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Echopraxia Hardcover – August 26, 2014
Prepare for a different kind of singularity in Peter Watts' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight
It's the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it's all under surveillance by an alien presence that refuses to show itself.
Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat's-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he's turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out.
Now he's trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn't yet found the man she's sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids."
Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself.
- Print length384 pages
- LanguageEnglish
- PublisherTor Books
- Publication dateAugust 26, 2014
- Dimensions5.83 x 1.26 x 8.43 inches
- ISBN-10076532802X
- ISBN-13978-0765328021
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About the Author
PETER WATTS is the Hugo nominated author of Blindsight and has been called "a hard science fiction writer through and through and one of the very best alive" by The Globe and Mail and whose work the New York Times called "seriously paranoid."
Product details
- Publisher : Tor Books; First Edition (August 26, 2014)
- Language : English
- Hardcover : 384 pages
- ISBN-10 : 076532802X
- ISBN-13 : 978-0765328021
- Item Weight : 15.7 ounces
- Dimensions : 5.83 x 1.26 x 8.43 inches
- Best Sellers Rank: #1,207,643 in Books (See Top 100 in Books)
- #2,952 in Cyberpunk Science Fiction (Books)
- #2,966 in Genetic Engineering Science Fiction (Books)
- #4,035 in Hard Science Fiction (Books)
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About the author

This is awkward and a little creepy. They tell me I have to do it for promotional purposes, but I've already got a blog. I've already got a website. Being told that setting up an author page on fcuking *Amazon* is essential to success? A company that treats us all like such goddamn children it doesn't even allow us to correctly spell an epithet with a venerable history going back 900 years or more? That just sucks the one-eyed purple trouser eel.
Still, here I am. But if you're really all that interested, go check out my actual blog/website. Google is not your friend (any more than Amazon is), but at least it'll point you in the right direction.
I'm the one on the left, by the way.
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Both novels take place in a future not quite a century from now, when technology has advanced to a degree that is practically post-Singularity even for the majority of humans directly involved in the work. Not surprisingly, for either a Watts novel nor to anyone following the fields, some of the greatest advances are in the fields of the biomedical, especially in the arts of making people into nothing nature intended.
Military personnel might be mostly mainstream, enhanced with prostheses or implants or even a little wetware, but they might also be Zombies, modified to effectively discard consciousness (and conscience) as a time-wasting parasite on the enhanced metabolic rates needed to prevail in battle. System operators of technology ranging from autonomous networks to deep-system spacecraft are modified, implanted, genetically reshaped, all the better to work with systems initially designed by human beings but now evolved into their own form of artificial life. Vampires have been "resurrected" from long extinction, with activation of "junk" DNA of autistics producing fearsome predator with off-the-charts pattern-matching skills and the social skills and intentions of sociopaths, kept in check only by the "Crucifix Glitch" that would quickly kill them if not for Anti-Euclidian drugs supplied by their creators/captors who use them for specialty problem-solving and making corporate management decisions. Half of the world's patents are held by the Monks of the Bicameral Order, people who have so modified their own brains and nervous systems that they need a special breed of modified humans to act as the interpreters between their Hive Mind and the rest of humanity.
In the face of all of this radical specialization, what's a "normal" Baseline Human to do?
Daniel Bruks is a practicing field biologist, doing sampling in the desert, and not incidentally more or less on the lam. He once did some coding in epidemiological surveillance but didn't do it well enough. His unintentional "backdoor" was exploited by terrorists to kill thousands and while nobody can call him criminal, his colleagues don't want much to do with someone who was so careless or incompetent with their project. To make matters worse, Bruks is very old-fashioned. In a world where most professionals do simulations and modeling controlled by their own implants, Bruks has an aversion to implants and can be regarded as something of a Luddite.
His peaceful days in the desert are interrupted when a cadre of zombies sweep through his research grounds and the terrified biologist runs as fast as he can to the only nearby shelter, a "monastery" of the Monks of the Bicameral Order. He makes it inside only to find that he has escaped from a zombie incursion into an emergency evacuation of the Order and he wakes up on a deep-system ship headed for close solar orbit. Between the surviving Hive Mind "monks, an obsessed Colonel seeking any signs of life from his _Theseus_-mission-specialist son, the vampire-on-the-lam who had been controlling the Zombies (also along for the ride), and the revenge-driven ship's pilot, Bruks finds himself outclassed and underskilled. He can't even talk to half of the crew/passengers. The thoughts of the Monks are outside of all humanity and their communications almost as much so, talking to the Zombies is a really bad idea, the ship's pilot only almost makes sense to Bruks, the translator for the Hive Mind is not only halfway there to joining the Hive, but she's also deeply "religious" in contrast to the agnostic/atheist Bruks whom she half-heartedly prosyletizes. Meanwhile, the hyperintelligent vampire is lurking around just out of Bruks's sight and he'd prefer to see even less of her than he already does... and Bruks isn't the only one who is totally convinced that she's _up to something_.
