- Paperback: 400 pages
- Publisher: Mariner Books; Revised edition (October 4, 2011)
- Language: English
- ISBN-10: 0547744943
- ISBN-13: 978-0547744940
- Product Dimensions: 5.5 x 0.9 x 8.2 inches
- Shipping Weight: 9.6 ounces (View shipping rates and policies)
- Average Customer Review: 4.4 out of 5 stars See all reviews (2,292 customer reviews)
- Amazon Best Sellers Rank: #53,022 in Books (See Top 100 in Books)
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Elizabeth Street Paperback – October 4, 2011
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Book Description: In Elizabeth Street, Laurie Fabiano tells a remarkable and previously unheard story of the Italian immigrant experience at the start of the 20th century. Culled from her own family history, Fabiano paints an entrancing portrait of Giovanna Costa, who, reeling from personal tragedies, tries to make a new life in a new world. Shot through with the smells and sights of Scilla, Italy, and New York’s burgeoning Little Italy, this intoxicating story follows Giovanna as she finds companionship, celebrates the birth of a baby girl, takes pride in a growing business, and feels a sense of belonging on a family outing to Coney Island.
However, these modest successes are rewarded with the attention of the notorious Black Hand, a gang of brutal extortionists led by Lupo the Wolf. As the stakes grow higher and higher, readers share with Giovanna her desperate struggle to remain outside the fray, and then to fight for--and finally to save--that which is important above all else: family.
Amazon Exclusive: Maria Laurino Reviews Elizabeth Street
Maria Laurino is the author of the memoirs Old World Daughter, New World Mother, a meditation on contemporary feminism, and the national bestseller, Were You Always an Italian?, an exploration of ethnic identity. Laurino's journalism has appeared in numerous publications, including the New York Times and The Nation, and her essays have been widely anthologized. Read her exclusive guest review of Elizabeth Street:
When readers first meet Giovanna Costa, the protagonist of Elizabeth Street, she is a young woman about to get married in the small Italian fishing village of Scilla, situated between the Calabrian coast and Sicily’s Aeolian Islands. The town is home to the ancient story of Scylla, the once beautiful nymph turned mythical monster that devoured sailors trying to navigate the Straits of Messina. Midway through Laurie Fabiano’s page-turning novel, which is based on her own family history, Giovanna has landed in the New World but finds herself lodged between Scylla and Charybdis. She arrives grief stricken in New York after her beloved husband, Nunzio, has been killed on a badly managed construction site in Brooklyn. Eventually she will settle into an arranged second marriage, but her troubles continue to multiply. Giovanna will be forced to combat the nefarious forces of the Black Hand, the precursor to the Italian-American Mafia, which has threatened to tear apart her new family.
Supporting herself in New York first as a midwife, Giovanna teams up with a woman doctor from northern Italy. The two become close friends and the doctor shares medical knowledge that Giovanna will combine with her holistic midwifery skills. But Giovanna’s fate changes after deciding to open a small fruit and vegetable market with her new husband. The store is an easy source of potential revenue for criminals offering "protection services," and soon Giovanna’s family becomes their prey. With the same mix of disciplined study and the pinch of southern Italian mysticism that she applied to midwifery, Giovanna will take on the ruthless organized crime syndicate that has kidnapped her daughter and murdered the police lieutenant assigned to protect the neighborhood.
Mario Puzo once claimed, years after writing The Godfather, that he had based the infamous character of Don Corleone on his mother. Fabiano has created in Elizabeth Street a southern Italian heroine fighting those criminal forces that have long victimized poor and vulnerable immigrants. In this multigenerational, well-researched tale, the reader also learns interesting details of the common struggles facing southern Europeans coming to America--how, for instance, Ellis Island inspectors were instructed to mark northern and southern Italians as two separate races; and how the wages for common laborers in parts of the country were divided into three categories, the highest salary paid to "whites," the middle scale for "coloreds," and the lowest amount to "Italians."
Elizabeth Street is both a fascinating immigrant story and an intimate portrait of how a first-generation American--and the author’s own great-grandmother--outwits one of the most brutal crime organizations of the early 20th century. --Maria Laurino
--This text refers to the Audio CD edition.
