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The Druid's Son Paperback – October 19, 2012
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G. R. Grove
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G. R. Grove
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Print length292 pages
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LanguageEnglish
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PublisherLulu
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Publication dateOctober 19, 2012
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Dimensions6 x 0.73 x 9 inches
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ISBN-100557119901
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ISBN-13978-0557119905
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Product details
- Publisher : Lulu; 1st edition (October 19, 2012)
- Language : English
- Paperback : 292 pages
- ISBN-10 : 0557119901
- ISBN-13 : 978-0557119905
- Item Weight : 15.2 ounces
- Dimensions : 6 x 0.73 x 9 inches
-
Best Sellers Rank:
#7,141,195 in Books (See Top 100 in Books)
- #130,738 in Contemporary Literature & Fiction
- Customer Reviews:
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Reviewed in the United States on January 30, 2015
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Love this book and the author. Received this book very quickly!
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Reviewed in the United States on December 17, 2012
The early 1st century Celts are an incredibly mysterious bunch. They left no written record for themselves, and what little archeological evidence that can be found only provides the slimmest of glimpse into these people's daily lives. What little has been recorded comes from foreigner invaders or was passed down through oral tradition. This to me seems like the perfect environment for an imaginative writer to thrive in, and G. R. Grove does with her fourth novel The Druid's Son.
At its heart, The Druid's Son is the coming of age story of a young man during the turbulent early years of Roman occupation. Togi, the protagonist of this story, is a member of the proud Ordovices a not yet totally defeated tribe of the Anglesey (Wales). Togi unlike most boys his age is not only taught the ways of warfare and sheep herding, but he is also taught the rituals and the spirituality of the Druids by his stepfather one of the last remaining Druid priest of the Anglesey. The result is that Togi is a well balanced character with all the necessary skills to transition from a skirmish with a Roman Legion to the politics of the King's court, making his story all that more compelling. Togi's ability to go from warrior to priest, combined with a natural intelligence/intuition, gives him a serious edge in the ever exalting battle to save his people and religion from destruction. For Rome the Ordovices are pain that must be dealt with swiftly so they can get back to expanding the empire. But for the Ordovices it's a matter of survival and the preservation of a way of life not accepted by their new rulers. Togi's destiny is closely aligned with fate of his people and slow building tension culminates in a final showdown with the Romans that test Togi to his limits.
What makes The Druid's Son special is Grove's sense of history. She manages to fill in the gaps of our knowledge with the something that not only seems plausible, but with something that rings true with the time and place. Another great aspect of her writing style is that the reader is able to decide if the Druidic magic is tangibly real or just a matter of perception. At no point is the reader asked to take the stories religious and magical aspects to be literally true, instead, we are left just enough space to draw our own conclusions. Another real treat is that Grove has a real eye for geography, and her descriptions of the lush landscape and topography make the scenes in the novel feel like real places and are a physical part of Wales and Ireland. A really terrific historical novel for a time period we know so little about.
At its heart, The Druid's Son is the coming of age story of a young man during the turbulent early years of Roman occupation. Togi, the protagonist of this story, is a member of the proud Ordovices a not yet totally defeated tribe of the Anglesey (Wales). Togi unlike most boys his age is not only taught the ways of warfare and sheep herding, but he is also taught the rituals and the spirituality of the Druids by his stepfather one of the last remaining Druid priest of the Anglesey. The result is that Togi is a well balanced character with all the necessary skills to transition from a skirmish with a Roman Legion to the politics of the King's court, making his story all that more compelling. Togi's ability to go from warrior to priest, combined with a natural intelligence/intuition, gives him a serious edge in the ever exalting battle to save his people and religion from destruction. For Rome the Ordovices are pain that must be dealt with swiftly so they can get back to expanding the empire. But for the Ordovices it's a matter of survival and the preservation of a way of life not accepted by their new rulers. Togi's destiny is closely aligned with fate of his people and slow building tension culminates in a final showdown with the Romans that test Togi to his limits.
What makes The Druid's Son special is Grove's sense of history. She manages to fill in the gaps of our knowledge with the something that not only seems plausible, but with something that rings true with the time and place. Another great aspect of her writing style is that the reader is able to decide if the Druidic magic is tangibly real or just a matter of perception. At no point is the reader asked to take the stories religious and magical aspects to be literally true, instead, we are left just enough space to draw our own conclusions. Another real treat is that Grove has a real eye for geography, and her descriptions of the lush landscape and topography make the scenes in the novel feel like real places and are a physical part of Wales and Ireland. A really terrific historical novel for a time period we know so little about.