Their destination? _Icarus_ is a massive station in close orbit around the sun, converting vast energies and plasma streams into quantum specifications beamed out to the vanished _Theseus_. The quantum specs are used to write matter into being at the destination, or more to the point, to write antimatter for propulsion. But those quantum specs could be written to anything that can receive the signal and convert the specs... and as much signal is being sent out from _Icarus_, some tiny bit of signal is coming back. The Colonel thinks it's a message from _Theseus_ and that it could be from, or inform him of, his lost son. Nobody seems to know what the Hive Mind thinks, other than that they are so deeply interested in both the message and reception point that they put together the majority of this mission, with their vast wealth and incomprehensible technology. Trying to second-guess the vampire isn't proving too successful for anyone. But what are the intentions of the aliens who seem to have left something at _Icarus_? What _is_ that, anyway? And what will happen when they find out?
_Echopraxia_ is chock full of Watts's trademark diversions through the landscape of today's cutting edge biotech and neuromedical research. These aren't digressions, usually; they are pivotal to the plot and often are essential to the origin or status of the characters. Philosophical questions arise within the dialog and scenario, but moreso the gestalt of the tale. It doesn't so much _do_ philosophy or speak to (or of) philosophy though there is a bit of that; rather the depiction of that world and the people in it comprise so much philosophy (especially moral questions in medical and social applied sciences) that you might see the philosophy not as peeking out from under the carpet, but as being the carpet, so to speak, as well as the people standing on the rug talking about philosophy. But it's not about philosophy! It's about a very possible world we could live in a century from now! Isn't it? Is there a difference?
If you like thought-provoking visionary SF that has a fine notion of pace and timing, this book is for you. If you like the sort of action writing that's equivalent to standing around chatting on the coffee-break one minute, and moments later digging yourself out of the pile of rubble at the bottom of the cliff asking "what just happened" even though you had a very good view of everything going to hell all around you, this book is for you. If you want to see questions answered that you might have left over from reading _Blindsight_, this book doesn't so much give you the answers as it points you down the road to where answers will be found, once you pause and inventory your backpack when you get there.
This book needs to be on your bookshelf and you should put it there.
One thing that is common between the two books is that I went to Wikipedia to look up the meaning of ECHOPRAXIA (much like I did for the meaning of BLINDSIGHT over seven years ago. It tells me this:
Echopraxia (also known as echokinesis) is the involuntary repetition or imitation of another person's actions.
The definition goes into more detail, of course, but the defintion I quote above can give us quite a nightmare when we think about exactly what it can imply.
Heck, I'm rambling, probably because I don't know quite where to begin. So maybe the logical place, the beginning, will do. The story takes place not long after the events of BLINDSIGHT near the end of the 21st century. The Earth is more than a bit messed up from the things we would expect: scarcity of resources, ravaging of natural resources, etc. Most people have mods implanted in them to help them perform various tasks - the total population of naturals is very small. One of these people is Danial Bruks (and if I could put the umlaut over the u it would be more accurate), a "natural" biologist who is out collecting samples in the desert one evening when he gets caught in the crossfire between an unseen attacker and an alliance of Transhuman Bicamerals and a vampire and her zombie hoard. You may remember the vampires and zombies from BLINDSIGHT. These are certainly not our friendly, neighborhood sparkly vampires, nor are they Dracula like - no they are much much worse. They are creatures who are actually extinct but were brought back to life, much to the dismay of most of the living creatures that come into contact with them. You may remember, also, that the vampires, and our vampire in particular, Valerie, ingest drugs that make it tolerable for them to be in the presence of right angles (yes, BLINDSIGHT gave us a scientific explanation for the Crucifix Effect). Transhuman Bicamerals are severely modified humans who together form a hive mind. These Bicamerals can barely, if at all, function as normal human beings, and
certainly can't communicate normally. They need modified humans to understand their gibberish and physical gyrations and who translate that information for the rest of humanity. The Bicamerals are brilliant and hold something like a gazillion patents.
Bruks, the Bicamerals, Valerie and her zombies, and a few other folks head out in a spaceship to visit Icarus, a space station which, among other things, provides a not insignificant portion of humanity with its energy supply. It is there that they discover an entity that effectively changes the course of the novel as well as the life of Dan Bruks.
Like BLINDSIGHT, this is a difficult novel to describe. On one hand, it is yet another Singularity story, although it seems just a tad different than
most of the other Singularity stories, in that it is not the technology that changes so fast that we can no longer comprehend it - it is ourselves. It is
a wonderful discussion on science versus faith (note that I did not say religion - that is a related but different argument, I think), with not just the
usual arguments that go back and forth during our time, but the contention that even science can be relied upon too heavily, and in fact is yet another kind of faith. The followers of the Bicamerals think of them almost as gods, and Bruks is skeptical because after all, how can anyone actually understand what they're saying or communicating? There's no evidence - other than the aforementioned patents, for example - that anything they say is real and accurate. Lianne, a Bicameral follower and the closest person to a love interest that Bruks has in the story, tells Bruks he must take the Bicamerals on faith, while later in the novel Bruks says her only crime was faith.
