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The Dutch House: A Read with Jenna Pick Hardcover – Deckle Edge, September 24, 2019
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Finalist for the Pulitzer Prize
New York Times Bestseller | A Read with Jenna Today Show Book Club Pick | A New York Times Book Review Notable Book | TIME Magazine's 100 Must-Read Books of 2019
Named one of the Best Books of the Year by NPR, The Washington Post;O: The Oprah Magazine,Real Simple, Good Housekeeping, Vogue,Refinery29, and Buzzfeed
Ann Patchett, the #1 New York Times bestselling author of Commonwealth, delivers her most powerful novel to date: a richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are.
At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.
The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures.
Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.
- Print length352 pages
- LanguageEnglish
- PublisherHarper
- Publication dateSeptember 24, 2019
- Dimensions6 x 1.13 x 9 inches
- ISBN-100062963678
- ISBN-13978-0062963673
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“But we overlay the present onto the past. We look back through the lens of what we know now, so we’re not seeing it as the people we were, we’re seeing it as the people we are, and that means the past has been radically altered.”Highlighted by 8,616 Kindle readers
There are a few times in life when you leap up and the past that you’d been standing on falls away behind you, and the future you mean to land on is not yet in place, and for a moment you’re suspended, knowing nothing and no one, not even yourself.Highlighted by 8,425 Kindle readers
“Do you think it’s possible to ever see the past as it actually was?”Highlighted by 3,091 Kindle readers
From the Publisher
The Dutch House by Ann Patchett: A Read with Jenna Today Show Book Club Pick!
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Editorial Reviews
Amazon.com Review
Review
“The Dutch House has the richness, allusiveness, and emotional heft of the best fiction.” — Boston Globe
"As always, the author draws us close to her protagonists swiftly and gracefully." — Wall Street Journal
"Patchett’s prose is confident, unfussy and unadorned." — New York Times
“A big-hearted, capacious novel...” — Chapter 16
“The Dutch House is unusual, thoughtful and oddly exciting, as well-told domestic dramas can be.” — Columbus Dispatch
“Patchett’s storytelling abilities shine in this gratifying novel.” — Associated Press
"As always, Patchett leads us to a truth that feels like life rather than literature." — The Guardian
"For Patchett fans who have been waiting for years, it's a worthwhile read." — Evening Standard (London)
"Ann Patchett spins a dark, compelling fairy tale in The Dutch House." — Entertainment Weekly
"The Dutch House confirms what we've always known: Ann Patchett doesn't write a bad book." — BookPage
"This finely textured novel is made up of many such small, intimate moments, yet the effect is sweeping, grand, and lavish—and all deeply moving." — New York Journal of Books
"This is a serious and poignant story, but also a delightfully funny one." — Washington Independent Review of Books
“This richly furnished novel gives brilliantly clear views into the lives it contains.” — Kirkus Reviews(starred review)
"You won’t want to put down this engrossing, warmhearted book even after you’ve read the last page.” — NPR
“Expect miracles when you read Ann Patchett’s fiction.” — New York Times Book Review
“Patchett is a master storyteller.” — O, the Oprah Magazine
“Patchett’s splendid novel is a thoughtful, compassionate exploration of obsession and forgiveness, what people acquire, keep, lose or give away, and what they leave behind.” — Publishers Weekly(starred review)
“A lavishly gifted writer.” — Los Angeles Times
“Patchett writes enviable prose—fluid, simple, direct, clear, and fearless.” — Esquire
“Enchanting.” — PEOPLE Magazine, Best Books of Fall 2019
“Patchett is at her subtle yet shining finest in this gloriously incisive, often droll, quietly suspenseful drama of family, ambition, and home. . . . With echoes of F. Scott Fitzgerald and in sync with Alice McDermott, Patchett gracefully choreographs surprising revelations and reunions as her characters struggle with the need to be one’s true self.” — Booklist
"The Dutch House is beautifully written and often tender." — The Spectator
"A great novelist is on top form with this tale of lost family home." — The Times (London)
"Subtle mystery, psychological page-turner, Patchett's latest is a thriller." — Washington Post
About the Author
Ann Patchett is the author of novels, works of nonfiction, and children's books. She has been the recipient of numerous awards including the PEN/Faulkner, the Women's Prize in the U.K., and the Book Sense Book of the Year. Her novel The Dutch House was a finalist for the Pulitzer Prize. Her work has been translated into more than thirty languages. TIME magazine named her one of the 100 Most Influential People in the World. President Biden awarded her the National Humanities Medal in recognition of her contributions to American culture. She lives in Nashville, Tennessee, where she is the owner of Parnassus Books.
