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Downton Abbey Seasons 1 & 2 Limited Edition Set - Original UK Version Set [Blu-ray]
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| Format | Blu-ray, NTSC, Multiple Formats |
| Contributor | Hugh Bonneville, Elizabeth McGovern, Julian Fellowes, Maggie Smith |
| Number Of Discs | 6 |
| Publication Date | October 2, 2012 |
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Masterpiece Classic: Downton Abbey Season 2 (Original U.K. Edition) [Blu-ray]Maggie Smith, Hugh Bonneville, Elizabeth McGovernBlu-ray
Product Description
Product Description
The original and unedited UK version of Seasons 1 and 2 of the hit show Downton Abbey in one limited-edition boxed set.
Welcome to Downton Abbey, the splendid ancestral home of the Earl and Countess of Grantham (Hugh Bonneville and Elizabeth McGovern) and their daughters, who live there under the watchful eye of the Dowager Countess (Dame Maggie Smith). The household is a complicated community, with the servants below stairs as fiercely jealous of their ranks as anyone above. From the sinking of the Titanic to the First World War, the secure and ordered world of Downton is rocked as the lives of the inhabitants are shaped by romance, ambition, and heartbreak.Enjoy this collection of both seasons of the Golden Globe® and multi-Emmy Award®-winning, Guinness World RecordTM-holding (highest critical review rating for a TV show), most talked-about program in recent memory, including the special Christmas episode.
This Blu-ray set features subtitles in English (SDH).
Amazon.com
Downton Abbey's first two seasons are packaged in a splendid boxed set that every fan of the series, and any historical drama, will love. Season one sets a lavish stage of beautiful scenery and architecture, and a class structure rigid yet just beginning to give way at the beginning of the 20th century, and of the Great War. Season two picks up two years later, in 1916, as the war rages on over Europe, and grand Downton Abbey has been converted into a convalescent hospital for wounded veterans of the brutal combat. Throughout both seasons, the storylines involving the wealthy Crawley family and their servants are captivating, richly developed, and all too human. Season one focuses, as it must, on quickly giving biographies of the main cast members and their roles in the stately home of Downton Abbey. Standouts include Hugh Bonneville as Lord Crawley, Earl of Grantham, and Elizabeth McGovern as his American wife, Lady Cora. The Crawleys' three daughters quickly show their distinct personalities and passions--and passion they are determined to have. Downstairs, the servants include Brendan Coyle as Mr. Bates and Rob James-Collier as Thomas Barrow the footman, whose rising position in the household is threatened by Bates's return; Thomas immediately begins schemes to undermine Bates. Maggie Smith steals every scene she's in as Violet Crawley, the Dowager Countess of Grantham. The bons mots fly out of the countess's mouth and she is wickedly funny as the elder stateswoman who has seen it all and is shocked by absolutely nothing. If Smith tends to chew the scenery, it doesn't really matter--since Downton Abbey has scenery to spare.
This boxed set is rich with extras. Fans will be captivated by the making-of featurette showing the details as originally envisioned by series creator Julian Fellowes (writer of Gosford Park and the TV series Titanic). Another feature examines the incredible attention to period authenticity paid to costumes, dialogue, and décor. Another short feature examines the many love stories unfolding--and given urgency--with World War I as the backdrop. And the transformation of the stately home into a humming wartime hospital is also fascinating. All in all, there are more than 15 hours of immersive entertainment in this five-disc set--best put on another pot of tea before you settle in. --A.T. Hurley
Product details
- Aspect Ratio : 1.78:1
- Is Discontinued By Manufacturer : No
- Product Dimensions : 6.5 x 5.25 x 0.55 inches; 7.2 Ounces
- Director : Julian Fellowes
- Media Format : Blu-ray, NTSC, Multiple Formats
- Release date : October 2, 2012
- Actors : Maggie Smith, Hugh Bonneville, Elizabeth McGovern
- Studio : PBS
- ASIN : B008HT4FUW
- Number of discs : 6
- Best Sellers Rank: #128,963 in Movies & TV (See Top 100 in Movies & TV)
- #7,767 in Drama Blu-ray Discs
- Customer Reviews:
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Downton Abbey Season 2 Trailer
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Learn more how customers reviews work on AmazonReviewed in the United States on December 31, 2012
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At the beginning of season 1, it's 1912 and the prospect of WWI looms. But the denizens of Downton Abbey have other things to worry about. Such as meeting the stranger who will inherit the home out from under the family when the Earl leaves this Earthly plane. There are also tensions below stairs, as when John Bates joins the staff as the Earl's valet, but cannot perform all extra duties expected of him due to his war wound.
