Carnival sideshows, train robbers and mummies all have an inevitable draw. But in this thoughtful account of one iconic American outlaw, journalist and poet Svenvold uses these topics to examine a deeper issue: the origin of American entertainment obsessions. With a languorous storyteller's flair, Svenvold thoroughly teases out the story of Elmer McCurdy, a "screw-up and ne'er-do-well bandit bungler who had accidentally achieved fame long after death." McCurdy's "pathetic, nine-month crime spree" of attempted train robberies-long after the end of the great era of train robbers-opens this well-drawn story, which focuses more on McCurdy's afterlife, when his mummified body was passed from traveling circus to wax museum to its final resting place, a graveyard in Oklahoma, where the body of the outlaw, who had become larger than life, was ultimately transformed into a "site, a locus, a mirror of the fantasy life of an American public." The account becomes a meditation on fame and death and our nostalgia for the romantic myth of the American West. Svenvold pays homage to and expands on his predecessors' work-Richard Basgall's The Career of Elmer McCurdy, Deceased and a BBC documentary-offering rich treatments on everything from circus life to care of cadavers. While he may not be the first to offer the facts of this wonderfully bizarre story, Svenvold's evocative treatment will lure in anyone looking for a well-spun tale.
Copyright 2002 Reed Business Information, Inc.
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