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Dozin at the Knick
Box Set, Live
$22.49 $22.49
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Track Listings
Disc: 1
| 1 | Hell In A Bucket |
| 2 | Dupree's Diamond Blues |
| 3 | Just A Little Light |
| 4 | Walkin' Blues |
| 5 | Jack A Roe |
| 6 | Never Trust A Woman |
| 7 | When I Paint My Mastrpiece |
| 8 | Row Jimmy |
| 9 | Blow Away |
Disc: 2
| 1 | Playing In The Band |
| 2 | Uncle John's Band |
| 3 | Lady With A Fan |
| 4 | Terrapin Station |
| 5 | Mud Love Buddy Jam |
| 6 | Drums |
| 7 | Space |
Disc: 3
| 1 | Space |
| 2 | The Wheel |
| 3 | All along The Watchtower |
| 4 | Stella Blue |
| 5 | Not Fade Away |
| 6 | And We Bid You Goodnight |
| 7 | Space |
| 8 | I Will Take You Home |
| 9 | Goin' Down The Road Feeling Bad |
| 10 | Black Peter |
| 11 | Around and Around |
| 12 | Brokedown Palace |
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.75 x 5.25 x 1.25 inches; 6.4 ounces
- Manufacturer : Arista
- Date First Available : January 14, 2007
- Label : Arista
- ASIN : B000002VKD
- Number of discs : 3
- Best Sellers Rank: #83,015 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #227 in Jam Bands (CDs & Vinyl)
- #935 in Classic Psychedelic Rock
- #3,140 in Album-Oriented Rock (AOR) (CDs & Vinyl)
- Customer Reviews:
Customer reviews
4.8 out of 5 stars
4.8 out of 5
76 global ratings
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Top reviews
Top reviews from the United States
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Reviewed in the United States on February 22, 2018
This is one of the best GD releases I've heard. It's a multi track recording and the quality is perfect. The band was firing on all cylinders during this run and it shows just by listening to these discs. the release has a lot of my favorite tunes like: Dupree's, Just a Little Light, Walking Blue, Jack-A-Roe, Never Trust a Woman, Blow Away, I Will Take you Home, Stella Blue, and Black Peter. I also love the photos that come with the packaging. I'm a big fan of Brent Mydland and his keys and vocals are present on every-tune. This and "Without A Net" are my two favorite releases. I wish Grateful Dead Productions and Rhino would put out more releases from the 80's. There hasn't been a whole lot of releases from the 1980's would love to see more!!
Reviewed in the United States on January 26, 2012
(4+) My preferred period is '69-'77, also, I tend to favor 2nd and 3rd sets. HOWEVER, this show (a reconstructed first set from correlative performances on 3/24-26/90) just RIPS right out of the gate...it's immediately clear that these are primarily Brent and Jerry shows with superlative work by both from opener to set close. Discs 2 and 3 follow with a wealth of riches that are well-reviewed by others. I've just purchased a replacement copy after buying the first one following release about 15 years ago...but I'm keeping it on the shelf with the new one because it bears the scars and souveniers of alot of shared time - housepaint, beach sand, military reassignments, and a million small scratches from countless handlings and play. I would characterize this as "highly accessible" for new listeners and just a suprising late period gem all around. Love and Peace, my friends/kate.
Reviewed in the United States on August 16, 2021
Good product, great service!
Reviewed in the United States on February 17, 2011
Excellent performance in what would be the final decade of the Band.
Nice set disc 2 - Playin in the Band to Uncle Johns Band to Lady with a Fan to Terrapin, definitely worth the price of admission.
Something about the Grateful Dead playin' in upstate New York!
Nice set disc 2 - Playin in the Band to Uncle Johns Band to Lady with a Fan to Terrapin, definitely worth the price of admission.
Something about the Grateful Dead playin' in upstate New York!
Reviewed in the United States on August 13, 2017
I worked at the Knick during these shows. I had the opportunity to have an up close & private chat with Jerry Garcia before the public came in. He walked up on stage, grabbed his acoustic & started playing some blues. Being a Blues guy i walked down to the stage with a friend of mine. I asked Jerry if he minded, he said no problem. So it was just me, my friend & Jerry Garcia in a 17,000 seat capacity arena, the 3 of us. Talk about cool. The disc is great too. brought back a lot of memories. Needless to say i didn't do much work during these shows...lol.