Spreading over both seasons is Lady Mary's scandal, which starts off hilarious - for the viewer, not for her.
Season 2 starts in 1916. England has been at war for a year and a half. In January, 1916, England began forced conscription. In 1918, the Spanish flu began its course, killing 20 to 50 million people worldwide over the next two years. All of these affect Downton Abbey. But the plot line that takes over at the end involves John Bates and his wife. His odious loathsome wife.
This is a review of the combined two-season set, Downton Abbey Seasons 1 & 2 Limited Edition Set - Original UK Version . Sometimes Masterpiece Theater-worthy series can be too drawn out, too much of little happening for a half hour at a time. But "Downton Abbey" is not one of those. Though there is plentiful character exploration, and there's a huge cast of characters to explore, the plotting is so excellently choreographed that we never got bored. As far as writing and dialogue, I thought "Downton Abbey" to be average for Masterpiece Theater. But as far as interesting characters and gripping plot-lines, this series is top of the line.
Everything you've heard about Dame Maggie Smith's character is true. She has many of the best lines in the show. Totally irksome, annoying and maddening. But often the truthsayer, and she sometimes surprises.
This 2-disc set has season 1 on the first disc. The second disc has season 2, the 2011 Christmas Special and the Limited Edition boxed set Special Features.
Special Features:
1. Fashion and Uniforms (17 minutes) This consists of film clips interspersed with interview snippets with the cast and crew. Most of the people are talking on set, with actors usually in their costumes. Commentators include Rosalind Ebbutt (costume designer), Alistair Bruce (historical advisor), Anne 'Nosh' Oldham (hair & makeup designer), Rob James-Collier (plays Thomas), Hugh Bonneville (the Earl), Dan Stevens (Matthew Crawley), Susannah Buxton (costume designer), Penelope Wilton (Isobel), Jessica Brown Findlay (Sybil), Laura Carmichael (Edith), Michelle Dockery (Mary) and Zoe Boyle (Lavinia).
Season 1 takes place in the post-Edwardian era, and the men wear tuxes and the ladies wear lovely beaded gowns over corsets - think Titanic style.
The 2nd season starts in the middle of WWI. Before the war, women in trousers were common only in the fishing industry. This is the beginning of the "panting" of women in all walks of life, though it's unlikely that Lady Violet, Dowager Countess, ever resorted to pants.
Though what is said in this special is interesting, it lacks depth, and with such a popular show, it's too bad BBC didn't have the funds to present something more comprehensive.
2. Romance in the Time of War (16 minutes) The format is the same as special #1, and apparently filmed at the same time. Many of the speakers in #1 also appear in this special, and there's new people: Julian Fellowes (writer and creator), Iain Glen (Richard Carlisle), Thomas Howes (William), Sophie McShera (Daisy), Lesley Nichol (Mrs. Patmore), Joanne Froggatt (Anna), Brendan Coyle (John Bates), and Phyllis Logan (Mrs. Hughes).
It is hard for us to understand, now, how massive a break with the rules it was for Sybil to marry the chauffeur. The reactions seems overblown to us, but this was earthshaking to a family like the Earl's in that time.
Zoe Boyle says that her hair took and hour and a half to set up every day. This is in part because she has an added hairpiece, but, still, it gives me an idea of why the ladies of that set couldn't do without a maid.
3. House to Hospital (13 minutes) Commentators include some also appearing in special features #1 and #2, with the addition of: Donal Woods (production designer), Gareth Neame (executive producer), Jim Carter (plays Mr. Carson), Dame Maggie Smith (Countess Violet) and Elizabeth McGovern (Cora).
Most of the great houses of England were converted to some sort of wartime use. In real life, the families usually moved out of their mansions during their war-time incarnations. The producers needed the Earl's family to stay at home, of course, so they figured turning Downton into an officers' convalescence home would be more believable than if it had turned into a full-blown hospital.
