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In the Dream House: A Memoir Hardcover – November 5, 2019
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A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties
In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.
And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope―the haunted house, erotica, the bildungsroman―through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.
Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.
- Print length272 pages
- LanguageEnglish
- PublisherGraywolf Press
- Publication dateNovember 5, 2019
- Dimensions6.4 x 0.99 x 9.24 inches
- ISBN-101644450038
- ISBN-13978-1644450031
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From the Publisher
Praise for In the Dream House:
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Amazon.com Review
Review
“Merge the house and the woman―watch the woman experience her own body as a haunted house, a place of sudden, inexplicable terrors―and you are reading the blazingly talented Carmen Maria Machado.”―Parul Sehgal, The New York Times
“Breathtakingly inventive. . . . Machado’s writing, with its heat and precise command of tone, has always had a sentient quality. But what makes In the Dream House a particularly self-aware structure―which is to say, a true haunted house―is the intimation that it is critiquing itself in real time. . . . Here and in her short stories, Machado subjects the contemporary world to the logic of dreaming.”―Katy Waldman, The New Yorker
“Machado’s wit and compulsive post-mortem approach configure her story into a wildly propulsive memoir, an ambulatory survey of the genre.”―The New York Times Book Review
“If there are no new stories, only new ways to tell them, Carmen Maria Machado has found a way to do exactly that, ingeniously,
in Dream House ― a book that manages to break open nearly everything we think we know about abuse memoirs. . . . The result is a gorgeously kaleidoscopic feat ― not just of literature but of pure, uncut humanity.”―Entertainment Weekly
“In the Dream House is the kind of book that burrows under the reader's skin while simultaneously forcing her to inhabit the body of the writer.”―NPR.org
“Piercing. . . . In the Dream House makes for uneasy but powerful reading.”―Mark Athitakis, USA Today
“A tour-de-force meditation on trauma, survival and the language we use to talk about it all.”―TIME, Best Books of 2019
“[A] dizzying, dazzling amalgamation of memoir and criticism.”―Vanity Fair
“[In the Dream House] is a genre-bending, formally inventive, generous memoir that adds both documentation to the archive as well as a work of art to be admired for its narrative achievements. . . . Machado’s memoir adds something vital to the canon of queer history. . . . Above everything else, this book is a gift to the reader, to anyone suffering in violence that is hard to prove or name, and people looking for ways to tell their stories that have few or no precedents.”―San Francisco Chronicle
“Carmen Maria Machado is as much alchemist as author. . . . In this brainy, playful, shattering account, Machado ultimately tells her own singular tale.”―O, the Oprah Magazine
“As her folkloric references suggest, the cycle of abuse is a kind of poisonous enchantment in which victims can be enthralled. Ms. Machado’s memoir casts a powerful counter-spell.”―The Economist
“Machado rejects standard memoir conventions in favor of short discursive chapters. . . . The result is a thoroughly engrossing, sometimes enraging must-read.”―BuzzFeed
“A stunning book, both deeply felt and elegantly written.”―Julia M. Klein, The Boston Globe
“Celebrated for her inventive writing, Carmen Maria Machado will not disappoint her fans with this dazzling memoir that journeys through a maze of stories, each vignette (some only a sentence long) an individual room containing a moment of wonder, curiosity or sorrow.”―NBC News Latino
“Two years after first commanding the world’s attention with her debut collection Her Body and Other Parties, Carmen Maria Machado is back with In The Dream House, an engrossing memoir that blurs the lines between personal narrative and literary criticism.”―Harper’s Bazaar
“Machado is able to captivate the reader while telling a brutally honest narrative of abuse.”―Marie Claire
“In the Dream House gleamingly smashes our notion of memoir, relocating Machado’s genre-bending mastery from fiction to nonfiction. As with her short story collection, an intoxicating mix of fabulism and horror, sci-fi and gutting realism, Machado’s playfulness on the page is intoxicating.”―Newsday
“Carmen Maria Machado’s pointedly funny, deeply reflective In the Dream House manages to be a short story collection, memoir, and lesson in fragmentation all rolled into one.”―The A.V. Club
“The world needs this book. . . . We need this book precisely because it's so literary―enabling a view of domestic abuse, in the LGBT community and beyond, that only literature can manifest. . . . [Machado] uses formal experimentation to extend [empathy] into moral and political territory.”―Psychology Today
