- Hardcover: 224 pages
- Publisher: Viking; First Edition edition (February 2, 2012)
- Language: English
- ISBN-10: 0670023256
- ISBN-13: 978-0670023257
- Product Dimensions: 8.4 x 5.8 x 0.8 inches
- Shipping Weight: 13.4 ounces
- Average Customer Review: 23 customer reviews
- Amazon Best Sellers Rank: #1,685,966 in Books (See Top 100 in Books)
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Drifting House Hardcover – February 2, 2012
This month's Book With Buzz: "Little Fires Everywhere" by Celeste Ng
From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture - perfect Richardson family and the enigmatic mother and daughter who upend their lives. See more
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Lee’s debut story collection features diverse characters confronting the terms of their distinct situations and misfortunes, exploring the borders between lost homelands and shifting relationships. In “A Temporary Marriage,” Mrs. Shin leaves Seoul for California to find her young daughter, kidnapped three years earlier by her ex-husband. She arranges a sham marriage with Korean emigrate Mr. Rhee, a relationship that becomes more nuanced as Mrs. Shin’s search intensifies. In the devastating title tale, three young siblings have no choice but to flee famine-ravaged North Korea for China, a journey that leads to harrowing decisions. “The Salaryman” follows a South Korean businessman as his life spirals out of control after he is fired from his job. “At the Edge of the World” portrays nine-year-old Mark Lee and his parents as they navigate their new life in Los Angeles, while Mark’s father struggles to come to terms with his past. Varying in settings from North and South Korea to the U.S., from postwar to present age, Lee’s nine tales offer haunting perspectives of dislocation and reconciliation. --Leah Strauss
“If there's one thing Krys Lee knows how to do it's use history and culture as the boards and backdrop of a narrative while allowing her characters to take centre-stage. . . . The two finest stories in the collection, ‘Drifting House’ and ‘The Believer,’ achieve extraordinary feats within a few pages— murder, madness, haunting, loss of faith and more.”
—The Guardian (London)
“In nine haunting tales, this Korean-born author . . . writes of the psychological fallout from Korea's troubled history and the toll on families living in a fractured world. . . . The metaphor of the drifting house serves as an apt, unifying roof over these harrowing, tragic stories about unmoored characters who find themselves neither here nor there. Lee . . . is well on her way to a promising literary career.”
“When reading the stories of debut author Krys Lee's Drifting House, the simplicity and restraint of the writer come to the fore: declarative sentences, no fulsome descriptions despite the exotic locales of some of her stories. It is in this quiet confidence that the true strangeness and beauty of the work can emerge. . . . It is the cool telling that allows the tectonic plates of history, social forces and circumstances to move beneath these stories, conveying the feeling that something urgent and profound is at stake, beyond the lives of these striving, damaged and unforgettable characters.”
—Marie Myung-Ok Lee, The San Francisco Chronicle
“This powerful debut collection takes an unflinching look at the reality of life in Korea. . . . Lee plumbs the darkness on both sides of this divided nation. . . . Hers is a unique approach. . . . By showing these authentic, everyday people at dramatic and pivotal moments, Krys Lee strips them to the core of their humanity. Her vision is a solemn one, but an important one too.”
—The Financial Times
“Krys Lee . . . is already a precise stylist and an unflinching observer of the unfortunate lot of her compatriots, those who stay [in Korea] and those who make it to the States. . . . In the best stories, like the tragic yet luminous ‘A Small Sorrow,’ the story of a flawed marriage and an artistic rivalry, Lee's psychological acuity is empathetic under its unsentimental portraiture.”
—The Minneapolis Star Tribune
“Drifting House has shades of Jhumpa Lahiri’s Unaccustomed Earth in its rendering of split cultural identities. But even more, it recalls Alice Munro’s Too Much Happiness, holding beauty and brutality in an elegant equipoise. . . . In her textured, knowing and brilliant debut, Lee tells hard truths, tenderly.”
—The Kansas City Star
“Insightful. . . . A keen observation of the layers of Korean society the past few generations, and of the dualities that have shaped the peninsula and its people. . . . The collection is at its best in exploring the duality of past and future, of memory and hope. And it is often at its best. . . . A part tragic and part nostalgic perspective of modern Korea.”
