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The Double: A Novel First Edition, Kindle Edition
As this novel by the author of Blindness and All the Names begins, Tertuliano Máximo Afonso is a divorced, depressed history teacher. To lift his spirits, a colleague suggests he rent a certain video. Tertuliano watches the film, unimpressed. But during the night, when he is awakened by noise, he finds the VCR replaying the video and watches in astonishment as a man who looks exactly like him—or, more specifically, exactly like he did five years earlier, mustachioed and fuller in the face—appears on the screen.
Against his own better judgment, Tertuliano decides to pursue his double. As he roots out the man’s identity, what begins as a whimsical chase becomes a probing investigation into what makes us human. Can we be reduced to our outward appearance, rather than the sum of our experiences?
The inspiration for the film Enemy starring Jake Gyllenhaal and directed by Denis Villeneuve, The Double is a timeless novel from a writer John Updike described in The New Yorker as “like Faulkner, so confident of his resources and ultimate destination that he can bring any impossibility to life by hurling words at it.”
“It’s tempting to think of [The Double] as his masterpiece.” —The New York Times
Translated from the Portuguese by Margaret Jull Costa
- ISBN-13978-0151010400
- EditionFirst
- PublisherMariner Books
- Publication dateOctober 3, 2005
- LanguageEnglish
- File size1207 KB
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Customers find the book compelling, fun, and clever. They also say it's interesting and keeps them interested the whole way through. Readers describe the ending as suspenseful and insightful. Opinions differ on the writing style, with some finding it incredible and unique, while others say it's run-on sentences.
AI-generated from the text of customer reviews
Customers find the book compelling and intriguing. They also appreciate the clever novel that gives the doppelgänger motif a new twist. Readers praise the writing as great and say it's well-deserved.
"This is a wonderful book, one of the best books that I read in a couple of years. I highly recommend it...." Read more
"...And this novel was so damned good...." Read more
"...The ending, however is worth the read, and it's way better than the movie ending." Read more
"...together in a very unique manner, make this book a worthy read for lovers of great stories...." Read more
Customers find the story weirdly intriguing, clever, and interesting. They appreciate the stream of thought and run-on sentences. Readers also mention the book has many twists and a surprising and imaginative ending.
"...That being said, Jose Saramago is an absolutely fascinating and immensely creative writer whose use of language remains an unerring beacon to..." Read more
"...glad I found Jose Saramago last year, he was a great writer, really interesting to me. And this novel was so damned good...." Read more
"What a story! So bizarre but yet believable. He cleverly and easily embeds so much about life and humanity into a story that is mostly humorous...." Read more
"...I certainly do.As far as plot goes, it was an interesting premise...." Read more
Customers find the book great with a surprise ending. They say it's fascinating, insightful, and analyzes characters.
"...a unique writing style, something that to me was refreshing and i loved the ending...." Read more
"...The Double kept me interested the whole way through and left me satisfied with its ending.At times the story is slow...." Read more
"...full name too often, the story line was entertaining and the book ended with a twist I didn't see coming. Entertaining." Read more
"Great book with a surprise ending. It started out a little slow but was well worth it. A must read." Read more
Customers have mixed opinions about the writing style of the book. Some mention it's incredible, unique, and craftily constructed. Others say it's written like one long run-on sentence and the grammar and wording are infuriating.
"...He has a unique writing style. His sentences are unusually long, frequently a page long...." Read more
"...didn't do justice to the dialogue in the book, which is written like one run-on sentence...." Read more
"...being said, Jose Saramago is an absolutely fascinating and immensely creative writer whose use of language remains an unerring beacon to readers who..." Read more
"So glad I found Jose Saramago last year, he was a great writer, really interesting to me. And this novel was so damned good...." Read more
Customers have mixed opinions about the movie quality. Some mention it's okay, while others say it's infuriating and boring.
"...The movie is a disappointment.The book very strange. Not my usual choice. I wonder what was truly going on . Let me know if you get it...." Read more
"...The movie is okay, makes him chuckle a couple of times, but he is still depressed...." Read more
"...The movie is also infuriating in ways that differ from the book, but also interesting at the same time...." Read more
"...Saramago deals with the plot in a very surprising way. Excellent in every respect. IRMA DICKINSON" Read more
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Jose Saramago (1922-2010), a Portuguese writer, won the Nobel Prize for Literature in 1998. In 2008, the noted critic Harold Bloom called him “the greatest novelist alive in the world today.” He wrote his first novel in 1947 “The Land of Sin” when he was 25. He was not noticed as a brilliant writer until he was 60. Some readers see some of his novels as allegories, others see some of them as satires. The Noble Prize Committee described his books as “modern skepticism about official truths.” He was an atheist and communist. He mocked religion in such books as his 1991 “The Gospel According to Jesus Christ,” which I enjoyed, although the Catholic Church understandably scorned and ridiculed the book.