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Reviewed in the United States on December 3, 2012
What confuses me in trying to review this is the contradiction between that place our imagination takes us when we read Tacitus's description of Roman destruction of the Druid stronghold on Anglesey in AD 61 and that place just afterward, where GR Grove takes us. History has just happened; the next is the inevitable, at least from our perception, looking backward. "The harvest was over." opens The Druid's Son, a story that is built more on the reconstructed lifestyle and landscape of the Wales of this period, then the striking history it's wrapped in.
Here is Tacitus.
"On the coastline, a line of warriors of the opposition was stationed, mainly made up of armed men, amongst them women, with their hair blowing in the wind, while they were carrying torches. Druids were amongst them, shouting terrifying spells, their hands raised towards the heavens, which scared our soldiers so much that their limbs became paralyzed. As a result, they remained stationary and were injured. At the end of the battle, the Romans were victorious, and the holy oaks of the druids were destroyed."
The Celts in future Wales are silent in history, leaving only foreigners descriptions like this, and a curious archeology to document them.
Grove creates her version of this Celtic world though the story of the son of last Archdruid on Anglesey, conceived shortly after these holy oaks were destroyed and shortly before this last Druid in Wales has himself ritually sacrificed. This story works quietly, keeping close the annual cycles, the Celtic festivals and the everyday focus on agriculture that just barely sustains the tribes. Year by year the druid's son grows and learns and the book accumulates through dialogue and relationships, the interweaving of the even more ancient history, the mysterious megalithic ruins, and through the magic and religion he is able to find and fully wrap himself within. She reconstructs her own version of a druidic and bardic context of thought and learning and philosophy.
This is fourth book I've read by Grove. In each book she works between or even after some dramatic events, crafting quiet tensions based often on everyday concerns about survival. Her version of druidic religion and magic are worked strongly into the stories, but these things can be taken two ways. The reader is left to decide how much should be taken as real and how much as artifact of the characters perceptions; and then to wonder about what this may tell about the psychological make of these characters. Thorough research that goes into these, and is part of what makes these stories special. Historically darker eras, Grove excels in using her knowledge of the landscape and the known practices and then reconstructing her versions of these worlds to build her stories.
Here is Tacitus.
"On the coastline, a line of warriors of the opposition was stationed, mainly made up of armed men, amongst them women, with their hair blowing in the wind, while they were carrying torches. Druids were amongst them, shouting terrifying spells, their hands raised towards the heavens, which scared our soldiers so much that their limbs became paralyzed. As a result, they remained stationary and were injured. At the end of the battle, the Romans were victorious, and the holy oaks of the druids were destroyed."
The Celts in future Wales are silent in history, leaving only foreigners descriptions like this, and a curious archeology to document them.
Grove creates her version of this Celtic world though the story of the son of last Archdruid on Anglesey, conceived shortly after these holy oaks were destroyed and shortly before this last Druid in Wales has himself ritually sacrificed. This story works quietly, keeping close the annual cycles, the Celtic festivals and the everyday focus on agriculture that just barely sustains the tribes. Year by year the druid's son grows and learns and the book accumulates through dialogue and relationships, the interweaving of the even more ancient history, the mysterious megalithic ruins, and through the magic and religion he is able to find and fully wrap himself within. She reconstructs her own version of a druidic and bardic context of thought and learning and philosophy.
This is fourth book I've read by Grove. In each book she works between or even after some dramatic events, crafting quiet tensions based often on everyday concerns about survival. Her version of druidic religion and magic are worked strongly into the stories, but these things can be taken two ways. The reader is left to decide how much should be taken as real and how much as artifact of the characters perceptions; and then to wonder about what this may tell about the psychological make of these characters. Thorough research that goes into these, and is part of what makes these stories special. Historically darker eras, Grove excels in using her knowledge of the landscape and the known practices and then reconstructing her versions of these worlds to build her stories.
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Reviewed in the United States on November 16, 2012
Set around 60 AD as the Romans were over-running Britain and destroying Druid sanctuaries, this is the story of the young boy Togi, his upbringing and spiritual training, his adventures and his strength of character as he goes up against the invaders. Thoroughly engaging coming-of-age tale of a boy "born for a reason." Well-researched, it includes a list of sources for further exploration.
I had previously read the three volumes of the author's Storyteller Series (Storyteller, Flight of the Hawk, and The Ash Spear) and was pleased to learn of this novel. My only complaint is that I would have liked the story to continue - perhaps there will be a sequel!
I had previously read the three volumes of the author's Storyteller Series (Storyteller, Flight of the Hawk, and The Ash Spear) and was pleased to learn of this novel. My only complaint is that I would have liked the story to continue - perhaps there will be a sequel!
3 people found this helpful
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