In the end, there are a ton of ideas in this book, and Watts writing and storytelling style are marvelous in engaging the reader to want to know more about what's going on with all this stuff. And, as with BLINDSIGHT, Watts provides an in depth and detailed Notes and References section, which includes *140* footnotes to support his statements. Most, if not all, of these footnotes are hyperlinked in the e-book edition so if you're really curious about his research for the book, you can follow along and read up on it yourself if you like.
Another thing I find refreshing about Watts' writing, both here and in the short story collection I reviewed earlier this year, "Beyond the Rift", is that
Watts doesn't assume his readers are idiots. Rather, he assumes they are intelligent and can understand and make intuitive and logical leaps without being spoon fed everything. He challenges the reader to put on a thinking cap and work through the clues he's put into the narrative. All of which says that thisis not your typical beach reading (I think I said that about "Beyond the Rift", too). You'll be challenged by ECHOPRAXIA, and you'll be the better for it.
I think it's just as well that I didn't go into too much detail about the plot of the novel. I think it's best that you read for yourself and make discoveries along the way. And just how does the title relate to the book? Look in the mirror.
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Quite an exciting novel.
Obviously - intelligence costs.
Echopraxia (and prequel Blindsight) present ordinary, baseline humans dealing with entities far smarter than they are. It's a hard call for the author: are his super-intelligent beings smarter than the author himself, his readers? How then can they possibly be imagined?
Try another question first. What possible utility could super-intelligence have in evolutionary terms? After all houseflies, not known as paragons of smartness, seem to have had no problem colonising the planet. The answer has been known for a long time: in a predictable environment (aka ecological niche) the organism can get away with hard-wired reflexes - instincts - and that's the way to go. Intelligence is the way animals deal with problem-solving in variable, somewhat unpredictable environments, often when they are social creatures and have to compete with equally-complex and hard-to-fathom conspecifics.
Still, we are where we are and there's not much sign of super-intelligence in the myriad species inhabiting this globe. So what are the fictional super-smarts actually doing?
In Blindsight/Echopraxia they are capable of maintaining and manipulating multiple highly-abstract models applied to extrapolating from the current situation. They understand what they perceive at a much deeper level and can predict and direct consequences far better than we can. This assumes of course that these deep levels of abstraction are actually relevant: a quantum physicist understand the dynamics of the world far more profoundly than any lay person but in everyday life it makes no difference - and even gets in the way.
To be super-intelligent in a way which pays off you have to be in a situation where complex phenomena are directly causally present, and you must possess super-senses and super-tools to act effectively on your superior understanding. In Echopraxia for example, super-smarts are able to perceive and affect human brain states directly, and manipulate effective theories of human brain functioning in real-time. No wonder they run rings round us. They have a similar relationship to advanced technologies, which makes them pretty effective in dealing with power and transportation platforms and weapon systems - always useful in an SF novel!
The moral is that being as stupid as possible (but not stupider) is the right answer - but the ratchet of that minimal level keeps cranking up, as science and technology complexify our environment.
So how does Peter Watts convey to us, his readers, the super-intelligence of his protagonists? By making his stories intricate puzzles where we're never quite sure who's doing what to whom, and why. After the novel is finished, you reflect, try to make some sense out of the hints, the apparently purposeless or perverse actions. And then it starts to come together: being slow-witted is sometimes homologous to cranking down the clock speed of the very smart.
One of the reasons many people give for disliking SF is that there's so much explanation of the book's ideas, by both author and characters, that there's often little room for anything else, like plot and character development. (I read LeGuin for that personally.) Being an SF fan, I come to books like this for the ideas, so I don't much mind. However, having read this book, I can understand why some who are not SF fans really disliked Blindsight.
Echopraxia is a lot like the previous book - to the extent that several of the characters are basically the same. (Then again, how much of a distinct personality can a Wattsian vampire have?)
And there is a hell of a lot of discussion of the ideas and - as with Blindsight - a lot of it doesn't make much sense at the time. (I'm hoping for at least one more tile in this sequence, because there are loose ends all over the place.) However, just as with Blindsight, those ideas are fascinating and Watts provides his usual notes and references at the end. I'm certainly going to follow them up.
I'm beginning to wonder though, whether Watts shouldn't get around the character and plot problems by simply writing up his research for the next book and publishing it as Popular Science non-fiction, it's clearly where his enthusiasm and talents lie. Any way, if you hated Blindsight, buy this and hate it too Peter Watts can probably use the money. I liked it.
Beyond that, it's hard to say. The book is clearly designed to be read at least two or three times before it really starts to make sense, and requires you to have Wikipedia open to follow up not just the science, but also much of the religious imagery in which the book is soaked. "Daniel", the hero's first name is, of course, the apocalyptic warrior of the Old Testament who saw the Writing on the Wall - something that's a feature both literally and metaphorically in Watts's story. And his family name - "Bruks" must mean something: perhaps related to the germanic words for "bridge" - but between what and what?
Come back and ask me when I've had a chance to read it several more times.