Product details
- Publisher : Harper; First Edition (September 24, 2019)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0062963678
- ISBN-13 : 978-0062963673
- Item Weight : 1.1 pounds
- Dimensions : 6 x 1.13 x 9 inches
- Best Sellers Rank: #13,671 in Books (See Top 100 in Books)
- #470 in Coming of Age Fiction (Books)
- #995 in Family Life Fiction (Books)
- #1,538 in Literary Fiction (Books)
- Customer Reviews:
About the author

Ann Patchett is the author of six novels, including Bel Canto, which won the Orange Prize for Fiction. She writes for the New York Times Magazine, Elle, GQ, the Financial Times, the Paris Review and Vogue. She lives in Nashville, Tennessee.
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Cyril Conroy, the story's patriarch has hidden riches that his wife knows nothing about. He is a penny pincher but he's also made excellent investments in real estates. He purchases the Dutch house for his wife Elna and she ends up hating it. Prior to Cyril's purchase, the house was owned by the VanHoebeek family and it was sold with all their possessions still in the house. Portraits of the VanHoebeeks stare at the Conroys from over the fireplace mantle and, while the size of the house is enormous, parts of it are falling apart and it is in general disrepair. How the Dutch house contributed to the undoing of the Conroy family is a central theme of this novel.
The novel is told in Danny Conroy's voice, the younger of the two Conroy children. His sister Maeve is seven years his senior. Shortly after moving into the Dutch house, Danny and Maeve's mother leaves. Supposedly, she goes to India but no one is certains. Maeve cares for Danny in most practical and emotional ways, a practice that continues well into adulthood. Maeve is diabetic and after her mother leaves, she gets very ill.
Cyril hitches up with Andrea, a gold digger with two children who is cold to Danny and Maeve. She loves the Dutch House and everything in it. Danny and Maeve hate her and develop and animosity and taste for revenge that rests with them like an albatross.
I won't say more about the story line except to point out that Ms. Patchett writes beautifully. The first half of the novel ran with the wind as I tried to keep up. The second half lagged and I couldn't stand the denouement. I felt like the ending was tacked on, perhaps due to some personal issues that the author has experienced of witnessed. I rate the writing and first half of the book a 5 while the second part is a low 3 for the thematic elements. It just didn't ring at all true to me.
When Mauve told her father “You didn’t ask me,” I stopped reading and reread it. And then I read it again. You know, that was the father’s problem. He did things for others and with others without asking them if they wanted to do it in the first place. I didn’t see him ask someone what they wanted, nor of-fer anyone choices between different options. He just directed things as they pertained to his own life path, as if he was al-ways in charge. Like buying the house and presenting it as a gift or magnum opus for his wife to just accept, with no say in the selection as modern couples do. That was just dumb. Sure, it was romantic, but come on. Really? The old days with husbands or fathers deciding, instead of seeing life as a journey with a partner, is just thoughtless to me. I find it hard to understand.
So, I liked Danny. This was his story to tell, though I still wonder if this was a story of a person or a house. Let’s see. Danny points out that he was asleep to the world, as a child and young adult and husband. How about as a passenger, or student, or brother, or father? I wonder.
There was so much that Danny didn’t see, didn’t ask about, wasn’t curious about. Easily seen things that he was just oblivious to. It doesn’t mean that he was stupid or self-centered, but he just didn’t look at things from someone else’s perspective. He lived life and didn’t question things or see things from other people’s point of view.
I blame the father. Danny wasn’t allowed or didn’t know how to talk about women (his mother, sister, stepmother) with his father. How is it that a father (Cyril) could raise a son (Danny) and not give him opportunities to develop a skill at analyzing and talking about the opposite sex? That is just bad parenting. The father is supposed to be developing his son’s mind and preparing him for the future, one in which most sons marry someone and need to understand how to talk with (and dis-agree/argue with) them. He didn’t, and I fault him for that.
