor of a near-rape, who stumbles across photographs taken by a formerly homeless client and tries to understand how a man who'd taken snapshots of celebrities in the 50s and 60s might have wound up on the streets. However, an author's note tells us that Bohjalian conceived this book after being shown a batch of old photographs taken by a once-homeless man; and the actual photos of Bob "Soupy" Campbell are peppered throughout the text. In another neat twist, Bohjalian's resurrects details from The Great Gatsby, which become "real" in the context of his own novel--Laurel lives in West Egg; part of her hunt for her photographer's past involves meeting with the descendants of Daisy and Tom Buchanan.
As a writer who counts The Great Gatsby as one of the books that changed her life, this inclusion was both startling and remarkable for me. Who doesn't want one's favorite characters to come to life--even if it's only within the constraints of another fictional work? But Bohjalian chose his text wisely: no discussion of The Great Gatsby is complete without alluding to missed opportunities and unreliable sources--critical elements in Laurel's quest. And therein lies Bohjalian's true double bind: all stories--even the ones we tell ourselves--are subject to our own interpretation, and to the degree we can make others believe them.
The Double Bind may flirt with the classics, but it's not your father's stuffy old tome: it's the sort of book you want to read in one sitting, and it packs a twist at the end that will leave you speechless. It also, worthily, spotlights the cause of homelessness in a way that isn't preachy, but honest and explanatory. Ultimately, what Bohjalian's done is offer his lucky readers another reminder of why he's such an extraordinary author: by creating characters that become so real we lose the distinction between truth and embellishment; by reminding us that the story of any life--whether fictional, functional, or marginal--is one to be savored. --Jodi Picoult
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Readers will be startled to learn early on that the heroine of this engrossing puzzle, 26-year-old Laurel Estabrook, was born in West Egg. Wait a minute, wasn't West Egg where Jay Gatsby lived? Laurel works in a Burlington, Vt., homeless shelter and is trying to overcome mental and physical scars incurred from a brutal assault some six years earlier. After being given a portfolio of photographs taken by a recently deceased resident of the shelter, Bobbie Crocker, she becomes obsessed with questions surrounding what appears to be a picture of herself shot on the day of her attack. Laurel's already fragile mental state begins to unravel as she follows Bobbie's life from his rich-kid childhood on Long Island to homelessness in Vermont. The Gatsby references form the basis of the mystery, compelling readers to try to imagine how this fictional backdrop relates to the novel's "reality." It's a high-wire act for bestseller Bohjalian (Midwives), and while the climactic explanation may be a letdown for some, he generally pulls off a tricky and intriguing premise. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Top customer reviews
Laurel, the social worker protagonist, is an entirely "reasonable" person, or is she? Why would the reader doubt that she's on the right track? I didn't. Then there is the ending, but is the ending the final word on what actually happened? Some readers suggest re-reading the book to determine where things got off track. I didn't do that, but had I done so would have concentrated on what Pamela wanted and why. Why did Pamela want the photos? Is her motivation clarified?
So wonderful to have "The Great Gatsby" revived. I even watched again the 1974 movie version, with Robert Redford and Mia Farrow. No wonder that movie won an Oscar for best costumes, even if the protagonists didn't even place or show. What would Scott Fitzgerald think of this mélange of two fictional treatments? Do two fictions make a reality?
Suspense - this is what kept me turning pages and looking forward to each opportunity to continue reading. Not the "suspense" one finds in crime thrillers, but the kind that keeps you guessing about what the characters will do next, and what will be the final outcome. This is a riveting read, whether or not the author plays embarrassing tricks on the reader.
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