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The Elements of Style, Fourth Edition 4th Edition
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Review
"...a marvellous and timeless little book... Here, succinctly, elegantly and without fuss are the essentials of writing clear, correct English."
John Clare, The Telegraph
From the Back Cover
Some acclaim for previous editions:
"Buy it, study it, enjoy it. It's as timeless as a book can be in our age of volubility."
― The New York Times
"No book in shorter space, with fewer words, will help any writer more than this persistent little volume."
― The Boston Globe
"White is one of the best stylists and most lucid minds in this country. What he says and his way of saying it are equally rewarding."
― The Wall Street Journal
"The book remains a nonpareil: direct, correct, and delightful."
― The New Yorker
". . . Should be the daily companion of anyone who writes for a living, and for that matter, anyone who writes at all."
― Greensboro (N.C.) Daily News
"This excellent book, which should go off to college with every freshman, is recognized as the best book of its kind we have."
― St. Paul Dispatch – Pioneer Press
"It's hard to imagine an engineer or a manager who doesn't need to express himself in English prose as part of his job. It's also hard to imagine a writer who will not be improved by a liberal application of The Elements of Style."
― Telephone Engineer & Management
About the Author
William Strunk, Jr. first used his own book, The Elements of Style, in 1919 for his English 8 course at Cornell University. The book was published in 1935 by Oliver Strunk.
E. B. White was a student in Professor Strunk's class at Cornell, and used "the little book" for himself. Commissioned by Macmillan to revise Strunk's book, White edited the 1959 and 1972 editions of The Elements of Style.
- ISBN-109780205309023
- ISBN-13978-0205309023
- Edition4th
- PublisherPearson
- Publication dateJuly 23, 1999
- LanguageEnglish
- Dimensions7 x 4.5 x 0.3 inches
- Print length105 pages
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Product details
- ASIN : 020530902X
- Publisher : Pearson; 4th edition (July 23, 1999)
- Language : English
- Paperback : 105 pages
- ISBN-10 : 9780205309023
- ISBN-13 : 978-0205309023
- Reading age : 14 years and up
- Item Weight : 1.76 ounces
- Dimensions : 7 x 4.5 x 0.3 inches
- Best Sellers Rank: #3,014 in Books (See Top 100 in Books)
- Customer Reviews:
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About the author

William Strunk Jr. (1 July 1869 – 26 September 1946), was a professor of English at Cornell University and author of the The Elements of Style (1918). After revision and enlargement by his former student E. B. White, it became a highly influential guide to English usage during the late 20th century, commonly called Strunk & White.
Bio from Wikipedia, the free encyclopedia.
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[Summary]
"Vigorous writing is concise...., but that every word tell" E.B. White who became the coauthor who expanded Strunk's work called this as "master[ly] Strunkian elaboration" (xv). The authors of Element of Style not only obsessed with words but also pleaded writers not to waste any word. Their calling of writers to concise and precise writing has been appealing for half century. They begin Style from specific rules of guidance to broad and thematic traits for composition. Readers learn about how to use commas for listings, how to write dates and common abbreviations, use of restrictive clauses, when to break clauses--and how to break them--, why one should not use `s (apostrophe s) when related to Moses and Jesus but use it in other cases even if the word ends in -s.
Then in the second chapter the authors toned down a little dealing with principles of English composition. Unlike the first chapter, which originally had seven rules but expanded into eleven, this chapter preserved its original eleven principles from Strunk. He suggested principles that many of them now became a kind of norm for most academic writings: begin a paragraph with a topic sentence; use positive language; use definite, specific, and concrete language if available; avoid a successive loose construction; group conjunctions in similar tone; keep related word together, and also keep the same tense throughout if possible; push your emphasis toward the end of a sentence.
In the next three chapters White tried to catch time by supplementing recent and relevant materials to consider for modern writers. Few matters of form (chapter 3) is a culmination of writing tips that can only be found in fragments in various sources. Chapter four "Misused Words and Expressions" so useful that even Grammar Girl often makes reference to some of them. What could have been lacking for a clear writing in 1950s has been supplemented by these last three chapters through White's revision, and even critical readers cannot deny their usefulness to find information in one book.
[Critical Evaluation]
The unseen success of Style motivated many similar works to follow. Probably three more well-known classics followed its success would be John R. Trimble's Writing with Style, William Zinsser's On Writing Well: The Classic Guide to Writing Nonfiction, and Joseph M. Williams' (or Williams's) Style: The Basics of Clarity and Grace. Tremble began stressing that writing is a simple conversation between author and his reader. He emphasized, unless Strunk, importance of personal characteristic and creative style of the author which readers appreciate more than rigid style. Giving more authority to readership seemed to continue in the field of giving advice for writing, as if some writers were unhappy with Strunk, with a new book from Zinsser writing is something that cannot be contained in rules and principles but endless craftsmanship. Nevertheless, next two decades from 1980s toward the beginning of the new millennium more students became incompetent in their writing styles and such a tendency called for more strict guidelines. Another huge success of Style by Joseph Williams questions if writing is another discipline to be learned and followed under certain equations like mathematics or it is a privileged realm of some people naturally know how to write well.
