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Editorial Reviews
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
At seventy-three, with his wartime career as president of the Naval Consulting Board behind him, Edison tried to make sense of a new intellectual order that challenged everything he had learned of Newtonian theory. Abstract thought did not come easily to him. “My line of sorrow,” he wrote, “lies in the realm of technical science.” He needed to feel things come together under his hands, see the filament glow, smell the carbolic acid, and—as far as possible for a near-deaf man—hear the “molecular concussions” of music.1
Laws such as those of Faraday’s electromagnetic induction and Ohm’s relation of current, voltage, and resistance he understood, having applied them himself in the laboratory. But now, if only to slow as much as possible the entropy of his own particles (the fate of all systems, according to Lord Kelvin), Edison studied Einstein’s general theory of relativity.2 The recent solar eclipse had persuaded him, along with the academic scientists he mocked as “the bulge-headed fraternity,” that the theory was valid—even if it failed to suggest any correlation between his attempt to measure the total eclipse of 1878 and his subsequent perfection of incandescent electric light.3
The urtext of the theory, as translated by Robert Lawson, defeated him after only eleven pages. “Einstein like every other mathematical mind,” he scrawled in the margin of his copy, “has not the slightest capacity to impart to the lay mind even an inkling of the subject he tries to explain.” He turned for help to an interpretive essay—Georges de Bothezat’s “The Einstein Theory of Relativity: A Glance into the Nature of the Question”—and filled thirty-one notebook pages with scrawled paraphrases of its main points.4
Gravitation is due to the retardation in velocity of the ultimate particle in passing through the fixed aggregates of matter. Ultimate particles fill the whole of space and proceed in every direction. . . .
He could imagine that at least in terms of his own observation, forty years before, of the thermionic emission of carbon electrons in a lightbulb after evacuation—a mysterious darkening since known as the “Edison Effect.” It was about as far as he ever got in his search for a “new force” in electrochemistry. Disparaged at the time by his peers, he now knew that he had discovered, if not recognized, the phenomenon of radio waves eight years before Heinrich Hertz.
Wireless waves cannot proceed thru space but thru Matter in combination with the ultimate particle. . . . From this, if true, all matter is formed of the same material.
Edison had once teased a science fiction writer with the notion of interchanging atoms of himself with those of a rose. He noted that Einstein envisaged particles in space with common axes converging into solidly constituted “rings,” while others remained ethereal. Hence the “primal ring” of the solar system, with its interplanetary nothingness.
We now have matter in a form which is polar & capable of producing what we call Magnetism & Electricity.
The religion boys, of course, would protest that what drew particles together was the will of God. Edison was as ready as Einstein to believe in a “Supreme Intelligence” made manifest by the order and beauty of the stars, and equally reluctant to personalize it: “I cannot conceive such a thing as a spirit.” The furthest he would go in the direction of metaphysics was to imagine the subcellular particles of a human being as “infinitesimally small individuals, each itself a unit of life.”5
These units work in squads—or swarms, as I prefer to call them—and . . . live for ever. When we “die” these swarms of units, like a swarm of bees, so to speak, betake themselves elsewhere and go on functioning in some other form or environment. If the units of life which compose an individual’s memory hold together after that individual’s death, is it not within the range of possibility . . . that these memory swarms could retain what we call the individual’s personality after the dissolution of the body?
Having thus anticipated by more than a century both swarm intelligence and DNA inheritance theory, Edison gave up trying to understand relativity and returned to the more tangible universe he preferred.
A Big Bump for Cookies
As he saw it, his first order of business in the new decade was to reimpose his own—highly individual—personality upon Thomas A. Edison, Inc., the sprawling industrial conglomerate that he had been forced to neglect during the war. He chose not to notice that it had thereby done much better than it had in earlier years, when he had run its manifold activities—phonograph and record production, movie making, cement milling, storage battery development, and laboratory research—with such autocratic willfulness as to make his executives despair of ever influencing him.