“Forget everything you think you know about memoir when reading Carmen Maria Machado's brilliant, twisting, provocative entry in the genre.”―NYLON
“In the Dream House―a devastating chronicle, interrogation and historical contextualization of her experience in an abusive relationship―is no less than a brilliant revision of the form.”―Salon.com
“Machado’s telling of this particular story is anything but common: It’s compassionate and thoughtful and achingly honest. Most of all, In the Dream House is a generous book. It is generous to all the readers of the future who might find themselves in the Dream House as Machado did. And so that they don’t have to make up their own language to make sense of what is happening to them, it offers itself up, bare and vulnerable.”―Vox
“[In the Dream House] is an impressive, finely calibrated work of literature, one that throws open the door to a subject that’s still rarely broached, and makes the reader’s stay equally illuminating and unsettling. . . . In assuming the role of architect and archivist, Machado makes In the Dream House as much a memoir as a monument.”―The A.V. Club
“There are hundreds of ways to be haunted, In the Dream House shows, but not all of them have been written: Via a delicate polyphony of storytelling and criticism, Machado lays out how the literary tradition of domestic abuse has both expressed and muffled the experiences of women in danger in their own homes.”―Bookforum
“Machado is not just a beautiful writer, she’s a brilliant writer.”―The Rumpus
“In the Dream House is proof, a nod towards justice, however nebulous or impossible that idea might be, as it sounds out against gatekeepers, archival erasures, and silence, articulating the possibility of queerness against the grain of singularity.”―Frieze
“Machado's innovative memoir does not pull punches. . . . In the Dream House is a brilliant successor to her acclaimed short story collection.”―Star Tribune (Minneapolis)
“Machado’s book vibrates truth.”―Bitch Magazine
“Deeply intelligent and fiercely innovative.”―Slant
“The way [In the Dream House] seamlessly weaves the facts of [Machado’s] life with fictions―the ghosts that still haunt her, the fact that even time travel could not undo what’s been done―is a masterstroke. Machado's that writer who can convincingly code-switch between sci-fi nerdery and lyrical realism. She's equally at home in both worlds.”―Angela Watercutter, Wired
“In the Dream House [is] one of the more unique memoirs you’ll ever read. . . . It will be needed and recommended and read and reread for generations to come.”―Autostraddle
“An unflinching, engrossing memoir.”―POPSUGAR
“[In The Dream House] is a tour de force that demonstrates the many tools that Carmen Maria Machado wields as a writer. This is a difficult book and a glorious one.”―Pittsburgh Post-Gazette
“A groundbreaking memoir in terms of both form and content. . . . Get ready for Machado to take you on several breakneck cross-country trips of the soul.”―The Observer
“In the Dream House is a deeply personal, chilling memoir of abuse and a testament to the healing strength of vulnerability. Machado expertly centers each chapter around a different narrative device and in so doing provides a new reading experience altogether.”―Ms. Magazine
“The Philly author of the much-awarded Her Body and Other Parties comes back strong with this memoir about adolescence, sexual identity, and damaging love.”―The Philadelphia Inquirer
“A raw, innovative memoir.”―BBC Culture
“In the Dream House is a tough read – dark, disturbing, incandescent. But Machado bravely has decided to not be silent about her pain, and in sharing her story, she delivers a stunning and important work.”―Suzanne Tobias, KMUW
“What might feel gimmicky in another writer’s hands is revelatory in Machado’s: In the Dream House becomes a complexly layered exploration of the personal and the political, and the literary, both a brave baring of a painful experience and a reckoning with our collective failure to truly deal with queer intimate partner abuse.”―Lambda Literary
“In the Dream House is not only a memoir but a masterclass in what genre can do.”―Electric Literature
“[In the Dream House] confronts the issues of credibility, self-doubt, and disbelief that all too frequently arise when survivors of domestic abuse speak out. But the work also stands as an intervention explicitly aimed at the silences, erasures, and lacunae of the culture at large. . . . A human story, full of artistry, candor, and grace.”―The Brooklyn Rail
“In the Dream House is both innovative in its approach and nerve-striking in its subject matter.”―Pacific Standard
“Carmen Maria Machado's rise in the literary world has been nothing short of meteoric.”―The Week
“A spectacular literary performance.”―ZYZZYVA
“In the Dream House further cements Machado’s status as one of the leading writers today.”―Refinery29
“Machado’s skill at cracking the candied shell around life’s warm, sweet organs is on par with her mastery of gothic atmospherics: both are essential to this book’s power.”―Triangle House