Strunk and other authors do not necessarily compete each other to push across their thesis, but writers--who are main readers of their works--still struggle to find clear advice on their writings. It is only a matter of degree whether this confusion would be greater without works like Strunk or even with it. Overall in many ways Strunk's work cannot be avoided or neglected for any serious writer, because he not only proposed a specific way to a better writing. It was a bold--if not audacious--thesis that he brought into discussion in the first place. It has been useful to students, publishers, editors, and other professional writers, and now with lack of literary competency of new generation of students its need seems to be imperative again. With wide spread of Internet usage someone, like Strunk, must tell students "do's and don'ts" for their poor writings for Internet totally substituted personalized jargons with words with concision and precision.
That said, I think that few things suggested in the book should be scrutinized more critically such as use of the first person pronoun (e.g., "I" in this sentence), passive voice indicative verb (e.g., "be scrutinized"), gender-neutral pronouns, and splitting of infinitives. Especially the use of an active voice verb seems imperative in writing for it is preferred and suggested by all writers discussed above. Strunk and White asserted, "The active voice is usually more direct and vigorous than the passive." Their central claim for Style seems to cohere with this point as well. However, if readers seems to deserve more elaborated description about the passive, because these authors are not arguing for all writings but from general perspective. Such as writing for the field of science, legal, politics, history and any disciplines require unbiased and rational fact-report should allow passive voice, if not even prefer it, to be equal option for composition. And (by the way this would be another strike for common rules of writing to begin with a conjunction "and") the Bible has this strong passive called theological passive that whenever the agent is God the Scripture uses passive even omitting the subject. For example, the beatitudes in Matthew 5 are all in this theological passive yet no one ever complains it weaker than active. Readers tend to consider it warranted that Strunk's Style lists absolute rules, but authors do not seem to profess that. Therefore, readers should read Style critically just like any other books they read thus.
Conclusion
"Little book" as Style is first called even through revisions it remains little in size, but its impact and challenge have grown to be undeniable in many excellent writings. The unexpected harmony and partnership of Strunk and White's have fulfilled their central claim successfully, namely clarity of writing still comes from concision and precision. However, it is readers's (or readers') duty to read everything, even Style critically, and henceforth rather than considering their rules and principles as rigid laws they should follow them as accompanying guidelines for their writings. And that is what I do whenever I write something with desire to fully craft for it to be recognized with excellence.
Some time later, when I was doing research, writing papers, and beginning my thesis work, a light went off in my head. I remembered an internship I had where my mentor told me to pick up a copy of a writing handbook, and for some reason I kept thinking "Charlotte's Web?" in my head. I Googled the book and eventually found Strunk and White. The day I got it I instantly recognized its value.
Tucked away in this short and concise little book are gold nuggets of information. Besides the well known tips about prepositions and run ons, there are well-written examples of commonly misused words, such as "comprise" and "effectual". The examples are hilarious and perfectly suited for instruction. The book is not a disorganized lump of opinions about writing style, rather it is well sorted with bold and italics to set off rules and lists about certain elements of style that should be considered by any writer.
I give this book as a gift to anybody taking on a writing endeavor, and I keep my own copy on my bookshelf at work. I was tempted to put "As a matter of fact (comma)" at the beginning of the previous sentence, but Strunk would slap my hand for that. It is a useless phrase that adds no value to the sentence.
At work, we are constantly writing technical reports and proposals and I often reach for this book when I'm attempting to clean up my mental-fatigued ramblings. I should have had this book in my teaching years, and if I could go back, I'd pay for all of the books myself if it meant the kids would keep their copy for their personal collection.
On a practical note, buy this book in addition to "The Little, Brown Handbook" by Fowler. Between the two of them you will be well equipped to tackle the complexities of technical or descriptive writing.
Top reviews from other countries
Reviewed in Brazil on December 31, 2021
E-BOOK
I bought the E-book first and cannot recommend it. Unless you are keen on feasting your eyes on poor formatting, do not buy the E-Book version. The author makes examples side by side to show what a false sentence and a correct sentence look like, easy for the reader to differentiate. In the E-book, these sentences get jumbled and thrown together, creating a self-repeating monstrosity of unsalvagable caliber.
Tl;dr: Do not buy the E-book.
HARDCOVER
After my experience with the Ebook, I bought the hardcover. Lo and behold, sentences started to make sense again.
In 21 chapters the book manages to effectively and succinctly describe rules of grammarian conduct rules such as the use of possessive singulars, serial commas, the relationship between conjunctions, adverbs, and commas, when and when not to use a colon, semi-colon, or a dash, etc.
Furthermore, the book contains information about composition of paragraphs and sentences and a list of common errors that are to be avoided.
To summarise: The book is a small bible for grammarian conduct rules for writers and the grammatically inclined.
Tl;dr: Buy the Hardcover. The book is fantastic.
Now for the book. The size of the book surprised me for a while but I had read, in Stephen King's Memoir on Wiritng included, that this tiny book serves as a starter for every serious writer. And it's just that. Right from cutting out unnecessary words to punctuation, to principles of composition, this book will provide you the basic tools for writing as a novice writer.
I intend to keep this book handy whenever I write and that says a lot about how good this book is because I HATE self help and how-to books.




![The Elements of Style [Illustrated]](https://images-na.ssl-images-amazon.com/images/W/MEDIAX_792452-T1/images/I/61tPDgfRSfL._AC_UL160_SR160,160_.jpg)
