Though Season Two's war scenes are brief, they are in excellent juxtaposition to the trials and tribulations of the people at home. As Elizabeth McGovern says, "You go from these horrific scenes of wartime in the trenches, with men being blown up. Then you cut back to these rather petty domestic battles that are being fought in the home front with every bit the passion and energy and commitment."
4. About VisitBritain (1 minute) This is a video ad, with no narration, for the VisitBritain website.
Happy Reader
By Happy Reader on December 30, 2012
At the beginning of season 1, it's 1912 and the prospect of WWI looms. But the denizens of Downton Abbey have other things to worry about. Such as meeting the stranger who will inherit the home out from under the family when the Earl leaves this Earthly plane. There are also tensions below stairs, as when John Bates joins the staff as the Earl's valet, but cannot perform all extra duties expected of him due to his war wound.
Spreading over both seasons is Lady Mary's scandal, which starts off hilarious - for the viewer, not for her.
Season 2 starts in 1916. England has been at war for a year and a half. In January, 1916, England began forced conscription. In 1918, the Spanish flu began its course, killing 20 to 50 million people worldwide over the next two years. All of these affect Downton Abbey. But the plot line that takes over at the end involves John Bates and his wife. His odious loathsome wife.
This is a review of the combined two-season set, [[ASIN:B008FYZIVY Downton Abbey Seasons 1 & 2 Limited Edition Set - Original UK Version]]. Sometimes Masterpiece Theater-worthy series can be too drawn out, too much of little happening for a half hour at a time. But "Downton Abbey" is not one of those. Though there is plentiful character exploration, and there's a huge cast of characters to explore, the plotting is so excellently choreographed that we never got bored. As far as writing and dialogue, I thought "Downton Abbey" to be average for Masterpiece Theater. But as far as interesting characters and gripping plot-lines, this series is top of the line.
Everything you've heard about Dame Maggie Smith's character is true. She has many of the best lines in the show. Totally irksome, annoying and maddening. But often the truthsayer, and she sometimes surprises.
This 2-disc set has season 1 on the first disc. The second disc has season 2, the 2011 Christmas Special and the Limited Edition boxed set Special Features.
Special Features:
1. Fashion and Uniforms (17 minutes) This consists of film clips interspersed with interview snippets with the cast and crew. Most of the people are talking on set, with actors usually in their costumes. Commentators include Rosalind Ebbutt (costume designer), Alistair Bruce (historical advisor), Anne 'Nosh' Oldham (hair & makeup designer), Rob James-Collier (plays Thomas), Hugh Bonneville (the Earl), Dan Stevens (Matthew Crawley), Susannah Buxton (costume designer), Penelope Wilton (Isobel), Jessica Brown Findlay (Sybil), Laura Carmichael (Edith), Michelle Dockery (Mary) and Zoe Boyle (Lavinia).
Season 1 takes place in the post-Edwardian era, and the men wear tuxes and the ladies wear lovely beaded gowns over corsets - think Titanic style.
The 2nd season starts in the middle of WWI. Before the war, women in trousers were common only in the fishing industry. This is the beginning of the "panting" of women in all walks of life, though it's unlikely that Lady Violet, Dowager Countess, ever resorted to pants.
Though what is said in this special is interesting, it lacks depth, and with such a popular show, it's too bad BBC didn't have the funds to present something more comprehensive.
2. Romance in the Time of War (16 minutes) The format is the same as special #1, and apparently filmed at the same time. Many of the speakers in #1 also appear in this special, and there's new people: Julian Fellowes (writer and creator), Iain Glen (Richard Carlisle), Thomas Howes (William), Sophie McShera (Daisy), Lesley Nichol (Mrs. Patmore), Joanne Froggatt (Anna), Brendan Coyle (John Bates), and Phyllis Logan (Mrs. Hughes).
It is hard for us to understand, now, how massive a break with the rules it was for Sybil to marry the chauffeur. The reactions seems overblown to us, but this was earthshaking to a family like the Earl's in that time.
Zoe Boyle says that her hair took and hour and a half to set up every day. This is in part because she has an added hairpiece, but, still, it gives me an idea of why the ladies of that set couldn't do without a maid.