“Cycling through a staggering array of modes and strategies, In the Dream House wheels in and out of fabulist, formalist, and realist registers, cultural analysis and polemic to produce a fresh and unflinching interrogation of abuse in queer relationships. . . . In the Dream House arrives with a thunder that resounds.”―4Columns
“It seems absurd that no one has written about abuse in queer relationships like this before. Mercifully, In the Dream House fills an aching void.”―Women’s Review of Books
“Machado has pulled off an amazing feat: a book that comments on its own existence and the silences it endeavors to fill; a work deeply informed by a sense of identity and community; and page after page of flawless, flaying, addictive prose.”―Sam Worley, BookPage, starred review
“Daringly structured and ruthlessly inquisitive. . . . The heart of this history is clear, deeply felt, and powerful. A fiercely honest, imaginatively written, and necessary memoir from one our great young writers.”―Kirkus Reviews, starred review
“Machado has written an affecting, chilling memoir about domestic abuse.”―Publishers Weekly, starred review
“[Machado’s] writing exhibits all of the formal precision of her fiction, and the book draws the reader deep into the varied rooms of the haunted house of the past. Highly recommended.”―Booklist, starred review
“In this open examination of abuse―how it starts, how it hides, how it tears at the victim’s sense of self―Machado reimagines and plays with the memoir form, bridging the gap between reader and author in a way that is original and haunting.”―Library Journal
“Absolutely remarkable. . . . What makes this book truly exceptional is how Machado creates an archive where, shamefully, there is none.”―Roxane Gay
“It’s a testament to Carmen Maria Machado’s abilities that a memoir as harrowing as In the Dream House can also be so energizing to read, so propulsive.”―Kevin Brockmeier
“Carmen Maria Machado’s memoir about being trapped in a love relationship that turns nasty and shameful is unflinchingly honest. . . . In the Dream House affirms that Machado is one of the most talented young writers of our day.”―Lillian Faderman
“Wrought with alarming premonition, propulsive rhythm, and a trove of folkloric archetypes, Machado’s genre-crushing memoir is a meditation on the eclipse of knowledge and intuition by the narcotic light of a destructive bond that feels like love.”―Melissa Broder
“Carmen Maria Machado has re-imagined the memoir genre, creating a work of art both breathtakingly inventive and urgently true. In the Dream House is crucial queer testimony. I’ve never read a book like it.”―Alex Marzano-Lesnevich
About the Author
Product details
- Publisher : Graywolf Press; First Edition (November 5, 2019)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 1644450038
- ISBN-13 : 978-1644450031
- Item Weight : 1.16 pounds
- Dimensions : 6.4 x 0.99 x 9.24 inches
- Best Sellers Rank: #37,012 in Books (See Top 100 in Books)
- #44 in LGBTQ+ Biographies (Books)
- #82 in General Gender Studies
- #1,179 in Memoirs (Books)
- Customer Reviews:
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About the author

Carmen Maria Machado's debut short story collection, Her Body and Other Parties, was a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."
Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Harper’s Bazaar, Tin House, VQR, Conjunctions, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, Michener-Copernicus Foundation, Elizabeth George Foundation, CINTAS Foundation, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the Writer in Residence at the University of Pennsylvania and lives in Philadelphia with her wife.
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Learn more how customers reviews work on AmazonReviewed in the United States on August 11, 2020
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Things like domestic abuse that doesn't involve much physical violence, controlling and possessive behavior in homosexual relationships, when the abuser is a woman and/or the victim is a man all get completely overlooked. Often even by people who claim to care about protecting abuse victims
This leaves the victim in these situations not only suffering from the abuse, but often having no where to turn to. And that's if he/she is even aware of or willing to acknowledge that he/she is a victim of abuse. It's very common for victims to not even interpret the behavior as "abusive" when it's committed by a woman, and/or if it doesn't result in trips to the ER
Months earlier I stumbled upon the description and knew this book would be monumental. As early reviews crept in, my anticipation grew. I had my Kindle fully charged and stayed up until midnight so I could start reading the second it released. By 2am I was 30% done. A few marathon readings later, I reached the last page with breathless finality. The result? Monumental doesn't even begin to cover it.