—The Pittsburgh Post-Gazette
“Drifting House offers a rare look at how damaging politics takes a personal turn, undermining even what we are able to call home. . . . The greatest strength of these nine stories is Lee’s ability to locate them in the strange and brutal dimensions of lives distorted by dictatorship, exile, expatriation, and even hunger. Her stories also slide through the quiet violence of divorce, loneliness, parenthood, and erotic attraction. . . . Lee is a patient storyteller with a distanced, mostly omniscient point of view. Such a sweeping, plain-style narration is essential for lacing together a collection that unfolds in three countries. The even tone lifts these stories out of melodrama and turns them instead into pristine things that are as unsparing as they are compassionate.”
—The Daily Beast
“If you are a short story lover, a reader who isn't afraid of true things, a person who knows every other person around them hides multitudes of both light and dark secrets, read Drifting House.”
—The Seattle Post Intelligencer
“However dark their fates might be, Lee blesses her characters with passions forged from the flames of suffering. The survivors of Drifting House are those who dare to find their salvation in small moments of beauty and connection, who have endured great losses, but pick themselves up and keep moving forward. . . . Drifting House reminds us of the illumination that comes from recognizing the shakiness of the ground under our feet. We tell ourselves that we are in control of our stories, but we never are. Lee’s survivors know the truth: Control isn’t possible. Once we accept that, we take our first, small steps toward grace.”
—Heather Havrilesky, The Los Angeles Review of Books
“Stunning. . . . There is a stark beauty to Lee’s writing. Drifting House offers a poignant glimpse into lives divided by history. . . . If you were to substitute the copious soju (a strong Korean spirit similar to sake) consumed here for bourbon, this could be Raymond Carver.”
—The Daily Telegraph (London)
“Set in both America and Korea, these are subtle, haunting stories that explore the lives of people caught between two cultures.”
—The Sunday Times (London)
“As they sift through the emotional wreckage left by civil war, political brutalities, financial collapse, and the prosaic details of getting by in places they're unwelcome, the individuals in Drifting House reach for resilience amid nearly unimaginable hardship. Lee, who splits her time between South Korea and the United States, is an empathetic chronicler of a perpetually displaced people, writing with the immediacy of someone who has lived their experience.”
“Impressive. . . . The moral battle between good and evil that resonates through this collection reminds the reader of much of Flannery O’Connor’s short fiction.”
—Asia Literary Review
“Almost every story in Krys Lee’s collection Drifting House pulls you in, and begins to work with you as patiently as a novel. A bit of deft characterization here, a subtle pull at your sympathies there, and twenty pages pass quickly by.”
—The Seattle Star
“Drifting House . . . lays bare [the] wounds of Korea and draws the reader into this fractured world. . . . Krys Lee does not work on a small canvas, and her vision and imagination startle and shock.”
—The Washington Independent Review of Books
“Affecting stories about the conflicts between Korean and American culture. . . . Lee writes with a clarity and simplicity of style that discloses deep and conflicting emotions about cultural identity.”
—Kirkus Reviews (Starred Review)
"...breathtaking debut...Readers in search of exquisite short fiction beyond their comfort zone—groupies of Jhumpa Lahiri ... and Yoko Tawada ...—will thrill to discover Drifting House."
—Library Journal (Starred Review)
“In this sublime debut collection spanning both Koreas and America, protagonists locked in by oppressive social forces struggle to break free in original ways, each unexpected denouement a minor miracle or a perfect tragedy. . . . The author’s imaginative metaphors and easy rhythmic variances are unerring, carrying the reader effortlessly. . . . The limpid, naturalistic prose and the flawless internal logic of these stories are reminiscent of the best of Katherine Anne Porter and Carson McCullers.”
—Publishers Weekly (Starred Review)
“What wonderful and haunting worlds Krys Lee illuminates—a goose for a goose father, a sympathetic wife made bold by her husband’s infidelity—all facets of a Korea and a Korean America made new by this exciting writer’s entrancing vision.”
—Janice Y. K. Lee, author of New York Times bestselling The Piano Teacher
"Krys Lee's fascinating stories take place in gaps in the world, the surreal places that are in fact reality for her Korean characters, both at home and abroad. In those interstices there is horror and humor; there is sometimes haunting sadness, and there is on occasion grace."