Edison was not an easy man to advise, being a combination of twinkling charm and bruising imperiousness. In his youth the charm had prevailed, but now that he was a septuagenarian and almost unreachably deaf, the urge to overbear had become a compulsion, and he had lost much of the bonhomie that had kept thousands of men working for him, and worshiping him, over the past half-century. Long gone was the perpetual hint of a smile flickering around the corners of his mouth, as if he were about to break into thigh-slapping laughter. The artist Richard Outcault remembered its radiance back in ’89, when “the boys” presented “the Old Man” with a gold and silver phonograph for his birthday. “Edison’s smile! [It] sweetened up the atmosphere of the whole building. . . . As long as I live the sweet spirit that pervaded the atmosphere of the laboratory will always remain with me.”6
Edison still moved with the jerky energy that kept him awake, and acting more decisively, than young men unable to match his eighteen-hour-a-day schedule. He regarded exercise as a waste of time, and sleep even more so. Since he was twenty, he had maintained his 175-pound, five-foot-nine-and-a-half-inch frame with only a few lapses, quickly corrected. (“I do believe I have a big bump for cookies.”) The most remarkable thing about his appearance, apart from the brilliance of the blue-gray eyes, was the largeness of his head, amplified by its thick mop of snowy hair. He wore custom-made size eight-and-a-half straw hats, and slashed the bands of his caps for comfort. His handshake was perfunctory and surprisingly cold. Monomaniacally focused on whatever current project interested him, he strode at a forward angle, hands in vest pockets, aware only of his destination and completely unconscious of time. He never wore a watch, and made no distinction between day and night, nodding off when he felt like it and expecting his assistants to follow suit. The same went for waking up. If two hours of rest was enough for him, he did not see why anyone else should want more.7
Lovable as he was—or had been in the past—Edison did not return affection, beyond the occasional beaming familiarity, in which there was often a note of tease. He thought hurtful practical jokes—electrified washbasins, a wad of chewing tobacco spat onto a white summer suit, firecrackers tossed at the bare feet of children—were funny. Having made money easily all his life, thanks to phenomenal energy and the mysterious gift of imagination (his personal wealth, at latest calculation, was almost $10 million), he was unmoved by the lesser luck or ill fortune of others, and casual about the loneliness of his wives. Now, returning to his laboratory desk in 1920, he was determined to teach Charles Edison a thing or two about running a large corporation.
At seventy-three, with his wartime career as president of the Naval Consulting Board behind him, Edison tried to make sense of a new intellectual order that challenged everything he had learned of Newtonian theory. Abstract thought did not come easily to him. “My line of sorrow,” he wrote, “lies in the realm of technical science.” He needed to feel things come together under his hands, see the filament glow, smell the carbolic acid, and—as far as possible for a near-deaf man—hear the “molecular concussions” of music.1
Laws such as those of Faraday’s electromagnetic induction and Ohm’s relation of current, voltage, and resistance he understood, having applied them himself in the laboratory. But now, if only to slow as much as possible the entropy of his own particles (the fate of all systems, according to Lord Kelvin), Edison studied Einstein’s general theory of relativity.2 The recent solar eclipse had persuaded him, along with the academic scientists he mocked as “the bulge-headed fraternity,” that the theory was valid—even if it failed to suggest any correlation between his attempt to measure the total eclipse of 1878 and his subsequent perfection of incandescent electric light.3
The urtext of the theory, as translated by Robert Lawson, defeated him after only eleven pages. “Einstein like every other mathematical mind,” he scrawled in the margin of his copy, “has not the slightest capacity to impart to the lay mind even an inkling of the subject he tries to explain.” He turned for help to an interpretive essay—Georges de Bothezat’s “The Einstein Theory of Relativity: A Glance into the Nature of the Question”—and filled thirty-one notebook pages with scrawled paraphrases of its main points.4
Gravitation is due to the retardation in velocity of the ultimate particle in passing through the fixed aggregates of matter. Ultimate particles fill the whole of space and proceed in every direction. . . .