Reviewed in the United States on August 28, 2018
Great product ! Easy transaction.
Reviewed in the United States on February 17, 2015
Great Vendor, great CD!!
Reviewed in the United States on March 5, 2018
1989-90 was one of three peaks for the Grateful Dead (the others being 1968-73 and 1977-79). By 1989, this lineup (The Core Five plus keyboardist Brent Mydland) had been together for 10 years, and had developed into an incredibly, tight powerful band that played off each other beautifully and creatively. Furthermore, the wealth of material the Dead now had at their disposal allowed them to put on different shows night after night, including dusting off songs that hadn't been played in upwards of 20 years.
"Dozin' at the Knick" captures the band during their three-night stay at the Knickerbocker Arena in Albany, New York, in the spring of 1990, one of the most celebrated stands during this period (perhaps second to the incredible July '89 run at Alpine Valley). With a set list consisting stone cold Dead classics ("Playin' in the Band," "Uncle John's Band," "Terrapin Station"), well chosen covers (an incendiary "All Along the Watchtower", "Not Fade Away"), and some of the band's deeper cuts ("Row Jimmy," "Black Peter"), it's a fine representation of this band's powers at their hight, with not a note out of place, a jam too meandering, or a solo too perfunctory. This is peak 1980s' dead from start to finish, and a must have for all fans.
"Dozin' at the Knick" captures the band during their three-night stay at the Knickerbocker Arena in Albany, New York, in the spring of 1990, one of the most celebrated stands during this period (perhaps second to the incredible July '89 run at Alpine Valley). With a set list consisting stone cold Dead classics ("Playin' in the Band," "Uncle John's Band," "Terrapin Station"), well chosen covers (an incendiary "All Along the Watchtower", "Not Fade Away"), and some of the band's deeper cuts ("Row Jimmy," "Black Peter"), it's a fine representation of this band's powers at their hight, with not a note out of place, a jam too meandering, or a solo too perfunctory. This is peak 1980s' dead from start to finish, and a must have for all fans.
Top reviews from other countries
Andrew Aitken
5.0 out of 5 stars
Spring 1990 - an alternative collection
Reviewed in the United Kingdom on October 30, 2012
Have to agree with Uncle Stu that disc 3 is in my top3 favourite Dead discs. For all of you who like me can't afford those very expensive box sets (£200 and rising for Spring 1990) this box gives a great overview of the 3 Knickerbocker shows. I also bought So Glad You Could Make It which made me realise that Spring 90 was indeed a peak period for the band. It was only ever hinted at on Without a Net which I find a very disapointing and disjointed compilation. I much prefer my tape of Nassau with Bradford Marsallis pushing the band to places they hadn't been in decades and wish they would release that show! Finally there's a limited edition release of the Hartford show under the name of Terrapin Station and also a Landover release, so all in all you can gather a reasonable collection of Spring 1990 without buying the big box.
7 people found this helpful
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lightandmoody
5.0 out of 5 stars
素晴らしいライヴです!
Reviewed in Japan on August 19, 2015
デッドのライヴの中でも3本の指に入る素晴らしい内容で涙が出そうでした。
芳醇さと枯れ具合と説得力がバランス良く、感服の内容です。
ガルシアのアドリブ・ギターも絶好調で、飽きの来ないアルバムになりそうです。
芳醇さと枯れ具合と説得力がバランス良く、感服の内容です。
ガルシアのアドリブ・ギターも絶好調で、飽きの来ないアルバムになりそうです。
Jason
5.0 out of 5 stars
Einzigartige Mischung
Reviewed in Germany on December 17, 2004
3 CDs mit Tracks aus drei Konzerten, die am 24., 25. und 26. März 1990 in der Knickerbocker Arena, Albany, New York stattfanden. Obgleich in HDCD vorliegend, was immer einen guten Sound verspricht, klingt die Musik etwas schwammig, was vielleicht, so steht zu fürchten, nicht an der technischen Aufbereitung, sondern am Spiel der Band selbst liegt. Nein, man darf sie nicht vergleichen mit den Dead der siebziger Jahre, viele Jahre sind ins Land gezogen, das Feuer lodert weniger hoch, Jerry Garcias Gitarrenläufe sind sparsam geworden.