First novelist Fabiano is dead-on in her portrait of the Italian-American immigrant experience. This engrossing cross-generational saga centers on the experiences of Giovanna Costa, from the small Italian fishing village where she is born to the bustling streets of New York's Lower East Side where she struggles to raise her family and make a living as a midwife after the death of her first husband. In America, the resourceful Giovanna and her second husband eventually open a fruit and vegetable stand, attracting the unwanted attentions of the notorious “Black Hand” crime organization. When Giovanni refuses to meet their demands, her daughter is kidnapped and held for ransom. Basing this story--including the kidnapping--on her own family's immigrant experiences, Fabiano provides a wealth of period detail, infusing the compulsively readable narrative with an authentic sense of time, place, and community. --Margaret Flanagan --This text refers to the Audio CD edition.
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Top customer reviews
Fabiano transfers her family story and flip flops from the early 20th century to the 1960’s, 70’s and 80’s. The story is related to us in broken Italian and broken English and is written to be read at a fast pace and with great interest. Very well done!
Think about your own family history. Attempting to recount the intimacies and intricacies of generations of all your relatives is mind boggling. Fabiano has managed to do that in impeccable style that generates familiarity, interest, and continuity to her Italian lineage. You get to know each person and their contribution to the family history. She is amazing in her ability to keep it all coherently assembled, manage the dialogue in such believable terms, and to weave it into a story that is absolutely riveting. Her characterizations will have you glued to the individual motivations she portrays. The novelization of true events was a smart decision because it generated the ability to fill unavoidable gaps in memory.
I was recently critical in one of my reviews about an author who injected too many foreign words and phrases into her novel. It made reading difficult and turned the book into an almost comical charade and a stereotypical portrayal of the French people she was portraying. Fabiano also did that with her usage of Italian, but she was more skilful in her application. Even though Italian was heavily used, the dialogue and descriptions were easy to follow because of the way she presented them. It added realism and a sense of being involved in the family's struggle against both natural elements and the human environment.
Fabiano's description of the earthquake that rocked Italy in 1908 was intense and brought focus to the closeness of her family ties. The coarse and gritty life of Italian immigrants crossing the Atlantic and then getting established in a chaotic New York City was portrayed with clarity and emotion, as was Giovanna's relentless fight against the Black Hand's extortion attempts and kidnapping of her daughter.
A third thing has surprised me here. I'm astonished at the publishing history of this book because obviously someone missed the incredible story and writing skills of the author when it was first presented in 2006. This book is a treasure in both its concept and implementation and should have been available much earlier. I look forward to future writings of Laurie Fabiano.
[Tired of your sixty-minute commute, in an air-conditioned behemoth, to your air-conditioned office? How’d you like to try walking three hours each way, to work as a bottom-rung common laborer; like Italian immigrant Nunzio Pontillo was wont to do, in 1901 New York City? Me neither.]
Almost without regard to ethnicity, many of our immigrant ancestors, probably most, lived incredibly hard lives. None more so, perhaps, than those from the south of Italy—where deep-rooted cultural suspicions and superstitions were often a cause of additional grief. So distrusting of almost everyone not of their immediate family, southern Italians in America often shouldered the extra burden of suffering horrendous tragedy silently and alone.
Despite some technical annoyances, ELIZABETH STREET: A Novel Based on True Events, by Laurie Fabiano is an amazing story. Just run a character or two through Ellis Island, then settle them on New York’s Lower East Side; and I’m putty in your hands. I usually enjoy stories about the American immigrant experience, and ELIZABETH STREET is one of the better, one of the most authentic feeling, I’ve read in a while. It effectively bares the fact that the Mafia’s forerunner, i.e. The Black Hand, was neither glamorous nor organized; but it was frightening. Terror and superstition were the main sources of power for those 'schifosi'—lowlifes and thugs.
Recommendation: Anyone with even an inkling of an affinity for the Italian-American immigrant experience should experience this novel. It offers historical fiction at its best.
“CROTON RESERVOIR DAILY WAGE:
Common laborer, white $1.30–$1.50
Common laborer, colored $1.25–$1.40
Common laborer, Italian $1.15–$1.25”—page 25
Kindle edition, 388 pages