He could imagine that at least in terms of his own observation, forty years before, of the thermionic emission of carbon electrons in a lightbulb after evacuation—a mysterious darkening since known as the “Edison Effect.” It was about as far as he ever got in his search for a “new force” in electrochemistry. Disparaged at the time by his peers, he now knew that he had discovered, if not recognized, the phenomenon of radio waves eight years before Heinrich Hertz.
Wireless waves cannot proceed thru space but thru Matter in combination with the ultimate particle. . . . From this, if true, all matter is formed of the same material.
Edison had once teased a science fiction writer with the notion of interchanging atoms of himself with those of a rose. He noted that Einstein envisaged particles in space with common axes converging into solidly constituted “rings,” while others remained ethereal. Hence the “primal ring” of the solar system, with its interplanetary nothingness.
We now have matter in a form which is polar & capable of producing what we call Magnetism & Electricity.
The religion boys, of course, would protest that what drew particles together was the will of God. Edison was as ready as Einstein to believe in a “Supreme Intelligence” made manifest by the order and beauty of the stars, and equally reluctant to personalize it: “I cannot conceive such a thing as a spirit.” The furthest he would go in the direction of metaphysics was to imagine the subcellular particles of a human being as “infinitesimally small individuals, each itself a unit of life.”5
These units work in squads—or swarms, as I prefer to call them—and . . . live for ever. When we “die” these swarms of units, like a swarm of bees, so to speak, betake themselves elsewhere and go on functioning in some other form or environment. If the units of life which compose an individual’s memory hold together after that individual’s death, is it not within the range of possibility . . . that these memory swarms could retain what we call the individual’s personality after the dissolution of the body?
Having thus anticipated by more than a century both swarm intelligence and DNA inheritance theory, Edison gave up trying to understand relativity and returned to the more tangible universe he preferred.
A Big Bump for Cookies
As he saw it, his first order of business in the new decade was to reimpose his own—highly individual—personality upon Thomas A. Edison, Inc., the sprawling industrial conglomerate that he had been forced to neglect during the war. He chose not to notice that it had thereby done much better than it had in earlier years, when he had run its manifold activities—phonograph and record production, movie making, cement milling, storage battery development, and laboratory research—with such autocratic willfulness as to make his executives despair of ever influencing him.
Edison was not an easy man to advise, being a combination of twinkling charm and bruising imperiousness. In his youth the charm had prevailed, but now that he was a septuagenarian and almost unreachably deaf, the urge to overbear had become a compulsion, and he had lost much of the bonhomie that had kept thousands of men working for him, and worshiping him, over the past half-century. Long gone was the perpetual hint of a smile flickering around the corners of his mouth, as if he were about to break into thigh-slapping laughter. The artist Richard Outcault remembered its radiance back in ’89, when “the boys” presented “the Old Man” with a gold and silver phonograph for his birthday. “Edison’s smile! [It] sweetened up the atmosphere of the whole building. . . . As long as I live the sweet spirit that pervaded the atmosphere of the laboratory will always remain with me.”6
Edison still moved with the jerky energy that kept him awake, and acting more decisively, than young men unable to match his eighteen-hour-a-day schedule. He regarded exercise as a waste of time, and sleep even more so. Since he was twenty, he had maintained his 175-pound, five-foot-nine-and-a-half-inch frame with only a few lapses, quickly corrected. (“I do believe I have a big bump for cookies.”) The most remarkable thing about his appearance, apart from the brilliance of the blue-gray eyes, was the largeness of his head, amplified by its thick mop of snowy hair. He wore custom-made size eight-and-a-half straw hats, and slashed the bands of his caps for comfort. His handshake was perfunctory and surprisingly cold. Monomaniacally focused on whatever current project interested him, he strode at a forward angle, hands in vest pockets, aware only of his destination and completely unconscious of time. He never wore a watch, and made no distinction between day and night, nodding off when he felt like it and expecting his assistants to follow suit. The same went for waking up. If two hours of rest was enough for him, he did not see why anyone else should want more.7
Lovable as he was—or had been in the past—Edison did not return affection, beyond the occasional beaming familiarity, in which there was often a note of tease. He thought hurtful practical jokes—electrified washbasins, a wad of chewing tobacco spat onto a white summer suit, firecrackers tossed at the bare feet of children—were funny. Having made money easily all his life, thanks to phenomenal energy and the mysterious gift of imagination (his personal wealth, at latest calculation, was almost $10 million), he was unmoved by the lesser luck or ill fortune of others, and casual about the loneliness of his wives. Now, returning to his laboratory desk in 1920, he was determined to teach Charles Edison a thing or two about running a large corporation.