Das Keyboard nimmt auf der ersten CD großen Raum ein. Keyboarder hatten bei den Dead eine geringe Lebenserwartung. Ron (Pigpen) McKernan war 1973, Keith Godchaux 1980 gestorben und Brent Mydland sollte ihnen im Juli 1990 folgen. An diesen drei Abenden bringt er sich prägnant ins Spiel durch einige selbst komponierte Songs, die er auch selbst singt. Nun ja, die Stimme klingt weniger eindrucksvoll, als sie es gerne wäre, doch gelingen ansprechende Versionen des »Never Trust A Woman« und »I Will You Take Home«.
Nach all dem Genörgel wird dann alles gut, wenn man die Band ihre einzigartige Mischung aus Balladen, Rock 'n' Roll, Blues, Jazz, Folk, elektronischen Drum-Klängen, Improvisationen und Neuer Musik spielen hört. - Neue Musik? Ich wüsste nicht, in welche andere Schublade ich das »Space« der CD zwei stopfen sollte. Geduldig geht der erprobte Deadhead über einigermaßen misslungene Stücke hinweg wie zum Beispiel Bob Dylans »All Along The Watchtower«, dessen Interpretation man einem Jimi Hendrix belassen sollte. Das Hörenswerte überwiegt bei weitem, erwähnt seien nur »Walkin' Blues«, »Playing In The Band«, »Uncle Johns Band«, »Stella Blue«. Am Schluss wird man nach einem grandiosen »Black Peter« und einem charmant unperfekten »Around And Around« mit einem zauberhaften »Brokedown Palace« aus dem Grateful Dead-Universum in die profane Welt entlassen.
Auch wenn sich die Band in den neunziger Jahren nicht mehr auf dem Gipfel ihrer Kreativität und Leidenschaft befindet, bietet sie dem, der sie mag, noch immer ein außergewöhnliches Hörerlebnis.
Das Keyboard nimmt auf der ersten CD großen Raum ein. Keyboarder hatten bei den Dead eine geringe Lebenserwartung. Ron (Pigpen) McKernan war 1973, Keith Godchaux 1980 gestorben und Brent Mydland sollte ihnen im Juli 1990 folgen. An diesen drei Abenden bringt er sich prägnant ins Spiel durch einige selbst komponierte Songs, die er auch selbst singt. Nun ja, die Stimme klingt weniger eindrucksvoll, als sie es gerne wäre, doch gelingen ansprechende Versionen des »Never Trust A Woman« und »I Will You Take Home«.
Nach all dem Genörgel wird dann alles gut, wenn man die Band ihre einzigartige Mischung aus Balladen, Rock 'n' Roll, Blues, Jazz, Folk, elektronischen Drum-Klängen, Improvisationen und Neuer Musik spielen hört. - Neue Musik? Ich wüsste nicht, in welche andere Schublade ich das »Space« der CD zwei stopfen sollte. Geduldig geht der erprobte Deadhead über einigermaßen misslungene Stücke hinweg wie zum Beispiel Bob Dylans »All Along The Watchtower«, dessen Interpretation man einem Jimi Hendrix belassen sollte. Das Hörenswerte überwiegt bei weitem, erwähnt seien nur »Walkin' Blues«, »Playing In The Band«, »Uncle Johns Band«, »Stella Blue«. Am Schluss wird man nach einem grandiosen »Black Peter« und einem charmant unperfekten »Around And Around« mit einem zauberhaften »Brokedown Palace« aus dem Grateful Dead-Universum in die profane Welt entlassen.
Auch wenn sich die Band in den neunziger Jahren nicht mehr auf dem Gipfel ihrer Kreativität und Leidenschaft befindet, bietet sie dem, der sie mag, noch immer ein außergewöhnliches Hörerlebnis.
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