3. House to Hospital (13 minutes) Commentators include some also appearing in special features #1 and #2, with the addition of: Donal Woods (production designer), Gareth Neame (executive producer), Jim Carter (plays Mr. Carson), Dame Maggie Smith (Countess Violet) and Elizabeth McGovern (Cora).
Most of the great houses of England were converted to some sort of wartime use. In real life, the families usually moved out of their mansions during their war-time incarnations. The producers needed the Earl's family to stay at home, of course, so they figured turning Downton into an officers' convalescence home would be more believable than if it had turned into a full-blown hospital.
Though Season Two's war scenes are brief, they are in excellent juxtaposition to the trials and tribulations of the people at home. As Elizabeth McGovern says, "You go from these horrific scenes of wartime in the trenches, with men being blown up. Then you cut back to these rather petty domestic battles that are being fought in the home front with every bit the passion and energy and commitment."
4. About VisitBritain (1 minute) This is a video ad, with no narration, for the VisitBritain website.
Happy Reader
Unlike AMC's 'Mad Men,' which also took America by storm a little at a time, and also largely by word of mouth, 'Downton Abbey,' which considers Edwardian England, the Great War, and its aftermath, was predominantly created by native British citizens, and carefully analyzes the period it covers without wholly trashing it, as 'Mad Men' subtly and unsubtly does 1960s America on an episode-by-episode basis.
In an era of exploitive programs like 'American Horror Story,' which is as extreme as anything ever produced for television, and which regularly traffics in horrific amputations, sadomasochism, genetic deformity, and torture, it is wonderful to discover a series like 'Downton Abbey,' which proves, among other points, that adults everywhere are absolutely starved for intelligent, ethical, and mature dramatic fare, such as was regularly produced in decades past on both sides of the Atlantic, especially in film.
Opening in 1912, 'Downton Abbey' is the story of the aristocratic and genuinely noble Crawley family, who live in contented luxury at Downton Abbey, their immense Yorkshire estate, and of the lives of their multitude of servants, who the Crawleys treat with humanity, decency, and respect.
Their fairly idyllic lifestyle is rattled by the loss of the family heirs on the Titanic, and then the coming of the Great War, which turns Britain and its social traditions upside down in a thousand painful ways.
What makes 'Downton Abbey' almost radical in this age is that it refuses to denigrate the Edwardian aristocracy it examines. While both Violet, the Dowager Countess of Grantham (Maggie Smith) and American-born Lady Grantham (Elizabeth McGovern) are initially shown to be somewhat priggish and short-sighted, one of the themes of the program is the dual nature of most men.
Thus, homosexual footman Thomas (Rob James-Collier) is, along with lady's maid Miss O'Brien (Siobhan Finneran), initially something of a villain, but as the series progresses, even sociopathic Thomas is shown to have, or to develop, a good side.
Likewise, overlooked middle sister Lady Edith (Laura Carmichael) foolishly betrays her elder sister, Mary (Michelle Dockery), but this action is shown to be a lapse, if still a serious one, in an otherwise good personal character.
As a whole, 'Downton Abbey' believes in the predominantly ethical and decent nature of man. As such, it depicts both the aristocrat and the 'common' working man, such as Christ figure and valet John Bates (Brendon Coyle, whose performance dominates the first season), as capable of integrity, empathy, courage, nobility of purpose, and basic human goodness in all its forms.
It is this vision of mankind that gives 'Downton Abbey' its power.
Though the series has the occasional weak treatment of a plot thread--such as dignified butler Carson (Jim Carter) being revealed to have once been a vaudeville performer or the rather unconvincing return of an heir thought dead, 'Downton Abbey' usually steers clear, not of soap opera cliches unfortunately, but of the standard melodramatic treatment of them when they do appear.
For 'Downton Abbey' to continue to thrive creatively, however, the writing has to remain focused primarily on the historical period, and continue to provide viewers with 'a window into the past' instead of becoming bogged down too heavily in the lives of the characters themselves. By Season Three, for example, the lame and long-suffering Bates has been put through so many sensational reversals of fortune that such events no longer seem very credible, and audience sympathy for the character wanes considerably.
In Season One, the various characters appeared largely to represent objective principles as much as they were presented as three-dimensional human beings; in the opening episodes of Season Three, however, the same characters are instead depicted strictly in human terms, and the writing is far more self-conscious in every respect. Thankfully, by the fifth episode and following, the writing is the best it has been since the first season.