Review
Praise for the Biographies of Edmund Morris
The Rise of Theodore Roosevelt
Winner of the Pulitzer Prize
“One of those rare works that is both definitive for the period it covers and fascinating to read for sheer entertainment.”—The New York Times Book Review
“A towering biography.”—Time
Theodore Rex
“A masterpiece . . . A great president has finally found a great biographer.”—The Washington Post
“As a literary work on Theodore Roosevelt, it is unlikely ever to be surpassed. It is one of the great histories of the American presidency, worthy of being on a shelf alongside Henry Adams’s volumes on Jefferson and Madison.”—The Times Literary Supplement
Colonel Roosevelt
“Monumental . . . Morris is a stylish storyteller with an irresistible subject.”—The New York Times Book Review
“Hair-raising . . . awe-inspiring . . . a worthy close to a trilogy sure to be regarded as one of the best studies not just of any president, but of any American.”—San Francisco Chronicle
--This text refers to the hardcover edition.
The Rise of Theodore Roosevelt
Winner of the Pulitzer Prize
“One of those rare works that is both definitive for the period it covers and fascinating to read for sheer entertainment.”—The New York Times Book Review
“A towering biography.”—Time
Theodore Rex
“A masterpiece . . . A great president has finally found a great biographer.”—The Washington Post
“As a literary work on Theodore Roosevelt, it is unlikely ever to be surpassed. It is one of the great histories of the American presidency, worthy of being on a shelf alongside Henry Adams’s volumes on Jefferson and Madison.”—The Times Literary Supplement
Colonel Roosevelt
“Monumental . . . Morris is a stylish storyteller with an irresistible subject.”—The New York Times Book Review
“Hair-raising . . . awe-inspiring . . . a worthy close to a trilogy sure to be regarded as one of the best studies not just of any president, but of any American.”—San Francisco Chronicle
--This text refers to the hardcover edition.
About the Author
Edmund Morris was born and educated in Kenya and attended college in South Africa. He worked as an advertising copywriter in London before immigrating to the United States in 1968. His first book, The Rise of Theodore Roosevelt, won the Pulitzer Prize and the National Book Award in 1980. Its sequel, Theodore Rex, won the Los Angeles Times Book Prize for Biography in 2001. In between these two books, Morris became President Reagan’s authorized biographer and wrote the national bestseller Dutch: A Memoir of Ronald Reagan. He then completed his trilogy on the life of the twenty-sixth president with Colonel Roosevelt, also a bestseller, and has published Beethoven: The Universal Composer and This Living Hand and Other Essays. Edison is his final work of biography. He was married to fellow biographer Sylvia Jukes Morris for fifty-two years. Edmund Morris died in 2019.
--This text refers to the hardcover edition.
Product details
- ASIN : B07NCMDWZD
- Publisher : Random House (October 22, 2019)
- Publication date : October 22, 2019
- Language : English
- File size : 71533 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 737 pages
- Lending : Not Enabled
- Best Sellers Rank: #55,472 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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Reviewed in the United States on November 2, 2019
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Morris chose to write this book in decade-long chapters, but then presented them in reverse. The first chapter, I.e. the last years of his life, was fine, but then in the second chapter one must often take note that the chapter is a prelude to the one already read, and events that on the surface seem out of context must be taken that way. About page 240 I hit upon the idea of going to the back to the last chapter, and when read in that manner the book is great. I recommend that anyone reading the book likewise discard the loony structure of Morris and read the book by chapters in reverse.