Of course, the father did impart one useful life trick: “The things we could do nothing about were best put out of your mind.” I like that and try to live by that motto myself. Focus on the things you can change. And, somehow he learned that “You had to touch a hot stove only once.” So true! How many times have I seen someone act in a stupid way, and told myself that they’d never be more than an acquaintance to me, not a friend, not someone I’d choose to hang out with. How did I learn that? And from whom? I don’t know. Not my father.
One thing did bother me, though. Danny seemed to re-member many times when his stepmother was kind to him, but he focused too much energy on the times when she wasn’t. He knew that this was not smart or productive, but he did it any-ways. Sure, that is typical of people, forgetting the good and remembering (and focusing on) the bad. It is why kids blame their parents for their own life’s failings and shortcomings.
I can’t help it, but certain elements of this story made me think of my own life. I can connect with not having friends come over as a child. Norma and Bright didn’t have visitors, just as Danny and Mauve didn’t have friends over. No one to spend the night, or pretend with, or to run around with in the backyard, or to play hide-and-seek with. So lonely, only adults to communicate with, who seemed to be busy managing life and not imagining life (as kids often do). And when I found out that Kevin loved butterscotch Lifesavers, I smiled, because that is the one flavor I loved as a child. Loved! I have such fond memories of getting it from my grandma (though I didn’t like cherry). Did I tell others this? I don’t think so. I wasn’t allowed to ask for stuff, or encouraged to talk about what made me happy. Again, it’s the life my parents lived, and their choices that I now reflect on. Having a mother who is already dead and a father who will never read what I write, well, I am just talking to myself. And getting married on a sweltering hot July day. Yep, I did that too. It was 108 degrees on my wedding day, outdoors, with lots of family and a few friends sweltering in the heat. And when the father died at age fifty-three, it struck a chord with me, as I am fifty-three right now. No, I don’t expect to die this year. I am in excellent shape and wouldn’t even breathe heavily from climbing three flights of stairs. And being the iron in Monopoly. That was me as a child, every time. I always wanted to be the iron. No one else wanted it. It wasn’t sexy or cool, but I liked it, and how flat it was, and how it couldn’t fall over. And I could slide it. I enjoyed these moments, when my life and the life of the characters in this novel crossed paths.
I hated the step-mother for so many reasons, from the earliest moments and almost to the very end. Like, when Sandy and Jocelyn weren’t given the day off to attend the funeral service, but were instead required to work in the kitchen. I was angry. How self-centered and thoughtless of a person this stepmother was. I wonder, did she even ask them if they wanted to help out or not? I doubt it. She constantly bossed people around, both kids and adults, exerting power over others in order to get what she wanted in life. Such a horrible per-son. She got what she deserved. One of her daughters refused to come see her, moving far away, while the other dropped everything and came to her aide in the final years. Would I, if I were that child? Would I quit my job and leave behind my friends, and subject myself to such drudgery for a person who is a self-centered person? Well, I don’t think that this daughter saw her mother in that way. She was loved and got whatever she wanted, so she and I aren’t viewing things from the same place. I’d probably be that other child, living far away.
When Danny realized that he had limited real world coping skills because his father had protected him from what the world was capable of, I started thinking about myself. In what way did my father do the same, hiding reality from me, failing to give me coping skills for what life would surely throw at me. Did my own failures in life arise because I wasn’t given the tools as a child and young adult, and no guidance or support system as an adult, no one to talk to, no trusted advisor. I find it ironic that my father advises other people, other couples, and yet he would have been the last person I would ever have consulted on anything in life. I still don’t call him for advice. Ever. I can’t help but wonder if he knows this. It should be normal for a child to trust the opinion and guidance of their parent. I don’t.
When Mauve in anger told Danny that the new family had “stolen from us,” I hit the mental pause button. Us? Really? In my mind, the one who did the work and bought the home was the father. He owned the house and its contents, not the kids who lived off of his generosity. When he died, it made sense that everything went to the wife (their stepmother). These two (a young adult and a teenager) mistakenly thought that the house should be theirs. Nope. That’s not how it works. They didn’t work for it or marry someone who had. This expectation that kids have, that their parents’ stuff is their stuff, is just wrong. Sure, you share. And you don’t kick a child out into the street (or to live with his sister). But the step-mother had the right to keep everything in the house.
