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From the Dust Returned Mass Market Paperback – Illustrated, September 3, 2002
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Ray Bradbury, America's most beloved storyteller, has spent a lifetime carrying readers to exhilarating and dangerous places, from dark street comers in unfamiliar cities and towns to the edge of the universe. Now, in an extraordinary flight of the imagination a half-century in the making, he takes us to a most wondrous destination: into the heart of an Eternal Family.
They have lived for centuries in a house of legend and mystery in upper Illinois -- and they are not like other midwesterners. Rarely encountered in daylight hours, their children are curious and wild; their old ones have survived since before the Sphinx first sank its paws deep in Egyptian sands. And some sleep in beds with lids.
Now the house is being readied in anticipation of the gala homecoming that will gather together the farflung branches of this odd and remarkable family. In the past-midnight stillness can be detected the soft fluttering of Uncle Einars wings. From her realm of sleep, Cecy, the fairest and most special daughter, can feel the approach of many a welcome being -- shapeshifter, telepath, somnambulist, vampire -- as she flies high in the consciousness of bird and bat.
But in the midst of eager anticipation, a sense of doom pervades. For the world is changing. And death, no stranger, will always shadow this most singular family: Father, arisen from the Earth; Mother, who never sleeps but dreams; A Thousand Times Great Grandmére; Grandfather, who keeps the wildness of youth between his ears.
And the boy who, more than anyone, carries the burden of time on his shoulders: Timothy, the sad and different foundling son who must share it all, remember, and tell...and who, alone out of all of them, must one day age and wither and die.
By turns lyrical, wistful, poignant, and chilling, From the Dust Returned is the long-awaited new novel by the peerless Ray Bradbury -- a book that will surely be numbered among his most enduring masterworks.
- Print length288 pages
- LanguageEnglish
- PublisherWilliam Morrow Paperbacks
- Publication dateSeptember 3, 2002
- Dimensions4.19 x 0.72 x 6.75 inches
- ISBN-100380789612
- ISBN-13978-0380789610
- Lexile measure890L
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About the Author
In a career spanning more than seventy years, Ray Bradbury inspired generations of readers to dream, think, and create. A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, and screenplays, Bradbury was one of the most celebrated writers of our time. His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. An Emmy Award winner for his teleplay The Halloween Tree and an Academy Award nominee, he was the recipient of the 2000 National Book Foundation Medal for Distinguished Contribution to American Letters, the 2004 National Medal of Arts, and the 2007 Pulitzer Prize Special Citation, among many honors.
Product details
- Publisher : William Morrow Paperbacks (September 3, 2002)
- Language : English
- Mass Market Paperback : 288 pages
- ISBN-10 : 0380789612
- ISBN-13 : 978-0380789610
- Lexile measure : 890L
- Item Weight : 5 ounces
- Dimensions : 4.19 x 0.72 x 6.75 inches
- Best Sellers Rank: #708,007 in Books (See Top 100 in Books)
- #276 in Science Fiction Short Stories
- #1,597 in Science Fiction Anthologies (Books)
- #12,658 in Short Stories (Books)
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About the author

In a career spanning more than seventy years, Ray Bradbury, who died on June 5, 2012, at the age of 91, inspired generations of readers to dream, think, and create. A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, teleplays, and screenplays, Bradbury was one of the most celebrated writers of our time. His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. He wrote the screen play for John Huston's classic film adaptation of Moby Dick, and was nominated for an Academy Award. He adapted sixty-five of his stories for television's The Ray Bradbury Theater, and won an Emmy for his teleplay of The Halloween Tree. He was the recipient of the 2000 National Book Foundation Medal for Distinguished Contribution to American Letters, the 2004 National Medal of Arts, and the 2007 Pulitzer Prize Special Citation, among many honors.
Throughout his life, Bradbury liked to recount the story of meeting a carnival magician, Mr. Electrico, in 1932. At the end of his performance Electrico reached out to the twelve-year-old Bradbury, touched the boy with his sword, and commanded, "Live forever!" Bradbury later said, "I decided that was the greatest idea I had ever heard. I started writing every day. I never stopped."
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The Elliot family is a motley collection of supernatural beings from every corner of the planet. For whatever reason, they have picked a house out in the middle of Nowhere, America to collect and settle in for their regular (once or twice a century) gatherings. The core family, Mother, Father, Grandmere, Grandpere, Cecy and Tommy, remain to hold the fort in between. Little mortal Tommy is the only one who doesn't fit in, but only because he was adopted; and oh, what he wouldn't give to be able to fly like Uncle Einar or change bodies like Cecy! For the enchantment he feels when listening to Grandmere's stories of the Family is made up of good old-fashioned wonder and love.