He has a unique writing style. His sentences are unusually long, frequently a page long. He often mixes the novel’s characters’ thoughts with those of the book’s narrator, but clearly differentiating the two. He does not use quotation marks. He places conversations between people in a single sentence and distinguishes each person’s remarks by ending it with a comma and beginning the next person’s statement with a capital letter. One should not think that this style makes the book hard to read, this is not so, it adds to the velocity of the conversation and our understanding that this is a single chat.
“The Double” was published in 2002. The San Francisco Chronicle called it the best book of 2004, the year it was translated into English. The New York Times wrote: “It’s tempting to think of [The Double] as his masterpiece.” The novel is great not because of the events in the tale, but because of the way the story is told.
It is about a college history teacher who is bored with life, with the repetitions of his same lectures to different classes year after year, with marking papers, with same sex with a girlfriend, and more. He broods often. He happens to see a movie video in which there is a bit player who looks exactly like him. He becomes obsessed thinking about the actor and visits him. He discovers that his double is identical to him in every way: in looks, voice, fingerprints, moles, even scars. Their lives, however, are different. He is a history teacher in a small secondary school, while his double is a bit player in movies. He is unmarried, divorced, has a lovely girlfriend; the double is married. Near the end of the novel, the two decide to switch roles for a night. Each joining the other’s woman for sex, for the women cannot tell the men apart, with a bad result.
Of course, it is impossible for two people to be so alike. However, the impossibility prompts us to not only enjoy the story but also seek its interpretation. The Boston Globe stated the tale is a “wonderfully twisted meditation on identity and individuality.” I read the tale as depicting a psychological the failure that most people have, of being dissatisfied with themselves, wanting to be someone else, and have other experiences.
A film based on this novel was made, “Enemy,” and I reviewed it. It is totally unlike the novel, but it is still very good.
My primary complaint involves the actual storyline which frustrated me excessively toward the end. Yes, you could see parts of it coming, but neither of the primary characters was particularly appealing and at one point I moreorless stopped caring.
That being said, Jose Saramago is an absolutely fascinating and immensely creative writer whose use of language remains an unerring beacon to readers who enjoy seeing how words can be formed into unusually stylistic prose.
That is all I will write about this amazing book. I will leave the rest to anyone that takes my advice and decides to enjoy reading what I consider to be a masterpiece of fiction.
Top reviews from other countries
A MUST read for fiction enthusiasts, you'll love it!
Reviewed in India on May 26, 2023
A MUST read for fiction enthusiasts, you'll love it!
There are just a small handful of characters in this book and the most prominent, though the story is not about this character, is that of the capricious narrator - or maybe narrators, because they refer to themselves as "we" maybe meaning the muses, maybe meaning the so-called Victoria "we". Let us. For the sake of ease, assume that the narrator is guilty of nosism - for it is obvious they are not talking about the narrator and the reader when saying "we".
The narrator not only tells the story, but blends in philosophy, sociology, semantics, and a variety of subjects to create a running commentary which occasionally extends beyond that expected of any impartial observer recounting events. Indeed the narrator has a limitless imagination; often wandering off on whim to imagine what might happen if someone said this or took that action.
Tertuliano Máximo Afonso is a history teacher, living a predictable and dull existence, probably suffering from mild depression and the onset of some kind of unspecified anxiety disorder. He watches a video of a film and later realizes that one of the bit-actors looks exactly like him, the double to the title. This triggers an inner turmoil and behavioural shift which causes him to take a course of action with unintended consequences for all.
The tone of the novel seems at first light and airy, but this is a thin façade which is soon penetrated. The characters are complex and like real people difficult to analyse or sometimes understand why they take the actions they do.
There is humour there, but it is black, ironic or sarcastic - never laugh out loud - nevertheless you will find a wry smile often playing on your lips as you read.
Lastly if you have read No Country for Old Men the style of syntax and grammar will be familiar to you. The author, José Saramago, powerfully reminds us with his style of writing and syntax that language has no laws - no one will carry you off to prison, or prosecute you for how you write of interpret the rules of the written word. Language is a nothing more than a tacit agreement and we must concentrate more on content than commas, full stops and other punctuation.
The Double is a game changing book which may well re-define what you will expect of novelists in the future.
José Saramago.