Danny mused about life, his own life, and his wife’s (Celeste), asking whether it really belonged to you, or to your parents and their expectations and hopes. Does a parent have that right, even if they paid for a child’s education, or paid for a car, or helped with a down payment? Do they own that child’s future? I think that kids feel obligated, like they owe their parents after so much is invested in them. But where do you stop here? Where does obligation end and freedom of choice begin? I remember when my father’s expectations of me clashed with my own vision of the future. An ultimatum ended with me walking away from my family, saying goodbye and living on my own. It was painful, but I felt that my life was my own, not only because I was paying for everything I did, but be-cause it was mine to live as I saw fit. They had their chance when they (actually, my father) were my age. I wasn’t using their money to fund my college. I was working while at school, paying for my education entirely on my own, so they didn’t have the right to tell me what to do or how to live my life. Or so I thought.
I still dislike the stepmother, Andrea. I can’t see why the father married her in the first place, unless he was truly desperate. Danny wonders this too, and comes to the conclusion that his father must have just been tired of being alone. I think that he was actually unable to finish raising kids alone and manage the house. He wanted someone else to do the job. And he wanted to release some of the burden from the oldest child, Mauve.
But what about the mother? It still shocks me that neither child looked for their mother once they became adults. I hear of kids doing that, searching for a parent who abandoned them in childhood, reconnecting. Danny and Mauve weren’t told that their mother was dead, just crazy (by the father). Didn’t they question that, or want to find out more? And the whole keeping it a secret from his sister. Why would Danny do that after talking with Fluffy? He didn’t have that right. Just like the father who made decisions for others without consulting them. Like father, like son.
I liked it when Mauve justified her life by saying “I like my job.” Just as she liked her house, and liked her solitude, and liked smoking, and liked checking up on the old house and its occupants. No one had the right to tell her that she wasn’t happy. I connected to this in my own life, as I like my life. When a “friend” tries to get me to do something, thinking that this new event or whatever will make me happy, I just shake my head and move on. I am happy. I don’t want other people to try to “fix” me. I am happy as I am.
When Mauve pointed out that she had to choose between feeling angry and bitter or feeling happy and lucky, I liked that. Too often I choose to feel the misery, to relive the past and dwell on how painful an event was instead of just moving on and living in the moment. I think that we all do that. “There is a finite amount of time.” So true! So true. It is stupid to feel anger over something that is now in the past. It makes sense to focus on the present and get the most pleasure out of what it has to offer.
I am still kinda annoyed with the mother. She left. But, I know that she was also forced out, by the father, given an ultimatum. Man, what was so wrong with this couple and their life, and their inability to talk it out, or to change course? I must be careful not to superimpose modern ways of coupling with a time in the past, but I can’t help it. It is who I am today. I still remember the early part of the book talking about the past, and how we can never see it as it was because we’re too influenced by the present. So true. I did like how the mother served those who needed to be served, and didn’t just help the ones who make her feel good about herself. It is something to think about, holding both thoughts together in your mind: abandoning the family and helping others. Most people must choose one or the other, to understand her suffering or to blame her for her life path. I think it is wiser to hold both ideas simultaneously, and allow them to exist together.
In conclusion, I still wonder about that house. So much in this story is centered around the house. From the beginning until the end, it was a center piece of the story, defining people and the choices they made, mentioned, described, connected. It was both an empty shell in need of people and a house filled with noise. It was both a hive of pain for some and a place of comfort for others. It was a place to hate as well as a place so longingly remembered. Two opposing ideas held at the same time. I found it pleasing to see the house go from a party place before the family moved in for adults, surviving kids, those kids having kids of their own, and then being bought by a kid who reached adulthood and turning it again into a place for parties. turning back into a party place. The house is happy again, filled with a purpose and no longer lonely. I liked the house from the start, and thought how cool it would be to live there.
If you want to read a fun book, then this is one you should buy. I did, and I am glad for the experience.
Top reviews from other countries
The story is told in two timelines from Danny's point of view and the only flaw in the book is that sometimes the switch although sometimes seamless, is hard to follow. The characters are superbly drawn and the plotting leaves no loose ends
Highly recommend for fans of Anne Tyler and Elizabeth Strout.




