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Reviewed in the United States on November 8, 2019
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Other reviewers have hit the mark. However, the inverse chronology is a mystery to me. Suspecting that the author (and his complicit editor) had good reason to order the sections in reverse sequence, I plowed through from the beginning of the book. Then in Part Three I started noticing footnotes on the order of 'see Part Four' (page 236). It is sort of like watching a four-reel movie beginning with reel #4 then proceeding to #3, etc.. Finally, having completed Part 4 (midway through the book) I decided: enough! So I turned to Part 8 and started reading backwards. That worked just fine, and that's what I recommend you consider doing.
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Reviewed in the United States on November 30, 2019
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Edmund Morris' nearly 800 page biography of Thomas Edison bears the signs of a brilliant biographer. Although he seems sometimes to be too much of a fan of his subject, the book does not sugarcoat Edison's flaws as a self centered man with little time for family and friends.
The level of detail of this book, especially with regard to the scientific experiments, is stunning. Few, if any, other authors could have pulled it off. I don't have a science background myself, and the book honestly lost me more than once with technical jargon.
But the oddest feature of the book, is that Edison's life is presented in decade long chapters that run from Edison's death to his birth. Within each chapter events are presented chronologically, but at the end of say the chapter about Edison in his thirties, the book jumps back to Edison in his twenties. I cannot for the life of me imagine why the author did this. I admire Morris' work greatly, so I don't think that it was a mistake, but I am drawing a complete blank as to why the book was presented like this.
Recommended, but you might want to try reading the last chapter first, then the next to last, etc.
The level of detail of this book, especially with regard to the scientific experiments, is stunning. Few, if any, other authors could have pulled it off. I don't have a science background myself, and the book honestly lost me more than once with technical jargon.
But the oddest feature of the book, is that Edison's life is presented in decade long chapters that run from Edison's death to his birth. Within each chapter events are presented chronologically, but at the end of say the chapter about Edison in his thirties, the book jumps back to Edison in his twenties. I cannot for the life of me imagine why the author did this. I admire Morris' work greatly, so I don't think that it was a mistake, but I am drawing a complete blank as to why the book was presented like this.
Recommended, but you might want to try reading the last chapter first, then the next to last, etc.
39 people found this helpful
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Reviewed in the United States on November 26, 2019
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Totally second WaldoB's comments. A highly informative book ruined by Morris' curious way of presenting Edison's life in reverse chronological order. Fortunately I have read other (much better) books on Edison, and if I hadn't, I would have been totally lost in the first chapter covering Edison's later life if I didn't already have some prior context and knowledge base to fall back on. Because the reverse chronology loses the obvious thread of progression through his life and makes for some heavy reading, I'm giving it a 3, which however is frankly probably a bit generous.
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Reviewed in the United States on August 11, 2019
Edmund Morris is best known as the author of an acclaimed triptych on Theodore Roosevelt. He’s one of the best of the notable group of popular historians who rose in the 1970s and 1980s, continuing to the present day. As academe retreats into insularity, historians such as Morris and David McCullough have brought history and biography to life for millions of Americans.
Morris’s decision to engage the life and legacy of Thomas Alva Edison is inspired. His deep study of Theodore Roosevelt positioned him well both to comprehend the significance of Edison and do the granular work to bring an increasingly distant figure to life.
As with TR, Edison’s life and work is singular and of a piece with his own time. Morris also demonstrates how strikingly relevant many aspects of their era is to our own. The transformational changes in technology, culture, and politics now underway are no more profound than those of a century ago. One could argue that the people of that time faced greater challenges.
His debut biography, 'The Rise of Theodore Roosevelt,' is memorable for the match of Roosevelt’s larger-than-life early years with Morris’s literary sensibility. His subsequent works have shown greater and lesser success in his attempts to create, in Roosevelt’s words, history as literature.
Morris struggled with the limitations of the biographical genre in his authorized biography of President Reagan, 'Dutch.' It’s a commonplace that the decisions of the non-fiction writer, adhering closely to the facts, may nonetheless depart from ultimate understanding or truth. Unable to get hold of Reagan as a political and cultural figure, Morris inserted himself as a fictional narrator, commenting on real-life events. The result was disappointing if not tragic; he was the late president’s authorized biographer, accorded rare access to the administration and its papers.
