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Dunlop 105Q Cry Baby Bass Wah
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- Optimized for bass frequencies
- Separate Q and Volume controls
- Auto-off switch
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CHOKING HAZARD -- Small parts. Not for children under 3 yrs.
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|Sold By||Macdaddy Music||Amazon.com||AVLGear||Amazon.com||Chicago Music Exchange||Novel World|
|Item Dimensions||11.00 x 4.90 x 3.50 inches||10.00 x 2.50 x 4.00 inches||9.25 x 6.00 x 2.75 inches||5.20 x 3.00 x 2.60 inches||10.90 x 4.90 x 3.50 inches||5.98 x 2.72 x 2.40 inches|
The first wah pedal designed by bass players for bass players. The 105Q incorporates a proprietary potentiometer and custom EQ circuitry, specifically optimized for bass frequencies. The Cry Baby Bass Wah applies the wah effect to the mids and highs only, leaving a strong fundamental to hold down the bottom—so you can take solos or throw in fills without ever disturbing your low end. This amazing pedal is used by Flea, Justin Meldal-Johnsen, Doug Wimbish, Robert Trujillo and more.
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Tips for wah success:
- rock pedal all of the way forward
- match the volume knob to your Bass
- crank the "Q"
- love life!
Seriously, the range this pedal hits when the "Q" is amazing. I love how expressive the tone is when you get it going! I think it retains the low end and adds a creamy wah in the highs and mids. Don't listen to nay-sayers that claim you lose lows!
To put it bluntly, it's needed on your board!
I've used it with delays, octave up/downs, and overdrives, and just the straight-up clean; never found a sound I didn't like or couldn't use!
I'll start by saying it is one durable piece of equipment being made out of metal and it feels so solid, definitely road worthy.
Having the variable Q dial is fantastic, letting you reel in the balance between getting those really warm, classic sounding lower mids and the over the top, screaming highs. Not needing to turn it on by tapping the toe, like most other "wah wah" pedals do, is very useful, allowing you to get in and out very quickly, and there is an internal dial to change the decay rate when you release the pedal back into heal position.
I have already gotten many hours or enjoyment playing with it, both on my Peavey P-bass and my Fender USA guitar, and I think I may end up dedicating a permanent place for it on my pedal board. Yet another fantastic job done by Jim Dunlop.
The volume and tone controls on the side are also appreciated. Crank the tone all the way up if you want to get any significant voice out of the pedal with your bass. If the tone is turned down, it works well with the high strings, but you can't hear it on the lower toned strings. Turned all the way up, I can even get great wah sound out of the B-string on my 5-string bass.
This also works great with a regular guitar. Whether bass or 6-string, t's a great tool to have in your guitar bag and it's built like a tank.
Top international reviews
So I finally invested in a new Cry Baby. These use an old-school potentiometer in the rocker mechanism, and not fancy optical magic, and the pots can wear out after time, so I bought brand new for a change. (But don't let that put you off! The part is replaceable. Just keep it in mind if you're considering a very cheap used Cry Baby.) Sound-wise it had everything I wanted - nice and funky on the clean, subtle parts, and cuts through the heavy fuzz just fine. The Variable Q knob gives more than enough control over the depth of the wah, and I really like the spring-loaded pedal with the auto-off, as I'd gotten used to that with the first two wahs. The Cry Baby sounds (and looks) so classic, and that fits right in with the rest of my gear and the music we play.
- Activates as soon as you move the pedal up or down
- Automatically flips back and turns off when taking your foot off
- Adjustable settings (High EQ, Low EQ)
- Incredibly simple to use!
It's a must buy for any bass player if wanted!
Je n'ai jamais été un bassiste de funk mais je ne peux pas m'empêcher de jouer quelques groove à la wah juste pour le plaisir.
Si je devais trouver un seul inconvénient, je dirais tout simplement de faire attention car on a vite envie d'en coller partout dans les morceaux!