—Jane Hamilton, New York Times bestselling author of A Map of the World and The Book of Ruth
“Krys Lee has written a book of unforgettable stories, each one building on the other to create a complex, moving portrait of contemporary Korea and its diaspora. She guides us surely through the fallout of war, immigration, and financial crisis, always alert to the possibility of tenderness, transcendence, and even humor along the way. Lee is a writer who really understands loneliness, but her voice is so appealing, and her perceptions so wise, that we feel all the less lonely for knowing her characters and experiencing their lives.”
—Sarah Shun-lien Bynum, National Book Award finalist; author of Ms. Hempel Chronicles
“Sometimes, with luck, passion, and great skill, fiction accomplishes things nothing else can, things of magical and abiding significance. Krys Lee’s debut story collection is such a book. Drifting House is important for its heartbreaking depiction of the often horrifying plight of North and South Korean immigrants struggling to find dignity and self-definition in their new lives. It introduces us to a subject as old as human struggle itself, and a powerful new writer of highly lyrical gifts.”
—Philip Schultz, Pulitzer Prize–winning author of Failure
“A shimmering, variegated collection. . . . Masterful. . . . Lee reminds readers . . . that hardship is worth paying attention to, not just for the empathy it draws forth, or for the strength found in characters who manage to come out on the other side, but for its ability to connect people across time and cultures.”
“Identity, loneliness and survival haunt Drifting House, Krys Lee’s debut collection of short stories. . . . Ms Lee has a natural gift for storytelling and her writing displays a rare clarity. The dark images embedded in these stories reveal a world ravaged by pain and conflict, and explore what drives human beings at their most primordial.”
“[An] excellent debut. . . . Lee explores and highlights several aspects of Koreans and Korean Americans that are never discussed outside of the confines of those cultures. . . . Lee manages to accomplish a massive task: to explore modern Koreans and their place in both the U.S. and at home, in Seoul. Lee herself straddles both of these cultures, and proves to be a worthy ambassador for both.”
Top customer reviews
For me, a few of them really sang. In the first, A Temporary Marriage, Mrs. Shin has been forced to endure an abusive relationship and enters a sham marriage with another Korean named Mr. Rhee. As a result of her divorce, she loses custody of her daughter, whom she is determined to see again. But has she courted her own abuse? Phrases such as "her wounded body continued its ancient song" sum up, in a few sparse words, what the theme of the story is really about.
Then there's The Goose Father - the traditional name for a father who faithfully sends money to his family overseas. The father - a one-time poet - takes in a young boarder who carries an actual goose with a wounded wing. In powerful prose, the father - Gilho - must come to terms with his true inclinations and his lifetime loneliness and alienation.
The Salaryman is stunning in its understated, naturalistic prose. In this story - told in second person - we watch a solid Korean businessman lose his job, his family, his confidence, and ultimately, his very humanity. It's like watching a train wreck; it's hard to look away.
There are many other good ones as well - the eponymous Drifting House, the most surreal of the lot, where two brothers and their very young sister try to escape North Korea's countryside famine by fleeing to China. Yet they cannot escape their ghosts. And in The Believer, a mentally deranged Korean American woman commits a heinous crime; her daughter tries to comfort her father by performing an unspeakable act.
Ms. Lee is a young writer who is willing to take risks as she focuses her talent on those who are damaged, lonely, yearning. It's not uplifting - marriages fail, men lose their sense of masculinity, women lose their sense of value, and most everyone feels displaced. Yet it offers amazing insights into the hopelessness and frustration that define a Korea that's been through war, financial draught, and instabilities.
I am very curious to see if the collection will find resonance beyond the world of those fascinated with Korea. I do believe that Korea and Koreans are a mere canvas for Krys to write eloquently about wider issues of identity, conflict, love and death. While well crafted, not every story here is an easy read. This is certainly the author's intention. At times I felt claustrophobic and as if the darkness was emerging from the pages to envelope me. While I never found myself quite gasping to catch my breath I did feel that some of the incidents could repulse more delicate readers. In other words, not every story in this collection can be deemed "enjoyable." However I don't get the impression that Krys Lee is writing to shock for the sake of being perverse, as some other well-known trendy writers tend to do. There are deeper messages and meaning in these pages, which perhaps deserve a second or third reading to more clearly discern. And, that is an indication, after all, of great writing.
Especially Syrians!! It breaks my heart to see that the right in this country cannot be compassionate enough to see that these are people fleeing genocide.