In 'Edison,' Morris faced the task of introducing the life and times of a figure whose accomplishments literally transformed the reality of life for his nation and the entire planet. The inventor emerges as not an entirely appealing personality. His legendary capacity for concentration and extended work was accompanied by strained personal and professional relationships. Edison was a great inventor by any reckoning. He was also remote and callous.
Morris reverses the chronology of Edison’s life. He opens with his subject’s death. This enables him to establish Edison’s significance and recognition by his contemporaries. Morris then moves backwards, dividing the life of the “Wizard of Menlo Park” by the subjects of his work.
It’s as if Edison is a great tree that Morris prunes and finally cuts to its core, its roots. The “rosebud” moment, in Morris’s rendering, is Edison’s childhood loss of hearing. This is at once poignant—Edison’s inventions including breakthroughs in the transmission and recording of sound—and explanatory of the separation that was a foundation of his professional achievements and personal limitations.
'Edison' is meticulously researched and beautifully written. The book itself is well designed and formatted, with apt illustrations. It will likely not be regarded as highly as Morris’s’ work on Roosevelt. That may be an unapproachable standard. Nonetheless, it's a brilliant introduction to an American original and his world.
Morris’s decision to engage the life and legacy of Thomas Alva Edison is inspired. His deep study of Theodore Roosevelt positioned him well both to comprehend the significance of Edison and do the granular work to bring an increasingly distant figure to life.
As with TR, Edison’s life and work is singular and of a piece with his own time. Morris also demonstrates how strikingly relevant many aspects of their era is to our own. The transformational changes in technology, culture, and politics now underway are no more profound than those of a century ago. One could argue that the people of that time faced greater challenges.
His debut biography, 'The Rise of Theodore Roosevelt,' is memorable for the match of Roosevelt’s larger-than-life early years with Morris’s literary sensibility. His subsequent works have shown greater and lesser success in his attempts to create, in Roosevelt’s words, history as literature.
Morris struggled with the limitations of the biographical genre in his authorized biography of President Reagan, 'Dutch.' It’s a commonplace that the decisions of the non-fiction writer, adhering closely to the facts, may nonetheless depart from ultimate understanding or truth. Unable to get hold of Reagan as a political and cultural figure, Morris inserted himself as a fictional narrator, commenting on real-life events. The result was disappointing if not tragic; he was the late president’s authorized biographer, accorded rare access to the administration and its papers.
In 'Edison,' Morris faced the task of introducing the life and times of a figure whose accomplishments literally transformed the reality of life for his nation and the entire planet. The inventor emerges as not an entirely appealing personality. His legendary capacity for concentration and extended work was accompanied by strained personal and professional relationships. Edison was a great inventor by any reckoning. He was also remote and callous.
Morris reverses the chronology of Edison’s life. He opens with his subject’s death. This enables him to establish Edison’s significance and recognition by his contemporaries. Morris then moves backwards, dividing the life of the “Wizard of Menlo Park” by the subjects of his work.
It’s as if Edison is a great tree that Morris prunes and finally cuts to its core, its roots. The “rosebud” moment, in Morris’s rendering, is Edison’s childhood loss of hearing. This is at once poignant—Edison’s inventions including breakthroughs in the transmission and recording of sound—and explanatory of the separation that was a foundation of his professional achievements and personal limitations.
'Edison' is meticulously researched and beautifully written. The book itself is well designed and formatted, with apt illustrations. It will likely not be regarded as highly as Morris’s’ work on Roosevelt. That may be an unapproachable standard. Nonetheless, it's a brilliant introduction to an American original and his world.
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Top reviews from other countries
Arend Smid
5.0 out of 5 stars
It's a book.
Reviewed in Canada on December 18, 2019Verified Purchase
Educational..?
Manoranjan Mishra
5.0 out of 5 stars
Wonderful reading
Reviewed in India on March 5, 2020Verified Purchase
Great I bought the aothor's book on Theodore Roosevelt
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