The funny thing, it's not monumental because of what happens. Bad relationships happen all the time. Abusive relationships, mental and/or physical, happen all the time. It's talked about less in queer relationships, that's true, and Machado does a great job pointing that out, but I doubt anybody will be dumbfounded by what they read. They will be surprised, however, that there's someone brave enough to talk about it, and by how personal she's willing to get. They will be surprised by how she structures it.
The structure really is what makes this a masterpiece. It's not just the experience, it's the delivery. The darkest memories are brilliantly conveyed in second person and through varying lens. Most of them literary devices. Machado recounts her life through the eyes of Chekhov's Gun, Choose Your Own Adventure, Haunted House, Erotica, Plot Twist, and dozens more. Each section is short and precise. Never a wasted word. For those uncomfortable reading about abuse, she doesn't take it too far either. This isn't battered woman porn. She doesn't go on and on. We get snippets, glimpses of a life that we can easily piece together, and, more importantly, relate to.
What she accomplishes for the queer community specifically, I think, is breaking the ice. After hard-fought battles for marriage equality, there's this unspoken rule that gay relationships must work. If they don't, people will point and say I told you so. By extension, rights may be taken away. Obviously that's not the only factor that kept Machado in her relationship. It may not even be in the Top 10, but it is a shadow that hovers over the scene. She points to lesbian stereotypes as well. Society expects men to be abusive, but two women? Their relationship should be a utopia, right? These stereotypes, this ice, is something she clearly wants to break apart. And she succeeds tremendously.
Of course you don't have to be queer to recognize this is a master work of memoir and creative non-fiction. It is a testament that all experiences, however ordinary or unique, should be shared. Perhaps the most powerful aspect of the book is the relentless honesty. She veils it slightly by the structure and 2nd person, but in a way this makes the experience more real. More true. And the accomplishment, I think, is for any one person to read this and be able to know that, for sure, they are not alone.
The book follows, very generally, Machado's foray into an abusive relationship that happens to be a queer one (she being, from my understanding of the work, bisexual and her partner a maybe-polyamorous lesbian? A better description is her lover is presented as someone with a severe personality disorder that manifested itself onto Machado and transcends sexuality). The experience is given in a series of vignettes, intermixed with other vignettes on subject matters such as the art of vignettes/short stories/fables and academic-esque musings on lesbian culture. I get that it is hard to write about difficult personal things, so short form might be easier because of the "quick-in-quick-out", but it makes the story disjointed. There is an underlying current of mental dismantling though, so maybe the argument for this structure is to mirror this precipitous state.
The book references that during this time Machado was finishing her MFA, and her work was not great. It would have been interesting to hear more about her work and day-to-day in her graduate program rather than just snapshots of social interactions with others versus social interactions with her partner. She only lightly touches on the bleeding edge of abuse.
There is also something to be said though, about professional/academic writers writing about their states during writing. It can be incredibly boring for an average reader who is has a life more tethered to reality rather than academia. So maybe that is another thought on this...
The book generally brought me back to my undergrad days hanging out at Bluestockings, when I had the time to really look and reflect on my chosen relationships rather than the socio-economic ties and required obligations that drive me now (mortgage, children, etc.). If you find this type of self-exploration and reflection indulgent or even narcissistic this book is not for you. If you have the capacity to read a very academically written queer relationship and general abuse story, then the book is worthwhile.
Top reviews from other countries
“In the Dream House” happened to be released just around the time my queer relationship was becoming egregiously verbally and emotionally abusive for the first (and, while prolonged, still thankfully last) time.
Reading Carmen Maria Machado’s experiences of abuse in a queer relationship was one of the things that helped me believe my own perceptions about what was happening to me, despite being gaslighted, and despite desperately wanting to believe the woman I’d loved couldn’t possibly be abusing me; that I couldn’t possibly be allowing her to stay in my life while she abused me. Lies my ex-partner had a vested interest in buying into and reinforcing.
Without “In the Dream House” to contrast my experiences against and parallel them with, I would have had an even harder time believing and validating to myself that, yes, she was abusing me.
Without “In the Dream House”, it would have taken me even longer to leave.
Thank you, Carmen Maria Machado, for writing so painfully beautifully and so honestly about your own experiences of abuse and choosing to share them to help other queer intimate abuse survivors.
I did need this book. I don’t have the words to say how grateful I am for it. Thank you.
Es un libro increíble tanto por el tema como por la escritura, profundamente emocional. Por momentos olvidé es una memoria. Quiero leer más libros de la autora.
Thoroughly enjoyed the fragmented structure.












