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Double-Take: A Revisionist Harlem Renaissance Anthology Paperback – Illustrated, December 1, 2001

4.5 out of 5 stars 26 ratings

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Editorial Reviews

From Library Journal

With this new anthology of Harlem Renaissance literature, Patton (Women in Chains: The Legacy of Slavery in Black Women's Fiction) and Honey (editor, Shadowed Dreams: Women's Poetry of the Harlem Renaissance), both at the University of Nebraska, Lincoln, attempt to "restore and underline the importance of women's writing" and sexual orientation to the Harlem Renaissance. The balanced selection of women and men is similar to that found in Henry Louis Gates's Norton Anthology of African American Literature (LJ 2/01/97), but the inclusion of lesser-known figures and works is aimed at focusing on the ideology of the renaissance, gay and lesbian themes, and differences in gender-based issues. Countee Cullen, Nella Larsen, and Zora Neale Hurston are among the authors represented, and the selected works include essays, poetry, prose, and drama, with lyrics and visual art used as illustration. The editors also break with the tendency to define the beginning and end of the renaissance with political events by focusing on specific literary works, which allows them to broaden the period to 1916-37. Both editors have done previous research in the field of African American women's literature and include a biographical sketch of each writer to underline how their gender, class, and sexual orientation shaped their work. Necessary for all academic libraries. Paolina Taglienti, Long Island Univ. Lib., Brooklyn, NY
Copyright 2001 Reed Business Information, Inc.

Review

With this new anthology of Harlem Renaissance literature, Patton (Women in Chains: The Legacy of Slavery in Black Women's Fiction) and Honey (editor, Shadowed Dreams: Women's Poetry of the Harlem Renaissance), both at the University of Nebraska, Lincoln, attempt to "restore and underline the importance of women's writing" and sexual orientation to the Harlem Renaissance. The balanced selection of women and men is similar to that found in Henry Louis Gates's Norton Anthology of African American Literature but the inclusion of lesser-known figures and works is aimed at focusing on the ideology of the renaissance, gay and lesbian themes, and differences in gender-based issues. Countee Cullen, Nella Larsen, and Zora Neale Hurston are among the authors represented, and the selected works include essays, poetry, prose, and drama, with lyrics and visual art used as illustration. The editors also break with the tendency to define the beginning and end of the renaissance with political events by focusing on specific literary works, which allows them to broaden the period to 1916-37. Both editors have done previous research in the field of African American women's literature and include a biographical sketch of each writer to underline how their gender, class, and sexual orientation shaped their work. Necessary for all academic libraries.
  ―
Library Journal
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Product details

  • Publisher ‏ : ‎ Rutgers University Press (December 1, 2001)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 670 pages
  • ISBN-10 ‏ : ‎ 0813529301
  • ISBN-13 ‏ : ‎ 978-0813529301
  • Item Weight ‏ : ‎ 2.6 pounds
  • Dimensions ‏ : ‎ 7 x 1.5 x 10 inches
  • Customer Reviews:
    4.5 out of 5 stars 26 ratings

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Dr. Venetria K. Patton is Head of the School of Interdisciplinary Studies at Purdue University. Most recently, she served as a Provost Fellow for Diversity and Inclusion and before that, she served for twelve years as Director of African American Studies and Research Center. Prior to her arrival at Purdue, Dr. Patton was an Associate Professor of English and African American Studies at the University of Nebraska-Lincoln, where she served in a number of administrative capacities including a term as Coordinator of African American and African Studies. She earned her B.A. in English from the University of La Verne and her M.A. and Ph.D. in English from the University of California-Riverside. Dr. Patton’s teaching and research focus on African American and Diasporic Women’s Literature. She is the recipient of the Kenneth T. Kofmehl Outstanding Undergraduate Teaching Award and in 2003, she won two teaching awards: the Annis Chaiken Sorensen Distinguished Teaching Award in the Arts and Humanities and the College of Arts and Sciences Distinguished Teaching Award from the University of Nebraska-Lincoln. Dr. Patton is the author of two monographs: The Grasp That Reaches Beyond the Grave: the Ancestral Call in Black Women’s Texts (SUNY, 2013) and Women in Chains: The Legacy of Slavery in Black Women’s Fiction (SUNY, 2000). She is Co-editor of Double-Take: A Revisionist Harlem Renaissance Anthology (Rutgers, 2001) and editor of Background Readings for Teachers of American Literature (Bedford/St. Martin’s, 2006, 2014). Her essays have appeared in Black Studies and Women’s Studies journals as well as the essay collections, Postcolonial Perspectives on Women Writers From Africa, the Caribbean, and the US (Africa World Press, 2003), White Scholars/African American Texts (Rutgers UP, 2005), and Imagining the Black Female Body: Reconciling Image in Print and Visual Culture (Palgrave Macmillan, 2010). She is also the editor of the fall 2011 issue of Black Women, Gender, and Families and co-editor of the spring 2004 issue of The Black Scholar. Dr. Patton is a former Chair of the Purdue Black Caucus of Faculty and Staff and former board member of the National Council for Black Studies and the Hanna Community Center. She has spoken to both academic and general audiences regarding African American literature, navigating higher education, Kwanzaa, and other African American topics.

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