'Downton Abbey,' in its worldwide success, should not be playing to its audience, but going its own way and forcing the viewer to make all the effort necessary to follow it.
Still, 'Downton Abbey' remains outstanding on almost every level, from the writing, cinematography, set design, costuming, and score to the brilliant acting by Hugh Bonneville as the Crawley family patriarch, Dan Stevens as heir presumptive Matthew Crawley and Smith, McGovern, Dockery, Coyle, and well over a dozen others, 'Downton Abbey' sets a new standard for 21st century television, and, by extension, asks us to reconsider the lives we lead and the society we support today.
All students of Edwardian England, of Rupert Brooke, Vita Sackville-West, Kenneth Grahame, J. M. Barrie, the Sitwells and others will admire and deeply appreciate this intelligent, thoughtful, and moving series.
Top reviews from other countries
Here, we have entered the strange, pseudo-historical world of Torydom as seen through the eyes of true-blue Julian, where a gang of stalwart character actors do their best with trite lines and superficially realised stock characters, bringing to life a nostalgic world of hackneyed and repetitive plots set in a fantasy lime-green world. Even the First World War trenches are overlain with what, I'm sure, the dowager countess Maggie would call a painful vulgarity.
Upstairs, Mi'lord a beneficent and ideal employer loves every last brick of his Elizabethan manor house and treats all his underlings with the utmost respect and propriety while his lovely, supposedly American wife, looking for all the world like Wallace Simpson, nods dutifully. His three daughters engage in their girly squabbles while really wanting to show they are enterprising modern young things by doing good works and falling in love with old men and undesirable foreigners.
Meanwhile, below stairs amongst the forelock tuggers, innocent maids, jolly cooks and country bumpkins, lurks the heart of darkness. Yes, there's a footman named Thomas: he's a thief, a bully, a coward and all the slimy, horrid things a Tory would make a gay person to be. He steals the wine, rifles the pockets of the butler, he bullies wee Willie the good Christian kid and even tries to take away the girl he's sweet on. Perhaps worst of all are his attempts to do down the Saintly Bates Mi'lords war-wounded valet. Master Bates has had a tragic life, marrying a shrew of a wife who might even have been a socialist! Oh, the calumny! The only other character who comes close to Thomas's evil is his sidekick, O'Brien, the Mrs. Danvers of Downton. She actually causes Mrs. Simpson to abort her baby boy by means, appropriately, of a bar of soap. Mi'lord is tearful but soon regains his stiff upper lip.
Three stars for this tosh? Well, there are three ways to view this: with open-mouth incredulity; admiration for a post-modern comedy; or to believe . . . .
As an historical saga it has some interest; the episodes dealing with World War I are interesting, as is the evolution of the female condition and issues such as women dying in childbirth. However, these serious issues are too often dealt with in a superficial or OTT manner. Did Sybil really have to run off with an Irish revolutionary-cum-chauffeur? She gets her comeuppance though, big time. Suspension of disbelief is the order of the day here. There are also occasional linguistic anachronisms with dialogue slipping dangerously towards early twenty-first century idioms.
The one saving grace of this series is of course the inimitable Maggie Smith, doing a brilliant job of playing ... the inimitable Maggie Smith. Alas her character is getting on in years and one lives in constant fear of her being written out, especially with the fairly high death rate amongst some of the younger members of the cast. She really makes this series, and without her I'm sure it wouldn't be anything like as popular. Long may she continue to rescue this series from tedium.
It's elegant, bright and conveys great acting and a reasonable epitome of the time it is set, the acting, the scenery the Photography are all exceptional!!!
Some of the dialogue is 'too modern' as in expressions like 'No way' or 'our lot get shafted' which strikes me as only a recent comment, as in the past 30 years (or there abouts), lol.
Women love the dressage, the make up, (for both the females & males), I think it just takes them to a time of elaborate glamour, love stories and wishful thinking, basically fantasy for women but mystery from the male audience!
What's all the fuss about?
Ask a woman who watches it, she will explain why she loves it but you, (the male) just won't get it.....and there is a Christmas special too...Ho Ho Ho...or no no no no no!!!!!!



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