Bradbury's recent book From the Dust Returned is exactly as rich and magical as I would have expected from this author. Small wonder, as he has had decades to perfect every well-honed metaphor. This slow is apparently an advantage to character development and visualization, but a plot cobbled together of several previously published short stories does leave the storyline weakened. Still, for Bradbury devotees like me it is not to be missed. Would you pass up a chocolately ganache torte just because somebody left out the pecans? I would hope not.
-lil' readin' sprite
The unifying characters are daughter Cecy whose mind wanders the earth and son Timothy. He'd be considered "normal" by most people, but he is the one who is different and carefully loved by his family.
I would suggest this book to people who are fans of Ray Bradbury or people who enjoy atmospheric dark fantasy. It isn't as good as The Martian Chronicles in my opinion, hence the four stars instead of five.
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Timothy and Cecy are my favourite characters throughout the book, although there is no coherent plot except for Timothy’s gradual growing up and growing into his own path of life.
Standout chapters/stories for me were the ghastly passenger on the Orient Express, the wild cousins trapped in Grandpère’s head, Cecy wanting to fall in love, and Uncle Einar the winged man.
The ghastly passenger was my favourite as a story, and a concept. I loved the idea of feeding on belief, how a spectral apparition is solid and real but fades and withers in the face of relentless rationality that sucks the (un)life from it. It read to me like a love story with folklore and folk-belief, especially those things by which we are most frightened, mourning its loss as an enriching part of childhood and human experience. That England was its saving grace, a place where such beliefs linger and are nurtured, made me really sad. That’s a very idealised view of England which I’m not sure is true or ever was true, but I’d like it to be. England was as ‘rational’ as Germany etc at the time the story is set, so I didn’t think that worked more than as authorial wish-fulfilment. It would be nice to think that folklore (and folk horror) is now appreciated here again, though!
I think this ties in with Timothy’s childhood at the House: growing up spooky but choosing to live a full life ‘like others do’ resonated with me. You can be enriched by an awareness of death, mortality and immortality, and all the things in the world and beyond it which defy explanation, but you do have to choose how you live your own life, too. There’s a sense in which you leave these things behind and a sense in which you always carry them with you, both at once.
Some of these tales are not for everyone, I think, and not all of them struck a chord with me. I really liked this as a whole collection though, as (deliberately) disjointed and incomplete-jigsaw a book this is!
I'm guessing you've already worked out that this book didn't exactly thrill me. Fantasy is always a big ask for me, but at least most fantasy has some kind of story. The book apparently originated as short stories written over a long period of time which Bradbury then brought together in 2001, writing linking portions to try to give it some kind of coherent structure. This is the same way as Bradbury's much earlier (by half a century) The Martian Chronicles evolved – a book I thought was truly wonderful despite the fragmentary feel of it. Unfortunately, it doesn't work quite as well with this one. Firstly, with one or two exceptions, the separate stories aren't terribly interesting; and, secondly, there doesn't seem to be much of an overarching theme to outweigh the weakness of the linking.
The main residents of the house are a mummy known as One Thousand Times Great-Grandmère, Cecy, a girl who can dream herself into other people, Mother and Father (nope, got nothing to say about them at all) and a mortal boy, Timothy, who was taken in by the family when he was abandoned and now dreams of one day having wings like his Uncle Einar. Later Grandpère appears too – OTTG-G's husband. Most of the stories involve one or other of these characters plus an array of other characters who tend to make only one appearance.
If there is a theme, I think it might be that Bradbury is regretting the passing of belief in tales of the supernatural – sometimes comparing it to the loss of childhood, sometimes suggesting a kind of connection with the growth of atheism. But I think I may be looking too hard. Perhaps we're just supposed to enjoy it for what it is. And maybe people who like fantasy more than I do will indeed enjoy it. Some of the descriptive writing is great, though sometimes it becomes rather overblown. I enjoyed the stories that had more of an actual story – the one where Cecy inhabits a young woman's body in order to experience falling in love, for instance; or the story about the ghost, fading because of people's lack of belief in the supernatural, and the nurse who helps him on his journey to Scotland, where he hopes that superstition still thrives enough to save him. But others are really just a series of descriptions and odd little vignettes that left me searching for the elusive point.
I think it might have worked better had it just been left as a book of short stories – the attempt to link them actually highlighted the unevenness of quality and lack of depth of meaning. Nope, I'm afraid this just wasn't my kind of thing. Ah, well! 2½ stars for me, so rounded up.







